Concerto For Flute And Orchestra D major K. 314 (285d).Flute Solo Oboe (2) Horn (2) Strings.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.BÄRENREITER URTEXT:In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editors which include prominent musicologists as well as musicians take all availablesources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For Bärenreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.

Concerto For Flute And Orchestra D major K. 314 (285d).Flute Solo Oboe (2) Horn (2) Strings.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.BÄRENREITER URTEXT:In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editors which include prominent musicologists as well as musicians take all availablesources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For Bärenreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.

Concerto For Flute And Orchestra D major K. 314 (285d).Flute Solo Oboe (2) Horn (2) Strings.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.BÄRENREITER URTEXT:In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editors which include prominent musicologists as well as musicians take all availablesources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For Bärenreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.

In an arrangement by A. E. Müller after the Clarinet Concerto K. 622-About Concerto in G major for Flute and Orchestra (1801)In an arrangement by A. E. Muller after the Clarinet Concerto K. 622. By Wolfgang Amadeus Mozart. Edited by Christopher Hogwood. For Flute Solo Oboe (2) Bassoon (2) Horn (2) Strings. Piano Reduction/Vocal Score; Single Part. KV 622. Duration 24'. Published by Baerenreiter-Ausgaben (German import). (BA5335 90)

Mozart's Concerto in G major For Flute K.313 composed in 1778 in an authoritative Urtext edition based on the New Mozart Edition. Scored for Flute Solo Flute (2) Oboe (2) Horn (2) Strings. Mozart exhibited a special affinity with the woodwind family writing prolifically for the instruments throughout his lifetime. This Urtext edition is based upon original manuscripts and features a short editorial and scholarly history of the piece making it the ideal choice for both academic study and informed concert performance. The New Mozart Edition offers researchers a musicologically unimpeachable text based on all theavailable sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.   Full score Flute & Piano reduction (BA4854-90) and performance material (BA4854) available for sale.

Illuminations - Capriccio For Flute And Orchestra was composed by Erik Norby in 1977. Programme Note:The title should rightly be pronounced in French (same spelling) as the piece was composed for and is dedicated to French flute virtuoso Jean-Pierre Rampal who premiered ILLUMINATIONS in connection withhimreceiving the Danish Sonnings Musikpris in 1978.The title reflects my endeavour to create different illuminative effects in sound for which the flute is an excellent medium with its apparent ability to transform lightphenomena into musical shapes. Tue music in ILLUMINATIONS sometimes sounds like glitteringreflections sometimes like a roaring bonfire. The absence of ordinary flutes in the orchestra further enables the soloist to shine above a darker orchestral background. Several motives and shapes are illuminated along the way and the music progressesin kaleidoscopic pattems of prismatic refractions. Erik Norby

Aria Antigua for flute and string orchestra was first performed by Bernard Wystraete and The Instrumental Soloists Ensemble B W on 23 March 1999 in Versailles. Includes score and parts.

Flute Solo. Par GRGIN ANTE. / Niveau : Difficile / Répertoire / Flûte Traversière et Orchestre

This ?Suite' is not one of my 'epic' instrumental concertos such as the concertos for cello, violin or oboe, but a substantially smaller-structured series of dance forms arranged into a suite. Sunken worlds suddenly emerge here, only to reach the surface, hover in dangerously distorted fashion and then sink back to the bottom.Almost every individual movement allots the solo flute a specific tonal colouring and an instrumental group from the orchestra: in the opening Allemande, the flutes of the orchestra (including alto and bass flute and later also piccolo to include the entire flute family) - the string section in the Sarabande - in both chorales (extremely muted in the first and brutalist in the second), the brass etc. - and it is only in the concluding Badinerie that all orchestral groups are combined, although they are terraced in the Baroque style, one following another, seldom all playing simultaneously.This permits the flute to remain the provider of all impulses - it attaches itself to the wide variety of instrumental colours, becomes suffused with these colours and thereby shines in different lights - acerbic, pale and radiant. This first performance marks the conclusion of my two-year residence with the Cleveland Orchestra. The immense versatility of this fine body of sound (which is indeed treated as such with the sum of its parts) and the exciting dark timbre of its principal flautist Joshua Smith have to a great extent determined the form and tonal character of my Flûte en suite. Jörg Widmann / Flûte Et Orchestre

Par VASKS PETERIS. Dans le Concerto pour flûte et orchestre, exécutée pour la première fois par Michael Faust, Semyon Bychkov et la WDR de Cologne Symphony Orchestra en 2009, le mouvement central burlesque, avec ses rappelle ferme détermination de Chostakovitch, est encadrée par élégiaque mouvements extérieurs qui coule le long de sereine tranquillité et la beauté. Passages avec chorals vent et lointain des cloches alternent avec des passages de l'état d'esprit qui va de la méditation par le biais de se lamenter euphorique. Cette partition de piano est adapté pour les étudiants, solistes et chefs de se familiariser avec la contribution Vasks 'au genre du concerto pour flûte solo. / Niveau : Difficile / Répertoire / Flûte Traversière et Orchestre

Arrangeur: Raymond Meylan. Par REINECKE CARL HEINRICH CARSTEN. / oeuvre solo et Orchestre / Répertoire / Flûte Traversière et Orchestre