Arranged For Piano Duet-Bridge wrote his Suite for Strings in 1909-10 and it was published by Goodwin and Tabb in 1920. Composer and publisher had high hopes that the suite would be a popular success and a Piano-duet version was apparently prepared. The manuscript of this has not survived nor have any printed copies been traced. The Frank Bridge Trust therefore commissioned Hwee San Tan to make an arrangement which recieved its first public performance at the City University London on October 29th 1991 played by the arranger and Charlene Wells.

In his late work Beethoven devoted himself intensively to the forms of baroque polyphony. He originally composed the Große Fuge as the final movement of the String Quartet in Bb Op.130. However accordingto one critic the listeners of the time considered it to be 'unintelligible like Chinese'. At the urging of his publisher Beethoven then replaced it with a newly composed closing movement for the quartet. In addition he alsomade a version of the Große Fuge for Piano four-hands. The autograph of this arrangement was recently rediscovered. Courtesy of the Juillard School of Music Henle was able to consult it for the first time fortheir new critical edition.

Par PART ARVO. 'Pari intervallo' was composed in 1976 on the occasion of the death of a friend and is dedicated to his memory. The basic musical material consists of two parts which move exactly parallel to each other, so that the interval between them is always the same- hence the title. 'Pari intervallo' is reminiscent of a chorale prelude which might be prefaced with the lines from Romans 14/8: 'If we live, we live to the Lord, and if we die, we die to the Lord.'(Arvo Pärt) Pärt's quiet meditation Pari Intervallo is available in several very diverse settings (4 recorders, organ solo, or clarinet and trombone with string orchestra), and UE now makes available this 2008 version, playable as piano duet or with two pianos. For intermediate to advanced pianists. Dur. c. 5'30'/ Répertoire / Piano 4 Mains

Piano Concerto No.25 in C major K.503.Piano Solo Flute Oboe (2) Bassoon (2) Horn (2) Trumpet (2) Kettledrum Strings. 2-Piano reduction. The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances. BÄRENREITER URTEXT: In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editorswhich include prominent musicologists as well as musicians take all available sources into account thus guaranteeing an authentic musical text which represents the latest in musicological research. For Bärenreiter ?Urtext? is more than just a label ? it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.

The Serenade for Strings dedicated to Frederick Delius on the occasion of his 60th Birthday was an acknowledgement of the debt Warlock owed to the older composer and the culmination of almost 12 years of friendship. This is a wonderful piece full of Warlock’s characteristic subtle harmonic changes and it has been effectively transcribed for Piano Duet by Fred Tomlinson of the Peter Warlock Society. There are comprehensive background notes in an extensive introduction. Note that two copies of this book are required to perform this work.