Voici une partition musicale pour Saxophone et plus spécialement pour 4 Saxophones Alto Ou Tenor que vous pouvez acquérir pour moins de 10C. Classée dans la catégorie Classique, cette partition dont le titre est 6 PIECES FACILES VOLUME F - SAXOPHONE MIB a été composée par le célèbre compositeur Desloges Jacques. C'est l'éditeur Billaudot sous la référence GB2273 1 qui a les droits pour éditer cette partition. / 4 Saxophones Alto Ou Tenor / Partition

Andante and Scherzo by Eugène Bozza (1905-1991) is a very enjoyable quartet for Saxophones composed in 1938. Dedicated to the Paris quartet this romantic piece is divided in two parts: it starts as a slow section with a tenor solo followed by the chorus and it then jumps into an engaging quick staccato. Eugène Bozza won different prizes at the Conservatoire de Paris such as the First Prizes for the Violin conducting and composition as well as the Grand Prix de Rome. He composed several operas chamber works and ballets among others.

' Jesous ahatonhia ', pour quatuor de saxophones, est une commande de la Fondazione Adkins Chiti: Donne in Musica pour sa saison de concerts ControCanto: Natale in Musica dans la région du Lazio (Italie) en 2013, La pièce a été créée par le Kommandaria Sax Quartet à Rome le 18 Décembre 2013,' Jesous ahatonhia ' (' Jésus est né ') est basée sur un chant de Noël écrit par le missionnaire Jean de Brébeuf en langue huronne en 1641 ou 1642, / 4 Saxophones

6 Original Pieces for Saxophone Quartet. And we?re off! Otto M. Schwarz takes us on a tour of his native Austria in this six-movement work. Passing by the great landmarks of this beautiful country we?re travelling by narrow-gauge railway, by car and finally by high-speed train. Fabled castles, famous gardens in Salzburg (the Mirabell Gardens) and Vienna or the Schloss Esterházy, the palace in Burgenland, where Joseph Haydn worked for many years, are just as important as the mode of transport. As the saying goes, the journey is its own reward.

D. 45. Par SCHUBERT FRANZ. Formation : Musique de Chambre, Quatuor - Instrumentation : 1 Saxophone Soprano 1 Saxophone Alto 1 Saxophone Ténor 1 Saxophone Baryton - Niveau de Difficulté : 3/6 - Intermédiaire - Durée : 0 mn 55 s - Style Musical : Classique - Catégorie : Arrangement - Compositeur : Franz SCHUBERT - Arrangeur : Eric VIRETON / Niveau : Intermédiaire / Répertoire / 4 Saxophones (Soprano, Alto, Ténor, Baryton)

Written for saxophone quartet this work was first performed by Saxofourte in 2004.

I was asked by the Ebony Saxophone Quartet to write something for them. I composed this suite and named it in honour of Monsieur Buffet of saxophone fame - Laurie Holloway.

Conducteur et parties Saxophone Quartet (SATB) The Three Songs (Trois Chansons) dating from 1914/15 were arranged for four a cappella voices by Ravel immediately after he had written the music of these pieces. The lyrics were penned by the composer himself. The songs represent Ravel’s sole contribution to choral literature. The first song consists of three sections and tells the story of Nicolette, who sets out to pick flowers in the fields. Just like Little Red Ridinghood, she meets a wolf who asks her if she is on her way to her grandmother’s house (M.1-13). Fleeing from him, she meets a page who wonderswhether she would like to have him as her “lover true”. She dismisses his proposition though she finds it hard to do so (M. 14-39). In the third section, she encounters a plump, unhandsome man (lento!). He speaks to her:”Stay, stay, my Nicolette, all this gold I give to thee”, and - “VIVO” - Nicolette takes refuge in his arms. (M.40 to end). The Three Lovely Birds from Paradise are sky-blue, white as fallen snow and bright red - just like the colors of the Tricolore, the national flag of France - which has been interpreted in many reviews as a sign of an increasingly nationalistic attitude becoming apparent in the war year of 1914. This song mourns the loss of the beloved one who went to war. The Ronde is also made up of three sections. The old women are the first to sing (M.1-28). They warn the young maidens against entering the forest since it is inhabited by all kinds of dangerous (male) beasts. Then (M. 29 – 56) the old men warn the young lads against going into the woods because of the numerous (female) demons living there. The irony of the story is to be found in the final answer of the young people (as of M. 57), who conclude: “We will not go into the woods since the old folks have frightened off all the beasts, anyway.”