Arrangeur: Matt Johnston. Par TELEMANN GEORG PHILIPP. Georg Philipp Telemann (1681-1767), is one of the most prolific composers of all time. He wrote a great amount of music for wind instruments, including many concerti and sonatas for flute, oboe and bassoon. The Sonata in F Major for bassoon and basso continuo, composed in four movements (Triste, Allegro, Andante, Vivace), was originally included in the collection Der getreue Musikmeister, dating back to 1728. Here, it has been arranged here for either Alto Clarinet (in E-flat) or Basset Horn (in F) and piano. This work can be played with either an Alto Clarinet or a Basset Horn.Georg Philipp Telemann (1681-1767), is one of the most prolific composers of all time. He wrote a great amount of music for wind instruments, including many concerti and sonatas for flute, oboe and bassoon. The Sonata in F Major for bassoon and basso continuo, composed in four movements (Triste, Allegro, Andante, Vivace), was originally included in the collection Der getreue Musikmeister, dating back to 1728. Here, it has been arranged here for either Alto Clarinet (in E-flat) or Basset Horn (in F) and piano. This work can be played with either an Alto Clarinet or a Basset Horn./ Répertoire / Clarinette Alto et Piano

For Henle's Urtext edition of the Clarinet Sonata op. 167 they were able to consult the autograph for the first time. 'At the moment I am putting my last ounce of energy into giving seldom considered instruments an opportunityto be heard' Saint-Saëns wrote to a friend in April of the year he died. A sonata for oboe one for clarinet and one for bassoon were thus composed; yet he was not to hear the premieres. As far as form and infl ection areconcerned the three wind sonatas op. 166 - 168 hark back to the gallant style of the 18th century and thus approach the neoclassicism movement around 1920. Humour wit and fine irony characterise these works for wind.

Barenreiter Urtext Edition of Brahms' Sonatas In F Minor And E-Flat Op.120 for Clarinet and Piano.Features:A pioneering Urtext edition with an extensive Performance Practice CommentaryFor further information on Romantic performance practice we recommend the text booklet: ?Performance Practices in Johannes Brahms? Chamber Music? BA 9600Brahms had already announced his 'retirement' from composition when in the spring of 1894 he played chamber music with the cellist Robert Hausmann and the clarinettist Richard Mühlfeld. This encounter renewed Brahms' enthusiasm for Mühlfeld?s muchadmired playing and inspired him to write two new Clarinet sonatas in the summer of the same year. Brahms and Mühlfeld premiered the works and played them in several performances until the Sonatas Op.120 were first published in June 1895. These two works remain pivotal in the Clarinet?s recital repertoire establishing the Clarinet sonata as a distinct and viable chamber music genre.This edition features an extensive preface that informs about the sonatas? origins their compositional process pre-publication performances and their publication history as well as their early reception. Another truly remarkable aspect of this publication is the unique Performance Practice Commentary. Here the editors start from the premise that only a few decades after Brahms' death a widening gulf was already developing between the composer's expectations and the performance practices of the early 20th century. On the basis of manifold sources which include memoirs by pupils and chamber music partners treatises and essays early instructive editions and historical recordings the editors deal with key issues in understanding Brahms' notation. The editors provide an indispensable assistance for a historically informed interpretation of the work through a section-by-section analysis of rhythm and timing dynamics and accentuation dots and strokes slurring and non legato Piano pedalling and overholding Piano arpeggiation and dislocation Clarinet vibrato and portamento. At the same time the edition offers an exciting and often surprising

About Fantasy-SonataClarinet and Piano. By John Ireland. (Clarinet). This edition: M060033728. Boosey and Hawkes Chamber Music. 22 pages. Published by Boosey & Hawkes. (48009902) Size 9x12 inches.

G.F.Handel's (1685-1759) Sonata In B Flat is well-known to the Oboe repertoire. Therefore when French clarinetist Emile Stievenard arranged the popular piece for the Clarinet it was very well-received. The Sonata In B Flat is made up of four movements; Adagio Allegro Adagio and Allegro. Handel's Sonata In B Flat was first published in 1707-10 for Oboe. Stievenard's editions ensure that the Clarinet part contains the articulation performance directions phrasing and breath marks necessary to the instrument. For all clarinetists thisarrangement of the popular Sonata In B Flat is essential.

Revised Edition - Based on Manuscript Sources-The 'Sonata for Clarinet and Piano' was Bernstein's first published composition. Sources for this new revised edition were Bernstein's pencil manuscripts of the clarinet and piano score as well as the separate clarinet part. Every detail of the sonata has been carefully prepared and reconsidered. The enharmonic note spellings in the clarinet part are different from the previous edition of the sonata and are likened more closely to that of the first published edition. The result is a fresh look at one of the most important and beloved pieces of twentieth century clarinet repertoire.

after the Sonata for Violin and Piano-Janá ek?s masterpiece in a convincing arrangement for Clarinet.Foreword by the arranger (Eng/Cz/Ger)This arrangement of the well-known Violin sonata is based on the volume of the Complete Critical Edition of the Works of Leo? Janá ek (Series E/1 2).The Israeli clarinetist Shirley Brill who teaches at the Hanns Eisler School of Music Berlin has arranged the work for her instrument with a sensitive ear for the sound quality of the original composition. Her version displays the specific potential of the Clarinet to good advantage; in a few passages it proved necessary to adapt the Piano accompaniment.The arrangement was commissionedfor the International Janá ek Competition 2014 in Brno (Czech republic).

Felix Mendelssohn's Sonata In F Minor Op. 4 arranged for Clarinet in B with Piano accompaniment.

Edited for the first time based on the autograph.The only wind instrument for which Felix Mendelssohn wrote any solo works is the Clarinet. This Sonata written by a young Mendelssohn is genuine chamber music: the Clarinet and Piano are both used equally as a melody and an accompaniment instrument. The various playing characteristics of the Clarinet are not fully exploited; instead Mendelssohn focuses more on the cantabile character of the instrument.

The first movement of Mozart's second clarinet quintet-Mozart's Sonata Allegro For Clarinet And String Quartet is certainly an exciting addition to the Clarinet repertoire. The first movement of Mozart's projected Second Clarinet Quintet the 'fragment' that is the basis of this work had been known about for many years and was always considered a trial run for the great K581; however recent dating has shown the two pages of manuscript date from after the Clarinet Quintet.The distinguished Mozart scholar Timothy Jones has proved this to be the beginning of a response to the popularity of K581. It was only as a result of his early death that the workremained incomplete. Jones has completed the work using his deep knowledge of late Mozart and we have now a very important new addition to the Clarinet Quintet repertoire.