Next page >> [ 1 ] [16] [31] [46] [61] [76] [91] [106] [121] [136] [151] ... [511] Eff ID instrument descr2 Image Medias Titre descr Auteur descr_uk prix Compo Best image width height url url uk Couverture Extrait Audio/Back cover Jeu date Select Vendeur 1758772 1758772 0 GUITARE METHODES : TECHNIQUES Guitare notes et tablatures Sub instrumentation... Intermédiaire Partition Accès audio Mel Bay Mel Bay 0 0 0

Away Down In The Alley Blues In G Go Back To Your No Good Man Stompin' 'Em Along Slow autres styles : 0 0 Musicroom UK FS UK CD DVD VHS K7 Guitar Of Lonnie Johnson: Guitar: Instrumental Tutor Langue: ID : MB98509M Cotage : MB98509M - Cotage Chercher Video (0) Lonnie Johnson blended blues and jazz styles, performing with blues shouters like Bessie Smith and Texas Alexander on one hand, and Louis Armstrong and Duke Ellington on the other. Now learn essential exercises and tips as they are presented in this compilation of tunes by this legendary musician. As part of Stefan Grossman's Guitar Workshop Audio Series not only does this book contain valuable lessons, but as an added bonus, online audio recording containing three full hours of instruction featuring note-by-note, phrase-by-phrase instruction to make the style and technique of Lonnie Johnson something that anyone can learn. Master instructor Woody Mann teaches you step-by-step to play these selections: Away Down in the Alley, Woke Up This Morning With Blues in My Fingers, Go Back to Your No Good Man, Blues in G, and Stompin' 'Em Along Slow. Written in standard notation and tablature. Includes access to online audio. Extrait : Vide UK Auteurs Int. FR Auteurs FR. 15.99 Lonnie Johnson blended blues and jazz styles, performing with blues shouters like Bessie Smith and Texas Alexander on one hand, and Louis Armstrong and Duke Ellington on the other. Now learn essential exercises and tips as they are presented in this compilation of tunes by this legendary musician. As part of Stefan Grossman's Guitar Workshop Audio Series not only does this book contain valuable lessons, but as an added bonus, online audio recording containing three full hours of instruction featuring note-by-note, phrase-by-phrase instruction to make the style and technique of Lonnie Johnson something that anyone can learn. Master instructor Woody Mann teaches you step-by-step to play these selections: Away Down in the Alley, Woke Up This Morning With Blues in My Fingers, Go Back to Your No Good Man, Blues in G, and Stompin' 'Em Along Slow. Written in standard notation and tablature. Includes access to online audio. Prix MR FR 15.99 0 0 https://img.free-scores.com/IMAGES/vendeurs/Musicroom/img_MB98509M_1_mini.jpg 60 80 https://pdt.tradedoubler.com/click?a(2949881)p(3125)product(85f33a07-58ca-4384-9560-977cf3483e1d)ttid(3)url(https://www.musicroom.com/product/mb98509m/guitar-of-lonnie-johnson.aspx?clid=510) https://pdt.tradedoubler.com/click?a(2949881)p(3125)product(85f33a07-58ca-4384-9560-977cf3483e1d)ttid(3)url(https://www.musicroom.com/product/mb98509m/guitar-of-lonnie-johnson.aspx?clid=510) https://img.free-scores.com/IMAGES/vendeurs/Musicroom/img_MB98509M_1.jpg Voir couverture See cover Vide 0 2016-07-05 00:00:00 0 25 1758713 1758713 0 GUITARE FINGERSTYLE - FINGERPICKING Guitare notes et tablatures Sub instrumentation... Niveau... Partition Accès audio Mel Bay Mel Bay 0 0 0

autres styles : 0 0 Musicroom UK FS UK CD DVD VHS K7 Stefan Grossman: Fingerpicking Guitar in the Dropped D Tuning: Guitar: Langue: ID : MB30731M Cotage : MB30731M - Cotage Chercher Video (0) Fingerpicking Guitar in the Dropped D Tuning. I became aware of the Dropped D tuning in 1960. It literally exploded my playing. Just by lowering the sixth string down a tone ? from E to D, my guitar sounded so much fuller. The tuning seemed to open up the fingerboard whether playing in the Keys of D, G or A. An alternating bass sounded huge and dynamic. Over the last 60 years I, as well as guitar playing friends, have explored playing in Dropped D. From folk and gospel to blues and early jazz to Celtic melodies and O?Carolan compositions to original instrumental compositions. This collection covers a lot of musical terrain. There?s plenty of musical notes, styles, techniques in these pages. Travel slowly and try to absorb the arrangements one by one. The constant throughout is the Dropped D tuning. Includes access to online audio, Extrait : Vide UK Auteurs Int. FR Auteurs FR. 24.99 Fingerpicking Guitar in the Dropped D Tuning. I became aware of the Dropped D tuning in 1960. It literally exploded my playing. Just by lowering the sixth string down a tone ? from E to D, my guitar sounded so much fuller. The tuning seemed to open up the fingerboard whether playing in the Keys of D, G or A. An alternating bass sounded huge and dynamic. Over the last 60 years I, as well as guitar playing friends, have explored playing in Dropped D. From folk and gospel to blues and early jazz to Celtic melodies and O?Carolan compositions to original instrumental compositions. This collection covers a lot of musical terrain. There?s plenty of musical notes, styles, techniques in these pages. Travel slowly and try to absorb the arrangements one by one. The constant throughout is the Dropped D tuning. Includes access to online audio, Prix MR FR 24.99 0 0 https://img.free-scores.com/IMAGES/vendeurs/Musicroom/img_MB30731M_1_mini.jpg 60 80 https://pdt.tradedoubler.com/click?a(2949881)p(3125)product(da90b07f-89ce-4e2e-bf21-728e97f15938)ttid(3)url(https://www.musicroom.com/product/mb30731m/fingerpicking-guitar-in-the-dropped-d-tuning.aspx?clid=510) https://pdt.tradedoubler.com/click?a(2949881)p(3125)product(da90b07f-89ce-4e2e-bf21-728e97f15938)ttid(3)url(https://www.musicroom.com/product/mb30731m/fingerpicking-guitar-in-the-dropped-d-tuning.aspx?clid=510) https://img.free-scores.com/IMAGES/vendeurs/Musicroom/img_MB30731M_1.jpg Voir couverture See cover Vide 0 2016-07-05 00:00:00 0 25 1758712 1758712 0 GUITARE FINGERSTYLE - FINGERPICKING Guitare seul et duo Sub instrumentation... Niveau... Partition Accès audio Mel Bay Mel Bay 0 0 0

autres styles : 12 0 Musicroom UK FS UK CD DVD VHS K7 Stefan Grossman: Folk Blues Fingerstyle Guitar: Guitar: Instrumental Album Langue: ID : MB30950M Cotage : MB30950M - Cotage Chercher Video (0) Folk Blues Fingerstyle Guitar. In Nashville, the studio guitarists joke that all the money is in the first five frets. It is those simple first position chords that make the hits. In this collection we will stay within these boundaries and explore fingerstyle folk, blues, gospel, and ragtime arrangements in the keys of A, C, D, E and G. All you need to know are basic chord fingerings for A, C, D, E, F and G. Tunes include: KEY of C Railroad Bill, Careless Love, I Am A Pilgrim, What A Friend We Have In Jesus, I?ll Fly Away, Troubles, Delia, C. C. Rider, Trouble In Mind KEY of G I?m Troubled, Easy Rider Blues, Try Me One More Time, I?m Wild About My Loving, I Couldn?t Help It, Ragged and Dirty KEY of D Take a Whiff On Me, C. C. Rider, Will The Circle Be Unbroken, Careless Love KEY of E, Oh, Mary Don?t You Weep, Crow Jane, I Shall Not Be Moved, Trouble In Mind, Careless Love, Betty

Bach's cello suites are among the most famous solo instrumental works of all time. The cello and the tenor banjo share the same tuning and banjo players might be surprised at how well this great music fits on the fretboard.Rob MacKillop has provided tablature for the first three suites. Here is a chance for tenor banjo players to explore Bach on their instrument which could be tuned to either regular CGDA or Irish tuning GDAE. Includes onlineaccompanying audio using three different tenor banjos: a regular tenor (Deering Eagle II) a gourd tenor (Jaybird Banjos) and a cello banjo (Gold Tone) which has the same low pitch as the cello.A 'suite' is acollection of dances of varying speeds and time signatures conceived to be performed as a whole and preceded by a prelude. Bach's Prelude to the 1st Suite is magnificent and justly famous. The Bourree from the 3rd Suite is alsovery popular. Enjoy playing Bach on the Tenor Banjo!

Le livre de source ultime pour le joueur de banjo traditionnels. Contient plus de 230 turluttes, bobines, chiffons, hornpipes et des ruptures de tous les principaux instrumentales styles traditionnels. Spirale Bound / Banjo

Transcriptions from Buckley's Banjo Guide of 1868. Par TWISS TIM. Early American Banjo by Tim Twiss provides complete banjo tablature transcriptions of the instrumental solos that first appeared in standard notation in Buckley's Banjo Guide of 1868. This modern tablature edition of over 100 mid-19th century jigs, waltzes, polkas, hornpipes and reels provides insight to the transition between the African down-stroke technique, which preceded claw-hammer style and the newer, more refined plucking technique. James Buckley (1803 â' 1872), sometimes referred to as the 'Father of the Classical Banjo,â? was one of the most prolific transcribers of early banjo music. His compositions and arrangements were performed on the minstrel stage, andhis scholarly discipline produced a lasting record of banjo music of his era. This repertoire collection includes easy tunes as well as more complex pieces suited for the concert stage. The player will delight in discovering how fresh and unusual some of this music sounds, even todayâ'all in modern banjo tab. While best experienced on a period reproduction, gut-string fretless banjo in a lower tuning, any 5-string banjo in C tuning (gCGBD) may be used to interpret this collection. Includes access to online audio. Early American Banjo by Tim Twiss provides complete banjo tablature transcriptions of the instrumental solos that first appeared in standard notation in Buckley's Banjo Guide of 1868. Thismodern tablature edition of over 100 mid-19th century jigs, waltzes, polkas, hornpipes and reels provides insight to the transition between the African down-stroke technique, which preceded claw-hammer style and the newer, morerefined plucking technique. James Buckley (1803 and ndash - 1872), sometimes referred to as the and ldquo - Father of the Classical Banjo, and rdquo - was one of the most prolific transcribers of early banjo music. His compositions andarrangements were performed on the minstrel stage, and his scholarly discipline produced a lasting record of banjo music of his era. This repertoire collection includes easy tunes as well as more complex pieces suited for theconcert stage. The player will delight in discovering how fresh and unusual some of this music sounds, even today and ndash - all in modern banjo tab. While best experienced on a period reproduction, gut-string fretless banjo ina lower tuning, any 5-string banjo in C tuning (gCGBD) may be used to interpret this collection. Includes access to online audio. / Niveau : Intermédiaire à Avancé / Musique traditionnelle d'Amérique du Nord / Date parution : 2018-05-04/ Recueil / 5-String Banjo

Par DATESMAN KYLE. Perhaps the first 5-string banjo book of its kind, Renaissance and Elizabethan Music for Banjo consists entirely of music from these early periods and provides banjo players with \'growing material\'?that is, the opportunity to play in a number of different keys besides G major. This detail alone will expand your banjo horizon by requiring the use of unusual chord shapes. Written for classical banjo enthusiasts who want to further enhance their musicianship, some selections reveal one of the earliest aspects of music theory, that of modal scales. Various compositional forms and unfamiliar tempos are also introduced in arrangements that will help you become less dependent on the open fifth string. This type of music would be extremely difficult to learn by ear, so a book of tablatures should prove to be invaluable. Every piece is presented first in a vertical chord arrangement, which was the way it was originally intended? and then arranged in a linear horizontal style more familiar to modern players. Every tune is accompanied by performance notes supported by a helpful glossary. Written in tablature only with access to online audio, these pieces also make great finger-limbering exercises! Includes access to online audio. / Date parution : 2022-01-18/ Recueil / Banjo

Written by Bill Evans an accomplished five-string Banjo player teacher writer and historian Banjo For Dummies features updated practice lessons with step-by-step examples and advice on the most helpfullearning techniques.An instrument traditionally associated with folk country and bluegrass music the Banjo has gained popularity in recent years. This complete guide makes the Banjo accessible to anyone with the patienceand willpower to learn it.Banjo For Dummies covers everything the aspiring Banjo player needs to know from how to select the right instrument to developing the correct hand posture and how to tune carefor and make simple repairs to your instrument.This second edition features an updated multimedia component which includes companion audio tracks and complementary video lessons to give learners even more support.

Tony Trischka. Une enquête approfondie sur les trois style doigt cueillette classiques au début des années 1900, styles transitoires des années 1930 et le Scruggs des années 1940 et au-delà. Comprend plus de 75 pâturin, Old-Time fiddle et airs classiques en tablature pour 5 cordes banjo. / Banjo / 144 pages / Partition

Here is the Lost Heritage of the Irish-American Banjo! The Irish-style Tenor banjo has become immensely popular of late yet the roots of Irish influence on American Banjo music extends right back to the 1840s when the legendary Joel Sweeney picked up a gourd Banjo from Black American Banjo players and proceeded to perform 'jigs reels and breakdowns'. Other Irish-Americans played a leading role in the development and popularity of theBanjo in America and Rob MacKillop has collected 27 of their finest pieces in this collection the first of its kind. Early Irish-American Banjo is a solo instrumental collection writtenin standard notation plus 3 lines of tablature for the 5-string Banjo the 4-string tenor Banjo in standard tuning (CGDA) and for the Irish tenor Banjo in octave-mandolin tuning (GDAE low-to-high). Lyrics are not included in thisvolume.Can be played with either a flat pick or fingerstyle.The audio recording contains brilliant performances of all 27 pieces by Rob MacKillop a leading performer of historical Banjo music.Rob performs fingerstyle with the flesh of his fingertips on gut strings on a period-appropriate banjo in the old American tuning. This online recording is a treasure in itself.Tunes included: StPatrick's Day; Rocky Road To Dublin; Savourneen Deelish; McCormick Party Reel Sheridan's Hornpipe Connaught Man's Rambles and many others. Includes access to online audio.

Banjo Play-Along Volume 3-This volume in the Banjo Play-Along series features eight Folk Rock songs expertly arranged for the Banjo in TAB notation.The Banjo Play-Along series will help you play your favorite songs quickly and easily with incredible backing tracks to help you sound like a bona fide pro. Just follow the Banjo tab listen to the demo track on the CD to hear how the Banjo should sound and then play along with the separate backing tracks.The CD is playable on any CD player and also is enhanced so Mac and PC users can adjust the recording to any tempo without changing the pitch.This songbook includes the favourites Forgetthe Flowers Ho Hey Little Lion Man Live and Die Switzerland Wagon Wheel and more.

This Banjo instruction book is a complete progressive method for beginners. It offers a brief history of the Banjo a detailed description of the instrument its parts and accessories. It also explains how to tune your Banjo proper technique for the right and left hand musical theory and chords.Inside you will find many exercises and examples in tablature form with recordings on the accompanying CD. The second part provides 27 tunes intablature form including the famous 'Duelling Banjos'.

The non-jazz improvisation series is a concept that germinated in Dick Weissman's mind while he was attending music school. He wrote a 15-piece arrangement of the old square dance tune Cripple Creek and wanted the trombone totake a solo as part of the arrangement. When the trombonist kept playing a bebop solo that was totally unsuitable for the chart Dick realized that - in addition to the many musicians who do not improvise - there are even jazzmusicians who don't know how to improvise outside the limits of their own stylistic backgrounds. This book approaches the five-string banjo as a musical instrument freed from the prison of specific musical genres. Old-timemusic clawhammer bluegrass and many eclectic adaptations of the banjo are utilized to demonstrate a variety of musical styles. A number of the selections are in different tunings. All examples are written out in traditional andtablature notation.

This book is the ideal primer for anyone wishing to participate in an 'Irish session'. This musical gathering is apparently quite different than a blues jazz or bluegrass jam session in that it is customary at Irish sessions toplay in tight unison with the other musicians adapting appropriate tempos rhythms and ornaments in an attempt to fit in with the 'groove'. The 'Irish Session Tune Book' features 300 reels hornpipes polkas slides andslip-jigs written without chord symbols for the melody instruments commonly played in Irish Sessions. The author shares a wealth of melodies collected over the past 10 years the majority learned by ear at Irish sessions: fiddle accordion tinwhistle tenor banjo mandolin bouzouki etc. Authentic ornamentation is suggested for each tune with the admonition that ornamentation may vary from region to region and chorus to chorus.

Par TWISS TIM. Five-string banjo enthusiasts who play in the stroke, clawhammer or guitar styles will enjoy these 50 melodic, tab-only arrangements. The collection is unique in that it includes reels, polkas, jigs, hornpipes, minstrel songs, ballads, light classics, and a Christmas tune?nearly all in C tuning with the fourth string a step lower than the typical 5-string G tuning. Well-known classical and popular composers: Beethoven, Foster, and Vivaldi, plus collector/historian-authors: Converse, Emmett, Howe, Kerr, O?Neill, and Ryan?are all represented in this book.With the exception of two Twiss originals, the music was chosen from sources available circa 1840 ? 1890. Some of these settings can be used as accompaniment to unison singing; all are designed to lie well on the 5-string fretboard for optimal playability. Using a custom-built fretted, nylon-string banjo, the author has provided online recordings of every tune for ease of learning. / Date parution : 2022-07-20/ Recueil / Banjo