|
| Wolfgang Amadeus Mozart:
Te Deum Laudamus In C
K.141: Continuo: Part
Choeur Mixte (SATB), Orchestre Et
Orgue
Barenreiter
Mozart's only Te Deum K141 was probably composed in Salzburg at the end of 176...(+)
Mozart's only Te Deum K141 was probably composed in Salzburg at the end of 1769 and is modelled almost exactly on Michael Haydn's Te Deum of 1760. It is scored for SATB chorus Trumpet (4) Kettledrum Strings Organ.Full score Vocal score (BA4885-90) and performance material (BA4885) based on the Urtext New Mozart Edition is available for sale.
|
|
|
| Wolfgang Amadeus Mozart:
Te Deum Laudamus In C
K.141: Mixed Choir: Part
Choeur Mixte (SATB), Orchestre Et
Orgue
Barenreiter
Mozart's only Te Deum K141 was probably composed in Salzburg at the end of 176...(+)
Mozart's only Te Deum K141 was probably composed in Salzburg at the end of 1769 and is modelled almost exactly on Michael Haydn's Te Deum of 1760. It is scored for SATB chorus Trumpet (4) Kettledrum Strings Organ.Full score Vocal score (BA4885-90) and performance material (BA4885) based on the Urtext New Mozart Edition is available for sale.
|
|
|
| Wolfgang Amadeus Mozart:
Te Deum Laudamus In C
K.141: Mixed Choir: Parts
Choeur Mixte (SATB), Orchestre Et
Orgue
Barenreiter
Mozart's only Te Deum K141 was probably composed in Salzburg at the end of 176...(+)
Mozart's only Te Deum K141 was probably composed in Salzburg at the end of 1769 and is modelled almost exactly on Michael Haydn's Te Deum of 1760. It is scored for SATB chorus Trumpet (4) Kettledrum Strings Organ.Full score Vocal score (BA4885-90) and performance material (BA4885) based on the Urtext New Mozart Edition is available for sale.
|
|
|
| Wolfgang Amadeus Mozart:
Te Deum Laudamus In C
K.141: Mixed Choir: Part
Choeur Mixte (SATB), Orchestre Et
Orgue
Barenreiter
Mozart's only Te Deum K141 was probably composed in Salzburg at the end of 176...(+)
Mozart's only Te Deum K141 was probably composed in Salzburg at the end of 1769 and is modelled almost exactly on Michael Haydn's Te Deum of 1760. It is scored for SATB chorus Trumpet (4) Kettledrum Strings Organ.Full score Vocal score (BA4885-90) and performance material (BA4885) based on the Urtext New Mozart Edition is available for sale.
|
|
|
| Wolfgang Amadeus Mozart:
Missa in C major K.167:
Mixed Choir: Part
Choeur Mixteor (SATB), Orchestre Et
Orgue
Barenreiter
Trinity Sunday Mass-The Missa in honorem SS:mae Trinitatis K.167 is Mozart's onl...(+)
Trinity Sunday Mass-The Missa in honorem SS:mae Trinitatis K.167 is Mozart's only mass bearing a dedication in its title and the only one written for chorus and orchestra without vocal soloists. We do not know the occasion for which the mass was written although it was undoubtedly related to the dedication. Perhaps it was first performed on Trinity Sunday 1773 since the autograph bears the date Giugno 1773 and Trinity Sunday fell an 5 June that year. The heavy scoring - for two oboes two clarini two trombe timpani two violins bass and organ - suggests that the mass owes its origin to a special festivity.Urtext of the New Mozart EditionFull score performance material(BA4783) and vocal score (BA4783-90) available for sale.
|
|
|
| Wolfgang Amadeus Mozart:
Missa in C major K.167:
Mixed Choir: Parts
Choeur Mixteor (SATB), Orchestre Et
Orgue
Barenreiter
Trinity Sunday Mass-The Missa in honorem SS:mae Trinitatis K.167 is Mozart's onl...(+)
Trinity Sunday Mass-The Missa in honorem SS:mae Trinitatis K.167 is Mozart's only mass bearing a dedication in its title and the only one written for chorus and orchestra without vocal soloists. We do not know the occasion for which the mass was written although it was undoubtedly related to the dedication. Perhaps it was first performed on Trinity Sunday 1773 since the autograph bears the date Giugno 1773 and Trinity Sunday fell an 5 June that year. The heavy scoring - for two oboes two clarini two trombe timpani two violins bass and organ - suggests that the mass owes its origin to a special festivity.Urtext of the New Mozart EditionFull score performance material(BA4783) and vocal score (BA4783-90) available for sale.
|
|
|
| Wolfgang Amadeus Mozart:
Missa in C major K.167:
Mixed Choir: Part
Choeur Mixteor (SATB), Orchestre Et
Orgue
Barenreiter
Trinity Sunday Mass-The Missa in honorem SS:mae Trinitatis K.167 is Mozart's onl...(+)
Trinity Sunday Mass-The Missa in honorem SS:mae Trinitatis K.167 is Mozart's only mass bearing a dedication in its title and the only one written for chorus and orchestra without vocal soloists. We do not know the occasion for which the mass was written although it was undoubtedly related to the dedication. Perhaps it was first performed on Trinity Sunday 1773 since the autograph bears the date Giugno 1773 and Trinity Sunday fell an 5 June that year. The heavy scoring - for two oboes two clarini two trombe timpani two violins bass and organ - suggests that the mass owes its origin to a special festivity.Urtext of the New Mozart EditionFull score performance material(BA4783) and vocal score (BA4783-90) available for sale.
|
|
|
| Wolfgang Amadeus Mozart:
Missa in C major K.167:
Continuo: Part
Choeur Mixteor (SATB), Orchestre Et
Orgue
Barenreiter
Trinity Sunday Mass-The Missa in honorem SS:mae Trinitatis K.167 is Mozart's onl...(+)
Trinity Sunday Mass-The Missa in honorem SS:mae Trinitatis K.167 is Mozart's only mass bearing a dedication in its title and the only one written for chorus and orchestra without vocal soloists. We do not know the occasion for which the mass was written although it was undoubtedly related to the dedication. Perhaps it was first performed on Trinity Sunday 1773 since the autograph bears the date Giugno 1773 and Trinity Sunday fell an 5 June that year. The heavy scoring - for two oboes two clarini two trombe timpani two violins bass and organ - suggests that the mass owes its origin to a special festivity.Urtext of the New Mozart EditionFull score performance material(BA4783) and vocal score (BA4783-90) available for sale.
|
|
