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| Sigismondo D'India: The First Five Books of Madrigals Volume 1 Choral SSATB SSATB A Cappella [Sheet music] Gaudia Music and Arts Publications
By Sigismondo D'India (1582-1629). Edited by John Steele and Suzanne Court. For ...(+)
By Sigismondo D'India (1582-1629). Edited by John Steele and Suzanne Court. For 5 mixed voices. Madrigal. Renaissance Voices. Collection. Text Language: Italian. Published by Gaudia Music and Arts Publications
$20.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Sigismondo D'India: The First Five Books of Madrigals Volume 2 Choral SSATB SSATB A Cappella [Sheet music] Gaudia Music and Arts Publications
By Sigismondo D'India (1582-1629). Edited by John Steele and Suzanne Court. For ...(+)
By Sigismondo D'India (1582-1629). Edited by John Steele and Suzanne Court. For 5 mixed voices. Madrigal. Renaissance Voices. Collection. Text Language: Italian. Published by Gaudia Music and Arts Publications
$20.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Sigismondo D'India: The First Five Books of Madrgials Volume 3 Choral SSATB Gaudia Music and Arts Publications
Composed by Sigismondo D'India (1582-1629). Edited by John Steele & Suzanne Cour...(+)
Composed by Sigismondo D'India (1582-1629). Edited by John Steele & Suzanne Court. Madrigal. Renaissance Voices. Collection. With Text Language: Italian. Published by Gaudia Music and Arts Publications (GA.GM3218).
$20.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The Want of Peace Choral SATB SATB, Piano Theodore Presser Co.
Choral SATB choir, piano SKU: PR.312419280 From Terra Nostra. Comp...(+)
Choral SATB choir, piano SKU: PR.312419280 From Terra Nostra. Composed by Stacy Garrop. Performance Score. 12 pages. Duration 5:30. Theodore Presser Company #312-41928. Published by Theodore Presser Company (PR.312419280). ISBN 9781491137925. UPC: 680160692613. Terra Nostra focuses on the relationship between our planet and mankind, how this relationship has shifted over time, and how we can re-establish a harmonious balance. The oratorio is divided into three parts:Part I: Creation of the World celebrates the birth and beauty of our planet. The oratorio begins with creation myths from India, North America, and Egypt that are integrated into the opening lines of Genesis from the Old Testament. The music surges forth from these creation stories into “God’s World” by Edna St. Vincent Millay, which describes the world in exuberant and vivid detail. Percy Bysshe Shelley’s “On thine own child” praises Mother Earth for her role bringing forth all life, while Walt Whitman sings a love song to the planet in “Smile O voluptuous cool-breathed earth!” Part I ends with “A Blade of Grass” in which Whitman muses how our planet has been spinning in the heavens for a very long time.Part II: The Rise of Humanity examines the achievements of mankind, particularly since the dawn of the Industrial Age. Lord Alfred Tennyson’s “Locksley Hall” sets an auspicious tone that mankind is on the verge of great discoveries. This is followed in short order by Charles Mackay’s “Railways 1846,” William Ernest Henley’s “A Song of Speed,” and John Gillespie Magee, Jr.’s “High Flight,” each of which celebrates a new milestone in technological achievement. In “Binsey Poplars,” Gerard Manley Hopkins takes note of the effect that these advances are having on the planet, with trees being brought down and landscapes forever changed. Percy Bysshe Shelley’s “A Dirge” concludes Part II with a warning that the planet is beginning to sound a grave alarm.Part III: Searching for Balance questions how we can create more awareness for our planet’s plight, re-establish a deeper connection to it, and find a balance for living within our planet’s resources. Three texts continue the earth’s plea that ended the previous section: Lord Byron’s “Darkness” speaks of a natural disaster (a volcano) that has blotted out the sun from humanity and the panic that ensues; contemporary poet Esther Iverem’s “Earth Screaming” gives voice to the modern issues of our changing climate; and William Wordsworth’s “The World Is Too Much With Us” warns us that we are almost out of time to change our course. Contemporary/agrarian poet Wendell Berry’s “The Want of Peace” speaks to us at the climax of the oratorio, reminding us that we can find harmony with the planet if we choose to live more simply, and to recall that we ourselves came from the earth. Two Walt Whitman texts (“A Child said, What is the grass?” and “There was a child went forth every day”) echo Berry’s thoughts, reminding us that we are of the earth, as is everything that we see on our planet. The oratorio concludes with a reprise of Whitman’s “A Blade of Grass” from Part I, this time interspersed with an additional Whitman text that sublimely states, “I bequeath myself to the dirt to grow from the grass I love…”My hope in writing this oratorio is to invite audience members to consider how we interact with our planet, and what we can each personally do to keep the planet going for future generations. We are the only stewards Earth has; what can we each do to leave her in better shape than we found her? $2.70 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Give Us Light / Jyothi Dho Prabhu Choral SATB SATB, Piano - Beginner GIA Publications
SATB choir, piano reduction, flute - Beginning SKU: GI.G-7328 Jyothi D...(+)
SATB choir, piano reduction, flute - Beginning SKU: GI.G-7328 Jyothi Dho Prabhu. Composed by Charles Vas. Edited by Pearl Shangkuan. Arranged by Valerie Shields. Calvin Institute. Tune Name: Jyothi Dho. Sacred. Octavo. 8 pages. GIA Publications #7328. Published by GIA Publications (GI.G-7328). UPC: 785147732808. English, Indian. Text by Charles Vas. A hauntingly simple tune of from India in the form of a bhajan - a traditional devotional song of praise to God. Scored for flute and SATB voices, with text in both Hindi and English. The text is a prayer for light, life, peace, salvation, and grace. A lovely choral piece that explores the music of the Asian church. A hauntingly simple tune of from India in the form of a bhajan. $2.20 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Till I Wake Choral SATB SATB, Piano - Intermediate GIA Publications
SATB choir, piano accompaniment - Late intermediate SKU: GI.G-10266 No...(+)
SATB choir, piano accompaniment - Late intermediate SKU: GI.G-10266 No. 5 from Five Songs of Laurence Hope. Composed by Harry T. Burleigh. Arranged by Marques L. A. Garrett. Morehouse,Morehouse. Music Education. Octavo. 12 pages. GIA Publications #10266. Published by GIA Publications (GI.G-10266). UPC: 785147026617. English. Text Source: India's Love Lyrics (1902). Text by Laurence Hope. This fifth piece from the series Five Songs of Laurence Hope sets a poem from Hope’s India’s Love Lyrics, published in 1902. A powerful and haunting performance piece. $2.60 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| High Flight Choral SATB SATB, Piano Theodore Presser Co.
Choral SATB Choir and Piano SKU: PR.312419020 From Terra Nostra. C...(+)
Choral SATB Choir and Piano SKU: PR.312419020 From Terra Nostra. Composed by Stacy Garrop. Sws. Performance Score. 12 pages. Duration 3:15. Theodore Presser Company #312-41902. Published by Theodore Presser Company (PR.312419020). ISBN 9781491131862. UPC: 680160680474. 6.875 x 10.5 inches. English. Commissioned by the San Francisco Choral Society and the Piedmont East Bay Children’s Choir, Terra Nostra is a 70-minute oratorio on the relationship between our planet and humankind, how this relationship has shifted over time, and how we can re-establish a harmonious balance. Part I: Creation of the World explores various creation myths from different cultures, culminating in a joyous celebration of the beauty of our planet. Part II: The Rise of Humanity examines human achievements, particularly since the dawn of our Industrial Age, and how these achievements have impacted the planet. Part III: Searching for Balance questions how to create more awareness for our planet’s plight, re-establish a deeper connection to it, and find a balance for living within our planet’s resources. In addition to the complete oratorio, stand-alone movements for mixed chorus, and for solo voice with piano, are also available separately. Terra Nostra focuses on the relationship between our planet and mankind, how this relationship has shifted over time, and how we can re-establish a harmonious balance. The oratorio is divided into three parts:Part I: Creation of the World celebrates the birth and beauty of our planet. The oratorio begins with creation myths from India, North America, and Egypt that are integrated into the opening lines of Genesis from the Old Testament. The music surges forth from these creation stories into “God’s World†by Edna St. Vincent Millay, which describes the world in exuberant and vivid detail. Percy Bysshe Shelley’s “On thine own child†praises Mother Earth for her role bringing forth all life, while Walt Whitman sings a love song to the planet in “Smile O voluptuous cool-breathed earth!†Part I ends with “A Blade of Grass†in which Whitman muses how our planet has been spinning in the heavens for a very long time.Part II: The Rise of Humanity examines the achievements of mankind, particularly since the dawn of the Industrial Age. Lord Alfred Tennyson’s “Locksley Hall†sets an auspicious tone that mankind is on the verge of great discoveries. This is followed in short order by Charles Mackay’s “Railways 1846,†William Ernest Henley’s “A Song of Speed,†and John Gillespie Magee, Jr.’s “High Flight,†each of which celebrates a new milestone in technological achievement. In “Binsey Poplars,†Gerard Manley Hopkins takes note of the effect that these advances are having on the planet, with trees being brought down and landscapes forever changed. Percy Bysshe Shelley’s “A Dirge†concludes Part II with a warning that the planet is beginning to sound a grave alarm.Part III: Searching for Balance questions how we can create more awareness for our planet’s plight, re-establish a deeper connection to it, and find a balance for living within our planet’s resources. Three texts continue the earth’s plea that ended the previous section: Lord Byron’s “Darkness†speaks of a natural disaster (a volcano) that has blotted out the sun from humanity and the panic that ensues; contemporary poet Esther Iverem’s “Earth Screaming†gives voice to the modern issues of our changing climate; and William Wordsworth’s “The World Is Too Much With Us†warns us that we are almost out of time to change our course. Contemporary/agrarian poet Wendell Berry’s “The Want of Peace†speaks to us at the climax of the oratorio, reminding us that we can find harmony with the planet if we choose to live more simply, and to recall that we ourselves came from the earth. Two Walt Whitman texts (“A Child said, What is the grass?†and “There was a child went forth every dayâ€) echo Berry’s thoughts, reminding us that we are of the earth, as is everything that we see on our planet. The oratorio concludes with a reprise of Whitman’s “A Blade of Grass†from Part I, this time interspersed with an additional Whitman text that sublimely states, “I bequeath myself to the dirt to grow from the grass I love…â€My hope in writing this oratorio is to invite audience members to consider how we interact with our planet, and what we can each personally do to keep the planet going for future generations. We are the only stewards Earth has; what can we each do to leave her in better shape than we found her? $3.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| I Am Light Choral SATB SATB, Piano Shawnee Press
By India.Arie. Arranged by Kimberly Lilley and Mark Hayes. Shawnee Press. Pop....(+)
By India.Arie. Arranged by
Kimberly Lilley and Mark
Hayes. Shawnee Press. Pop.
Octavo. 16 pages. Published
by Shawnee Press
$2.25 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Morning Song Choral SATB Walton Music
((Cherokee Amazing Grace)). By Traditional. Arranged by James Green. For Choral,...(+)
((Cherokee Amazing Grace)). By Traditional. Arranged by James Green. For Choral, Recorder, Shaker, Drum (SATB). Walton Choral. 16 pages. Walton Music #WW1478. Published by Walton Music
$2.35 $2.2325 (5% off) See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Back Home Again in Indiana Choral SATB SATB A Cappella - Beginner Excelcia Music Publishing
Chorus SATB chorus a cappella SKU: XC.DJS2403 Composed by James F. Hanley...(+)
Chorus SATB chorus a cappella SKU: XC.DJS2403 Composed by James F. Hanley. Arranged by Derric Johnson. Harmony Grade 1.5. Octavo. Excelcia Music Publishing #DJS2403. Published by Excelcia Music Publishing (XC.DJS2403). 10.5 x 6.75 inches. Derric Johnson's arrangement of Back Home Again in Indiana is a musical journey that weaves through the familiar with a touch of brilliance, showcasing beautiful harmonies that evoke the nostalgic essence of the song. With a stunning descant and a lush, full-bodied ending, the arrangement provides a captivating and memorable experience, making it a perfect addition to any concert repertoire, resonating with the heartwarming spirit of coming back to one's roots. $2.75 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Water Choral SATB Carus Verlag
Orchestra narrator, SABar vocal soli, SATB choir, piccolo, 2 flutes, oboe, engli...(+)
Orchestra narrator, SABar vocal soli, SATB choir, piccolo, 2 flutes, oboe, english horn, clarinet, bass clarinet, bassoon, contra-bassoon, 4 horns, 2 trumpets, 3 trombones, harp, timpani, marimba, celesta, synthesizer (sampler), computer, percussion (3 players), 2 SKU: CA.2810307 Oratorio. Composed by Gonzalo Grau. This edition: Paperbound. Contemporary Choir Music. German title: Aqua. Oratorio. Oratorios. Study score. Composed 2010. Duration 62 minutes. Carus Verlag #CV 28.103/07. Published by Carus Verlag (CA.2810307). ISBN 9790007135836. Language: Spanish. Text: Palacios, Maria Fernanda. Text: Maria Fernanda Palacios. Gonzalo Grau's oratorio Aqua, commissioned by the International Bachakademie Stuttgart, is concerned with the important global theme of water. It is precisely in central Europe that this precious commodity is frequently and thoughtlessly wasted, while in other parts of the world it is so scarce. Moreover, water shows two sides, which Grau makes audible in his oratorio: It gives, but it can also take life - in some places rain brings luck, while in others it brings destruction. Worldwide water is a theme, it means different things in different cultures - this, for example, is reflected in the music of Indian and African cultures. Gonzalo Grau's compositional style is marked by a variety of influences: For me a Gregorian chant is just as beautiful as a Cuban Santeria song. Indian ornamentation and baroque articulation can both appear in the same piece, says the composer. Special sound effects make Aqua a multi-cultural oratorio in which man and the environment is the central theme. Score available separately - see item CA.2810300. $85.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The Carols of Spain - Medley Choral SATB SATB, Piano [Octavo] Jackman Music Corporation
Arranged by Brent Jorgensen. For SATB choir and piano. Christmas. Medium. Octavo...(+)
Arranged by Brent Jorgensen. For SATB choir and piano. Christmas. Medium. Octavo. Duration 2 minutes, 30 seconds. Published by Jackman Music Corporation
$1.60 $1.52 (5% off) See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Jarba, Mare Jarba Choral SATB Carl Fischer
Choral SATB choir SKU: CF.CM9700 Composed by Hungarian Folk. Arranged by ...(+)
Choral SATB choir SKU: CF.CM9700 Composed by Hungarian Folk. Arranged by Stacy Garrop. 20 pages. Duration 4:44. Carl Fischer Music #CM9700. Published by Carl Fischer Music (CF.CM9700). ISBN 9781491160008. UPC: 680160918607. Key: A minor. Hungarian. Hungarian Folk. In 2014, Chanticleer commissioned me to make a new arrangement of the Hungarian-Romani folk song Jarba, Mare Jarba for their 2014 touring program. Passed down orally through the Romani communities, this beautiful folk song, with text in a language called Beas (beh-osh), speaks of a deep longing to visit one's homeland, a place where the singer can never return. Chanticleer consists of twelve men whose vocal ranges span from low bass to high soprano, equivalent to the range of a mixed choir of women and men. I composed slow sections of original material to represent the singers' longing to return home; these are interspersed with the folk song's traditional fast sections. The incorporated shouts and calls in the score are typically found in the performance of Central European folk songs. I hope you enjoy singing this new version of Jarba, Mare Jarba that contains all of the vigor and excitement of the Chanticleer version. PERFORMANCE NOTES All spoken sounds (indicated by x noteheads) should be performed by individuals. Feel free to elaborate with more sounds of your own in the tradition of Eastern European folk music. If the piece is memorized, feel free to experiment with clapping on the off-beats of m. 93 to the end. TEXT Transliteration Jarba, mare jarba mas duce a casa, da nu pot ca am jurat, Jarba, mare jarba mas duce a casa, da nu pot ca am jurat. Mare jarba, verde jarba nu me pot duce a casa. Jarba, mare jarba mas duce a casa, da nu pot ca am jurat. O mers mama de pe sat, O lasat coliba goala, Infrunzitu, ingurzitu da plina de saracie, da plina de saracie. Mare jarba, verde jarba nu me pot duce a casa. Jarba, mare jarba mas duce a casa, da nu pot ca am jurat. Translation Green grass, tall grass, I would like to go home, but I cannot, because I have sworn not to. Tall grass, green grass - oh, that I cannot go home! My mother has left the village; she left the hut empty, Adorned with leaves but full of poverty. Tall grass, green grass - oh, that I cannot go home! Tall grass, green grass - I would like to go home. but I cannot, because I have sworn not to. Stacy Garrop's music is centered on dramatic and lyrical storytelling. The sharing of stories is a defining element of our humanity; we strive to share with others the experiences and concepts that we find compelling. She shares stories by taking audiences on sonic journeys - some simple and beautiful, while others are complicated and dark - depending on the needs and dramatic shape of the story. Garrop served as the first Emerging Opera Composer of Chicago Opera Theater's Vanguard Program. She also held a 3-year composer-in-residence position with the Champaign-Urbana Symphony Orchestra, funded by New Music USA and the League of American Orchestras. She has received numerous awards and grants including an Arts and Letters Award in Music from the American Academy of Arts and Letters, Fromm Music Foundation Grant, Barlow Prize, and three Barlow Endowment commissions, along with prizes from competitions sponsored by the Detroit Symphony Orchestra, Civic Orchestra of Chicago, Omaha Symphony, New England Philharmonic, Boston Choral Ensemble, Utah Arts Festival, and Pittsburgh New Music Ensemble. She is a Cedille Records artist; her works are commercially available on more than ten additional labels. Her catalog covers a wide range, with works for orchestra, opera, oratorio, wind ensemble, choir, art song, various sized chamber ensembles, and works for solo instruments. Notable commissions include My Dearest Ruth for soprano and piano with text by Martin Ginsburg, the husband of the late Supreme Court Justice Ruth Bader Ginsburg, The Transformation of Jane Doe for Chicago Opera Theater, The Battle for the Ballot for the Cabrillo Festival Orchestra, Goddess Triptych for the St. Louis Symphony Orchestra, Glorious Mahalia for the Kronos Quartet, Give Me Hunger for Chanticleer, Rites for the Afterlife for the Akropolis and Calefax Reed Quintets, and Terra Nostra: an oratorio about our planet, commissioned by the San Francisco Choral Society and Piedmont East Bay Children's Chorus. Garrop previously served as composer-in-residence with the Albany Symphony and Skaneateles Festival, and as well as on faculty of the Fresh Inc Festival (2012-2017). She taught composition and orchestration full-time at Roosevelt University 2000-2016) before leaving to launch her freelance career. She earned degrees in music composition at the University of Michigan-Ann Arbor (B.M.), University of Chicago (M.A.), and Indiana University-Bloomington (D.M.). In 2014, Chanticleer commissioned me to make a new arrangement of the Hungarian-Romani folk song Jarba, Mare Jarba for their 2014 touring program. Passed down orally through the Romani communities, this beautiful folk song, with text in a language called Beas (beh-osh), speaks of a deep longing to visit one’s homeland, a place where the singer can never return. Chanticleer consists of twelve men whose vocal ranges span from low bass to high soprano, equivalent to the range of a mixed choir of women and men. I composed slow sections of original material to represent the singers’ longing to return home; these are interspersed with the folk song’s traditional fast sections. The incorporated shouts and calls in the score are typically found in the performance of Central European folk songs. I hope you enjoy singing this new version of Jarba, Mare Jarba that contains all of the vigor and excitement of the Chanticleer version.PERFORMANCE NOTESAll spoken sounds (indicated by x noteheads) should be performed by individuals. Feel free to elaborate with more sounds of your own in the tradition of Eastern European folk music.If the piece is memorized, feel free to experiment with clapping on the off-beats of m. 93 to the end.TEXTTransliterationJarba, mare jarba mas duce a casa, da nu pot ca am jurat, Jarba, mare jarba mas duce a casa, da nu pot ca am jurat. Mare jarba, verde jarba nu me pot duce a casa.Jarba, mare jarba mas duce a casa, da nu pot ca am jurat.O mers mama de pe sat, O lasat coliba goala,Infrunzitu, ingurzitu da plina de saracie, da plina de saracie. Mare jarba, verde jarba nu me pot duce a casa.Jarba, mare jarba mas duce a casa, da nu pot ca am jurat.TranslationGreen grass, tall grass, I would like to go home, but I cannot, because I have sworn not to.Tall grass, green grass – oh, that I cannot go home!My mother has left the village; she left the hut empty, Adorned with leaves but full of poverty.Tall grass, green grass – oh, that I cannot go home! Tall grass, green grass – I would like to go home.but I cannot, because I have sworn not to.Stacy Garrop’s music is centered on dramatic and lyrical storytelling. The sharing of stories is a defining element of our humanity; we strive to share with others the experiences and concepts that we find compelling. She shares stories by taking audiences on sonic journeys – some simple and beautiful, while others are complicated and dark – depending on the needs and dramatic shape of the story.Garrop served as the first Emerging Opera Composer of Chicago Opera Theater’s Vanguard Program. She also held a 3-year composer-in-residence position with the Champaign-Urbana Symphony Orchestra, funded by New Music USA and the League of American Orchestras. She has received numerous awards and grants including an Arts and Letters Award in Music from the American Academy of Arts and Letters, Fromm Music Foundation Grant, Barlow Prize, and three Barlow Endowment commissions, along with prizes from competitions sponsored by the Detroit Symphony Orchestra, Civic Orchestra of Chicago, Omaha Symphony, New England Philharmonic, Boston Choral Ensemble, Utah Arts Festival, and Pittsburgh New Music Ensemble. She is a Cedille Records artist; her works are commercially available on more than ten additional labels.Her catalog covers a wide range, with works for orchestra, opera, oratorio, wind ensemble, choir, art song, various sized chamber ensembles, and works for solo instruments. Notable commissions include My Dearest Ruth for soprano and piano with text by Martin Ginsburg, the husband of the late Supreme Court Justice Ruth Bader Ginsburg, The Transformation of Jane Doe for Chicago Opera Theater, The Battle for the Ballot for the Cabrillo Festival Orchestra, Goddess Triptych for the St. Louis Symphony Orchestra, Glorious Mahalia for the Kronos Quartet, Give Me Hunger for Chanticleer, Rites for the Afterlife for the Akropolis and Calefax Reed Quintets, and Terra Nostra: an oratorio about our planet, commissioned by the San Francisco Choral Society and Piedmont East Bay Children’s Chorus.Garrop previously served as composer-in-residence with the Albany Symphony and Skaneateles Festival, and as well as on faculty of the Fresh Inc Festival (2012-2017). She taught composition and orchestration full-time at Roosevelt University 2000-2016) before leaving to launch her freelance career. She earned degrees in music composition at the University of Michigan-Ann Arbor (B.M.), University of Chicago (M.A.), and Indiana University-Bloomington (D.M.).ÂÂ. $3.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| All Mixed Up Choral SATB SATB A Cappella Hal Leonard
By Counterpoint and Pete Seeger. Arranged by Robert DeCormier. Music of Count...(+)
By Counterpoint and Pete
Seeger. Arranged by Robert
DeCormier. Music of
Counterpoint. A Cappella,
Calypso, Caribbean, Novelty,
West Indian. Octavo. 16
pages. Published by Hal
Leonard
$2.25 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Jai Ho! Choral SATB SATB, Percussion(s) [Octavo] Earthsongs
By A. R. Rahman. Arranged by E. Sperry. For SATB choir, percussion. Global Rhyth...(+)
By A. R. Rahman. Arranged by E. Sperry. For SATB choir, percussion. Global Rhythms. Secular. Octavo. Published by Earthsongs
$2.70 $2.565 (5% off) See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Waniska Choral SATB SATB A Cappella Pavane Publishing
Arranged by Brian Tate. Pavane Choral. Octavo. 8 pages. Pavane Publishing #P1...(+)
Arranged by Brian Tate.
Pavane Choral. Octavo. 8
pages. Pavane Publishing
#P1592. Published by Pavane
Publishing
$2.15 $2.0425 (5% off) See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Catch a Falling Star Choral SATB SATB A Cappella [Octavo] Cypress Choral Music
Composed by Pockriss and Vance. Arranged by Peter Sicotte. Octavo. Published by ...(+)
Composed by Pockriss and Vance. Arranged by Peter Sicotte. Octavo. Published by Cypress Choral Music (C3.CP1454).
$3.10 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
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| Kelly Miller: Two
International Folk Songs:
SATB: Vocal Score Choral SATB [Vocal Score] Schirmer
Andrea Ramsey Choral Series-With the countries of India and Uganda represented i...(+)
Andrea Ramsey Choral Series-With the countries of India and Uganda represented in this octavo world rhythms take center stage. Clear and authentic guidance is offered in the program notes along with an IPA pronunciation guide and a poetic translation. Songs include: MaLoWe Tumba.
11.25 GBP - Sold by Musicroom UK | |
| India.Arie: I Am Light:
Mixed Choir a Cappella:
Vocal Score Choral SATB [Vocal Score] Shawnee Press
India.Arie's touching song sings like a mantra with its deep message of looking ...(+)
India.Arie's touching song sings like a mantra with its deep message of looking beyond everything in your past and see yourself for who you are. A lifting arrangement for mixed and treble voices. India.Arie's touching song sings like a mantra with its deep message of looking beyond everything in your past and see yourself for who you are. A lifting arrangement for mixed and treble voices.
1.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Dan Forrest: Jubilate
Deo: SATB: Vocal Score Choral SATB [Vocal Score] Hinshaw Music Inc.
This major work is a seven-movement setting of Psalm 100 predominantly in Latin...(+)
This major work is a seven-movement setting of Psalm 100 predominantly in Latin. Inserted within the work are interjections of the text 'Shout to the Lord all ye lands!' in eight different languages. The work may be performed entirely by an SATB choir or some or all of the treble choir options in the treble part may be used along with the SATB choir. Part-dominant rehearsal videos and pronunciation guides for the languages are available for free on the composer's website. There are three different orchestrations of the work available ranging from a large orchestration to a nine-instrument chamber version. This piece was commissioned by the IndianapolisChildren's Chorus to honor its distinguished conductor of 30 years Henry Leck. Seen by the composer as a partner composition to his Requiem for the Living Forrest's Jubilate Deo is a great addition to the repertoire. Highly recommended! 1. Jubilate Deo2. Ve adthdor vador3. Ta cao chang de yang4. Ngokujabula!5. Bendecid su nombre6. Song of the Earth7. ...Omnis Terra!
20.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Traditional: Morning
Song: SATB: Vocal Score Choral SATB [Vocal Score] Walton Music
Cherokee Amazing Grace-This new setting of the enthusiastically received three-p...(+)
Cherokee Amazing Grace-This new setting of the enthusiastically received three-part version is based on the same peaceful but yet haunting Native Indian theme fused with one of our most beloved songs. Accessible for choirs of all sizes and levels this piece is an excellent teaching and performing selection! Available separately: SATB 3-Part Any Combination. Duration: ca. 3:20.
1.95 GBP - Sold by Musicroom UK | |
| Dave Brubeck: They All
Sang Yankee Doodle: SATB:
Vocal Score Choral SATB SATB, Piano [Vocal Score] Associated
'Yankee Doodle' with variations is the most concise way to describe the piece co...(+)
'Yankee Doodle' with variations is the most concise way to describe the piece commissioned by the New Haven Symphony Orchestra to commemorate Conneticut's participation in The United States Bicentennial. 'Yankee Doodle' a tune dating back to the Middle Ages in Holland and England (and used by the British as early as 1755 to poke fun at untrained American troops in the French and Indian war) is interwoven with other folk and national melodies to stitch a patchwork or a musical collage. It is a personal view of American history.'To explain my approach to They All Sang Yankee Doodle I must explain my own background because the piece is made up ofmusical memories imprinted from early childhood.My earliest musical memories are a juxtaposition of sounds - hymns and Bach chorales from the church next door where my mother was choir director; early twenties jazz from my oldest brother's dance band; classical piano from my middle brother and my mother's piano studio; and cowboy songs and turn-of-the-century ballads that I have always identified with my father. Concord California where I was born was once part of a land grant from the Mexican government and the Spanish-Mexican influence remained strong even as the town expanded from a sleepy settlement into an American microcosmos with a wide variety of ethnic groups. Over fifty years ago most of us who sang 'Yankee Doodle' in Concord could not trace our ancestry to the founding fathers. Those of us with Anglo-Saxon names were at the end of the Westward push our forefathers having left behind the Eastern cities a few generations before settling for a time mid-continent then restlessly pushing further West. Little is known of my paternal grandfather for instance except that he had come to California from Indiana walking across Nevada desert to become one of the first settlers in Mordoc Indian territory.Of course the native American the Indian was there to greet each new migration and it is his
3.99 GBP - Sold by Musicroom UK | |
| Jason Robert Brown: 13:
SATB: Vocal Score Choral SATB [Vocal Score] Hal Leonard
Choral Highlights from the Broadway Musical-Evan has six weeks to go before he t...(+)
Choral Highlights from the Broadway Musical-Evan has six weeks to go before he turns 13 and after an idyllic childhood in New York City he's just been uprooted and brought to Appleton Indiana with his mother. He has one mission: get all the cool kids in school to come tohis Bar Mitzvah or else spend the rest of his academic career banished to the land of the Geeks. 13 is a show about finding out who you are finding out what you need and finding out what's really important. In this14-minute medley choirs will enjoy both the angst and the excitement of this pivotal time of growing up. Songs include: All Hail the Brain Bad Bad News Brand New You Getting Ready The Lamest Place in the World A LittleMore Homework Thirteen What It Means to Be a Friend. Available separately: SATB 3-Part Mixed 2-Part ShowTrax CD. Rhythm Section parts available as a digital download (syn gtr 1-2 b dm). Duration: ca. 14:00.
18.75 GBP - Sold by Musicroom UK | |
| Shakalaka Baby: Mixed
Choir a Cappella: Vocal
Score Choral SATB [Vocal Score] Hal Leonard
from Bombay Dreams-Indian pop sensation A.R. Rahman composed this Bollywood insp...(+)
from Bombay Dreams-Indian pop sensation A.R. Rahman composed this Bollywood inspired song for the musical Bombay Dreams produced by Andrew Lloyd Webber. The blend of pop and traditional Indian music creates a diverse sound that will bring energy and vibrancy to pop andshow choir programs!
11.25 GBP - Sold by Musicroom UK | |
| Brian Tate: Waniska:
Mixed Choir a Cappella:
Vocal Score Choral SATB [Vocal Score] Pavane Publishing
The Cree Indians from the North American continent have a delightful morning son...(+)
The Cree Indians from the North American continent have a delightful morning song that has been artfully arranged by Brian Tate. Beginning with bird sounds the melody line is first presented by the sopranos. A pedal point is set by the tenors and basses as the altos take their turn with the tune. As with so many Tate arrangements staging is easily a part of the presentation as the simple lines cross and lift one another. Some suggestions are provided but each group will find their own path. Wonderful for high school community choir and college. Easy to medium in difficulty.
22.50 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Brian Tate: Nada Brahma:
Mixed Choir a Cappella:
Vocal Score Choral SATB [Vocal Score] Pavane Publishing
Music can be the great unifier when our common song unites us and we set all of...(+)
Music can be the great unifier when our common song unites us and we set all of our differences aside. That is the message of this Eastern Indian text which has been aptly set to music by Brian Tate.
35.00 GBP - Sold by Musicroom UK | |
| The Lullaby Choirbook
(GERLITZ CARSTEN) Choral SATB [Sheet music + CD] Schott
International Evening Songs. Par GERLITZ CARSTEN. A collection of the most beaut...(+)
International Evening Songs. Par GERLITZ CARSTEN. A collection of the most beautiful international evening songs and lullabies in atmospheric arrangements for mixed choir (SATB). Apart from classical pieces in German, the present new and modern arrangements comprise Spanish, Swedish, Scottish, French, and Indian tunes, among others. The pieces are suited for concerts, services, celebrations, or as encore pieces. Chill-out for choirs: Both the audience and the performers are going to enjoy these pieces.
Plus CD with audio examples as a kind of 'appetizer'./ Recueil / Choeur Mixte SATB
21.19 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| Carsten Gerlitz: The
Lullaby Choirbook: SATB:
Vocal Score Choral SATB [Sheet music] - Intermediate Schott
International Evening Songs-A collection of the most beautiful international eve...(+)
International Evening Songs-A collection of the most beautiful international evening songs and lullabies in atmospheric arrangements for mixed choir (SATB). Apart from classical pieces in German the present new and modern arrangements comprise Spanish Swedish Scottish French and Indian tunes among others. The pieces are suited for concerts services celebrations or as encore pieces. Chill-out for choirs: Both the audience and the performers are going to enjoy these pieces.
10.99 GBP - Sold by Musicroom UK | |
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