Instrumentalists will love this jam-packed collection of 101 timeless pop hits and favorite standards: The Boxer · City of Stars · Daughters · Every Breath You Take · Gabriel's Oboe · Have I Told You Lately · Just Give Me a Reason · Love Me Tender · Michelle · Never Enough · Perfect · River Flows in You · She's Always a Woman · Strangers in the Night · Three Times a Lady · What a Wonderful World · Your Song · and more.

You Should Play On The Cello. Par . 50 simply arranged, must-know works by Bach, Brahms, Handel, Tchaikovsky, and more for cello! The book includes piano accompaniment and a separate pull-out part for cello. Selections include: The Blue Danube Waltz (Johann Strauss II) ? Canon in D (Johann Pachelbel) ? Dona Nobis Pacem (traditional) ? Evening Prayer (Engelbert Humperdinck) ? Jupiter Chorale (Gustav Holsts) ? Ode to Joy (Ludwig van Beethoven) ? Pomp and Circumstance (Edward Elgar) ? Sheep May Safely Graze (J.S. Bach) ? Swan Lake (Theme) (Pyotr Il\'yich Tchaikovsky) ? To a Wild Rose (Edward MacDowell) ? and many more. / Date parution : 2022-11-10/ Recueil / Violoncelle

A practice guide for the modern cellist-A Grand Tour of Cello Technique is a thought-provoking practice guide enabling cellists at all levels to develop their own style through an exploration of different ways of fingering and bowing. The book not only helps cellists improve their playing but also promotes an understanding of musical art through nine stimulating chapters.With a particular emphasis on music of the 20th and 21st centuries and its connections with earlier music Fred Sherry takes the reader on a voyage of discovery of the art and science of cello technique informed by music ranging from Bach all the way through to Berio.Fred Sherry has introduced audiences on fivecontinents and all fifty United States to the music of our time for more than five decades. He has had close working relationships with Charles Wuorinen Lukas Foss Oliver Knussen Elliott Carter Milton Babbitt Toru Takemitsu Chick Corea Pierre Boulez Mario Davidovsky and others whose works he has premiered and recorded. He has been soloist and ?sideman? on hundreds of commercial and esoteric recordings; his discography ranges from Schütz Bach Mozart Beethoven and Brahms through Schoenberg and Stravinsky to the 20th and 21st century works written for him. He is a member of the cello faculty of The Juilliard School the Mannes College of Music and the Manhattan School of Music.

Par NELSON SHEILA MARY. Langue: German, Format: New Edition portrait/ Méthode / Violoncelle

Cello Globetrotters brings together toe-tapping original tunes in styles from around the world - from Arabic to Chinese and from klezmer to the Argentinian tango - for the budding cellist. This unique book presents a kaleidoscope of musical traditions with supporting background information and backing tracks that capture each sound-world.To help with technique and interpretation every piece includes tailored warm-ups and stylistic tips from the author. With options for cello or piano accompaniment and an inspirational CD  Cello Globetrotters is the ultimate resource for aspiring cellists looking to go travellin'... 12 fun pieces in styles from around the world Suitable for young cellists everywhere (3+ years' playing experience/grades 2-4) Range of styles including bossa nova klezmer blues Cajun Greek and West African Fascinating background information and tailored warm-ups for every piece Includes cello accompaniments for a teacher or more experienced pupil and piano accompaniments with guitar chords CD with performances and backings for every piece recorded by renowned world-music performers Ros StephenRos Stephen is a violinist and composer based in Bristol. She is a founder member of the UK's leading tango ensemble  Tango Siempre with whom she has toured internationally and recorded several albums and she leads the Sigamos String Quartet. Ros is also a committed string teacher and enjoys working with students of all ages and experience. Her first book in the Globetrotters series  Violin Globetrotters was published in 2010 to popular and critical acclaim.

Instrumental Play-Along-Hal Leonard Instrumental Play-Along: 12 Smash Hits (Cello) is a sheet music/CD pack jam packed with solo arrangements of 12 smash hits from recent artists such as Ed Sheeran Taylor Swift Bruno Mars and more.Read the music from the book and play along with the professionally recorded accompaniment on the CD to songs such as Skyfall Live While We're Young Some Nights and many others.

for solo cello-Orbit is a work composed by acclaimed minimalist composer Philip Glass for Solo Cello. Orbit was commissioned by Damian Woetzel and premiered on the 2nd of April 2013 in a performance bycellist Yo-Yo Ma and dancer Lil Buck at Le Poisson Rouge in New York. The performance was a celebration of the collaboration between an incredible young dancer an unbelievable cellist and one of the mostaccomplished composers of the modern day. This Philip Glass sheet music however is all about the music. With a softly-evolving melody that begins as a basic pattern before turning back on itself and transforming Orbitis the perfect soundtrack to a marriage of virtuoso musicianship expressive dance and achingly tender solo instrumental composition. Check out Yo-Yo Ma check out Lil Buck but most importantly of all be sure to lookinto our Orbit sheet music by Philip Glass.

The composer states:'The term 'oblique strategies? was coined jointly by British musician Brian Eno and German-born British visual artist Peter Schmidt to describe a series of printed cards they developed throughout the 1970's. The cards had their origins in sets of uncannily similar working principles that both artists had established independently, and featured aphorisms intended as a means of triggering inspiration or providing useful stimulus during the creative process, particularly when encountering difficulties of fatigue or time constraint.As Eno and Schmidt wrote in their introduction to the first edition in 1975: 'They can be used as a pack (a set of possibilities being continuously reviewed in the mind) or by drawing a single card from the shuffled pack when a dilemma occurs in a working situation. In this case, the card is trusted even if its appropriateness is quite unclear. They are not final, as new ideas will present themselves, and others will become self-evident?.I chose eleven of Eno and Schmidt's strategies, ordering them in a way that revealed to me a logic and potential inter-relatedness within a hitherto disparate set of single ideas I had assembled for solo cello, each of them in turn a reflection upon the commission's initial purpose of creating a test piece for the 2014 Emanuel Feuermann cello competition.It's my hope then that the resultant composition may provide not only an interesting test of the competitors' talents but also offer the interpreter an opportunity to reflect upon the delights and pitfalls of creativity as he or she comes to terms with the various musical and technical challenges to be found within these ten minutes of music for solo cello.? / Violoncelle

The Suzuki Method® of Talent Education is based on Dr. Shinichi Suzuki's view that every child is born with ability, and that people are the product of their environment. According to Dr. Suzuki, a world-renowned violinist and teacher, the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Students are taught using the 'mother-tongue' approach. Now available as Book and CD Kit. Titles: Sonata in G Major (Allegro, Grave, Vivace) (Sammartini) * Allegro Appassionato, Op. 43 (Saint-Saëns) * Elegié (Fauré) * Scherzo (van Goens). / Violoncelle

The Suzuki Method® of Talent Education is based on Dr. Shinichi Suzuki's view that every child is born with ability, and that people are the product of their environment. According to Dr. Suzuki, a world-renowned violinist and teacher, the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Students are taught using the mother-tongue approach. Now available as a Book

Bags of Classics for Cello is filled with favourite melodies from famous works of classical music arranged for the grade 3-4 player who is developing position work and perhaps trying vibrato.Selected and arranged by leading string pedagogue Mary Cohen to lie well under the hand it introduces a wide variety of styles and sound worlds from Vivaldi and Purcell to Saint-Saens and Holst. A great selection for consolidation work sight-reading practice or just for sheer musical enjoymentContents: Allegro from Brandenburg Concerto No.3 (Bach) Dance Of The Comedians (Smetana) Dance Macabre (Saint-Saens) Dido’s Lament (Purcell) Dragons (Bizet) Farandole (Bizet) In The Hall Of The Mountain King (Grieg) Jupiter from The Planets (Holst) Minuet (Gluck) Musette from Anna Magdalene’s Notebook (Anon) Papageno’s Song (Mozart) Pavane (Fauré) Ritornello from Brandenburg Concerto No.5 (Bach) Rondo from Eine Kleine Nachtmusik (Mozart) Sleigh Ride (L. Mozart) Winter from The Four Seasons (Vivaldi) The Elephant from Carnival Of The Animals (Saint-Saens) Theme from String Quartet in A minor (Schubert) Theme from ‘The Bird’ String Quartet (Haydn) Theme from Caprice No.24 (Paganini) Fur Elise (Beethoven) Theme from The Italian Symphony (Mendelssohn) Theme from Serenade (Mozart) Theme from Symphopny No.40 (Mozart) Theme from Trumpet Concerto (Haydn) Theme from William Tell Overture (Rossini)

Bwv 1007-1012-Urtext edition with articulation markings - Soft-cover performing editionWhen you think cello you think of Bach?s immortal cello suites.The suites take centre stage in the cello literature. They are timeless and beautiful and accompany cellists from their student years up through their professional career at the highest level.Appropriately and not surprisingly there are countless editions of the suites. But the composer?s autograph has not come down to us. It is lost and this circumstance has always been a major challenge for editors. The four surviving handwritten sources and the original first edition of 1824 differ in many details the articulation andphrasing being particularly ambiguous.At Bärenreiter having published the New Bach Edition and presently publishing the New Bach Edition-Revised we feel particularly committed to the cello suites. We have approached the editorial problems from several angles and have published editions that meet the needs of students and professional performers alike.This new edition based on volume 4 of the New Bach Edition Revised (NBArev) now completes Bärenreiter?s collection of the cello suite editions. Andrew Talle has fundamentally reassessed the relations between the surviving sources and has drawn conclusions regarding their evaluation and consequently the genesis of the suites. His evaluations are augmented with thorough discussions of the instrument for which the suites were conceived and the interpretative practices in Bach's day.The musical text of the edition is based on these findings. It approaches the composer's original intentions as far as the sources will permit. Details regarding articulation were deemed as being viable and were added to the musical text if they appeared in the majority of the sources. ?This edition does not present a perfect reconstruction of the lost autograph; no editor could claim to do so. Instead I have attempted to provide musicians and scholars with a reliable version of the surviving musical text of the six cello suites and to shed light on the options which the Bach sources offer.?- Urtext edition with articulation by the editor on the basis of intensive source comparison- Musical text identical

Urtext edition with articulation markings - Soft-cover performing editionWhen you think cello, you think of Bach's immortal cello suites.The suites take centre stage in the cello literature. They are timeless and beautiful and accompany cellists from their student years up through their professional career at the highest level. Appropriately and not surprisingly there are countless editions of the suites. But the composer's autograph has not come down to us. It is lost and this circumstance has always been a major challenge for editors. The four surviving handwritten sources and the original first edition of 1824 differ in many details, the articulation and phrasing being particularly ambiguous.At Bärenreiter, having published the New Bach Edition and presently publishing the New Bach Edition-Revised, we feel particularly committed to the cello suites. We have approached the editorial problems from several angles and have published editions that meet the needs of students and professional performers alike.This new edition, based on volume 4 of the New Bach Edition - Revised (NBArev), now completes Bärenreiter's collection of the cello suite editions. Andrew Talle has fundamentally reassessed the relations between the surviving sources and has drawn conclusions regarding their evaluation and consequently the genesis of the suites. His evaluations are augmented with thorough discussions of the instrument for which the suites were conceived and the interpretative practices in Bach's day.The musical text of the edition is based on these findings. It approaches the composer's original intentions as far as the sources will permit. Details regarding articulation were deemed as being viable and were added to the musical text if they appeared in the majority of the sources. 'This edition does not present a perfect reconstruction of the lost autograph - no editor could claim to do so. Instead, I have attempted to provide musicians and scholars with a reliable version of the surviving musical text of the six cello suites and to shed light on the options which the Bach sources offer.?- Urtext edition with articulation by the editor on the basis of intensive source comparison- Musical text identical to the text in New Bach Edition - Revised Volume 4, Book 1- Detailed introduction (Ger/Eng) / Violoncelle