| Johann Sebastian Bach: St
Mark Passion BWV247:
Mixed Choir: Score Soli (SATB), Choeur Mixte (SATB) Et
Orchestre [Sheet music] Barenreiter
Rezitative und turbae von Reinhard Keiser (1674-1739)-St Mark Passion (BWV 247):...(+)
Rezitative und turbae von Reinhard Keiser (1674-1739)-St Mark Passion (BWV 247): A reconstruction.Recitatives and turbae by Reinhard Keiser (1674-1739). Although all that survives of Bach's “St. Mark Passion” is Picander's libretto virtually all the arias and choruses can be reconstructed from “parody” versions. The original recitatives and turbae however are probably lost forever. Rather than rewriting these numbers “in Bachs's style” the editor Austin Harvey Gomme has added passages from Reinhard Keiser's setting of the Passion (a setting highly esteemed by Bach who performed it several times) thereby allowing this lost work to be performed in its entirety. A detailed prefacesheds further light on this unique reconstruction based on the New Bach Edition. Full score (BA5209) and vocal score (BA5209-90) available for sale Performance material (BA5209-72) available for hire.
58.00 GBP - Sold by Musicroom UK |
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| Johann Sebastian Bach:
Cantata BWV 61 Nun Komm:
SATB: Part Soli (SATB), Choeur Mixte (SATB) Et
Orchestre Barenreiter
Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantat...(+)
Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantata for the First Sunday of AdventBach began two of his cantatas (BWV 61 and 62) - belonging to the Weimar and Leipzig periods respectively - with Martin Luther`s Advent hymn 'Nun komm der Heiden Heiland' a German version of the early church hymn 'Veni redemptor gentium'. The cantata can be described as a Choral Cantata typical of Bach's late creative period incorporating the older technical processes of polyphonic chorale settings as well as more modern solo movements.Urtext of the New Bach EditionPerformance material (BA10062) Vocal score (BA10062-90) & study scoreformat 22.5 x 16cm (TP1062) available for sale
5.00 GBP - Sold by Musicroom UK |
|
| Johann Sebastian Bach:
Cantata BWV 61 Nun Komm:
SATB: Parts Soli (SATB), Choeur Mixte (SATB) Et
Orchestre Barenreiter
Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantat...(+)
Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantata for the First Sunday of AdventBach began two of his cantatas (BWV 61 and 62) - belonging to the Weimar and Leipzig periods respectively - with Martin Luther`s Advent hymn 'Nun komm der Heiden Heiland' a German version of the early church hymn 'Veni redemptor gentium'. The cantata can be described as a Choral Cantata typical of Bach's late creative period incorporating the older technical processes of polyphonic chorale settings as well as more modern solo movements.Urtext of the New Bach EditionPerformance material (BA10062) Vocal score (BA10062-90) & study scoreformat 22.5 x 16cm (TP1062) available for sale
12.00 GBP - Sold by Musicroom UK |
|
| Johann Sebastian Bach:
Cantata BWV 61 Nun Komm:
SATB: Part Soli (SATB), Choeur Mixte (SATB) Et
Orchestre Barenreiter
Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantat...(+)
Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantata for the First Sunday of AdventBach began two of his cantatas (BWV 61 and 62) - belonging to the Weimar and Leipzig periods respectively - with Martin Luther`s Advent hymn 'Nun komm der Heiden Heiland' a German version of the early church hymn 'Veni redemptor gentium'. The cantata can be described as a Choral Cantata typical of Bach's late creative period incorporating the older technical processes of polyphonic chorale settings as well as more modern solo movements.Urtext of the New Bach EditionPerformance material (BA10062) Vocal score (BA10062-90) & study scoreformat 22.5 x 16cm (TP1062) available for sale
5.00 GBP - Sold by Musicroom UK |
|
| Johann Sebastian Bach:
Cantata BWV 61 Nun Komm:
SATB: Part Soli (SATB), Choeur Mixte (SATB) Et
Orchestre Barenreiter
Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantat...(+)
Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantata for the First Sunday of AdventBach began two of his cantatas (BWV 61 and 62) - belonging to the Weimar and Leipzig periods respectively - with Martin Luther`s Advent hymn 'Nun komm der Heiden Heiland' a German version of the early church hymn 'Veni redemptor gentium'. The cantata can be described as a Choral Cantata typical of Bach's late creative period incorporating the older technical processes of polyphonic chorale settings as well as more modern solo movements.Urtext of the New Bach EditionPerformance material (BA10062) Vocal score (BA10062-90) & study scoreformat 22.5 x 16cm (TP1062) available for sale
5.00 GBP - Sold by Musicroom UK |
|
| Johann Sebastian Bach:
Cantata BWV 61 Nun Komm:
SATB: Part Soli (SATB), Choeur Mixte (SATB) Et
Orchestre Barenreiter
Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantat...(+)
Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantata for the First Sunday of AdventBach began two of his cantatas (BWV 61 and 62) - belonging to the Weimar and Leipzig periods respectively - with Martin Luther`s Advent hymn 'Nun komm der Heiden Heiland' a German version of the early church hymn 'Veni redemptor gentium'. The cantata can be described as a Choral Cantata typical of Bach's late creative period incorporating the older technical processes of polyphonic chorale settings as well as more modern solo movements.Urtext of the New Bach EditionPerformance material (BA10062) Vocal score (BA10062-90) & study scoreformat 22.5 x 16cm (TP1062) available for sale
5.00 GBP - Sold by Musicroom UK |
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| Johann Sebastian Bach:
Cantata No. 21 - BWV 21:
Mixed Choir: Part Soli (SATB), Choeur Mixte (SATB) Et
Orchestre Barenreiter
Cantata for the 3rd Sunday after Trinity-Ich Hatte Viel Bekümmernis - Lord My G...(+)
Cantata for the 3rd Sunday after Trinity-Ich Hatte Viel Bekümmernis - Lord My God My heart And Soul Were Sore Distrest BWV 21.Cantata for the 3rd Sunday after Trinity.The cantata ?Ich Hatte Viel Bekümmernis? dates from around 1713 and was probably performed for the first time that year in the Liebfrauenkirche in Halle. Its assigning to the third Sunday after Trinity probably only occurred the following year.With its large-scale structure and strong emphasis on biblical texts it was extremely popular in the 19th century and remains one of Bach?s best-known cantatas today.The cantata is published here with a Vocal score based on the New Bach Edition with an idiomatic straightforward Piano reduction by Martin Focke.- One of Bach?s best-known cantatas.- Urtext based on the ?New Bach Edition?.- Clear straightforward Piano reduction.- Study score (TP1021) Vocal score (BA10021-90) & performance material (BA10021) available for sale.
4.00 GBP - Sold by Musicroom UK |
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| Johann Sebastian Bach:
Cantata No. 21 - BWV 21:
Mixed Choir: Parts Soli (SATB), Choeur Mixte (SATB) Et
Orchestre Barenreiter
Cantata for the 3rd Sunday after Trinity-Ich Hatte Viel Bekümmernis - Lord My G...(+)
Cantata for the 3rd Sunday after Trinity-Ich Hatte Viel Bekümmernis - Lord My God My heart And Soul Were Sore Distrest BWV 21.Cantata for the 3rd Sunday after Trinity.The cantata ?Ich Hatte Viel Bekümmernis? dates from around 1713 and was probably performed for the first time that year in the Liebfrauenkirche in Halle. Its assigning to the third Sunday after Trinity probably only occurred the following year.With its large-scale structure and strong emphasis on biblical texts it was extremely popular in the 19th century and remains one of Bach?s best-known cantatas today.The cantata is published here with a Vocal score based on the New Bach Edition with an idiomatic straightforward Piano reduction by Martin Focke.- One of Bach?s best-known cantatas.- Urtext based on the ?New Bach Edition?.- Clear straightforward Piano reduction.- Study score (TP1021) Vocal score (BA10021-90) & performance material (BA10021) available for sale.
22.50 GBP - Sold by Musicroom UK |
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| Johann Sebastian Bach:
Cantata No. 21 - BWV 21:
Mixed Choir: Part Soli (SATB), Choeur Mixte (SATB) Et
Orchestre Barenreiter
Cantata for the 3rd Sunday after Trinity-Ich Hatte Viel Bekümmernis - Lord My G...(+)
Cantata for the 3rd Sunday after Trinity-Ich Hatte Viel Bekümmernis - Lord My God My heart And Soul Were Sore Distrest BWV 21.Cantata for the 3rd Sunday after Trinity.The cantata ?Ich Hatte Viel Bekümmernis? dates from around 1713 and was probably performed for the first time that year in the Liebfrauenkirche in Halle. Its assigning to the third Sunday after Trinity probably only occurred the following year.With its large-scale structure and strong emphasis on biblical texts it was extremely popular in the 19th century and remains one of Bach?s best-known cantatas today.The cantata is published here with a Vocal score based on the New Bach Edition with an idiomatic straightforward Piano reduction by Martin Focke.- One of Bach?s best-known cantatas.- Urtext based on the ?New Bach Edition?.- Clear straightforward Piano reduction.- Study score (TP1021) Vocal score (BA10021-90) & performance material (BA10021) available for sale.
4.00 GBP - Sold by Musicroom UK |
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| Johann Sebastian Bach:
Cantata No. 21 - BWV 21:
Mixed Choir: Part Soli (SATB), Choeur Mixte (SATB) Et
Orchestre Barenreiter
Cantata for the 3rd Sunday after Trinity-Ich Hatte Viel Bekümmernis - Lord My G...(+)
Cantata for the 3rd Sunday after Trinity-Ich Hatte Viel Bekümmernis - Lord My God My heart And Soul Were Sore Distrest BWV 21.Cantata for the 3rd Sunday after Trinity.The cantata ?Ich Hatte Viel Bekümmernis? dates from around 1713 and was probably performed for the first time that year in the Liebfrauenkirche in Halle. Its assigning to the third Sunday after Trinity probably only occurred the following year.With its large-scale structure and strong emphasis on biblical texts it was extremely popular in the 19th century and remains one of Bach?s best-known cantatas today.The cantata is published here with a Vocal score based on the New Bach Edition with an idiomatic straightforward Piano reduction by Martin Focke.- One of Bach?s best-known cantatas.- Urtext based on the ?New Bach Edition?.- Clear straightforward Piano reduction.- Study score (TP1021) Vocal score (BA10021-90) & performance material (BA10021) available for sale.
4.00 GBP - Sold by Musicroom UK |
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| Johann Sebastian Bach:
Cantata BWV 80 Ein feste
Burg ist unser Gott:
Mixed Soli (SATB), Choeur Mixte (SATB) Et
Orchestre Barenreiter
Cantata for the Feast of Reformation-Ein feste Burg ist unser Gott BWV 80 (A Mig...(+)
Cantata for the Feast of Reformation-Ein feste Burg ist unser Gott BWV 80 (A Mighty Fortress is our God)Cantata for the Feast of ReformationThere are practically no surviving original sources for Bach's great Reformation Cantata 'Ein feste Burg ist unser Gott'. It is possible that the original form of the Cantata was written in Weimar in 1715 to which Bach later made various additions and alterations to transform it into a Reformation Cantata for Leipzig. Although scholarly opinion as to the sources is divided there is no doubt that the opening chorus based on Martin Luther's chorale melody 'Ein feste Burg' is one of Bach's greatest achievements.Urtext ofthe New Bach EditionPerformance material (BA10080) vocal score (BA10080-90) & study score format 22.5 x 16.5cm (TP1080) available for sale
21.50 GBP - Sold by Musicroom UK |
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| Johann Sebastian Bach:
Magnificat in E-flat
major BWV 243a: Mixed
Choir: Score Soli (SSATB), Choeur Mixte (SSATB) Et
Orchestre [Sheet music] Barenreiter
Bach's original setting of the Magnificat in E-flat major written for Christmas ...(+)
Bach's original setting of the Magnificat in E-flat major written for Christmas vespers in 1723 includes four inserts placed at the end of the score to give a dramataic representation of the Nativity.Although the later D major version is most often performed today this earlier E-flat major version stands on its own merits with many attractive features which disappeared with the downward transposition. Urtext of the New Bach Edition.
29.00 GBP - Sold by Musicroom UK |
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| Johann Sebastian Bach:
Magnificat in E-flat
major BWV 243a: Mixed
Choir: Part Soli (SSATB), Choeur Mixte (SSATB) Et
Orchestre Barenreiter
Bach's original setting of the Magnificat in E-flat major written for Christmas ...(+)
Bach's original setting of the Magnificat in E-flat major written for Christmas vespers in 1723 includes four inserts placed at the end of the score to give a dramataic representation of the Nativity.Although the later D major version is most often performed today this earlier E-flat major version stands on its own merits with many attractive features which disappeared with the downward transposition. Urtext of the New Bach Edition.
5.50 GBP - Sold by Musicroom UK |
|
| Johann Sebastian Bach:
Magnificat in E-flat
major BWV 243a: Mixed
Choir: Part Soli (SSATB), Choeur Mixte (SSATB) Et
Orchestre Barenreiter
Bach's original setting of the Magnificat in E-flat major written for Christmas ...(+)
Bach's original setting of the Magnificat in E-flat major written for Christmas vespers in 1723 includes four inserts placed at the end of the score to give a dramataic representation of the Nativity.Although the later D major version is most often performed today this earlier E-flat major version stands on its own merits with many attractive features which disappeared with the downward transposition. Urtext of the New Bach Edition.
5.50 GBP - Sold by Musicroom UK |
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| Johann Sebastian Bach:
Magnificat in E-flat
major BWV 243a: Mixed
Choir: Part Soli (SSATB), Choeur Mixte (SSATB) Et
Orchestre Barenreiter
Bach's original setting of the Magnificat in E-flat major written for Christmas ...(+)
Bach's original setting of the Magnificat in E-flat major written for Christmas vespers in 1723 includes four inserts placed at the end of the score to give a dramataic representation of the Nativity.Although the later D major version is most often performed today this earlier E-flat major version stands on its own merits with many attractive features which disappeared with the downward transposition. Urtext of the New Bach Edition.
5.50 GBP - Sold by Musicroom UK |
|
| Johann Sebastian Bach:
Magnificat in E-flat
major BWV 243a: Mixed
Choir: Parts Soli (SSATB), Choeur Mixte (SSATB) Et
Orchestre Barenreiter
Bach's original setting of the Magnificat in E-flat major written for Christmas ...(+)
Bach's original setting of the Magnificat in E-flat major written for Christmas vespers in 1723 includes four inserts placed at the end of the score to give a dramataic representation of the Nativity.Although the later D major version is most often performed today this earlier E-flat major version stands on its own merits with many attractive features which disappeared with the downward transposition. Urtext of the New Bach Edition.
26.50 GBP - Sold by Musicroom UK |
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| Johann Sebastian Bach:
Magnificat in E-flat
major BWV 243a: Mixed
Choir: Vocal Soli (SSATB), Choeur Mixte (SSATB) Et
Orchestre Barenreiter
Bach's original setting of the Magnificat in E-flat major written for Christmas ...(+)
Bach's original setting of the Magnificat in E-flat major written for Christmas vespers in 1723 includes four inserts placed at the end of the score to give a dramataic representation of the Nativity.Although the later D major version is most often performed today this earlier E-flat major version stands on its own merits with many attractive features which disappeared with the downward transposition. Urtext of the New Bach Edition.
9.50 GBP - Sold by Musicroom UK |
|
| Johann Sebastian Bach:
Magnificat in E-flat
major BWV 243a: Mixed
Choir: Part Soli (SSATB), Choeur Mixte (SSATB) Et
Orchestre Barenreiter
Bach's original setting of the Magnificat in E-flat major written for Christmas ...(+)
Bach's original setting of the Magnificat in E-flat major written for Christmas vespers in 1723 includes four inserts placed at the end of the score to give a dramataic representation of the Nativity.Although the later D major version is most often performed today this earlier E-flat major version stands on its own merits with many attractive features which disappeared with the downward transposition. Urtext of the New Bach Edition.
5.50 GBP - Sold by Musicroom UK |
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| Johann Sebastian Bach:
Cantata BWV 130 Herr Gott
Dich Loben Alle Wir:
Mixed Soli (SATB), Choeur Mixte (SATB) Et
Orchestre Barenreiter
Cantata for the Feast of St. Michael-Herr Gott dich loben alle wir (Lord God w...(+)
Cantata for the Feast of St. Michael-Herr Gott dich loben alle wir (Lord God we praise Thee all of us) BWV 130Cantata for the Feast of St. MichaelComposed for Michaelmas 1724 Bach's cantata 'Herr Gott dich loben alle wir' belongs to the cycle of chorale cantatas which uses a hymn as perhaps various preachers also did to interptet the ideas of the Biblical texts. The hymn used here composed by Paul Eber in 1554 has twelve stanzas. Texts for two recitatives and two arias were written to go with each of stanzas 2 to 10. Bach used the first stanza as a processional and the last two stanzas were made into a concluding chorale withthe original text.- Urtext of the New Bach Edition
7.00 GBP - Sold by Musicroom UK |
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| Johann Sebastian Bach:
Cantata BWV 130 Herr Gott
Dich Loben Alle Wir:
Mixed Soli (SATB), Choeur Mixte (SATB) Et
Orchestre Barenreiter
Cantata for the Feast of St. Michael-Herr Gott dich loben alle wir (Lord God w...(+)
Cantata for the Feast of St. Michael-Herr Gott dich loben alle wir (Lord God we praise Thee all of us) BWV 130Cantata for the Feast of St. MichaelComposed for Michaelmas 1724 Bach's cantata 'Herr Gott dich loben alle wir' belongs to the cycle of chorale cantatas which uses a hymn as perhaps various preachers also did to interptet the ideas of the Biblical texts. The hymn used here composed by Paul Eber in 1554 has twelve stanzas. Texts for two recitatives and two arias were written to go with each of stanzas 2 to 10. Bach used the first stanza as a processional and the last two stanzas were made into a concluding chorale withthe original text.- Urtext of the New Bach Edition
3.50 GBP - Sold by Musicroom UK |
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| Johann Sebastian Bach:
Cantata BWV 130 Herr Gott
Dich Loben Alle Wir:
Mixed Soli (SATB), Choeur Mixte (SATB) Et
Orchestre Barenreiter
Cantata for the Feast of St. Michael-Herr Gott dich loben alle wir (Lord God w...(+)
Cantata for the Feast of St. Michael-Herr Gott dich loben alle wir (Lord God we praise Thee all of us) BWV 130Cantata for the Feast of St. MichaelComposed for Michaelmas 1724 Bach's cantata 'Herr Gott dich loben alle wir' belongs to the cycle of chorale cantatas which uses a hymn as perhaps various preachers also did to interptet the ideas of the Biblical texts. The hymn used here composed by Paul Eber in 1554 has twelve stanzas. Texts for two recitatives and two arias were written to go with each of stanzas 2 to 10. Bach used the first stanza as a processional and the last two stanzas were made into a concluding chorale withthe original text.- Urtext of the New Bach Edition
3.50 GBP - Sold by Musicroom UK |
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| Johann Sebastian Bach:
Cantata BWV 130 Herr Gott
Dich Loben Alle Wir:
Mixed Soli (SATB), Choeur Mixte (SATB) Et
Orchestre Barenreiter
Cantata for the Feast of St. Michael-Herr Gott dich loben alle wir (Lord God w...(+)
Cantata for the Feast of St. Michael-Herr Gott dich loben alle wir (Lord God we praise Thee all of us) BWV 130Cantata for the Feast of St. MichaelComposed for Michaelmas 1724 Bach's cantata 'Herr Gott dich loben alle wir' belongs to the cycle of chorale cantatas which uses a hymn as perhaps various preachers also did to interptet the ideas of the Biblical texts. The hymn used here composed by Paul Eber in 1554 has twelve stanzas. Texts for two recitatives and two arias were written to go with each of stanzas 2 to 10. Bach used the first stanza as a processional and the last two stanzas were made into a concluding chorale withthe original text.- Urtext of the New Bach Edition
15.00 GBP - Sold by Musicroom UK |
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| Johann Sebastian Bach:
Cantata BWV 130 Herr Gott
Dich Loben Alle Wir:
Mixed Soli (SATB), Choeur Mixte (SATB) Et
Orchestre Barenreiter
Cantata for the Feast of St. Michael-Herr Gott dich loben alle wir (Lord God w...(+)
Cantata for the Feast of St. Michael-Herr Gott dich loben alle wir (Lord God we praise Thee all of us) BWV 130Cantata for the Feast of St. MichaelComposed for Michaelmas 1724 Bach's cantata 'Herr Gott dich loben alle wir' belongs to the cycle of chorale cantatas which uses a hymn as perhaps various preachers also did to interptet the ideas of the Biblical texts. The hymn used here composed by Paul Eber in 1554 has twelve stanzas. Texts for two recitatives and two arias were written to go with each of stanzas 2 to 10. Bach used the first stanza as a processional and the last two stanzas were made into a concluding chorale withthe original text.- Urtext of the New Bach Edition
26.00 GBP - Sold by Musicroom UK |
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| Johann Sebastian Bach:
Cantata BWV 78 Jesu der
du meine Seele: SATB:
Part Soli (SATB), Choeur Mixte (SATB) Et
Orchestre Barenreiter
Cantata for the 14th Sunday after Trinity-Jesu der du meine Seele BWV 78 (Jesu ...(+)
Cantata for the 14th Sunday after Trinity-Jesu der du meine Seele BWV 78 (Jesu by Thy Cross and Passion)Cantata for the 14th Sunday after TrinityThe cantata Jesu der du meine Seele is one of the famous cycle of chorale cantatas which Bach wrote during the second year of his Leipzig appointment. It was probably performed for the first time on 10 September 1724 the fourteenth Sunday after Trinity in one of the principal Leipzig churches. The text is based on Johann Rist’s at that time widely known hymn of 1641. As in most of the cantatas of this cycle the corner-stones are provided by the first and last verses which appear in an unaltered form; whereas the middle verses were freelyremodelled as arias and recitatives.Urtext of the New Bach EditionPerformance material (BA10078) vocal score (BA10078-90) & study score format 22.5 x 16.5cm (TP1078) available for sale
5.00 GBP - Sold by Musicroom UK |
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| Johann Sebastian Bach:
Cantata BWV 91 Gelobet
Seist Du Jesu Christ:
SATB: Part Soli (SATB), Choeur Mixte (SATB) Et
Orchestre Barenreiter
Cantata for Christmas Day-Gelobet seist du Jesu Christ BWV 91Cantata for Christ...(+)
Cantata for Christmas Day-Gelobet seist du Jesu Christ BWV 91Cantata for Christmas DayThe cantata Gelobet seist du Jesu Christ was composed by J. S. Bach for Christmas Day 1724. It belongs to that yearly set of ?chorale cantatas? the texts of which were mostly derived from a single chorale. The anonymous author of the text used to retain literally the first and last verses of the selected chorale but paraphrased the middle verses more or less freely in the form of recitatives arias and ariosi.Urtext of the New Bach EditionPerformance material (BA10091) Vocal score (BA10091-90) & study score format 22.5 x 16.5cm(TP1091) available for sale
6.00 GBP - Sold by Musicroom UK |
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| Johann Sebastian Bach:
Cantata BWV 172
Erschallet Ihr Lieder:
SATB: Parts Soli (SATB), Choeur Mixte (SATB) Et
Orchestre Barenreiter
Cantata for Whitsunday-Erschallet ihr Lieder BWV 172Cantata for Whitsunday (C m...(+)
Cantata for Whitsunday-Erschallet ihr Lieder BWV 172Cantata for Whitsunday (C major version)Erschallet ihr Lieder (BWV 172) is one of those early Bach cantatas which were often revived at Leipzig. The first performance of this work was given in Weimar 1714. Although only a few instrumental parts from this performance are extant it may be assumed that at that time the cantata already had the form familiar to us from its first Leipzig revival. It was given in C major (church pitch corresponding to D major in chamber pitch) and the first number was intended to be repeated at the end of the work.- Urtext of the New Bach Edition-Performance material (BA10172) vocal score (BA10172-90) and study score format 22.5 x 16.5cm (TP1172) available for sale
12.00 GBP - Sold by Musicroom UK |
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| Johann Sebastian Bach:
Cantata BWV 172
Erschallet Ihr Lieder:
SATB: Part Soli (SATB), Choeur Mixte (SATB) Et
Orchestre Barenreiter
Cantata for Whitsunday-Erschallet ihr Lieder BWV 172Cantata for Whitsunday (C m...(+)
Cantata for Whitsunday-Erschallet ihr Lieder BWV 172Cantata for Whitsunday (C major version)Erschallet ihr Lieder (BWV 172) is one of those early Bach cantatas which were often revived at Leipzig. The first performance of this work was given in Weimar 1714. Although only a few instrumental parts from this performance are extant it may be assumed that at that time the cantata already had the form familiar to us from its first Leipzig revival. It was given in C major (church pitch corresponding to D major in chamber pitch) and the first number was intended to be repeated at the end of the work.- Urtext of the New Bach Edition-Performance material (BA10172) vocal score (BA10172-90) and study score format 22.5 x 16.5cm (TP1172) available for sale
4.50 GBP - Sold by Musicroom UK |
|
| Johann Sebastian Bach:
Cantata BWV 91 Gelobet
Seist Du Jesu Christ:
SATB: Parts Soli (SATB), Choeur Mixte (SATB) Et
Orchestre Barenreiter
Cantata for Christmas Day-Gelobet seist du Jesu Christ BWV 91Cantata for Christ...(+)
Cantata for Christmas Day-Gelobet seist du Jesu Christ BWV 91Cantata for Christmas DayThe cantata Gelobet seist du Jesu Christ was composed by J. S. Bach for Christmas Day 1724. It belongs to that yearly set of ?chorale cantatas? the texts of which were mostly derived from a single chorale. The anonymous author of the text used to retain literally the first and last verses of the selected chorale but paraphrased the middle verses more or less freely in the form of recitatives arias and ariosi.Urtext of the New Bach EditionPerformance material (BA10091) Vocal score (BA10091-90) & study score format 22.5 x 16.5cm(TP1091) available for sale
20.00 GBP - Sold by Musicroom UK |
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| Johann Sebastian Bach:
Cantata BWV 172
Erschallet Ihr Lieder:
SATB: Part Soli (SATB), Choeur Mixte (SATB) Et
Orchestre Barenreiter
Cantata for Whitsunday-Erschallet ihr Lieder BWV 172Cantata for Whitsunday (C m...(+)
Cantata for Whitsunday-Erschallet ihr Lieder BWV 172Cantata for Whitsunday (C major version)Erschallet ihr Lieder (BWV 172) is one of those early Bach cantatas which were often revived at Leipzig. The first performance of this work was given in Weimar 1714. Although only a few instrumental parts from this performance are extant it may be assumed that at that time the cantata already had the form familiar to us from its first Leipzig revival. It was given in C major (church pitch corresponding to D major in chamber pitch) and the first number was intended to be repeated at the end of the work.- Urtext of the New Bach Edition-Performance material (BA10172) vocal score (BA10172-90) and study score format 22.5 x 16.5cm (TP1172) available for sale
4.50 GBP - Sold by Musicroom UK |
|
| Johann Sebastian Bach:
Cantata BWV 78 Jesu der
du meine Seele: SATB:
Part Soli (SATB), Choeur Mixte (SATB) Et
Orchestre Barenreiter
Cantata for the 14th Sunday after Trinity-Jesu der du meine Seele BWV 78 (Jesu ...(+)
Cantata for the 14th Sunday after Trinity-Jesu der du meine Seele BWV 78 (Jesu by Thy Cross and Passion)Cantata for the 14th Sunday after TrinityThe cantata Jesu der du meine Seele is one of the famous cycle of chorale cantatas which Bach wrote during the second year of his Leipzig appointment. It was probably performed for the first time on 10 September 1724 the fourteenth Sunday after Trinity in one of the principal Leipzig churches. The text is based on Johann Rist’s at that time widely known hymn of 1641. As in most of the cantatas of this cycle the corner-stones are provided by the first and last verses which appear in an unaltered form; whereas the middle verses were freelyremodelled as arias and recitatives.Urtext of the New Bach EditionPerformance material (BA10078) vocal score (BA10078-90) & study score format 22.5 x 16.5cm (TP1078) available for sale
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