SKU: HL.49008118

ISBN 9790001126939. UPC: 073999221176. 9.0x12.0x0.153 inches.

F. X. Richter, one of the foremost exponents of the Mannheimer School, was a prodigious and versatile composer whose instrumental output comprises about 70 symphonies, 6 harpsichord concertos, flute concertos, several string quartets, as well as trios, duets and solo pieces. His vocal compositions (almost exclusively sacred works) are equally numerous: an oratorio, more than 30 masses, 2 passions, about 50 motets, several cantatas, lamentations, a Te Deum and other pieces are known. Richter was also the author of a comprehensive theoretical work, a collection of essays with the title Harmonische Belehrungen oder grundliche Anweisung zu der mus. Ton-Kunst oder regularen Composition [Harmonic lessons or thorough instruction on the art of music or regular composition]. For flute duet or violin duet.

SKU: CA.1632710

ISBN 9790007113063. Language: all languages.

The study in synchronicity, se sont penches dessus first achieved its final scoring after many changes. It was first composed as music to a choreography by Gabriel Hernandez: Le (!). eh ? Zovotrimaserovmeravmerouvian (dmzn !) ; se sont penches dessus, which is based on the letters of a fragment translated into French that appears in James Joyce's Finnegan's Wake. The short, static piece has existed in three versions: 1. - sspd , electronic music (normal version, a glissando from one chord of four sounds to another, employed in the electronics of No. 3) 2. - sspd sature, electronic music (intentionally distorted version of No. 1) 3. - se sont penches dessus for violin, alto flute and electronics, in which the flutist had to sing one tone of a diad It turns out that a version for two equal string instruments can better render the harmony of the piece (a tone sung simultaneously with a tone that is played on the flute yields a ring-modulated mixture of sound which is too indistinct), and thus the duo version for 2 violins was composed. A collaboration with the Kairos Quartet, Berlin, (le second tour du noye, 3rd String Quartet) led me to smuggle a viola and cello into the piece as background, in order to glue the abrupt harmonic changes discretely together. The Duo and the Quartet are definitive and equally valid versions, both of which are available separately: Duo (Carus 16.327/10), Quartet (Carus 16.327). se sont penches dessus is now literally the transposition of the translated quotation from James Joyce, in which the letters of the text se sont penches dessus establish the basic structure of the piece (the rhythmic standstill denotes the vowels of the 4 words), the letters of Zovotrimaserovmeravmerouvian indicate the fine rhythmic structure and the manner of playing (e.g., sul ponticello). Walter Feldmann. Score available separately - see item CA.1632700.