Songs of Solitude and Night (Recorder Part). Solo recorder part. ?Songs of Solitude and Night? is in two movements. The first movement has text from Völuspá from the Old Edda, and is called ?Prelude?. The text is about creation of the earth, the stars, the sun, the moon and the first people on earth, Ask and Embla. The second movement is a poem by the faroese author William Heinesen translated into english by the faroese author Gunnar Hoydal and is called ?Hogboy?. The poem begins like this: ?Hogboy, the spectre with the cheery name, lives in the mound Maeís Hove in the Orkney island of Pomona. Here you can hear him singing bewildered songs in the dark. Playful Pomona girls are dancing in the moonlight around the old grave"

Commissioned by the Hickory NC Choral Society for their 35th anniversary season Dan Forrest's Requiem For The Living is scored for mixed choir with solos for boy soprano and/or mezzo-soprano soprano & tenor. The instrumentation is available for large orchestra or chamber ensemble. Combining both liturgical and non-liturgical texts in some cases the traditional texts are slightly re-arranged for contextual emphasis. This powerful five movement work projects a wide range of meaningful expression from a biting essay on the vanity and pain of existence to a plea for mercy and a celebration of eternal light. The work standsalone - but would be especially moving for all saints Good Friday or even Palm Sunday. Movements: Introit - Kyrie Vanitas Vanitatum Agnus Dei Sanctus Lux Aeterna 3. Instrumentations available on rental only: 1. Full orch. (HMB265a): 2 flutes 2 oboes 2 bb clarinets 2 bassoons 2 horns (or 1-4: if performing with a large choir horn lines may be doubled by a second player on each part) 2 bb trumpets 2 trombones bass trombone or trombone 3 tuba percussion (1 player: suspended cymbal crash cymbal bass drum triangle glockenspiel crotales (bowed) snare drum low tom-tom (opt.)(or other low drum) timpani (3) (one player) harp strings (min. Suggested count 4.4.2.2.1) full score. 2. Chamber version (HMB265b) - flute oboe horn in f (optional) combined percussion (one player: timpani suspended cymbal crash cymbal triangle glockenspiel crotales (bowed) snare drum low tom-tom (optional) (or other low drum) harp violin cello organ full score. 3. Expanded chamber version (HMB265c) - flute oboe horn in f(opt.) percussion from full orchestra version (1 player: suspended cymbal crash cymbal bass drum triangle glockenspiel crotales (bowed) snare drum low tom-tom (opt. or other low drum) timpani (3) from full orchestra version (1 player) harp strings from full orchestra version

The powerful and beautiful text of Song of Solomon 8:6 has been gorgeously set for concert and contest performance. Brad Nix's arrangement supports and teaches tone and breath control pacing and range as well as effective textpainting with an accompaniment that includes piano and flute. Sure to be a choral standard! Available separately: SATB flute or C-instrument; PianoTrax CD. Duration: ca. 2:40.

An Irish Blessing is a choral setting for upper voices and piano or organ of the traditional Gaelic prayer which begins 'May the road rise to meet you'. Its gentle melody unfolds slowly beginning in unison and building to a fuller choral texture with a descant in the third verse. The optional flute part adds a folk-like quality and in addition to the wide dynamic range indicated further textural variety can be achieved with opportunities for a soloist or small group of singers.Perfect for school choirs weddings church services any leaving celebration or a concert programme.The Faber Choral Signature Series introduces a wealth of new or recently writtenchoral music to choirs in search of fresh repertoire. The series draws in a rich diversity of living composers and includes both lighter and more challenging contemporary works offering a thrilling array of varied styles.

This esteemed classic has been recorded by world-famous soloists such has Kiri Te Kanawa and Renée Fleming. Now, choral groups can perform Fauré's beautiful music with Dr. Robinson's well-crafted, smartly-edited arrangement. Features a piano and flute accompaniment, well within the reach of student players. / Choeur Mixte (SATB)

A choral song in praise of the power of music for unaccompanied mixed choir and solo flute. The flute introduces and imitates the phrases sung by the choir. Written by John Rutter for Clare College Cambridge and based upon a text of unknown authorship.

Nelson Mass-The so-called ?Nelson Mass? is the third of the six great High Masses that Haydn wrote between 1796 and 1802 for the name-days of Princess Maria Josepha Hermenegild Esterházy. According to the dates given in the autograph he composed the work in the period between 10 July and 31 August 1798. It was thus written in the year of the first performance of the Creation.Urtext of the Joseph Haydn Complete EditionSoprano solo Alto solo Tenor solo Bass solo Mixed choir (SATB) Flute Oboe (2) Clarinet (in B-flat) (2) Bassoon Horn (2) Trumpet (3) Kettledrum Strings Basso continuoFull score together withMissa in B major (Theresa Mass) Hob.XXII:12 (BA4660-01) Performance material (BA4660) vocal score (BA4660-90) and study score format 22.5 x 16.5cm (TP98) available for sale

Nelson Mass-The so-called ?Nelson Mass? is the third of the six great High Masses that Haydn wrote between 1796 and 1802 for the name-days of Princess Maria Josepha Hermenegild Esterházy. According to the dates given in the autograph he composed the work in the period between 10 July and 31 August 1798. It was thus written in the year of the first performance of the Creation.Urtext of the Joseph Haydn Complete EditionSoprano solo Alto solo Tenor solo Bass solo Mixed choir (SATB) Flute Oboe (2) Clarinet (in B-flat) (2) Bassoon Horn (2) Trumpet (3) Kettledrum Strings Basso continuoFull score together withMissa in B major (Theresa Mass) Hob.XXII:12 (BA4660-01) Performance material (BA4660) vocal score (BA4660-90) and study score format 22.5 x 16.5cm (TP98) available for sale

Nelson Mass-The so-called ?Nelson Mass? is the third of the six great High Masses that Haydn wrote between 1796 and 1802 for the name-days of Princess Maria Josepha Hermenegild Esterházy. According to the dates given in the autograph he composed the work in the period between 10 July and 31 August 1798. It was thus written in the year of the first performance of the Creation.Urtext of the Joseph Haydn Complete EditionSoprano solo Alto solo Tenor solo Bass solo Mixed choir (SATB) Flute Oboe (2) Clarinet (in B-flat) (2) Bassoon Horn (2) Trumpet (3) Kettledrum Strings Basso continuoFull score together withMissa in B major (Theresa Mass) Hob.XXII:12 (BA4660-01) Performance material (BA4660) vocal score (BA4660-90) and study score format 22.5 x 16.5cm (TP98) available for sale

The definitive Advent anthem! The haunting opening call of keyboard and flute (optional, part included in choral) summon a solo male voice singing this most beloved of all Advent carols. The choir men respond in unison, followed by the full choir singing 'Emmanuel shall come to you, O Israel.' For large or small choirs. / Choeur Mixte (SATB)

Hob XXII 11 Nelson Mass-The so-called ?Nelson Mass? is the third of the six great High Masses that Haydn wrote between 1796 and 1802 for the name-days of Princess Maria Josepha Hermenegild Esterházy. According to the dates given in the autograph he composed the work in the period between 10 July and 31 August 1798. It was thus written in the year of the first performance of the Creation.- Urtext of the Joseph Haydn Complete Edition- Soprano solo Alto solo Tenor solo Bass solo Mixed choir (SATB) Flute Oboe (2) Clarinet (in B-flat) (2) Bassoon Horn (2) Trumpet (3) Kettledrum Strings Basso continuo- Full score together with Missa in B major (Theresa Mass)Hob.XXII:12 (BA4660-01) - Performance material (BA4660) vocal score (BA4660-90) and study score format 22.5 x 16.5cm (TP98) available for sale

In this psalm of praise the solo soprano and flute begin in a recitative finally joined by choir and instruments in a joyful modulation from C to E major. The organ plays a major role with soprano and flute as running sixteenth notes in the left hand describe God's many and continued blessings. The middle section is a retreat from the driving rhythm reminded by both soprano and flute of the peace of God's healing of sin and disease for all who ask. Once again the music breaks forth into praise as it builds to a final sforzando of exultation in praise of God.

Uses: Christmas Eve Christmas EpiphanyScripture: Luke 2A modern evergreen for Christmas this carol has been a perennial favorite of soloists for years. This festive setting captures the spirit ofthe season with solid part writing and a bell-like piano part. The orchestration is lavish and appropriate to the theme while the optional handbell part wraps this Christmas package up with joyful ribbons of praise. Availableseparately: SATB Handbells (digital 4-5 octaves) StudioTrax CD (Accomp. SplitTrax Perf.) Orchestration (Score & Parts for Flute 1 & 2 Oboe Clarinet 1 & 2 Bassoon Horn 1 & 2 Trumpet 1-3 Trombone 1 & 2 Trombone 3/Tuba Timpani Percussion Harp Piano Violin 1 & 2 Viola Cello Double Bass). Duration: ca. 3:31.

Motet for soloists chorus flute strings and continuo.Edited by Phillipe Oboussier. Duration c. 24 mins.

This Christmas carol with words by Sandra Ford is easily accessible for any choir. Written for mixed voices with a soprano or tenor solo the carol commences soft and sweet then finishes with a glorious cadence. Keyboard accompaniment and flute part are included in the choral score.