Band 2: Nr. 13 - 24. Par MUFFAT GOTTLIEB. Der in Wien erzogene Fux-Schüler Gottlieb Muffat (1690-1770) stand bisher im Hintergrund seines Vaters Georg. Mit dieser Ausgabe und der vorhergehenden der 32 Ricercati und 19 Canzonen sind neben seinen zwei Orgelmessen und den 72 Versetten und 12 Toccaten nun endlich seine wichtigsten Werke breitest wieder zugänglich. Während Muffat in den Ricercati den Stylus gravis vorführt, geht es ihm bei seinen 24 Pedaliter-Toccaten um den Stylus phantasticus, den er mit viel Spielfreude in z. T. mehrteiligen Sätzen zeichnet und diese mit arien- oder tanzartigen Capriccii krönt/ Répertoire / Orgue

Two variations from Enigma. W.N. stands for Winifred Norbury a friend Elgar regarded as particularly easygoing and the music reflects this. A single violin note links into the next variation; the famousNimrod which is written about his best friend Augustus Jaeger and reflects the strength of the friendship and the noble character of Jaeger although it is now commonly used for solemn occasions such as funerals andremembrance services.

The Complete Buxtehude Organ Works in a five volume performing edition.This truly reliable and comprehensive edition of Buxtehude’s Organ works is based on the latest musicological research. Editions published previously were either incomplete or editorial amendments were not identified as such.Primarily a practical edition these volumes reflect the state of the art in Buxtehude scholarship. Each volume includes a comprehensive preface (German/English) and every editorial decision is available for examination in the critical report.All volumes also available separately: Set BA 8220; separate BA 8221-8223 BA 8404 BA 8405.Volume 5 BA8405.Chorale Settings Mi-W BuxWV 76 207-224.Appendix: O lux beata trinitas / Der du bist drei in Einigkeit BuxWV 216 Fragment.Muss der Tod denn auch entbinden (zu BuxWV 76).

Not all Lef'©bure-W'©ly's music is as technicolour as his famous Sortie in B flat. Here is a collection of twelve lovely pieces.

This collection contains settings from the late Romantic period through to the Early Modern. It sets a new standard in terms of the range and the broad stylistic features of popular as well as unknown compositions. Included are original Ave-Maria settings specifically arranged for medium voice and organ. Solo singers and musicians will find these settings arranged for ease of performance and playability.With works from Bizet, Bruckner, Cherubini, Dvorak, Franck, Gounod, Guilmant, Liszt, Rheinberger , Saint-Saëns, Schubert and others.The EditorPeter Wagner is a church musician, concert organist and editor. Currently he teaches organ and composition at the Episcopal Church Music Seminar in Würzburg . / Voix Et Orgue / Partition

Instrument : organ Nombre de Pages : 62 This School of Organ Playing presupposes a certain technical facility on the piano. The pedal exercises at the beginning are rudimentary and should be practiced in all keys, gradually accelerating the tempo. The studies are graded according to their polyphony, beginning with simple two part exercises, followed by those in three and more parts. This acquaintance with the strict principles of polyphonic music, and the introduction to effective part writing, with a knowledge of harmonic form and architectonic values, provide the essential background for the correct performance of polyphonic music, especialle the fugue. The most important musical forms have been used to illustrate the various possibilites of registration and its relationship to style (colourful, individualistic and smooth playing). The studies are so arranged that earlier technical points, etc. are constantly reviewed, through comparison of style and form, in order to fix, or refreshen, the ideas in the student's mind. It is very important that the evolution of organ music from vocal music should be made clear to the student the very beginning, both musically and intellectually. He will be shown the technical evolution of organ music during the centuries and thus prepared for an artistic execution and interpretation of old and new words, especially for the incomparable art of our great Johann Sebastian Bach. Content : Grundlagen des Pedalspiels - T.L. da Vittoria: Bicinium: Bonum erat - A. Zoilo: Bicinium: Quare fremuerunt - Melius illi - W. Dietrich: Übung in e-Moll - G.P. Telemann: Largo - J.K.F. Fischer: Übung d-Moll - G.P. Telemann: Kanon - J. Pachelbel: Magnificat peregrini toni Meine Seele erhebt den Herrn - T.L. da Vittoria: Accedentes principes - J.K.F. Fischer: Übung in g-Moll - W. Dietrich: Pedalübung - S. Scheidt: Vater unser im Himmelreich VI. Versus Choralis in Basi - H.L. Haßler: Crucifixus - J.K.F. Fischer: Praeludium D-Dur - J. Pachelbel: Übung in a-Moll - W. Dietrich: Übung in As-Dur - R. Schwarz-Schilling: Kanon a 2 - Kanon a 3 - G. Aichinger: Stabat mater - J. Pachelbel: Durch Adams Fall ist ganz verderbt - J.K.F. Fischer: Praeludium fis-Moll - H.L. Haßler: Benedictus - J. Pachelbel: Was mein Gott will, das gescheh' allzeit - T.L.da Vittoria: Exclamans Jesus - S.Scheidt: Warum betrübst du dich, mein Herz IX. Versus. Choralis in Basso - D. Zipoli: Pastorale - J. Pachelbel: Vom Himmel hoch - J.S. Bach: Pedal-Exercitium - J.K.F. Fischer: Fuga g-Moll - J. Pachelbel: Komm, Gott Schöpfer, heiliger Geist - J.K.F. Fischer: Praeludium und Fuga cis-Moll - W. Dietrich: Pedalsolo - Übungen für mehrstimmiges Spiel in einer Hand: J.K.F. Fischer: Praeludium und Fuga e-Moll - H.L. Haßler: Da Jesus an dem Kreuze stund - M. Praetorius: Es ist ein Ros entsprungen - S. Scheidt: Vom Himmel hoch - M. Praetorius: Nun bitten wir den heiligen Geist - B. Resinarius: Nun bitten wir den heiligen Geist - S. Scheidt: Psalmus: Da Jesus an dem Kreuze stund - J.K.F. Fischer: Praeludium und Fuga h-Moll - J.S. Bach: Vom Himmel hoch - O Welt ich muß dich lassen - Herzlich tut mich verlangen - D. Buxtehude: Ach Herr, ich armen Sünder - J.S. Bach: Trio c-Moll - W. Dietrich: Pedalsolo/Trillerübung - J.S. Bach: Allein Gott in der Höh' sei Ehr' - J.K.F. Fischer: Praeludium und Fuga e-Moll - J.L. Krebs: Trio für 2 Manuale und Pedal

20 Chorals Divers (L à W) 13 Chorals supplémentaires Sinfonias des 29e e 146e cantatas-As one of the most famous contributors to classical music ever to have lived Johann Sebastian Bach's (1685-1750) catalogue is extensive. Moreover being an organist himself his Organ works are significant and remain ever-popular to this day. When French organist Marcel Dupr? (1886-1971) compiled the series of Bach's Complete Organ Works it was well-received and to this day remains popular with all organists. The third volume includes a selection of Bach's favoured Chorals and Cantatas. In addition Dupr?'s annotations in Complete Organ Works comprise fingerings rules on technique and instructions on ornamentation among other aspects. This compilation of J. S. Bach's most loved compositions for the Organ cannot be missed by aspiring performers of the instrument.

Fantasia In F Minor K.608 'for a mechanical Organ' by W.A. Mozart. Edited by Walter Emery.

Intonationen, Band I. Herausgegeben im Auftrag der Hochschule für Kirchenmusik der Evangelischen Landeskirche in Württemberg, Esslingen/ Répertoire / Orgue

Sonntagsorgel is a collection of stylistically varied pieces for the amateur organist comprising three volumes. The editions are ideal for teaching purposes or for use in church services.The third volume contains liturgical organ music (chorale preludes and hymnaccompaniments) and includes works by composers from Johann Christian Bach to Augustinus Franz Kropfreiter. The first volume includes festive preludes toccatas and fugues trios and pastorals by German and French composers from the 17th through to the 20th century. In the second volume meditative pieces by composers ranging from Christian Heinrich to Th?odore Salom? are presented.The piecesare easy to sight-read and sound impressive. The volumes will be appreciated by amateur and professional church-musicians alike.Collection of organ music which does not require much practisingMainly for amateur organistsSuitable for teaching purposesAlready published:Volume I: Festive Music Fugues Trios BA 9287Volume II: Meditative Music Pastorals BA 9288?? a collection that brings pleasure to the musical amateur and also offers some attractive discoveries for the professional.? (Musica sacra)?Who amongst us amateur organists doesn?t ask himself ?What will I play this Sunday? with little time to practice and if possible a piece which isn?t too well-known? In these volumes one will find the answer!?W?rttembergische Bl?tter f?r Kirchenmusik)

1 J. S. Bach (1685-1750): Air (Suita No 3)2 M. A. Charpentier (ca-1645/1650-1704): 'Te Deum'3 W. A. Mozart (1756-1791): 'Ave Verum Corpus'4 F. Mendelssohn (1809-1847): 'Wedding March'5 J. Haydn (1732-1809): Andante cantabile (Concerto in Eb)