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FOR FLUTE
John Oboe and Orchestra
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Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Andante
Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Andante
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Chamber Orchestra
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Karl Friedrich Abel
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Guido Menestrina
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Guido Menestrina
God's Grandeur (2012, rev. 2019) for chorus and chamber orchestra
God's Grandeur (2012, rev. 2019) for chorus and chamber orchestra
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Thomas Oboe Lee
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Thomas Oboe Lee
Symphony No. 4 ... War and Peace (2001) for soprano and orchestra
Symphony No. 4 ... War and Peace (2001) for soprano and orchestra
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Thomas Oboe Lee
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Thomas Oboe Lee
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Oboe Concerto in D major TrV 292
Oboe and Orchestra
G. Henle
Urtext edition based on HN 7248 (G. Henle Verlag, Munich). Composed by Richard...
(+)
Urtext edition based on HN 7248 (G. Henle Verlag, Munich). Composed by Richard Strauss (1864-1949). Edited by Hansjorg Schellenberger. The piano reduction and study edition corresponding to this edition have been published by G. Henle Verlag, Munich. Score. Breitkopf and Haertel #PB 15161. Published by Breitkopf and Haertel
$70.95 - See more - Buy online
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Masque
Oboe and Orchestra
[Study Score / Miniature]
Schott
For Oboe and Small Orchestra. By John Casken. (Study Score). Schott. 100 pages....
(+)
For Oboe and Small Orchestra. By John Casken. (Study Score). Schott. 100 pages. Published by Schott.
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John Tavener: Kaleidoscopes: Oboe: Part
Oboe and Orchestra
[Set of Parts]
Chester
Oboe Part-John Tavener's Kaleidoscopes is a tribute to Mozart for Solo Oboe Per...
(+)
Oboe Part-John Tavener's Kaleidoscopes is a tribute to Mozart for Solo Oboe Percussion and four String Quartets lasting approximately 30 minutes. The work was commissioned by the Britten Sinfonia and firstperformed by them with soloist Nicholas Daniel on 6th November 2006 at the Queen Elizabeth Hall London. This is the Solo Oboe part. In the composer's note Tavener explains his high regard forMozart and how in Kaleidoscopes he attempts to take Mozart's music and meditate upon it in four main cycles. He states that all the music has its source in Mozart whether it be rhythmic harmonic orcontrapuntal.
13.99 GBP - Sold by Musicroom UK
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John Tavener: Kaleidoscopes: Oboe: Score
Oboe and Orchestra
[Score]
Chester
John Tavener's Kaleidoscopes is a tribute to Mozart for Solo Oboe Percussion an...
(+)
John Tavener's Kaleidoscopes is a tribute to Mozart for Solo Oboe Percussion and Strings lasting approximately 30 minutes. The work was commissioned by the Britten Sinfonia and first performed by themwith soloist Nicholas Daniel on 6th November 2006 at the Queen Elizabeth Hall London. This is the full score. In the composer's note Tavener explains his high regard for Mozart and how inKaleidoscopes he attempts to take Mozart's music and meditate upon it in four main cycles. He states that all the music has its source in Mozart whether it be rhythmic harmonic or contrapuntal.
44.99 GBP - Sold by Musicroom UK
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Au Plus Haut Faîte De L'Instant (DUFOURT HUGUES)
Français
Oboe and Orchestra
[Sheet music]
Lemoine, Henry
Par DUFOURT HUGUES. Le titre choisi pour cette oeuvre est tiré de Vents (1945),...
(+)
Par DUFOURT HUGUES. Le titre choisi pour cette oeuvre est tiré de Vents (1945), le second recueil de poèmes américains de Saint-John Perse. Paul Claudel, qui publia en 1949 une mémorable analyse de Vents, décrit ce poème comme une épopée primordiale dont le thème est la 'poussée en avant'. Incontestablement, ce poème de l'ébranlement, de l'élan créateur, dessine en filigrane la physionomie spirituelle de l'Amérique, où se mêlent de manière inextricable démesure, violence, mélancolie, exil et arrachement. Mais ce que nous disent essentiellement le vent d'Ouest et l'embrasement du Couchant exprime une aspiration à l'ouverture, à des horizons nouveaux, immenses, entremêlés et partagés. Vents est une invocation à la route, à la quête errante, à la course éternelle. Perse est un poète de la civilisation, un artisan de l'histoire universelle, non le chantre ou l'apologiste de l'hémisphère occidental. Il rejoint Varèse sur ce point. 'au plus haut faîte de l'instant': moment de la résurgence du monde. Moment tragique et sublime de l'abolition des formes et de l'émergence d'une nouvelle matrice. L'homme est porté de plus en plus haut par 'ce même mouvement de grandes houles en croissance' qui menace sans cesse de l'engloutir. La poésie de Perse se refuse à la fragmentation, dans laquelle il voit l'expression des formes modernes de la vie aliénée. La continuité, dans le domaine même de la poésie, est un enjeu et un combat. Le vent symbolise et illustre ce puissant courant de sensibilité issu des profondeurs. Il en va de même en musique. Les ressources de la forme, les effets de forme sont aujourd'hui épuisés et ne donnent plus lieu qu'aux manifestations d'un rationalisme étroit, provincial et ratiocinant. L'informatique retarde ce phénomène officiel de sclérose mais ne le guérit pas. Le style spasmodique et la syntaxe fragmentaire de la musique d'avant-garde de ces cinquante dernières années ont vécu. Ce Concerto pour Hautbois et Grand Orchestre ne retient rien des formes du passé, même récent. On y rencontre un échange permanent entre l'homme et les éléments. L'orchestre est converti en un très grand vent, en une houle perpétuelle, voire une forêt tropicale. Le soliste est invité à se frayer son chemin au sein du tumulte des puissances élémentaires. Ce parcours incertain est à l'image des conditions de vie de notre époque, dont l'issue est le plus souvent fatale et dont le caractère 'épique' ignore le devoir de mémoire et la geste des héros. Ce Concerto est une commande de l'Orchestre Symphonique National de la RAI. Ecrite pour Francesco et Emilio Pomárico, qui en assurent la création, cette oeuvre leur est dédiée. Hugues Dufourt / contemporain / Répertoire / Hautbois et Orchestre
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