These are the instrumental parts for John Tavener's To A Child Dancing In The Wind for Soprano Flute/Alto Flute Viola and Harp. The entire work lasts around 30 minutes and sets a number of poems byW.B. Yeats considered by Tavener as one of the greatest poets of the 20th century. To A Child Dancing In The Wind?was commissioned by the Little Missenden Festival and firstperformed on 16th October 1983 at Little Missenden Parish Church. John Tavener is well-known for his extensive catalogue of religious music but occasionally he was drawn to less overtlysacred sources. The ?frailty tenderness and spiritual transparency of Yeats? poetry? inspired this song-cycle from 1983 for Soprano Flute Harp and Viola. Tavener held Yeats in high regard and was to return to hispoems in later works such as Mini Song-Cycle for Gina (1984) A Nativity (1985) and Supernatural Songs (2003). To A Child Dancing In The Wind is dedicated to Tavener?s first wife VictoriaMaragopoulou.

Parts for Pelle Gudmundsen-Holmgreen's Quodlibet for Baritone String Quartet and Piano (or Harp) dating from 2009. Written for Leigh Melrose and the Hebrides Ensembleon the occasion of Sir Peter Maxwell Davies’s 75th birthday. The text paraphrases fragments of William Shakespeare: 'Music to Hear'and John Dowland: 'Flow my Tears'.

This book is the second volume of arrangements for the Celtic harp by MonikaMandelartz. The material encompasses diverse songs and tunes from the British Isles, commonly described as 'Celtic Music'. This type of music is often associated with the English publisher John Playford. In the 17th century, he published The English Dancing Master, which contains traditional music as well as tunes of his day (up to the Renaissance). Author Monika Mandelartz, a specialist in historical performance practice, followsPlayford's tradition by arranging parts of the collection for Celtic harp. Thereby, Mandelartz points out that her arrangements constitute a 'snapshot in time'. Her workemphasizes the idea that lively music always allows for change and variation - it must in order to survive. The book includes tunes such as De`il Take the Wars, Scot Cap (Edinburgh Castle), Upon a Summer's Day, Parson's Farewell, Welcome Home Old Rowland, Dissembling Love (The Lost Heart), An Italian Rant, Porter's Lament, Greenesleeves and Pudding Pies (Greenesleeves and Yellow Lace), Jenny Pluck Pears, Remember Me My Deir, Enfield Common, The Sword Dance, and Drive the Cold Winter Away. This book is the second volume of arrangements for the Celtic Harp by Monika Mandelartz. The material encompasses diverse songs and tunes from the British Isles, commonly described as 'Celtic Music'. This type ofmusic is often associated with the English publisher John Playford. In the 17th century, he published The English Dancing Master, which contains traditional music as well as tunes of his day (up to the Renaissance). Author Monika Mandelartz, a specialist in historical performance practice, follows Playford's tradition by arranging parts of the collection for Celtic Harp. Thereby, Mandelartz points out that her arrangementsconstitute a 'snapshot in time'. Her work emphasizes the idea that lively music always allows for change and variation - it must in order to survive. The book includes tunes such as De`il Take the Wars, ScotCap(Edinburgh Castle), Upon a Summer's Day, Parson's Farewell, Welcome Home Old Rowland, Dissembling Love (The Lost Heart), An Italian Rant, Porter's Lament, Greenesleeves and Pudding Pies (Greenesleeves and Yellow Lace), JennyPluckPears, Remember Me My Deir, Enfield Common, The Sword Dance and Drive the Cold Winter Away./ Recueil / Harpe

This book is the second volume of arrangements for the Celtic Harp by Monika Mandelartz. The material encompasses diverse songs and tunes from the British Isles commonly described as 'Celtic Music'.This type ofmusic is often associated with the English publisher John Playford. In the 17th century he published The English Dancing Master which contains traditional music as well as tunes of his day (up to the Renaissance).AuthorMonika Mandelartz a specialist in historical performance practice follows Playford's tradition by arranging parts of the collection for Celtic Harp. Thereby Mandelartz points out that her arrangementsconstitute a 'snapshot in time'. Her work emphasizes the idea that lively music always allows for change and variation - it must in order to survive. The book includes tunes such as De`il Take the Wars ScotCap(Edinburgh Castle) Upon a Summer's Day Parson's Farewell Welcome Home Old Rowland Dissembling Love (The Lost Heart) An Italian Rant Porter's Lament Greenesleeves and Pudding Pies (Greenesleeves and Yellow Lace) JennyPluckPears Remember Me My Deir Enfield Common The Sword Dance and Drive the Cold Winter Away.

The Great Silence (setting Edward Thomas' poem Snow) was commissioned by Timothy Brown and the Choir of Clare College Cambridge. It was premiered under the direction of Timothy Brown in St John's Smith Square London on 16th December 2009.For SATB chorus and Harp.

Book 3-Edited by David Watkins Professor of Harp at the Guildhall School in London. Set for the Associated Board examinations Grade 7.CONTENTSARNE Thomas: Sonata No. 3 in G major; Sonata No. 3 in G minor; Sonata No. 7 in A majorPARRY John: Sonata in D major

Edited by David Watkins Professor of Harp at the Guildhall School in London.CONTENTSBLOW John: Mortlack's GroundCROFT William: Ground; SarabandePURCELL Henry: Air (Z.T 676); Ground (Z.D 222); Hornpipe (Z.T 683); Hornpipe (Z.T 685); Round O (Z.T 684); Suite No. 1 in G (Z. 660); Suite No. 8 in F (Z. 669)

Ce numéro contient des chants et des danses des îles britanniques anciens sélectionnés. Ils reflètent la richesse variant de la musique de la période et sont édités pour flûte et harpe celtique. La plupart des pièces recueillies ici proviennent de la collection de John Playford, un célèbre éditeur anglais du 17e Siècle. Le son de cette musique parle aux gens d'aujourd'hui d'autant plus que nous kidnapper les mélodies et les harmonies dans un monde enchanteur et mystérieux. Monika Mandelartz, un spécialiste dans la pratique d'exécution historique, joue de la harpe, clavecin et flûte à bec. Elle enseigne à l'Ecole de Musique d'Etat de Hambourg et est l'auteur de nombreuses éditions de musique. (52 + 28 pages - Livre + insert). / Flûte Et Harpe

arranged for harp by Sylvia Woods. Features Sylvia Woods' expert harp arrangements of 13 Denver favorites: Annie's Song · Dreamland Express · Fly Away (easy and advanced arrangements) · Follow Me · For Baby (For Bobbie) · For You · Goodbye Again · I'm Sorry · Leaving on a Jet Plane · My Sweet Lady · Perhaps Love · Sunshine on My Shoulders. Includes lyrics. Spiral-bound. Ask about our other harp books by Sylvia Woods!