Score and parts for Trio Sonata In G For Two Flutes And Basso Continuo by Johann Sebastian Bach.

for Flute and Harpsichord obbligato (Piano)-The B Minor Suite has a special place among the four extant Orchestral suites by Johann Sebastian Bach (BWV 1066-1069) for two reasons: it is the only suite that calls for only one wind instrument and the only one with extensive solo passages for one instrument. Since moreover it is essentially Bach's only composition for solo Flute with Orchestra it enjoys great favour among flutists.A proper string ensemble is not always at one's disposal. Therefore an arrangement {or Flute and Obbligato Harpsichord has been prepared similar to one Bach himself might have written. The aim here has been to do nothing thatBach himself would not have done yet to refrain from doing everything of which he was capable.

In an arrangement by A. E. Müller after the Clarinet Concerto K. 622-About Concerto in G major for Flute and Orchestra (1801)In an arrangement by A. E. Muller after the Clarinet Concerto K. 622. By Wolfgang Amadeus Mozart. Edited by Christopher Hogwood. For Flute Solo Oboe (2) Bassoon (2) Horn (2) Strings. Piano Reduction/Vocal Score; Single Part. KV 622. Duration 24'. Published by Baerenreiter-Ausgaben (German import). (BA5335 90)

Dieter Ammann was born in Aarau Switzerland in 1962. He grew up in a very musical family. After secondary school he began a course in school music at the Akademie für Schul- und Kirchenmusik in Lucerne. At the same time he studied for several semesters at the Swiss Jazz School in Bern. After this he worked for a period as a musician in improvised music and jazz. He has performed at international festivals including Cologne Willisau Antwerp and Lugano. Recordings and studio sessions brought him into contact with diverse artists such as Eddie Harris and Udo Lindenberg. He then took a degree in theory and composition at the Musikakademie Basel and attended master classeswith Wolfgang Rihm and Witold Lutoslawski.In the 1990s the main focus of Ammann?s work changed to composition. He has received numerous national and international prizes for his orchestral and chamber music works (including from the Aargauer Kuratorium the main prize in the International Composition Competition of the IBLA Foundation New York the Franz Liszt Scholarship awarded by the European Capital of Culture Weimar first prize in the Young Composers in Europe Competition Leipzig and Composers? Prize for Composition from the Ernst von Siemens Music Foundation Munich 2008). In 2010 he was composer-in-residence at the Lucerne Festival and in 2013 at the Wittener Tage für neue Kammermusik and the Sommerliche Musiktage Hitzacker as well as 2015 at the Festival reMusic in St. Petersburg. His orchestral works have been conducted by Pierre Boulez Valery Gergiev Jonathan Nott Peter Rundel Peter Hirsch and Jürg Henneberger. Ammann is Professor of Theory and Composition at the Lucerne School of Music and a lecturer at the Bern University of the Arts.

Flötensonate mit konzertierendem Cembalo-Johann Joachim Quantz was born in Oberscheden near Hanover on 30th January 1697 and died on 12th July 1773 the highly esteemed court composer and chamber musician to King Frededck II of Prussia. His life's work was based on the fute. He taught the fute which was to be become the fashionable instrument of the time to the young Crown Prince later King of Prussia. The present sonata is based on a manuscript in the Lower Saxony State and University Libraty at Göttingen. It deserves prominence amongst the more than 100 fute compositions by QUANTZ not least on account of its instrumentation of flute with accompanying cembalo which places it in efectively pleasant contrast tothe bulk of QUANTZ's fute sonatas with thorough-bass accompaniment.

Concerto For Flute And Orchestra D major K. 314 (285d).Flute Solo Oboe (2) Horn (2) Strings.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.BÄRENREITER URTEXT:In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editors which include prominent musicologists as well as musicians take all availablesources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For Bärenreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.

Following the ?Carnival of the Animals? edition Jennifer Seubel has now set her sights on the ?Moldau?. The major stopping points in the course of the music have been insightfully and faithfully translated for two flutes. Here advanced students will find beautiful music to play which also contains some small challenges. The arrangement follows the original work with the movements ?The First and the Second Source of the Vltava? ?Forest Hunting? ?Village Wedding? Moonlight Nymph's Dance? ?The Vltava's Broad Stream Vy?ehrad-Motiv?.Convincing arrangement of highlights from the MoldauTwo flute parts of equal importanceExcellent forrecitalsIdeal for advanced students

for two Flutes-The series „a due“ comprises easy literature for two identical instruments and is addressed to instrumentalists with low experience but enthusiasm which builds up by the two equitable voices. This seri

D major-Concerto For Flute And Orchestra D major K. 314 (285d).Flute Solo Oboe (2) Horn (2) Strings. Flute & Piano reduction. The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances. BÄRENREITER URTEXT: In the international music world “Bärenreiter Urtext” is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editors which includeprominent musicologists as well as musicians take all available sources into account thus guaranteeing an authentic musical text which represents the latest in musicological research. For Bärenreiter “Urtext” is more than just a label – it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer’s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.

fur Flote Streichorchester Klavier Harfe & Schlagzeug-Jindrich Feld (1925-2007).Concerto for Flute and String Orchestra Piano Harp and Percussions.The Flute Concerto by Jindrich Feld (1925-2007) belongs among the most frequently performed compositions of its author.It was created in 1954 in close cooperation with the Czech Philharmony flutist Lutobor Hlavsa and its first interpreter was the famous French flutist Jean Pierre Rampal.The Orchestra arrangement is very special; the solo Flute is accompanied by Strings Piano Harp and Percussions. The Piano part of the concerto was prepared by the composer himself and it is now published in its fourth edition. The pocketversion of the musical score was printed in 1960.

Arranged for Piano and Flute-Cesar Franck’s Sonata for Piano and Violin is one of the most treasured works in the Violin repertoire a masterpiece of cyclic form with a gracefulness and expressive force almost paradigmatic for the age of musical Romanticism. This work was composed in 1886 and was dedicated to the Belgian violinist and composer Eugène Ysaÿe.After Franck’s death in 1890 the original publisher of the Sonata the Parisian house Julien Hamelle announced an arrangement of the work for Flute in 1910. However it has not been possible to locate any copy of this publication. That the Flute version of Franck’s Sonata has found a permanent place in the chamber musicrepertoire is primarily the achievement of Jean-Pierre Rampal who frequently performed his own arrangement of the work.There were no idiomatic Violin techniques to overcome and the cantabile solo part with its broadly arched melodies seems perfectly natural on a wind instrument. The present Flute arrangement largely adopts the original Violin part unchanged merely transposing those passages that go beneath the Flute’s range. In such cases the change of register begins early enough to avoid disruptions to the melodic line and the musical context. The balance between the solo instrument and the (unaltered) Piano accompaniment remains intact.The edition is rounded off by an informative text on the genesis and reception history of the sonata (Ger/Fr/Eng).

Rhapsody In Blue is a major addition to the woodwind quintet repertoire.This version of Rhapsody In Blue includes a score and five parts and has been arranged for Flute Oboe Clarinet in B-flat Horn in F and Bassoon at an intermediate playing level.Many people know the famous Clarinet glissando opening to Gershwin’s Rhapsody in Blue but very few know that the original version was scored for two Pianos and that the glissando was initially just an ascending scale.Joachim Linckelmann’s superb arrangement of this modern classic is based on this original version and with the exception oftwo solo Piano passages that cannot be realised by a woodwind quintet the entire work is presented.

Schubert’s music is impervious to the passage of time and the Arpeggione Sonata with its ethereal beauty has become one of the immortal treasures of the chamber music repertoire. This has led to the unique situation of a major work of art existing for an instrument that has long been extinct.- Urtext of the New Schubert Edition

By Marin Marais (1656-1728) Bass Viol player edited by Hans-Peter Schmitz. Solo flute book for flute (unaccompanied). 8 pagesBaroque. 9x12 inches.

Although these two sonatas composed by the young Carl Philipp Emanuel Bach clearly reflect the influence of his famous father they also herald the unconventional and strikingly expressive preclassical composer. Besides ?character? variations Bach also wrote variations with large intervallic leaps in his minuets thus offering flutists a chance to enjoy a delightfully iridescent play of tone colours.Sonate G-DurSonate e-Moll