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| 1st Sonata For Viola And Piano (viola And Piano) Viola, Piano Heugel
Viola SKU: HL.48187485 Composed by Darius Milhaud. Heugel. Classical. Sof...(+)
Viola SKU: HL.48187485 Composed by Darius Milhaud. Heugel. Classical. Softcover. 24 pages. Heugel & Cie #HE31119. Published by Heugel & Cie (HL.48187485). UPC: 888680844837. 9.0x12.0x0.132 inches. “1st Sonata was written by Darius Milhaud and is based on anonymous tunes of the XVIII century and was dedicated to Germain Prevost. Initially composed for Viola and Orchestra, this score features the Viola and Piano scores. It is composed of four distinct parts: 1. Entrée 2. Française 3. Air 4. Final Fairly difficult, this Sonata can be used for recitals and contests by upper-intermediate players. Born in 1892, Darius Milhaud became a professor at the Paris Conservatoire after the WWII, and composed a wide musical repertoire. One of the characteristic of the music he composed was its polytonality and its numerous influences (mainly French Provence, Jazz, South American and Jewish).â€. $41.30 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Sonata No. 2, For Viola And Piano Viola, Piano Heugel
Viola SKU: HL.48187487 Composed by Darius Milhaud. Heugel. Classical. Sof...(+)
Viola SKU: HL.48187487 Composed by Darius Milhaud. Heugel. Classical. Softcover. 20 pages. Heugel & Cie #HE31122. Published by Heugel & Cie (HL.48187487). UPC: 888680844882. 9.0x12.0x0.086 inches. “French composer and teacher, Darius Milhaud (1892-1974) was a prolific composer of the 20th century as a member of 'Les Six'. His compositions remain highly regarded, Sonata No. 2 for Viola and Piano being no exception. Milhaud's compositions are influenced by jazz and polytonality, as exemplified in Sonata No. 2. Composed in 1944, Sonata No. 2 for Viola and Piano is an alternative, exciting sonata made up of three movements; 1) Rural, 2) Dramatic, and 3) Rough. Milhaud makes use of variation in articulation, complex rhythms, chromaticism, accidentals, harmonics, altering tempos, variation in dynamics and a wide tessitura, amongst other aspects. Milhaud's Sonata No. 2 for Viola and Piano is essential to all advanced violists seeking modern and exciting repertoire.â€. $32.75 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| John Ireland : Sonata in A minor Viola, Piano Boosey and Hawkes
(Transcription of Violin Sonata No. 2 for Viola and Piano). By John Ireland (187...(+)
(Transcription of Violin Sonata No. 2 for Viola and Piano). By John Ireland (1879-1962). Edited by John White. Arranged by Lionel Tertis. For Viola, Piano Accompaniment. Boosey & Hawkes Chamber Music. Softcover. 74 pages. Boosey & Hawkes #M060124501. Published by Boosey & Hawkes
$58.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Edward Elgar: Sonata Op.82 Viola, Piano Music Sales
Viola and Piano (Viola) SKU: HL.14030734 Composed by Edward Elgar. Music ...(+)
Viola and Piano (Viola) SKU: HL.14030734 Composed by Edward Elgar. Music Sales America. Romantic. Book [Softcover]. 50 pages. Music Sales #NOV120819. Published by Music Sales (HL.14030734). ISBN 9780853608264. 8.5x11.0x0.158 inches. Violin Sonata arranged for Viola and piano by Veronica Leigh Jacobs. The piano part is a reproduction of the original Violin Sonata edition. $24.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Viola Sonata Viola, Piano Boosey and Hawkes
(Transcription of Cello Sonata). By Frederick Delius (1862-1934). Arranged by Ma...(+)
(Transcription of Cello Sonata). By Frederick Delius (1862-1934). Arranged by Martin Outram. For Viola, Piano Accompaniment. Boosey and Hawkes Chamber Music. Book only. 26 pages. Boosey and Hawkes #M060122927. Published by Boosey and Hawkes
$40.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Sonata In F Major Viola, Piano Yorke Edition
Viola and Piano SKU: BT.YE0009 For Violone. Composed by Giovannino...(+)
Viola and Piano SKU: BT.YE0009 For Violone. Composed by Giovannino. Classical. Book Only. Yorke Edition #YE0009. Published by Yorke Edition (BT.YE0009). Very little is known about the two sonatas which appear here in their original keys. They were placed in the library of the Music School in Oxford at the end of the seventeenth century in a form convenient for playing (i.e.unbound). The library was catalogued by Hake between 1850 and 1855 and the sonatas were eventually bound in 1855 with other instrumental and vocal manuscripts of the same period, some of which are dated 1698.
The sonatasare both inscribed on the title page Sonata Violone Solo. Col Basso per l'Organo, o Cembalo. A third sonata bears the words Sonata Violino e Violoncino â?¦ di Giovannino del Violone. Giovannino (=Little, or Young John)musthave been a performer, and although the third sonata has been copied by a different hand, it is conceivable that Giovannino is a connecting link between the three. He cannot, however, be assumed to be theirauthor.
The Violone was a six-stringed instrument with frets, and there is evidence to suggest that the Contrabasso of the same period was similar but probably a little larger; the Violoncino (=Little Violone, orVioloncello) must have been smaller. The word 'Violone' was also used as a collective term embracing all members of the Viol family, which means that the sonatas might well have been written for a tenor or a bass Viol, and notnecessarily a Violone as such. Indeed, when they are played on a Violone, or Double Bass the continuo bass line must be played at a lower pitch than the solo instrument, to prevent inversion of the intended harmony. (The use ofa Violone/Double Bass continuo or 16' organ tone would overcome this problem.)
The editor has added no ornaments or embellishments to the solo part as it appears in the original manuscript. It is open to debate whether aViolone player, owing to the very nature of his instrument, would have used any but the simplest melodic decorations. Nevertheless, the performer should acquaint himself thoroughly with those seventeenth century traditions thatare known today (see Dart. $8.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Sonatas in F minor and E-flat major for Viola and Piano op. 12 Viola, Piano Barenreiter
Composed by Johannes Brahms (1833-1897). Edited by Clive Brown / Neal Peres Da C...(+)
Composed by Johannes Brahms (1833-1897). Edited by Clive Brown / Neal Peres Da Costa. For viola and piano. This edition: urtext edition. Paperback. Level 3. Score with parts. Opus 120. Published by Baerenreiter Verlag
$34.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Sonata No. 2 in E flat major Op. 120/2 Viola, Piano Breitkopf & Härtel
Viola and piano SKU: BR.EB-9441 Urtext based on the Brahms Complete Ed...(+)
Viola and piano SKU: BR.EB-9441 Urtext based on the Brahms Complete Edition of the Gesellschaft der Musikfreunde in Vienna. Composed by Johannes Brahms. Solo instruments; stapled. Edition Breitkopf. Sonata; Romantic. Sheet Music. Duration 21'. Breitkopf and Haertel #EB 9441. Published by Breitkopf and Haertel (BR.EB-9441). ISBN 9790004189184. 9 x 12 inches. The two sonatas of Johannes Brahms's op. 120 are widely hailed as crowning points of the repertoire for clarinet and piano. Moreover, in the version for viola and piano arranged by Brahms himself, they rank among the most frequently played viola works of the 19th century. They far surpass in compositional substance the relatively few original sonatas written for these instrumentations during the same period.Of the two fellow works, the Sonata No. 2 in E flat major is the more accessible. Diverging from the classical-romantic tradition, Brahms used the key of E flat major here not to express the heroic or monumental, but to obtain lyrical, chiefly restrained characterizations. The serenade-like beauty of the principal theme, which opens the sonata, has always been particularly admired. In his review of the world premiere, the renowned Viennese music critic Eduard Hanslick, a friend of Brahms's, raves with the words it was as if it had fallen from the Heavens. The closing set of variations also follows with gentle gracefulness this lyrical character. However, the middle movement, with its tempestuous outer sections in E flat minor and the hymnic trio in B major provides a passionate and serious contrast, which allows the flanking idyll to unfold its beauties all the more insistently. $22.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Gamba Sonatas, Wq 88, 136, 137 Viola, Piano G. Henle
(Edition for Gamba (Viola) with marked and unmarked string parts). By Carl Phili...(+)
(Edition for Gamba (Viola) with marked and unmarked string parts). By Carl Philipp Emanuel Bach (1714-1788). Edited by Ernst-Günter Heinemann, Wolfram Enlin, and Ernst-G. For Viola, Viola da gamba, Piano Accompaniment. Henle Music Folios. Softcover. 160 pages. G. Henle #HN990. Published by G. Henle
$68.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Sonates en trio pour orgue (6) Viola, Piano [Sheet music] Delrieu
By Johann Sebastian Bach (1685-1750). For viola and piano. Classical. Score. 87 ...(+)
By Johann Sebastian Bach (1685-1750). For viola and piano. Classical. Score. 87 35 pages. Published by Edition Delrieu
$54.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Sonate Viola, Piano - Advanced Schott
Piano Accompaniment; Viola - advanced SKU: HL.49019600 Viola and Piano...(+)
Piano Accompaniment; Viola - advanced SKU: HL.49019600 Viola and Piano. Composed by Eduard Pü and tz. This edition: Saddle stitching. Sheet music. String. 20Th Century, Classical. Softcover. Composed 1981-1984. 32 pages. Duration 11'. Schott Music #VAB76. Published by Schott Music (HL.49019600). ISBN 9790001177269. UPC: 884088945336. 9.25x12.0x0.112 inches. The Sonata for Viola and Piano (1984) is not based - as is common in the 'classical' sonata form - on the dualism of two opposing themes. 'The Sonata ends with the chorale Aus tiefer Not schrei ich zu dir in whose adaptation inner conflict and contrast remain the formative means until the end.' (Putz) A rewarding contemporary piece for competitions and concerts. $26.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Johannes Brahms : Clarinet Sonata (or Viola) Op. 120 Nos. 1-2 Viola, Piano G. Henle
(Version for Viola Revised Edition). By Johannes Brahms (1833-1897). Edited by E...(+)
(Version for Viola Revised Edition). By Johannes Brahms (1833-1897). Edited by Egon Voss and Johannes Behr. For Viola (VIOLA WITH PIANO ACCOMPANIMENT). Henle Music Folios. Softcover. G. Henle #HN988. Published by G. Henle
$37.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Sonate B-Dur op. 36 Viola, Piano Amadeus Verlag
By Henri Vieuxtemps (1820-1881). Edited by Yvonne Morgan. For Viola and Piano. V...(+)
By Henri Vieuxtemps (1820-1881). Edited by Yvonne Morgan. For Viola and Piano. Various Agencies. Published by Amadeus Verlag
$24.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| 6 Sonatinas for Viola and Basso Continuo Viola, Piano Schott
Composed by Georg Philipp Telemann (1681-1767). Arranged by Wolfgang Birtel. For...(+)
Composed by Georg Philipp Telemann (1681-1767). Arranged by Wolfgang Birtel. For Viola, Basso Continuo (Score and Solo Part). String. Softcover. 62 pages. Schott Music #ED21728. Published by Schott Music
$20.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Sonata (arranged for Piano and Viola) Viola, Piano [Score] Barenreiter
Arranged for piano and viola. Composed by Cesar Auguste Franck (1822-1890...(+)
Arranged for piano and viola. Composed by Cesar Auguste Franck (1822-1890). Edited by Douglas Woodfull-Harris. Arranged by Douglas Woodfull-Harris. Stapled. Performance score. Published by Baerenreiter Verlag (BA.BA10918).
$27.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Little String Sonata for Viola Viola, Piano Seesaw Music Corp
Viola & Piano SKU: SS.50001720 Composed by Stanworth Beckler. Chamber Mus...(+)
Viola & Piano SKU: SS.50001720 Composed by Stanworth Beckler. Chamber Music. Score & Parts. Opus 53. Duration c 9'. Published by Seesaw Music Corp (SS.50001720). From Four Little String Sonatas For Anne Mischakoff. Copyright 1980. $24.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Sonata For Viola And Piano No.2 Viola, Piano Heugel
Viola and Piano SKU: BT.ALHE31122 Composed by Darius Milhaud. Classical. ...(+)
Viola and Piano SKU: BT.ALHE31122 Composed by Darius Milhaud. Classical. Book Only. 20 pages. Heugel & Cie #ALHE31122. Published by Heugel & Cie (BT.ALHE31122). English. French composer and teacher, Darius Milhaud (1892-1974) was a prolific composer of the 20th century as a member of 'Les Six'. His compositions remain highly regarded, Sonata No. 2 for Viola and Piano being no exception. Milhaud'scompositions are influenced by jazz and polytonality, as exemplified in Sonata No. 2. Composed in 1944, Sonata No. 2 for Viola and Piano is an alternative, exciting sonata made up of three movements - 1) Rural, 2) Dramatic, and 3)Rough. Milhaud makes use of variation in articulation, complex rhythms, chromaticism, accidentals, harmonics, altering tempos, variation in dynamics and a wide tessitura, amongst other aspects. Milhaud's Sonata No. 2 for Viola andPiano is essential to all advanced violists seeking modern and exciting repertoire. $30.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Sonata for viola and piano Viola, Piano Gehrmans Musikforlag
Piano, viola (solo and accompaniment) SKU: GH.NMS2001 Composed by Eduard ...(+)
Piano, viola (solo and accompaniment) SKU: GH.NMS2001 Composed by Eduard Tubin. Published by Gehrmans Musikforlag (GH.NMS2001). Sonat for viola och piano. Saljs i Sverige via Ehrlingforlagen. $40.75 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Phantom Sonata Viola, Piano Subito Music
Viola & Piano SKU: SU.80118723 For Viola & Piano. Composed by Meye...(+)
Viola & Piano SKU: SU.80118723 For Viola & Piano. Composed by Meyer Kupferman. Strings, Viola. Accompanied by piano. Score & Parts. Subito Music Corporation #80118723. Published by Subito Music Corporation (SU.80118723). Viola & Piano Duration: 18' Composed: 1979 Published by: SoundSpells Productions Phantom Sonata (1979), a sonata for viola and piano written for Kim Kashkashian and Robert Levin, is one of Kupferman's masterworks. Cast in a single movement, it is a vivid and rhapsodic work (in an contemporary romantic tonal language) requiring great virtuosity from both performers. $34.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Sonata Viola, Piano Theodore Presser Co.
Chamber Music Piano, Viola SKU: PR.114412490 For Viola and Piano. ...(+)
Chamber Music Piano, Viola SKU: PR.114412490 For Viola and Piano. Composed by Martin Amlin. Classical. Set of Score and Parts. With Standard notation. Composed 1987. 28+12 pages. Duration 13 minutes. Theodore Presser Company #114-41249. Published by Theodore Presser Company (PR.114412490). ISBN 9781491113011. UPC: 680160018048. 8.5 x 11 inches. SONATA for Viola and Piano was written for Patricia McCarty and premiered by her and the composer in 1987. All three movements are unified by a recurring six-note pattern (C-E(-B(-F-G-B() used throughout as a basis for the repetitive harmonic plan of the Chaconne, as a nostalgic reminiscence in the Interlude, and as a thematic element for a mixed-meter hoedown in the Rondo. Martin Amlin's SONATA for Viola and Piano was written for Patricia McCarty and premiered by her and the composer in 1987. All three movements are unified by a recurring six-note pattern (C-Eb-Bb-F-G-Bb) which is used throughout the piece as a basis for the repetitive harmonic plan of the Chaconne, as a nostalgic reminiscence in the Interlude, and as a thematic element for a mixed-meter hoedown in the Rondo. $17.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Sonate Viola, Piano Hildegard
(For Viola and Piano). Composed by Luise Adolpha Le Beau (1850-1927). Edited by ...(+)
(For Viola and Piano). Composed by Luise Adolpha Le Beau (1850-1927). Edited by Susan Pickett. This edition: transcribed from the Sonate for cello and piano. Transcribed from the Sonate for cello and piano. Opus17. 26 pages. Hildegard Publishing Company #494-02851. Published by Hildegard Publishing Company
$24.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Sonate Op47 Viola, Piano Heugel
Viola and Piano SKU: BT.ALHE31210 Composed by Marcel Mihalovici. Classica...(+)
Viola and Piano SKU: BT.ALHE31210 Composed by Marcel Mihalovici. Classical. Book Only. 58 pages. Heugel & Cie #ALHE31210. Published by Heugel & Cie (BT.ALHE31210). French. Marcel Mihalovici: Sonate Op.47 (Viola & Piano). $98.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Viola Sonata, Op. 69 Viola, Piano Schott
Piano Accompaniment; Viola (viola with piano accompaniment) - difficult SKU: ...(+)
Piano Accompaniment; Viola (viola with piano accompaniment) - difficult SKU: HL.49045870 Viola and Piano. Composed by Nikolai Kapustin. This edition: Saddle stitching. Sheet music. String Solo. Classical. Softcover. Composed 1992. Op. 69. 44 pages. Duration 1000 seconds. Schott Music #ED22918. Published by Schott Music (HL.49045870). ISBN 9790001177948. UPC: 841886034525. 9.0x12.0x0.161 inches. Nikolai Kapustin, born in 1937, is regarded as pioneer of the Soviet jazz scene. In his music he combines typical jazz idioms with classical forms. Sonata Op. 69 for viola and piano was written in 1992. Contents: Allegro Largo Vivace. $37.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Sonata In B Flat Viola, Piano Viola World
Viola and Piano SKU: BT.MUSVWP000078 Composed by George Frideric Handel. ...(+)
Viola and Piano SKU: BT.MUSVWP000078 Composed by George Frideric Handel. Arranged by Watson Forbes. Viola World. Book Only. 14 pages. Viola World #MUSVWP000078. Published by Viola World (BT.MUSVWP000078). UPC: 890346001515. Handel's Sonata in B Flat arranged for Viola with Piano accompaniment by Watson Forbes. $11.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Dmitri Shostakovich - Viola Sonata, Op. 40 Viola, Piano Boosey and Hawkes
for Viola and Piano. By Dmitri Shostakovich. String. Size 9x12 inches. 34 pages....(+)
for Viola and Piano. By Dmitri Shostakovich. String. Size 9x12 inches. 34 pages. Published by Boosey and Hawkes.
(1)$51.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Felix Mendelssohn Bartholdy - Sonata in C minor Viola, Piano [Sheet music] G. Henle
(Viola and Piano). By Felix Bartholdy Mendelssohn (1809- 1847). Edited by Ernst...(+)
(Viola and Piano). By Felix
Bartholdy Mendelssohn (1809-
1847). Edited by Ernst
Herttrich. Henle Music Folios.
Softcover. G. Henle Verlag
#HN1035. Published by G. Henle
Verlag
$27.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
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| 6 Sonates En Trio Pour
Orgue (BACH JOHANN
SEBASTIAN)
Français Viola, Piano [Sheet music] Delrieu
Par BACH JOHANN SEBASTIAN. Transcription pour alto et piano par Bruno Monsaingeo...(+)
Par BACH JOHANN SEBASTIAN. Transcription pour alto et piano par Bruno Monsaingeon et Antoine Joly
On ne saurait affirmer que le répertoire original de concert de l'alto, en tant qu'instrument soliste, soit richement pourvu en chefs-d'oeuvre. Au mieux, et encore si on inclut les sonates de Brahms, elles-mêmes transcrites de la clarinette, deux programmes de récital et on a fait le tour de la question.
Avec le présent recueil, nous n'avons d'autre ambition que de contribuer à élargir cet éventail.
Les six sonates - dites en trio - pour orgue de Johann Sebastian Bach, figurent parmi les oeuvres les plus rigoureuses du compositeur. A l'inverse d'autres compositions pour orgue de Bach, ses grandes Fantaisies et Toccatas, dans lesquelles abondent de luxuriantes formules virtuoses de nature indubitablement instrumentale, les sonates relèvent d'une stricte écriture à trois voix, sans que jamais le moindre ajout harmonique, la moindre tentation exhibitionniste, viennent troubler leur parfaite pureté polyphonique.
Il nous est apparu que leur facture fondamentalement a-instrumentale était telle que ces sonates se prêtaient sans doute mieux que toutes autres à la transcription. De surcroît, il était clair qu'il existait une évidente adéquation entre leur écriture et celle destinée à un instrument à archet, et que la vocalité intensément expressive de leurs mouvements lents, comme la sobre alacrité de leurs mouvements rapides, conviendraient à merveille aux couleurs sonores très spécifiques de l'alto.
Restait à faire en sorte que la transcription pour cet instrument crée l'illusion qu'elles avaient été originellement conçues pour lui.
A cet égard, deux types de problèmes étaient à résoudre.
Le choix des tonalités. Bach lui-même, lorsqu'il adaptait pour le clavier ses concertos originellement écrits pour le violon, recourait toujours à un changement de tonalité, en transposant systématiquement ces oeuvres d'un ton vers le bas. Passer du clavier de l'orgue à l'alto requérait de procéder à un traitement analogue, pour faire en sorte que l'instrument à cordes soit exposé dans le registre qui lui serait le plus favorable, tout en tenant compte de ses propres limites. Dans notre recherche des tonalités les mieux adaptées à chacune des sonates, nous avons été guidés par le souci de contourner deux écueils celui qui contraindrait l'alto à jouer dans un registre trop aigu, où sa sonorité a tendance à se faire claironnante - et à éviter parallèlement de l'emmener trop souvent vers son registre grave, magnifique pour les notes tenues et chantantes, mais qui sied mal aux notes rapides, telles que les doubles croches, dont les Allegros de Bach font une allègre consommation. Du fait de l'épaisseur des cordes graves de l'alto, leur émission y est quelque peu confuse, et elles y prennent presque inévitablement une sonorité pelucheuse qui rend l'équilibre acoustique de la souveraine polyphonie de Bach peu perceptible. C'est ainsi qu'après bien des essais et tâtonnements, nous sommes arrêtés aux transpositions suivantes: de Mi bémol majeur à Sol majeur pour la 1e sonate, d'Ut mineur à Sol mineur pour la 2e, de Mi mineur à Ré mineur pour la 3e, et ainsi de suite. Dans l'édition, nous indiquons à chaque fois la tonalité d'origine.
Pour finaliser nos choix, nous avons d'ailleurs dû jouer avec un paramètre supplémentaire, car il va sans dire qu'une fois décidée la tonalité d'ensemble de telle ou telle sonate, nous nous sommes fixé pour règle de respecter les relations de tonalité adoptées par Bach entre les mouvements rapides et lents de ses oeuvres.
La distribution des voix entre les deux instruments. Bach ayant naturellement réparti les deux voix de 'dessus' et la voix de basse de ses sonates entre les deux mains et le pédalier de l'organiste, la solution qui apparaissait à première vue s'imposer pour notre transcription, consistait à attribuer la voix supérieure à l'alto, tandis que les deux mains de l'instrument à clavier se chargeraient de la voix médiane et de la basse. Et de fait, c'est ainsi que nous procédâmes pour l'essentiel. Néanmoins, en de nombreuses occasions, nous avons jugé bon de faire exception à ce principe trop simple. Deux types de raisons nous ont ainsi conduits à recourir ici ou là à une redistribution des parties d'un instrument à l'autre. Le souci là encore de ne jamais placer l'alto dans une tessiture extrême, et surtout d'éviter d'aboutir à une confusion des entrées et des réponses fuguées. Ce faisant, nous croyons être parvenus par la même occasion à créer des échanges d'une grande vitalité entre les deux instruments.
En publiant ici le résultat du travail prodigieusement stimulant qui fut le nôtre - accompagné de propositions de coups d'archet soigneusement étudiées (mais évidemment révisables selon les choix interprétatifs de chacun), destinées à en rendre clairs le phrasé, l'expression et la facture - nous avons la conviction de pourvoir à l'enrichissement du répertoire des altistes sous la forme de six chefs-d'oeuvre de tout premier ordre, sans que la transcription les ait d'aucune manière dénaturés. Nous sommes également persuadés que le soi-disant 'parent pauvre' de la famille des cordes ne le cédera en rien au 'roi des instruments' dans l'expression du sublime lyrisme constamment présent dans ces oeuvres de Johann Sebastian Bach. / classique / Répertoire / Alto et Piano
40.80 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| Zweyte Fortsetzung Von
Sechs Sonaten Fürs
Clavier - Berlin, 1763 Viola, Piano [Score and Parts] Anne Fuzeau Productions
Edition : Berlin, G.L. Winter, 1763Présentation de Philippe Lescat : Elaboratio...(+)
Edition : Berlin, G.L. Winter, 1763Présentation de Philippe Lescat : Elaboration - Editions - Variantes mauscrites - L'agrémentation de C.P.E. Bach - Articulations - BibliographieEnsemble de 18 sonates formant un tout, publiées à Berlin entre 1760 et 1763. La gravure est claire et lisible. / Clavecin / 64 pages / niveau : 1 / Fac-Similés - Format: 23.5 X 32.5
31.10 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| Elizabeth Maconchy:
Sonata For Viola And
Piano: Viola:
Instrumental Work Viola, Piano [Sheet music] Chester
Elizabeth Maconchy composed her Sonata For Viola And Piano in 1937 which premie...(+)
Elizabeth Maconchy composed her Sonata For Viola And Piano in 1937 which premiered the following year in London. Included in this is the Score and Parts for Viola and Piano with the piece lasting around14 minutes. Elizabeth Maconchy enrolled at the Royal College of Music at the age of sixteen and while her String Quartets are often seen by many as the pinnacle of her musical achievements thisSonata For Viola And Piano is a beautiful interplay between the two instruments and must surely rank as one of the finest Viola sonatas ever composed.
20.99 GBP - Sold by Musicroom UK | |
| Sonata Op. 39 (1997) Viola, Piano - Intermediate Ricordi
Per Viola E Pianoforte. Par CALLIGARIS SERGIO. Sergio Calligaris was born in Ros...(+)
Per Viola E Pianoforte. Par CALLIGARIS SERGIO. Sergio Calligaris was born in Rosario (1941), Argentina. He is one of the last musicians to incarnate the traditional 19th century figure of pianist, teacher and composer, inaugurated at the beginning of the 19th century by Muzio Clementi and carriedon after that by a sequence of famous names that the history of music has handed down to us. As a pianist, he began to give public performances at the age of 13, making his debut in his home town Rosario. Following this success, he embarked upon an extremely busy career as a soloist, giving numerous recitals in Buenos Aires and other citiesin Argentina. He continued to take advanced lessons with eminent exponents of the most prestigious international piano schools. In 1974 he became an Italian citizen and settled in Rome, teaching piano as principal instrument at the S. Pietro a Majella StateConservatory in Naples, the Luisa DAnnunzio Conservatory in Pescara and the Alfredo Casella Conservatory in Aquila. As a composer, he began - at just 9 years of age - to study in the rigorous school of Paul Hindemith, under the guidance of Father Luis Machado, from whom he inherited a love of counterpoint and a strong taste for harmony. He took a diploma incomposition, counterpoint and fugue at the age of 16 at the Amigos del Arte Society in Rosario, going on in 1964 to do an advanced course in 12-tone counterpoint at the Cleveland Institute of Music. The catalogue of his compositions, which has nowreached Op. 55, encompasses a huge range of instrumental/vocal chamber music and symphonic works: a vast and articulated catalogue, in which Sergio Calligaris’s composition expresses its inspiration through the dramatic development of a dialecticalcontrast between the two natures of the composer’s personality - the elegiac and the dithyrambic - which confront and interact with each other giving rise to artistic outcomes of a deeply moving nature. / Niveau : Intermédiaire / Date parution : 1905-06-19/ Répertoire / Alto et Piano
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| Carl Ditters von
Dittersdorf: Sonate
Es-Dur: Viola:
Instrumental Work Viola, Piano [Sheet music] - Intermediate/advanced Hofmeister Musikverlag
Sonata in Eb Major was originally composed for Viola and Bass in the 1780s. It w...(+)
Sonata in Eb Major was originally composed for Viola and Bass in the 1780s. It was arranged for Viola and Piano by Hans Mlynarczyk in 1929. It comprises 5 movements: Allegro Moderato - Menuetto I - Adagio - Menuetto II - Tema Con Variazioni. Karl Ditters Von Dittersdorf (1739-1799) was an Austrian composer and violinist. He was well-known by Mozart and Haydn and often played string quartets with them together with his pupil Johann Baptist Wanhal. Unlike his contemporaries his compositional style is dominated by lyrical Italianate melodic progression rather than extended harmonic development.
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| Sonate N02 (MILHAUD
DARIUS) Viola, Piano [Sheet music] Heugel
Par MILHAUD DARIUS. French composer and teacher, Darius Milhaud (1892-1974) was ...(+)
Par MILHAUD DARIUS. French composer and teacher, Darius Milhaud (1892-1974) was a prolific composer of the 20th century as a member of 'Les Six'. His compositions remain highly regarded, Sonata No. 2 for Viola and Piano being no exception. Milhaud 's compositions are influenced by jazz and polytonality, as exemplified in Sonata No. 2. Composed in 1944, Sonata No. 2 for Viola and Piano is an alternative, exciting sonata made up of three movements; 1) Rural, 2) Dramatic, and 3) Rough. Milhaud makes use of variation in articulation, complex rhythms, chromaticism, accidentals, harmonics, altering tempos, variation in dynamics and a wide tessitura, amongst other aspects. Milhaud 's Sonata No. 2 for Viola and Piano is essential to all advanced violists seeking modern and exciting repertoire./ Répertoire / Alto et Piano
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| Henri Vieuxtemps: Sonate
B-dur Opus 36 für
Klavier und Viola: Viola: Viola, Piano G. Henle
Sonata in B flat major op. 36 for Piano and Viola-Henry Vieuxtemps' Viola Sonata...(+)
Sonata in B flat major op. 36 for Piano and Viola-Henry Vieuxtemps' Viola Sonata In B Flat Op.36. Urtext edition.Following a concert by the 14-year old 'wunderkind' Henry Vieuxtemps in 1834 none other than Robert Schumann said 'WithHenri one can safely close one’s eyes. His playing is like a flower at the same time both fragrant and bright'. Vieuxtemps is nowadays considered to be the foremost exponent of the Franco-Belgian Violin school.The composer was however an excellent Viola player and wrote several compositions for the instrument. Sonata Op.36 published in 1862 is one of the gems of Viola literature with its oscillation betweenexpressive maestoso elegiac barcarola and scherzando passages. This edition by Henle is the first Urtext version of the work to be published.
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| Johann Sebastian Bach:
Sonatas for Viola da
Gamba and Harpsichord:
Viola: Viola, Piano G. Henle
Les trois sonates pour viole de gambe de J. S. Bach sont au c?ur du répertoire ...(+)
Les trois sonates pour viole de gambe de J. S. Bach sont au c?ur du répertoire des instruments à cordes frottées graves. Elles reposent sur des ?uvres de Bach initialement écrites pour d?autres instruments et ont en commun une polyphonie rigoureuse à trois voix (viole de gambe et instrument à clavier à deux voix). L?arrangement pour alto rejoint la pratique d?adaptation de Bach lui-même. L?original pour viole de gambe ne descend que rarement en dessous de l?ambitus de l?alto ce qui se corrige aisément en octaviant vers le haut la partie mélodique.
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| Johannes Brahms: Sonatas
In F Minor And E-Flat For
Viola: Viola:
Instrumental Viola, Piano Barenreiter
for Viola and Piano-Brahms had already announced his 'retirement' from compositi...(+)
for Viola and Piano-Brahms had already announced his 'retirement' from composition when in the spring of 1894 he played chamber music with the cellist Robert Hausmann and the clarinettist Richard Mühlfeld. This encounter apparently renewed his enthusiasm for Mühlfeld?s much admired playing and inspired him to write two Clarinet sonatas in the summer of the same year. It remains unclear when exactly Brahms drafted Viola parts to his two sonatas. In any case the Viola and Clarinet versions of the works were first published by Simrock at the same time in 1895. Today there is no doubt about Brahms? authorship of the Viola parts. They include important differences fromthe Clarinet original in order to do justice to this string instrument.An important part of this edition is the extensive preface. Firstly it informs about the sonatas? origins their compositional process pre-publication performances their publication history as well as early reception. Truly remarkable is the unique Performance Practice Commentary. Here the editors start from the premise that already a few decades after Brahms' death a widening gulf developed between the composer's expectations and the performance practices of the early 20th century. On the basis of manifold sources which include memoirs by pupils and chamber music partners treatises and essays early instructive editions and historical recordings the editors deal with key issues in understanding Brahms' notation. By a section-by-section analysis of rhythm and timing dynamics and accentuation dots and strokes slurring and non legato Piano pedalling and overholding Piano arpeggiation and dislocation string instrument fingering string instrument harmonics and vibrato the editors provide an indispensable assistance for a historically informed interpretation of the works.At the same time the edition offers an exciting and often surprising insight into musical interpretation of the German Romantic Era in general.A pioneering Urtext editionWith an unmarked Urtext partWith a second part including fingering and bowing based on the practices of contemporaries of BrahmsWith an extensive Performance Practice
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| Sonate N01 (MILHAUD
DARIUS) Viola, Piano [Sheet music] Heugel
Par MILHAUD DARIUS. 1st Sonata was written by Darius Milhaud and is based on ano...(+)
Par MILHAUD DARIUS. 1st Sonata was written by Darius Milhaud and is based on anonymous tunes of the XVIII century and was dedicated to Germain Prevost. Initially composed for Viola and Orchestra, this score features the Viola and Piano scores. It is composed of four distinct parts: 1. Entree 2. Française 3. Air 4. Final Fairly difficult, this Sonata can be used for recitals and contests by upper-intermediate players. Born in 1892, Darius Milhaud became a professor at the Paris Conservatoire after the WWII, and composed a wide musical repertoire. One of thecharacteristic of the music he composed was its polytonality and its numerous influences (mainly French Provence, Jazz, South American and Jewish)./ Répertoire / Alto et Piano
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| Max Reger:
Klarinettensonate Opus
107: Viola: Instrumental
Work Viola, Piano G. Henle
Clarinet Sonata op. 107-Just as Johannes Brahms had done with his Opus 120 Rege...(+)
Clarinet Sonata op. 107-Just as Johannes Brahms had done with his Opus 120 Reger also provided parts for two alternative solo instruments for his Sonata op. 107: 'I will also arrange the clarinet part for viola so that the work can also be played thus'(letter to his publisher). He by no means wanted to leave the arrangement of the viola part to the publisher as slurs had to be changed here and there as well as octave transpositions had to be made - 'only I can do this work!'The viola’s sonorous mid range comes close to that of the clarinet but lends the work its own timbre. Viola players will also value this Urtext edition on account of the practical fingerings and bowing marks.
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| Felix Mendelssohn
Bartholdy: Sonate c-moll
für Viola und Klavier:
Viola: Viola, Piano [Sheet music] G. Henle
Sonata in c minor for Viola and Piano-Mendelssohn Felix Sonata In C Minor (Hertt...(+)
Sonata in c minor for Viola and Piano-Mendelssohn Felix Sonata In C Minor (Herttrich) Pf/Vla Urtext Pb Bk
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| GIORGIO ANTONIOTTO - 2
SONATAS - ALTO and PIANO Viola, PianoSonata da camera Es-DurSonata da camera F-Dur / Ensemble à cordes / Grahl
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| Johann Nepomuk Hummel:
Sonate für Klavier und
Viola Es-dur Opus 5 Nr.
3: Viola: Viola, Piano [Sheet music] G. Henle
Sonata for Piano and Viola in E flat major op. 5 no. 3-Edited by Ernst Herttrich...(+)
Sonata for Piano and Viola in E flat major op. 5 no. 3-Edited by Ernst Herttrich with fingering of the Piano part by Klaus Schilde and supplementary Viola part marked by Tabea Zimmermann.
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| Bach J.s. - Sonates En
Trio Pour Orgue (6) -
Alto, Piano
Français Viola, Piano Delrieu
Contenu : Sonate n°1 BWV 525 - Sonate n°2 BWV 526 - Sonate n°3 BWV 527 - Sona...(+)
Contenu : Sonate n°1 BWV 525 - Sonate n°2 BWV 526 - Sonate n°3 BWV 527 - Sonate n°4 BWV 528 - Sonate n°5 BWV 529 - Sonate n°6 BWV 530 Compositeur/Auteur : BACH Johann Sebastian Discipline/Instrument : alto et piano Support : Partition Style/Genre : classique
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| Johannes Brahms: Clarinet
Sonatas Op.120 Arranged
For Viola: Viola:
Instrumental Viola, Piano G. Henle
Version for Viola-In the later years of his life in the 1890s Johannes Brahms ...(+)
Version for Viola-In the later years of his life in the 1890s Johannes Brahms was inspired by the clarinettist Richard Mühlfeld to compose Trio Op.114 Quintet Op.115 and the Sonatas Op.120 – three gems inthe Clarinet chamber music repertoire. Brahms also provided a part for Viola as an alternative to the Clarinet. The revision of this Henle Urtext edition of the Viola version of Op.120 is based onthe musical text of the New Brahms Complete Edition and in many respects contains significant improvements: the original autograph was consulted for the first time the newly set Piano score now contains the Viola part and Violaplayers can benefit from fingerings and bowings by Tabea Zimmermann in the solo part.
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| César Franck: Sonata:
Viola: Instrumental Work Viola, Piano Barenreiter
arranged for Piano and Viola-Cesar Franck’s Sonata for Piano and Violin i...(+)
arranged for Piano and Viola-Cesar Franck’s Sonata for Piano and Violin is one of the most treasured works in the Violin repertoire a masterpiece of cyclic form with a gracefulness and expressive force almost paradigmatic for the age of musical Romanticism. This work was composed in 1886 and was dedicated to the Belgian violinist and composer Eugène Ysaÿe.After Franck’s death in 1890 the original publisher of the Sonata the Parisian house Julien Hamelle announced an arrangement of the work for Viola but it has not been possible to locate any copy of this publication. The present arrangement for Viola is largely based on Jules Delsart’s arrangement for Piano and Cello the onlyversion of the Sonata which the composer authorized. However the Viola part here also adopts extensive passages in their original register or remains in the middle octave especially in those passages where the Cello lies two octaves beneath the Violin.Being set in the alto register the part thus lies between the other two string versions lending the Sonata a delightful hybrid hue beyond the brilliance of the Violin and the sonorousness of the Cello. The Piano part has been left intact and is thus identical to that of the original version.The edition is rounded off by an informative text on the genesis and reception history of the Sonata (Ger/Fr/Eng).
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| Darius Milhaud: Sonata
For Viola And Piano No.2:
Viola: Instrumental Work Viola, Piano [Sheet music] Heugel
French composer and teacher Darius Milhaud (1892-1974) was a prolific composer ...(+)
French composer and teacher Darius Milhaud (1892-1974) was a prolific composer of the 20th century as a member of 'Les Six'. His compositions remain highly regarded Sonata No. 2 for Viola and Piano being no exception. Milhaud's compositions are influenced by jazz and polytonality as exemplified in Sonata No. 2. Composed in 1944 Sonata No. 2 for Viola and Piano is an alternative exciting sonata made up of three movements; 1) Rural 2) Dramatic and 3) Rough. Milhaud makes use of variation in articulation complex rhythms chromaticism accidentals harmonics altering tempos variation in dynamics and a wide tessitura amongst other aspects. Milhaud's Sonata No. 2 for Viola and Piano is essential to all advanced violists seeking modern and exciting repertoire.
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| Dimitri Shostakovich:
Sonata For Viola And
Piano Op.147: Viola:
Instrumental Viola, Piano Sikorski
Shostakovich's last work the Sonata For Viola And Piano Op.147 is a superbly c...(+)
Shostakovich's last work the Sonata For Viola And Piano Op.147 is a superbly crafted Sonata in three movements with unusually a slow Adagio movement for the third. It was dedicated to the violist Fyodor Druzhinin a professor of the Moscow Tchaikovsky Conservatory and a member of the Beethoven String Quartet a renowned Moscow ensemble that played at the premieres of most of Shostakovich’s string quartets. Fyodor Druzhinin and Mikhail Muntyan premiered the Viola Sonata in Leningrad on October 1 1975.The solo Viola part is also included on a separate insert.
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| Sonata Angelique (TARTINI
GIUSEPPE) Viola, Piano [Sheet music] Music Sales
Arranged For Viola And Piano By Alan H. Arnold. Par TARTINI GIUSEPPE. Guiseppe T...(+)
Arranged For Viola And Piano By Alan H. Arnold. Par TARTINI GIUSEPPE. Guiseppe Tartini's Sonata Angelique arranged for Viola and Piano by Alan H. Arnold. Guiseppe Tartini's Sonata Angelique arranged for Viola and Piano by Alan H. Arnold./ Recueil / Alto et Piano
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| Hindemith Paul - Sonata
- Viola And Piano Viola, Piano Schott
Edited after: Paul Hindemith, Complete Works, Vol. V/7 Instrument : viola and p...(+)
Edited after: Paul Hindemith, Complete Works, Vol. V/7 Instrument : viola and piano Nombre de Pages : 64 The genesis of the viola sonata reflects the eventful life of Hindemith in the winter of 1938/39 and owes its completion to Hindemith's ability to compose even while travelling, especially on trains. Hindemith himself said about his viola sonata: '... It is a powerful, well-fed piece with durable lining for cold weather. Second movement with a tricky rhythm to which one has to creep up carefully in order to master it. In the last movement which consists of two variations on an already fully developed rondo movement...' Hindemith shows again the wide range of his compositional and formal brilliance. New edition based on the text of the Hindemith Complete Edition.
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| Viola Sonata Viola, Piano [Score and Parts] Boosey and Hawkes
Martin Outram a transcrit pour alto et piano la sonate pour violoncelle de Frede...(+)
Martin Outram a transcrit pour alto et piano la sonate pour violoncelle de Frederick Delius (1916), une oeuvre rhapsodique de 10 minutes en un seul mouvement. L'édition présentée ici constitue un ajout bienvenu au répertoire des altistes de très bon niveau / Alto Et Piano / 24 pages / Partition
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| Darius Milhaud: Sonata
For Viola And Piano No.1:
Viola: Instrumental Work
Français Viola, Piano [Sheet music] Heugel
1st Sonata was written by Darius Milhaud and is based on anonymous tunes of the ...(+)
1st Sonata was written by Darius Milhaud and is based on anonymous tunes of the XVIII century and was dedicated to Germain Prevost. Initially composed for Viola and Orchestra this score features the Viola and Piano scores. It is composed of four distinct parts: 1. Entrée 2. Française 3. Air 4. Final Fairly difficult this Sonata can be used for recitals and contests by upper-intermediate players. Born in 1892 Darius Milhaud became a professor at the Paris Conservatoire after the WWII and composed a wide musical repertoire. One of thecharacteristic of the music he composed was its polytonality and its numerous influences (mainly French Provence Jazz South American and Jewish).
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| En Bleu Et Or (CANAT DE
CHIZY EDITH)
Français Viola, Piano [Sheet music] Lemoine, Henry
Par CANAT DE CHIZY EDITH. / contemporain / Répertoire / Alto et Piano
19.70 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| Viola Sonata Viola, Piano [Score and Parts] Boosey and Hawkes
Une transcription par Veronica Leigh Jacobs de Sonate pour du pont violoncelle (...(+)
Une transcription par Veronica Leigh Jacobs de Sonate pour du pont violoncelle (1917), un élément important du répertoire pour cet instrument de la plume d'un compositeur dont la réputation est de nos jours ne cesse d'augmenter. Un ajout à la littérature pour le w Alto / Alto Et Piano
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| Ouvertüre Zuruslan
Und Ludmila- As 3Rd
Movement To The
Unfinished Sonata In D
Minor Viola, Piano Hofmeister Musikverlag
The music of Glinka's Ouverture to his opera 'Ruslan and Ludmila? is presented a...(+)
The music of Glinka's Ouverture to his opera 'Ruslan and Ludmila? is presented as arrangement for viola and piano by Diemut Poppen here. It is a sparkling virtuos little piece for viola and piano in D major that should be played as a last movement to Glinka's Sonata for Viola in d minor but can also be performed separately. / Alto Et Piano
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| Arcangelo Corelli: Sonata
No.12 La Folia Con
Variazoni: Viola:
Instrumental Work Viola, Piano [Sheet music] Viola World
For Viola And Piano-Corelli 'Sonata No.12 Follia con Variazioni' for Viola and P...(+)
For Viola And Piano-Corelli 'Sonata No.12 Follia con Variazioni' for Viola and Piano transcribed by Alan Arnold.
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| Sonata In F For Viola and
Piano: Viola:
Instrumental Work Viola, Piano Stainer and Bell
Sonata In F is an exciting piece in 3 contrasting movements for Viola with Pian...(+)
Sonata In F is an exciting piece in 3 contrasting movements for Viola with Piano Accompaniment composed by Giovanni Battista Grazioli (1755-1820). The solo viola part is also included on a separate insert.
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| Edward Elgar: Sonata
Op.82: Viola:
Instrumental Work Viola, Piano [Sheet music] Novello & Co Ltd.
Violin Sonata arranged for Viola and piano by Veronica Leigh Jacobs.The piano pa...(+)
Violin Sonata arranged for Viola and piano by Veronica Leigh Jacobs.The piano part is a reproduction of the original Violin Sonata edition.
19.99 GBP - Sold by Musicroom UK | |
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