Jay Bocook has created a montage that includes the title songs along with the unmistakable James Bond theme. Includes: James Bond Theme Goldeneye and Tomorrow Never Dies.Instrumentation/Number of PartsTROMBONE 1: 3 TROMBONE 2: 3BARITONE B.C.: 2 BARITONE T.C.: 2TUBA: 4STRING BASS: 1 PERCUSSION 1: 2PERCUSSION 2: 2TIMPANI: 1MALLET PERCUSSION: 2 FULL SCORE: 1PICCOLO: 1FLUTE: 8OBOE: 2BASSOON: 2 BB CLARINET: 1 4 BB CLARINET: 2 4BB CLARINET: 3 4EB ALTO CLARINET: 1 BB BASS CLARINET: 2EB ALTO SAXOPHONE: 4BB TENOR SAXOPHONE: 2EB BARITONE SAXOPHONE: 1BB TRUMPET 1: 3BB TRUMPET 2: 3BB TRUMPET 3: 3F HORN: 4

Band directors work hard to build balanced ensembles but it's often a challenge to keep the trombone section strong. Trombone players carry one of the larger instruments back and forth to school and they don't get to play the“tune” as often as they would like. Help keep them committed to the group by spotlighting the trombone section at your next concert with this enjoyable feature. Dur: 1:50

Easy collection of 85 patriotic songs spirituals hymns and carols appropriate for most any setting. Individual part books are marching band size.HL04475997 ConductorHL04475999 FluteHL04476006OboeHL04476007 BassoonHL04476001 1st ClarinetHL04476002 2nd ClarinetHL04476003 3rd ClarinetHL04476037 4th ClarinetHL04476004 Alto ClarinetHL04476005 BassClarinetHL04476008 1st Alto SaxHL04476009 2nd Alto SaxHL04476010 Tenor SaxHL04476011 Baritone SaxHL04476012 1st TrumpetHL04476013 2nd TrumpetHL04476014 3rdTrumpetHL04476018 1st F HornHL04476019 2nd F HornHL04476020 3rd/4th F HornsHL04476021 1st TromboneHL04476022 2nd TromboneHL04476023 3rd TromboneHL04476024 BaritoneTCHL04476025 Baritone BCHL04476026 Bass/TubaHL04476027 DrumsHL04476028 BellsHL04476029 Timpani

Written in 1943-44 as a ballet for Martha Graham Appalachian Spring is one of Aaron Copland's most celebrated compositions and winner of the Pulitzer Prize in 1945. In this edition for concert band Robert Longfield has skillfully adapted the most striking and beautiful sections from the orchestral suite. The work ranges in scope from delicate and soloistic to the overpowering force of the full ensemble culminating with Copland's signature setting of ?Simple Gifts?.A wonderful opportunity for band members and their audiences to enjoy this beloved music from one of America's pre-eminent composers.Instrumentation:Piccolo 4 x Flute I 4 x Flute II 2 x Oboe 2 x Bassoon 4 x Clarinet I 4 x Clarinet II 4 x Clarinet III 2 x Bass Clarinet 2 x Alto Saxophone I 2 x Alto Saxophone II 2 x Tenor Saxophone Baritone Saxophone 3 x Trumpet I 3 x Trumpet II 3 x Trumpet III Horn I Horn II Trombone Trombone II Baritone.

The bell like sounds of the trombone falling like golden raindrops introduce this piece for trombone soloists and concert band. During the piece the trombones are given the chance to show off the virtuosity of their technique and the work comes to a climax with a short final cadenza for the soloists.

For Trumpet/ Euphonium/Trombone and Concert Band-L'amitié tient une place importante dans la vie de chacun. Un véritable ami est celui sur lequel on peut toujours compter même si on ne le côtoie pas autant qu'on le souhaiterait. Cette ballade illustre l'histoire del'amitié profonde qui lie Johan Nijs au trompettiste belge Manu Mellaerts. La ligne mélodique fluide et expressive peut être confiée à la trompette à l'euphonium ou au trombone.

For Trumpet/ Euphonium/Trombone and Concert Band-L?amitié tient une place importante dans la vie de chacun. Un véritable ami est celui sur lequel on peut toujours compter même si on ne le côtoie pas autant qu?on le souhaiterait. Cette ballade illustre l?histoire de l?amitié profonde qui lie Johan Nijs au trompettiste belge Manu Mellaerts. La ligne mélodique fluide et expressive peut être confi ée à la trompette à l?euphonium ou au trombone.

I wrote The Nonantum Bulgar in response to a request for a klezmer-style piece for middle school band. Since my local middle school (F. A. Day) is located in close proximity to Nonantum the oldest area of Newton MA I decided to imagine the dedication of the Adams St. Shul our city's oldest synagogue which took place around a hundred years ago (December 15 1912). According to the Yiddish and English poster announcing the dedication the event featured the a prominent Boston cantor and choir and a klezmer orchestra leading a 'Grand March' down Adams St. The piece tries to re-create what the klezmer band might have played on that occasion. A Bulgar is a Romanian Jewish Dance thatwas very popular among Jewish immigrants at the beginning of the twentieth century. The trumpet solo that opens the piece is a typical rubato prelude with the trumpet playing 'cantorial-style' Jewish ornaments and phrasing in the manner of Eastern-European Jewish prayer leaders. Once the dance starts the piece is underscored with a Romanian Jewish 'Bulgaresca' rhythm heard in the trombone snare drum and tympani. The 'bulgar' section of the piece begins with a typical klezmer band orchestration of the time featuring solo clarinet (played with a somewhat nasal tone) trumpet (or even more ideally cornet) trombone saxophone tuba and percussion. The percussion section is prominently featured in the third strain. In the final round of the opening melody the band slows down in the manner of a Russian 'Grand March ' bringing the piece to a proud and majestic conclusion. --Hankus Netsky

Symphonic Band (score & parts).1 - Full Score1 - Piccolo3 - Flute 13 - Flute 21 - Oboe 11 - Oboe 21 - English Horn1 - Eb Clarinet4 - Bb Clarinet 14 - Bb Clarinet 24 - Bb Clarinet 32 - Eb Alto Clarinet2 - Bb Bass Clarinet2 - Bassoon 1 & 22 - Eb Alto Saxophone2 - Bb Tenor Saxophone2 - Eb Baritone Saxophone3 - Bb Trumpet 13 - Bb Trumpet 23 - Bb Trumpet 32 - F Horn 1 & 22 - F Horn 3 & 42 - Trombone 12 - Trombone 22 - Trombone 31 - Baritone T.C.2 - Baritone B.C.5 - Tuba1 - String Bass1 - Timpani4 - Percussion 13 - Percussion 21 - Harp1 -Celesta

The 28 chorales in this collection are suitable for concert band/wind ensemble as well as woodwind/brass choir saxophone quartet trombone quartet or mixed woodwind/brass groups. They are well-suited for use as warm-ups forstudy of precise intonation and ensemble and for concert performance. Helpful instructions to the director are included for varying dynamics through instrumentation and balance and the enhanced index includes the key and meterof each chorale. Also included are three concert selections: Chorale Prelude on “I Call to Thee Lord Jesus Christ”; Final Chorus from St. Matthew Passion; Chorale Prelude on “We All Believe in One God(Giant Fugue)”

Condensed Score-The 28 chorales in this collection are suitable for concert band/wind ensemble as well as woodwind/brass choir saxophone quartet trombone quartet or mixed woodwind/brass groups. They are well-suited for use as warm-ups forstudy of precise intonation and ensemble and for concert performance. Helpful instructions to the director are included for varying dynamics through instrumentation and balance and the enhanced index includes the key and meterof each chorale. Also included are three concert selections: Chorale Prelude on “I Call to Thee Lord Jesus Christ”; Final Chorus from St. Matthew Passion; Chorale Prelude on “We All Believe in One God(Giant Fugue)”

The 28 chorales in this collection are suitable for concert band/wind ensemble as well as woodwind/brass choir saxophone quartet trombone quartet or mixed woodwind/brass groups. They are well-suited for use as warm-ups forstudy of precise intonation and ensemble and for concert performance. Helpful instructions to the director are included for varying dynamics through instrumentation and balance and the enhanced index includes the key and meterof each chorale. Also included are three concert selections: Chorale Prelude on “I Call to Thee Lord Jesus Christ”; Final Chorus from St. Matthew Passion; Chorale Prelude on “We All Believe in One God(Giant Fugue)”

for Concert Band-If you have a large percussion section Credo might be a perfect piece for your young band. It is very carefully scored and cross-cued so that almost any size band can perform it. Composed in sonatina form it is highly energetic and tuneful and the bass instruments have lots of fun easy things to play. Like Prairie Winds Festival Credo is very safely scored with Piccolo 2nd Oboe 2nd Bassoon Contra-Alto Clarinet 3rd Trombone and Double Bass parts optional. Ranges are very reasonable the only sixteenth notes in the piece are in the snare drum.

Solo Feature for Flute Trumpet Trombone Baritone B.C. Tuba B.C. or Xylophone-Solo Feature for Flute Trumpet Trombone Baritone B.C. Tuba B.C. or XylophoneOne of the best-known solo vehicles ever written is now available for younger players in this skillfully crafted setting by JohnnieVinson. With several options for the featured instrument this is a great way to showcase standout players year after year. (solo grade 4 band grade 3)