The Austrian violinist Jacob Dont (1815-1888) was a highly-respected composer and pedagogue whose compositions were primarily written for educational purposes. Of his 50+ works his 24 Studies and Caprices (Op. 35) are probably the best known and are often considered to be some of the most important and most technically advanced pieces available for Violin study. All the exercises focus on different aspects of technique including arpeggios double stops dexterity change of position legato change of string types of bowing trills and appoggiaturas. A truly indispensable work for any Violin student or teacher.

Uses: General Lent MemorialScripture: John 14:1-3; Isaiah 41:13; Mark 5:36The words of Jesus are the springboard for this moving anthem of assurance. Long melodic lines carry the message of hope asdeep harmonies enrich the emotion of these treasured words. The optional violin obbligato adds to the calming spirit of the piece. This anthem is appropriate anytime but especially useful for Lent or Memorial observances. Violinpart included. Duration: ca. 4:33.

Uses: General Church Heritage ReformationScripture: Matthew 7:25-26; I Corinthians 3:16Two time-honored hymn texts are lifted to new heights with a jubilant setting for choral forces that emphasizethe confidence of these sturdy affirmations of faith. The lightly detached character of the vocal writing gives a quasi-classical feel to the choral and the text is ideal for church heritage or Reformation gatherings. Availableseparately: SATB StudioTrax CD Orchestration CD-rom (Score & parts for Flute 1&2 Oboe Clarinet 1&2 Bassoon Horn 1&2 Trumpet 1 Trumpet 2&3 Trombone 1&2 Bass Trombone/Tuba Timp Perc 1&2 Harp Violin 1 Violin 2 Viola Cello Double Bass). Duration: ca. 3:12.

Here is an expressive and lyrical tribute to the beauty and wonder of our world's oceans – the dance of light in the waters the dolphins that frolic and play the coral reef below and so much more! The graceful 3/4 meterand fluid vocal lines help to create an excellent accessible choral showcase for school and community. Piano with optional violin and string bass. Available separately: SATB 3-Part Mixed 2-Part. Instrumental Accompanimentavailable as a digital download (Full Score [SATB] Violin String Bass). Duration: ca. 3:20.

An inspired contemporary call to worship as recorded by Paul Baloche from his album A Greater Song this choral setting based on Psalm 63 provides a meaningful worship experience for congregation and singers. The profoundtext and driving rhythms vividly express the power of God's love and grace in our lives and reminds us that we are forever changed because of God's love.Available separately: SATB and SAB. Instrumental ePak includes score andparts for Violin 1 Violin 2 Viola Cello Guitar Bass Drums and String Reduction (Synthesizer). ChoirTrax CD also avialable. Performance Time: Approx. 2:45

Shawnee Press Cathedral Series-Uses: General festival music appreciationScripture: Psalm 103:1-4 Luke 1:47Dan Forrest is an awesome new writer in the choral music scene and his work is masterful. This choral of distinctioncelebrates not only expressive melodies but also rich luxurious harmonies. True choral textures characterize the timbre of the piece and this new selection from our Cathedral Series is sure to resonate in the hearts ofthose who hear it! SATB violin Duration: ca. 4:11.

Uses: General TrinityScripture: Jeremiah 10:6-7; I Chronicles 17:20; Psalms 86:8-17; Isaiah 6:1-3A very different choral experience is discovered in this sacred song from contemporary singer TravisCottrell. Written in a haunting call and response style there is a gripping atmosphere of mystery and awe in these graceful phrases. Rising like a prayer the refined melodic lines exalt the profound holiness of God. Latin wordsare interspersed throughout adding to the enigmatic beauty of this singular choral anthem. A true worship tone poem! Available separately: SATB StudioTrax CD (Accomp. SplitTrax Perf.) Orchestration (Score & parts for flute 1 &2 oboe timpani percussion piano violin 1 & 2 viola cello double bass). Duration: ca. 4:20.

Three favourite carols combine to create a Christmas showcase with a contemporary flair! Rhythmic energy brims in this three-minute setting with unexpected lifts and choral fanfares. Arranger Keith Christopher has merged Angels from the Realms of Glory Angels We Have Heard on High and Hark the Herald Angels Sing to form a superb medley. Performance Time: Approx. 3:00. This version is for SATB choir and instrumentation is available for Flute 1 & 2 Oboe Clarinet 1 & 2 F Horn Trumpet 1 2 & 3 Trombone 1 & 2 Tuba Rhythm Section Synthesizer Percussion Timpani Violin I & II Viola Cello and Bass.

Uses: Good Friday Holy Week Scripture: Luke 23:34; John 19:30 Essential repertoire for Holy Week is represented in this stark yet beautiful tableau of the crucifixion. A poignant violin line duetswith an expressive piano part to weave a worshipful moment of deep reflection. A solo representing the voice of Jesus from the cross wafts above a series of choral echoes and creates a passionate portrait of unfailing divinelove. Violin part included. Duration: ca. 3:25.

Based on the hymn tune Dix this concertato is set for mixed choir with keyboard optional handbells and violin. Opening in unison for all voices additional verses include a variety of choral textures with a rich accompaniment and decorative violin obbligato. Great for Thanksgiving earth day or general use.

Litany is the first chorus from Edward Elgar’s ‘The Dream of Gerontius’ scored for SATB Voices and Organ or Piano accompaniment in this Novello edition.The Dream of Gerontius Op. 38 is a work for Voices and orchestra in two parts composed by Edward Elgar in 1900 to text from the poem by John Henry Newman. It relates the journey of a pious man's soul from his deathbed to his judgment before God and settling into Purgatory. Litany is sung by the chorus (‘Assistants’) after Gerontius’ deathbed prayer. Elgar disapproved of the use of theterm 'oratorio' for the work though his wishes are not always followed. The piece is widely regarded as Elgar's finest choral work and some consider it his masterpiece.Sir Edward Elgar was an English composer many of whose works have entered the British and international classical concert repertoire. Among his best-known compositions are orchestral works including the Enigma Variations the Pomp and Circumstance Marches concertos for Violin and Cello and two symphonies. He was appointed Master of the King's Musick in 1924.

Winter Cantata / Vinterkantate (1976) by Per Nørgård for a variable ensemble of soloist mixed choir and instruments (minimum: vocalist and organ). Programme Note: When in 1975 I had finished composing my 3rd Symphony (begun in 1973) I wrote three simple melodies for two psalm texts by Ole Sarvig: ?The Year? and ?Choral Hymn?. These three tunes were derived from the same material as the second movement of the 3rd Symphony and could be harmonized together in several different tempo relationships at the same time - like fractals which inspired me to write several choral and instrumental works in the following decade based on thesemelodies: ?Frost Psalm? ?Winter Cantata? ? Winter Hymn? ?Cantica? and others. One of these ´Sarvig melodies´ is now included in the new Danish Hymnbook under the title ?Året?(The Year). Ole Sarvig´s poem ?Året? (The Year) is Danish perhaps Scandinavian in character but its symbolic atmosphere is global (now snow is covering the whole earth). The basic composition of this cantata based on Sarvig´s many verses was done by letting soloist choir and instruments change in feelings and moods: from the almost silent inward-looking beginning (I: Chorale dolorosa) to a dancelike and happy optimism (II: A heaven germ on winged foot thrust deep into the earth its root) followed by nightmarish tone rows as the ?year-wheel of fortune? is turning (III: Sacrifice The Year) and the temptations of the snake (IV: In Paradiso) to the allegorical fights between egoism and altruism (V:The Cycle Autumn. Purgatory) before the ?waiting for a disaster?- atmosphere at the end of this choral Odyssé. Winter Cantata was from the beginning (1976) designed as an open work to be arranged by different combinations of soloists choir and (different) instruments. The printed version by Per Nørgård and Ivan hansen for soloist mixed choir and instruments (obo violin trombone vibraphone/percussion and organ) is from 1990. The work

Uses: General Advent Revival Praise Team YouthScripture: Acts 1:11; John 14:1-4; Jude 1:14; Revelation 16:15This contemporary praise anthem celebrates the joyful anticipation of Christ's return.Enlivened by a high-energy syncopated theme this festive acclamation soars with a memorable chorus and an uplifting text. The final ostinato is a great moment mixing traditional choral techniques with a purely modern musicalvernacular. The results are stunning and a fitting finale to a truly praise-worthy new worship song. Available separately: SATB StudioTrax CD Orchestration CD-rom (Score & parts for Flute 1&2 Oboe Clarinet 1&2 Bassoon Horn1&2 Trumpet 1-3 Trombone 1-3 Tuba Violin 1&2 Viola Cello and Double Bass). Duration: ca. 4:27.

Judith Clurman Rejoice: Honoring the Jewish Spirit Choral Series-This beautiful and simple melody by Broadway superstar arranger Larry Hochman for SATB choir or unison choir or solo is the perfect ending to a worship service or concert. It can be sung a cappella or with the optionalClarinet Violin Viola and Cello accompaniment or with only the Clarinet. Each version is equally effective and beautiful.

Uses: GeneralScripture: Numbers 12:6; Philippians 3:7A time-honored hymn speaks anew in this lyrical setting beautifully decorated in a Celtic style. The poetic imagery of this hopeful text is wellsuited to the sensitive choral writing and the addition of the instrumental consort completes the package. Available separately: SATB Digital parts (oboe violin cello). Duration: ca. 3:53.