Klavierauszug-This work includes 6 of Mozart's nocturnes composed for two Sopranos bass two Violins Cello and Piano accompaniment. Nocturnes included are Due pupille amabile K439 Ecco quel fiero istante K346 Luci dare luci belle K436 Mi lagnero tacendo K437 Piu non si trovano K549 Se lontan ben mio K438.

German folksongs in new and old arrangements for three-part choir (Soprano, Alto, Baritone). Par . This new collection contains 48 of the most popular German-language folksongs, arranged for three-part choir (Soprano, Alto, Baritone). Covering a wide variety of styles, it combines a selection of pieces from earlier Edition Peters anthologies with several new arrangements by leading exponents of German choral writing (Jutta Michel-Becher, Ludwig Böhme, Uli Führe, Uwe Henkhaus, Felicitas Kuckuck, Alwin M. Schronen, Sylke Zimpel) ? with a focus on singability and richness of sound. 48 popular German-language folksongs, arranged for three-part choir (Soprano, Alto, Baritone) A wide variety of pieces selected from earlier anthologies, together with new arrangements by Germany?s leading choral composers Mostly easy to intermediate arrangements, suitable for amateur choirs Edited by choral expert Jochen Stankewitz / Date parution : 2022-05-31/ Recueil / Choeur SAB

This choral setting of the famous Ave Maria meditation by Charles Gounod to the Bach Prelude in C will envelop your audience with richness and beauty. Ideal for church or concert performances. Available separately: SATB 3-Part Mixed SSA. Duration: ca. 2:30.

Edition no.: BA 5692-90 ISMN: 9790006535453 Volume / Series: Female Choir Editor: Bruno, Malcolm Arranger: Bruno, Malcolm Language(s) of work: Latin Language(s) of text: English, German Product format: Piano reduction Pergolesi’s famous “Stabat mater”, a work for two soloists, strings and continuo quickly became a success throughout Europe. However there are numerous indications that it was also performed by choirs from very early on. Particular movements were very probably sung by a two-part choir, whilst the arias were kept for the soloists. In this edition, the outer movements and no. 8 are now scored for three-part choir (SMA) in contrast to the solo aria movements. Three further movements are set as trios for three solo voices. The added parts are derived from the existing musical material. These lend this well-known work a completely new charm and provide a welcome addition to the repertoire for choral concerts. - Arrangement for female choir (SMA) based on the Bärenreiter Urtext edition of the original work - Clear, straightforward piano reduction The arranger Malcolm Bruno is the editor of the Urtext edition of the “Stabat mater” (BA 7679) and a renowned expert in 18th century Italian music.

Edition no.: BA 5690-90 ISMN: 9790006542819 Volume / Series: Female Choir Arranger: Breuer, Heribert / Focke, Martin Language(s) of work: Latin Language(s) of text: German, English Product format: Piano reduction Comments: For performance material please see BA 5342 Binding: Stapled Pages / Format: IV, 53 S. - 27,0 x 19,0 cm The choral scene is in a state of change! On the one hand, more and more choirs are lacking in male voices, yet at the same time, more and more female choirs are looking for high-quality literature beyond folksong arrangements. Bärenreiter is responding to these general trends with the publication of arrangements for three-part female choir (SMA) of well-known, frequently-performed works. The first editions to be published are Wolfgang Amadeus Mozart’s “Coronation Mass” K. 317 (BA 5691), a much-performed work within the standard repertoire and the “Missa brevis in D major” K. 194 (BA 5690-90), a charming alternative for use in church services. With great skill and sensitivity to the music, Heribert Breuer has carefully retained the substance of the original works, at the same time giving them a completely new sound quality. - Arrangements for female choir (SMA) based on the Urtext of the “New Mozart Edition” - Idiomatic piano reductions The arranger Heribert Breuer was professor of choral conducting and music theory at the Berlin University of the Arts until 2010. He is founder and director of the Berlin Bach Akademie, and has made a name for himself with his numerous arrangements of works from Bach to Schubert.

This joyful new a cappella work is an excellent contest and concert piece. Well-crafted part writing makes this a fine choice for developing tuning phrasing and choral style. Performance Time: Approx. 1:30.

A selection of nine works by Tomkins including his seven Penitential Psalms which comprise a fine and coherent set. Edited by Ivan Moody this is part of a series of short volumes each devoted to a single composer or appropriate group of composers thoroughly exploring the unlimited resources of Renaissance sacred polyphony.

SAM-Klang. Par MENDELSSOHN-BARTHOLDY FELIX. Le nom SAM-Klang reprend la premie`re lettre des parties vocales en anglais ¬? soprano, alto et men (« hommes ») - et combine cet acronyme avec le mot «Klang », signifiant «son » en danois et allemands, pour cre´er le mot-valise SAM-Klang : « son-ensemble » ou plus ge´ne´ralement, « harmonie ». La se´rie SAM-Klang propose un re´pertoire choral de base et avance´ arrange´ pour soprano, alto et voix d?hommes. Contentant de nouvelles pie`ces et des nouveaux arrangements, vous trouverez e´galement l?essentiel du re´pertoire classique allemand, scandinave, franc¸ais et anglais SATB, soigneusement retravaille´es pour SAM. Les arrangements retiennent les caracte´ristiques des mouvements originaux et simule la me^me richesse des timbres vocaux, conservant aux ?uvres leurs authenticite´ sonore dans la perception du public. Les re´ductions d?orchestre pour piano de tous les mouvements choraux faciliteront les re´pe´titions.Les arrangements offrent plus- ieurs possibilite´s de de´veloppement pour toutes les sections vocales, apportant une approche novatrice dans le qualite´ de travail des ch?urs SAM. SAM-Klang permet aux ch?urs de jeunes d?acce´der a` la litte´rature chorale classique, et garantit aux ch?urs mixtes ayant du mal a` trouver assez de voix masculines a` continuer de re´aliser les pie`ces favorites pour ch?ur. / Date parution : 2022-07-23/ Répertoire / SAM a Cappella

In this one of Schuberts first and most successful artsongs Gretchen reflects on her sudden infatuation with Faust. The piano accompaniment with its relentless sixteenth notes in the right hand depicts both Gretchens accumulating madness andthe perpetual motion of the spinning wheel.

SAM-Klang. Par BRAHMS JOHANNES. Le nom SAM-Klang reprend la premie`re lettre des parties vocales en anglais ¬? soprano, alto et men (« hommes ») - et combine cet acronyme avec le mot «Klang », signifiant «son » en danois et allemands, pour cre´er le mot-valise SAM-Klang : « son-ensemble » ou plus ge´ne´ralement, « harmonie ». La se´rie SAM-Klang propose un re´pertoire choral de base et avance´ arrange´ pour soprano, alto et voix d?hommes. Contentant de nouvelles pie`ces et des nouveaux arrangements, vous trouverez e´galement l?essentiel du re´pertoire classique allemand, scandinave, franc¸ais et anglais SATB, soigneusement retravaille´es pour SAM. Les arrangements retiennent les caracte´ristiques des mouvements originaux et simule la me^me richesse des timbres vocaux, conservant aux ?uvres leurs authenticite´ sonore dans la perception du public. Les re´ductions d?orchestre pour piano de tous les mouvements choraux faciliteront les re´pe´titions.Les arrangements offrent plus- ieurs possibilite´s de de´veloppement pour toutes les sections vocales, apportant une approche novatrice dans le qualite´ de travail des ch?urs SAM. SAM-Klang permet aux ch?urs de jeunes d?acce´der a` la litte´rature chorale classique, et garantit aux ch?urs mixtes ayant du mal a` trouver assez de voix masculines a` continuer de re´aliser les pie`ces favorites pour ch?ur. / Date parution : 2022-07-23/ Répertoire / SAM et Piano

Lift Thine Eyes is a trio for unaccompanied SSA from Elijah. A piano part is provided for practice purpose only.

Six Psalms (Hob.XXIII: Appendix) for three-part mixed Chorus (SAB)During his second visit to England in 1794 Joseph Haydn made the acquaintance of the Rector of Westbourne the Reverend William Dechair Tattersall. He tried to interest Haydn in his plan to improve congregational singing more particularly the singing of psalms in the Anglican Church. Haydn's fame in England had been well founded durng his first visit in 1791/1792 and now at the height of his celebrity he was warmly welcomed on all sides. The Reverend Tattersall was more than delighted therefore when Haydn consented to help him and he expressed his thanks with the gift of a silver bowl. Inthese six English Psalms Haydn's feeling for accessible and easily remembered melody partwritingwhich is satisfying to sing interesting harmony well balanced form and a reasonable setting of the textis fully in evidence.Mixed choir SAB

Since The Duke Is Return'd is a work by Henry Purcell a catch for three voices. The piece lasts around 2 minutes. This piece is number 31 from 'Catches' edited by Ian Spink (Purcell Society Edition Vol. 22A).