Sérénade En Trio is a piece for Flute Clarinet and Bassoon by Eugène Bozza. Lasting 14 minutes this is a really nice work for concerts and recitals. It is divided into three parts: 1. Entrée ? Allegro Vivo 2. Fuguette ? starting with the Bassoon ?Expressivo? 3. Guigue ? Vivace This volume features the score and parts. Eugène Bozza won different prizes at the Conservatoire de Paris such as the First Prizes for the Violin conducting and composition as well as the Grand Prix de Rome. He composed severaloperas chamber works and ballets among others.

Another witty and engaging work from the pen of the inimitable James Rae. Two delightful movements evoking the era of the cinema organ. For flute oboe clarinet horn and bassoon.

A fun collection of Christmas solos and duets-Christmas Flute Basics is a collection of fun and festive flute repertoire. Leap through the twelve days of Christmas in twelve stages including Christmas-themed improvisations warm-ups and studies and your favourite Christmas tunes with piano accompaniment or as duets for 2 flutes or flute and clarinet. Each stage wraps together musical and technical elements to help focus your festive playing.

9 Duets. Par HELLER BARBARA. The nine programmatic movements with different technical and musical challenges are a welcome and varied addition to the flute and clarinet repertoire. The pieces would be perfect for concerts and competitions./ Répertoire / Flûte Traversière et Clarinette en Bb

Full set of parts for Carl Nielsen's Wind Quintet Op.43 (1922) for Flute Oboe Clarinet French Horn and BassoonScore available: WH30739

A wonderful seasonal and festive collection flexible woodwind duets based on classic Christmas material. These jazzed-up and stylish pieces are designed to be played by any combination of Flute Oboe and B Flat or C Clarinet these enable performers to select the most appropriate instrumentation for their duet. This collection can combine with the saxophone version for even wide versatility. Grade: 4 - 6

Scherzo Op.48 is a really lyrical piece for Wind Quintet (Flute Oboe Clarinet Bassoon Horn) which lasts around 2 minutes 30 seconds. The work starts Allegro Vivo with the main theme and some variations of this theme by each instrument then appear to end up on a final Animando. It reminds of music played to hold suspense during movies. This restless piece requires a good mastering of breathing techniques. This book features score and parts. Eugène Bozza won different prizes at the Conservatoire de Paris such as the First Prizes for the Violin conducting and composition as well as the GrandPrix de Rome. He composed several operas chamber works and ballets among others.

for Flute Oboe Clarinet in Bb Bassoon and Horn in F-Alan Bullard's Dances for Wind Quintet were commissioned by the Marlborough Wind Quintet and first performed by them in the Purcell Room in June 1983. It was subsequently taken up by the Vega Wind Quintet who broadcast it on BBC Radio 3 and since then it has received numerous performances worldwide.

Blue-Green Hill by Judith Weir was commissioned by Boston Musica Viva (Richard Pittman Music Director) with support from the Ernst von Siemens Foundation for Music and members of the Boston Musica VivaCommission Circle:Ridgely DuvallMarilyn Bone KlossJohn and Elizabeth LoderFirst performance on 24th March 2013 at the Tsai Performance Center Boston Massachusetts by Boston Musica Viva conducted by RichardPittman.Parts for flute clarinet violin and cello.

Score and five parts (Flute Oboe Clarinet Bassoon Horn).Moderate level of difficulty.Night on Bald Mountain depicts a witches’ sabbath on St. John’s Day the night between 23 and 24 June. Its sections present the infernal noise of ghostly voices the chattering and quarrelling of witches the appearance of ghosts the dance of witches and demons the appearance of Satan the adoration and Black Mass and finally the pealing bells of the village church announcing the break of day and thus the end of the witches’ sabbath.Whether intentionally or not Mussorgsky actually finished the work on the eve of St. John’s Day (23 June1867) after spending twelve days on its composition. Technically speaking Joachim Linckelmann’s exciting version for Wind Quintet is the arrangement of an arrangement as Mussorgsky’s symphonic poem is almost invariably heard in the familiar version by Rimsky-Korsakov.