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| Beethoven: Christus am Olberge Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra Carus Verlag
Orchestra Solo STB, Coro SATB (auch Mannerchor TTTBB), 2 Fl, 2 Ob, 2 Clt, 2 Fg, ...(+)
Orchestra Solo STB, Coro SATB (auch Mannerchor TTTBB), 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, 3 Trb, Timp, 2 Vl, Va, Vc, Cb SKU: CA.2302007 Composed by Ludwig van Beethoven. Edited by Clemens Harasim. Innovative practice aids, Sacred vocal music, Oratorios. Study score. Op. 85. Duration 54 minutes. Carus Verlag #CV 23.020/07. Published by Carus Verlag (CA.2302007). ISBN M-007-24884-0. German/English. Text: Franz Xaver Huber. In his Passion oratorio Christus am Olberge [The Mount of Olives], Beethoven succeeded firstly in building on the 18th century tradition, and secondly in putting his own personal stamp on the nascent genre of German-language oratorio - the Vienna performances of Haydn's Die Schopfung and Die Jahreszeiten had only taken place a few years earlier. In composing the work he looked towards contemporary opera, using a text by an opera librettist to depict in music the dramatic situation of the doubting Jesus in the Garden of Gethsemane and his arrest. Yet we do not do justice to Beethoven's work if we simply regard it as a successor work to Graun's Der Tod Jesu or even Bach's St Matthew Passion. Beethoven's Christus am Olberge is characterized less by religious devotion and much more by the dramatic realization of a specific situation in the Passion story in deeply-felt musical scenes. With its magnificent, almost operatic music, this is a different Passion oratorio which is definitely worth hearing and experiencing - and in this form it is without doubt unique in the history of vocal-instrumental sacred music. The edition follows the first printed edition in music and text; differences in the text in the libretto originally set by Beethoven are given as a second text, and a singable English translation is underlaid. Score available separately - see item CA.2302000. $37.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Litaniae Lauretanae B.M.V in B Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 violins, basso continuo, [3 trombones] SKU: CA...(+)
SATB vocal soli, SATB choir, 2 violins, basso continuo, [3 trombones] SKU: CA.4005449 Composed by Wolfgang Amadeus Mozart. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Mozart. Litaniae Lauretanae In B Rev.2002. Innovative practice aids, Litanies, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Single Part, Organ. Composed 1771. KV 109 (74e). 8 pages. Duration 11 minutes. Carus Verlag #CV 40.054/49. Published by Carus Verlag (CA.4005449). ISBN 9790007059330. Key: B flat major. Language: Latin. This Litany of the Blessed Virgin Mary is the first and most straightforward of four litanies which Mozart composed from 1771 to 1776 in Salzburg. Its light instrumental scoring - only the church trio of two violins and continuo, with trombones used merely to reinforce the choir - suggest that this piece was intended for Marian devotions in the small Court Chapel of Schloss Mirabell. Score and part available separately - see item CA.4005400. $8.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Litaniae Lauretanae B.M.V in B Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 violins, basso continuo, [3 trombones] SKU: CA...(+)
SATB vocal soli, SATB choir, 2 violins, basso continuo, [3 trombones] SKU: CA.4005411 Composed by Wolfgang Amadeus Mozart. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Mozart. Litaniae Lauretanae In B Rev.2002. Innovative practice aids, Litanies, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Single Part, Violin 1. Composed 1771. KV 109 (74e). 4 pages. Duration 11 minutes. Carus Verlag #CV 40.054/11. Published by Carus Verlag (CA.4005411). ISBN 9790007059309. Key: B flat major. Language: Latin. This Litany of the Blessed Virgin Mary is the first and most straightforward of four litanies which Mozart composed from 1771 to 1776 in Salzburg. Its light instrumental scoring - only the church trio of two violins and continuo, with trombones used merely to reinforce the choir - suggest that this piece was intended for Marian devotions in the small Court Chapel of Schloss Mirabell. Score and part available separately - see item CA.4005400. $2.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Litaniae Lauretanae B.M.V in B Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 violins, basso continuo, [3 trombones] SKU: CA...(+)
SATB vocal soli, SATB choir, 2 violins, basso continuo, [3 trombones] SKU: CA.4005413 Composed by Wolfgang Amadeus Mozart. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Mozart. Litaniae Lauretanae In B Rev.2002. Innovative practice aids, Litanies, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Single Part, Cello/Double Bass. Composed 1771. KV 109 (74e). 4 pages. Duration 11 minutes. Carus Verlag #CV 40.054/13. Published by Carus Verlag (CA.4005413). ISBN 9790007059323. Key: B flat major. Language: Latin. This Litany of the Blessed Virgin Mary is the first and most straightforward of four litanies which Mozart composed from 1771 to 1776 in Salzburg. Its light instrumental scoring - only the church trio of two violins and continuo, with trombones used merely to reinforce the choir - suggest that this piece was intended for Marian devotions in the small Court Chapel of Schloss Mirabell. Score and part available separately - see item CA.4005400. $2.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Litaniae Lauretanae B.M.V in B Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 violins, basso continuo, [3 trombones] SKU: CA...(+)
SATB vocal soli, SATB choir, 2 violins, basso continuo, [3 trombones] SKU: CA.4005409 Composed by Wolfgang Amadeus Mozart. Arranged by Paul Horn. This edition: urtext. 1x 40.054/31 trombone 1, 1x 40.054/32 trombone 2, 1x 40.054/33 trombone 3. Stuttgart Urtext Edition: Mozart. Litaniae Lauretanae In B Rev.2002. Innovative practice aids, Litanies, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Set of Orchestra Parts. Composed 1771. KV 109 (74e). 6 pages. Duration 11 minutes. Carus Verlag #CV 40.054/09. Published by Carus Verlag (CA.4005409). ISBN 9790007059293. Key: B flat major. Language: Latin. This Litany of the Blessed Virgin Mary is the first and most straightforward of four litanies which Mozart composed from 1771 to 1776 in Salzburg. Its light instrumental scoring - only the church trio of two violins and continuo, with trombones used merely to reinforce the choir - suggest that this piece was intended for Marian devotions in the small Court Chapel of Schloss Mirabell. Score and parts available separately - see item CA.4005400. $8.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Litaniae Lauretanae B.M.V in B Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 violins, basso continuo, [3 trombones] SKU: CA...(+)
SATB vocal soli, SATB choir, 2 violins, basso continuo, [3 trombones] SKU: CA.4005412 Composed by Wolfgang Amadeus Mozart. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Mozart. Litaniae Lauretanae In B Rev.2002. Innovative practice aids, Litanies, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Single Part, Violin 2. Composed 1771. KV 109 (74e). 4 pages. Duration 11 minutes. Carus Verlag #CV 40.054/12. Published by Carus Verlag (CA.4005412). ISBN 9790007059316. Key: B flat major. Language: Latin. This Litany of the Blessed Virgin Mary is the first and most straightforward of four litanies which Mozart composed from 1771 to 1776 in Salzburg. Its light instrumental scoring - only the church trio of two violins and continuo, with trombones used merely to reinforce the choir - suggest that this piece was intended for Marian devotions in the small Court Chapel of Schloss Mirabell. Score and part available separately - see item CA.4005400. $2.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Litaniae Lauretanae B.M.V in B Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 violins, basso continuo, [3 trombones] SKU: CA...(+)
SATB vocal soli, SATB choir, 2 violins, basso continuo, [3 trombones] SKU: CA.4005405 Composed by Wolfgang Amadeus Mozart. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Mozart. Litaniae Lauretanae In B Rev.2002. Innovative practice aids, Litanies, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Choral Score. Composed 1771. KV 109 (74e). Duration 11 minutes. Carus Verlag #CV 40.054/05. Published by Carus Verlag (CA.4005405). ISBN 9790007059286. Key: B flat major. Language: Latin. This Litany of the Blessed Virgin Mary is the first and most straightforward of four litanies which Mozart composed from 1771 to 1776 in Salzburg. Its light instrumental scoring - only the church trio of two violins and continuo, with trombones used merely to reinforce the choir - suggest that this piece was intended for Marian devotions in the small Court Chapel of Schloss Mirabell. Score available separately - see item CA.4005400. $5.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
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| Litaniae Lauretanae B.M.V
In B (MOZART WOLFGANG
AMADEUS) Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra [Sheet music] Carus Verlag
B-Dur. Par MOZART WOLFGANG AMADEUS. This Litany of the Blessed Virgin Mary is th...(+)
B-Dur. Par MOZART WOLFGANG AMADEUS. This Litany of the Blessed Virgin Mary is the first and most straightforward of four litanies which Mozart composed from 1771 to 1776 in Salzburg. Its light instrumental scoring - only the 'church trio'' of two violins and continuo, with trombones used merely to reinforce the choir - suggest that this piece was intended for Marian devotions in the small Court Chapel of Schloss Mirabell. / Hymnes et chorals / Date parution : 2001-06-01/ Répertoire / Solistes SATB, Choeur SATB, 2 ViolonS Basse Contin
5.80 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| Litaniae Lauretanae B.M.V
In B (MOZART WOLFGANG
AMADEUS) Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra [Sheet music] Carus Verlag
B-Dur. Par MOZART WOLFGANG AMADEUS. This Litany of the Blessed Virgin Mary is th...(+)
B-Dur. Par MOZART WOLFGANG AMADEUS. This Litany of the Blessed Virgin Mary is the first and most straightforward of four litanies which Mozart composed from 1771 to 1776 in Salzburg. Its light instrumental scoring - only the 'church trio'' of two violins and continuo, with trombones used merely to reinforce the choir - suggest that this piece was intended for Marian devotions in the small Court Chapel of Schloss Mirabell. / Hymnes et chorals / Date parution : 1990-03-01/ Répertoire / Solistes SATB, Choeur SATB, 2 ViolonS Basse Contin
9.40 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| Litaniae Lauretanae B.M.V
In B (MOZART WOLFGANG
AMADEUS) Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra Carus Verlag
B-Dur. Par MOZART WOLFGANG AMADEUS. This Litany of the Blessed Virgin Mary is th...(+)
B-Dur. Par MOZART WOLFGANG AMADEUS. This Litany of the Blessed Virgin Mary is the first and most straightforward of four litanies which Mozart composed from 1771 to 1776 in Salzburg. Its light instrumental scoring - only the 'church trio'' of two violins and continuo, with trombones used merely to reinforce the choir - suggest that this piece was intended for Marian devotions in the small Court Chapel of Schloss Mirabell. / Hymnes et chorals / Date parution : 1990-03-01/ Répertoire / Solistes SATB, Choeur SATB, 2 ViolonS Basse Contin
7.90 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| Litaniae Lauretanae B.M.V
In B (MOZART WOLFGANG
AMADEUS) Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra [Sheet music] Carus Verlag
B-Dur. Par MOZART WOLFGANG AMADEUS. This Litany of the Blessed Virgin Mary is th...(+)
B-Dur. Par MOZART WOLFGANG AMADEUS. This Litany of the Blessed Virgin Mary is the first and most straightforward of four litanies which Mozart composed from 1771 to 1776 in Salzburg. Its light instrumental scoring - only the 'church trio'' of two violins and continuo, with trombones used merely to reinforce the choir - suggest that this piece was intended for Marian devotions in the small Court Chapel of Schloss Mirabell. / Hymnes et chorals / Date parution : 2005-06-01/ Répertoire / Solistes SATB, Choeur SATB, 2 ViolonS Basse Contin
3.20 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| Litaniae Lauretanae B.M.V
In B (MOZART WOLFGANG
AMADEUS) Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra [Sheet music] Carus Verlag
B-Dur. Par MOZART WOLFGANG AMADEUS. This Litany of the Blessed Virgin Mary is th...(+)
B-Dur. Par MOZART WOLFGANG AMADEUS. This Litany of the Blessed Virgin Mary is the first and most straightforward of four litanies which Mozart composed from 1771 to 1776 in Salzburg. Its light instrumental scoring - only the 'church trio'' of two violins and continuo, with trombones used merely to reinforce the choir - suggest that this piece was intended for Marian devotions in the small Court Chapel of Schloss Mirabell. / Hymnes et chorals / Date parution : 2005-06-01/ Répertoire / Solistes SATB, Choeur SATB, 2 ViolonS Basse Contin
3.20 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| Litaniae Lauretanae B.M.V
In B (MOZART WOLFGANG
AMADEUS) Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra [Sheet music] Carus Verlag
B-Dur. Par MOZART WOLFGANG AMADEUS. This Litany of the Blessed Virgin Mary is th...(+)
B-Dur. Par MOZART WOLFGANG AMADEUS. This Litany of the Blessed Virgin Mary is the first and most straightforward of four litanies which Mozart composed from 1771 to 1776 in Salzburg. Its light instrumental scoring - only the 'church trio'' of two violins and continuo, with trombones used merely to reinforce the choir - suggest that this piece was intended for Marian devotions in the small Court Chapel of Schloss Mirabell. / Hymnes et chorals / Date parution : 2001-05-01/ Répertoire / Solistes SATB, Choeur SATB, 2 ViolonS Basse Contin
11.20 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: In Stock | |
| Litaniae Lauretanae B.M.V
In B (MOZART WOLFGANG
AMADEUS) Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra [Sheet music] Carus Verlag
B-Dur. Par MOZART WOLFGANG AMADEUS. This Litany of the Blessed Virgin Mary is th...(+)
B-Dur. Par MOZART WOLFGANG AMADEUS. This Litany of the Blessed Virgin Mary is the first and most straightforward of four litanies which Mozart composed from 1771 to 1776 in Salzburg. Its light instrumental scoring - only the 'church trio'' of two violins and continuo, with trombones used merely to reinforce the choir - suggest that this piece was intended for Marian devotions in the small Court Chapel of Schloss Mirabell. / Hymnes et chorals / Date parution : 2005-05-01/ Répertoire / Solistes SATB, Choeur SATB, 2 ViolonS Basse Contin
3.20 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| Litaniae Lauretanae B.M.V
In B (MOZART WOLFGANG
AMADEUS) Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra [Sheet music] Carus Verlag
B-Dur. Par MOZART WOLFGANG AMADEUS. This Litany of the Blessed Virgin Mary is th...(+)
B-Dur. Par MOZART WOLFGANG AMADEUS. This Litany of the Blessed Virgin Mary is the first and most straightforward of four litanies which Mozart composed from 1771 to 1776 in Salzburg. Its light instrumental scoring - only the 'church trio'' of two violins and continuo, with trombones used merely to reinforce the choir - suggest that this piece was intended for Marian devotions in the small Court Chapel of Schloss Mirabell. / Hymnes et chorals / Date parution : 2003-02-01/ Répertoire / Solistes SATB, Choeur SATB, 2 ViolonS Basse Contin
25.20 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| Giovanni Battista
Pergolesi: Il prigionier
superbo: Mixed Choir Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra Ricordi
Edizione critica a cura di Claudio Toscani-EDIZIONE NAZIONALE DELLE OPERE DI GIO...(+)
Edizione critica a cura di Claudio Toscani-EDIZIONE NAZIONALE DELLE OPERE DI GIOVANNI BATTISTA PERGOLESI (Casa Ricordi in collaborazione con la Fondazione Pergolesi Spontini di Jesi) Based on the anonymous recasting of a libretto derived in turn from La fede tradita e vendicata by Francesco Silvani (1705) Il prigionier superbo by Giovanni Battista Pergolesi was first performed on 5 September 1733 at the Teatro di San Bartolomeo in Naples. With this opera ? his second dramma serio for San Bartolomeo in less than two years ? the young composer (who had already acquired considerable professional stature in the city?s theatres churches and aristocratic circles) reprised a perennially popular subject centered aroundthe dramatic conflict between filial piety and devotion to one?s betrothed. Inserted between the opera?s three acts were the intermezzi of La serva padrona which would soon go on to take all of Europe by storm. The primary source for this edition is a manuscript copy of the score currently housed in the Conservatorio di Musica ?San Pietro a Majella? in Naples and prepared by Giuseppe Sigismondo who was quite probably working from the now-lost autograph. Two other significant manuscript copies of the score also housed in Naples (respectively in the Biblioteca Oratoriana dei Girolamini and the aforementioned conservatory) were consulted along with a number of manuscript copies of individual arias. The edition is furnished with a historical introduction which traces the libretto?s complicated literary lineage and illustrates the circumstances of the opera?s commission genesis premiere and subsequent history: and a critical apparatus containing detailed source descriptions and critical notes for both the text and the music. An earlier version of the last movement of the Sinfonia and an aria for the third act whose text does not appear in the original printed libretto are provided as appendices.
207.90 GBP - Sold by Musicroom UK | |
| Wolfgang Amadeus Mozart:
Litaniae Lauretanae
B.M.V.in B-flat major
K.109: Mixed Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Barenreiter
Besides the Masses the Requiem and the Vespers Mozart’s lengthier church...(+)
Besides the Masses the Requiem and the Vespers Mozart’s lengthier church-music works also include four Litanies all composed in Salzburg. After his first Italian journey (13 December 1769 to 28 March 1771) Mozart returned to his post as archiepiscopal “Konzertmeister”. Undoubtedly inspired by what he had just experienced he wrote the Litaniae Lauretanae (Loretian Litany) K.109 (74e) his first work in this genre which is dated May 1771.The form of the Litany was found already in early Christian times. Like its name suggests it is a prayer of supplication with a steady repetition of acclamations; however with regard to its manner ofperformance it is also a kind of responsory prayer. While the Loretian Litany is an eloquent expression of Marian devotion the Sacramental Litany is a testimony of praise and veneration of the Eucharist and a recognition of its salvational effect.- Urtext of the New Mozart Edition- Full score performance material (BA4890) and vocal score (BA4890-90) available for sale.
7.00 GBP - Sold by Musicroom UK | |
| Franz Joseph Haydn: Missa
Sancti Bernardi Von
Offida: Voice: Vocal
Score Soli, Mixted choir and accompaniment satb (soli), SATB (chorus), Keyboard Barenreiter
Bernard of Offida 1604 1694 was a Capuchin monk whose saintly life and devoti...(+)
Bernard of Offida 1604 1694 was a Capuchin monk whose saintly life and devotion to the sick and poor caused him to be beatified by Pope Pius VI on 19 May 1795. St. Bernard?s name day falls on the 11th of September (a Saturday in 1797) and it is generally thought that Haydn combined doing honour to the Capuchin monk with the production of a new Mass for his patron the day thereafter.Apparently later performances in Eisenstadt added horns to double the trumpets in the tuttis and just as in the previous Mass the clarinet parts were enlarged; it is almost certain that the new clarinet parts are either by Haydn or (shall we say) ?supervised? by him. As inthe Mass in Time of War conductors have the choice of two orchestrations: with or without doubling horns and with or without the supplementary clarinet parts.The Heiligmesse has always been one of Haydn?s most admired works. Its dignity its strength (we draw special attention to the extraordinary ?Gratias? with its brilliant contrapuntal writing) the subdued orchestral grandeur to which the B-flat trumpets contribute a silvery but unmartial weight all these have made it one of Haydn?s most serious and most deeply sensitive church works: its constant popularity in Viennese churches is quite deserved.Urtext from Joseph Haydn WerkeFull score (together with Missa Cellensis [Mariazellermesse] Hob.XXII:8; Missa brevis Sti Joannis de Deo [Little Organ Mass] Hob.XXII:7; Missa in Tempore Belli [Mass in Time of War] Hob.XXII:9) available for saleParts (BA4651) and vocal score (BA4651-90) available for sale
17.50 GBP - Sold by Musicroom UK | |
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