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Soli, Mixted choir and accompaniment
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Queen - Bohemian Rhapsody for vocal, SATB choir, piano and string orchestra
Queen - Bohemian Rhapsody for vocal, SATB choir, piano and string orchestra
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Soli, Mixted choir and accompaniment
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Queen
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Volodymyr Koliarov
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Standing as I do before God
Standing as I do before God
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Soli, Mixted choir and accompaniment
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Oxford University Press Digital
O taste and see
O taste and see
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Missa Sancti Gabrielis
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
[Vocal Score]
Carus Verlag
By Michael Haydn (1737-1806). Edited by Biba, Otto. For SATB Soli, SATB Choir, 2...
(+)
By Michael Haydn (1737-1806). Edited by Biba, Otto. For SATB Soli, SATB Choir, 2 Violin, 2 Trumpet, [Timpani], Basso Continuo. Full score available separately - see item CA.9100900. Church music of the Viennese Classical. Choral score. Language: Latin. Composed 1760/1768. 16 pages
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Requiem (Requiem)
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
[Vocal Score]
Carus Verlag
Erganzt von Robert D. Levin. By Wolfgang Amadeus Mozart. Arranged by Robert D. L...
(+)
Erganzt von Robert D. Levin. By Wolfgang Amadeus Mozart. Arranged by Robert D. Levin. For Soli SATB, SATB Choir, 2 Bassethorn, 2 Bassoons, 2 Clarinos/Trumpets, 3 Trombones, Timpani, 2 Violins, Viola, Basso continuo. KV 626. Full score available separately - see item CA.5162650. Requiem; Occasions: Mourning, Death. Piano/Vocal score. Language: Latin. Composed 1791/1991. 88 pages. Duration 50 min. Published by Carus Verlag (German import).
(1)
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Alcina
Soli, Mixted choir and accompaniment
[Vocal Score]
Barenreiter
Dramma per musica in tre atti. Klavierauszug nach dem Urtext der Hallischen H0nd...
(+)
Dramma per musica in tre atti. Klavierauszug nach dem Urtext der Hallischen H0ndel-Ausgabe (italienisch/deutsch). By George Frideric Handel. Edited by Siegfried Flesch. Arranged by Kroupova, Olga;T!Pel, Michael. For soprano solo (3), mezzo-soprano solo, alto solo, tenor solo, bass solo, mixed choir-SSATB, piccolo, alto recorder (f,g) (2), oboe (2), bassoon, horn (2), Violin Solo, Cello Solo, strings, basso continuo. Piano Reduction/Vocal Score (paperbound). HWV 34. Duration 195'. Published by Baerenreiter-Ausgaben (German import). (BA4061 90)
(1)
$65.95 - See more - Buy online
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1 to 2 weeks
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Mass in C major
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
Carus Verlag
(Missa in C). By Ignaz Holzbauer (1711-1783). Edited by Jochen Reutter. For Soli...
(+)
(Missa in C). By Ignaz Holzbauer (1711-1783). Edited by Jochen Reutter. For Soli SATB, SATB Choir, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, 2 Trumpets, Timpani, 2 Violins, 2 Violas, Basso continuo. This edition: Monument edition. C-Dur (C majo choral score Masses, Latin
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2 to 3 weeks
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Missa in C major
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
[Vocal Score]
Barenreiter
(Coronation Mass). By Wolfgang Amadeus Mozart (1756-1791). Edited by Monika Holl...
(+)
(Coronation Mass). By Wolfgang Amadeus Mozart (1756-1791). Edited by Monika Holl. For Mixed Choir-SATB. Messen, Klassik (Masses, Classical). Chorus Score. KV 317
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In nativitate Domini nostri Jesu Christi canticum
Soli, Mixted choir and accompaniment
[Vocal Score]
Carus Verlag
Weihnachtskonzert. By Marc-Antoine Charpentier. Edited by Massenkeil, Gunther. A...
(+)
Weihnachtskonzert. By Marc-Antoine Charpentier. Edited by Massenkeil, Gunther. Arranged by Gunther Massenkeil. For Soli SSA, Choir SSA, Basso continuo. H 421. Full score available separately - see item CA.2100200. Sacred Concertos; Use during church year: Christmas. Choral score. Language: Latin/German. Composed 1698-1699. 12 pages. Duration 11 min. Published by Carus Verlag (German import).
$6.95 - See more - Buy online
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2 to 3 weeks
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Requiem
Soli, Mixted choir and accompaniment
satb (soli), SATB (chorus), Keyboard
Novello & Co Ltd.
By Herbert Howells. For SATB soli, SATB Choir. Choral, Sacred, 20th Century. She...
(+)
By Herbert Howells. For SATB soli, SATB Choir. Choral, Sacred, 20th Century. Sheet Music. 30 pages. Published by Novello and Co Ltd.
$10.95 - See more - Buy online
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24 hours - In Stock
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Wolfgang Amadeus Mozart: Requiem
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Vocal Score]
-
Intermediate
Peters
Composed by Wolfgang Amadeus Mozart (1756-1791), edited by F. Brissler. K.626. F...
(+)
Composed by Wolfgang Amadeus Mozart (1756-1791), edited by F. Brissler. K.626. For SATB solos, SATB choir and piano accompaniment. Format: vocal score. With choral notation and piano reduction. Classical period. D Minor. Text language Latin. 80 pages. 7.5x10.5 inches. Published by C.F. Peters
(4)
$14.95 - See more - Buy online
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24 hours - In Stock
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Requiem (Requiem)
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
[Score]
Carus Verlag
Erganzt von Robert D. Levin. By Wolfgang Amadeus Mozart. Arranged by Robert D. L...
(+)
Erganzt von Robert D. Levin. By Wolfgang Amadeus Mozart. Arranged by Robert D. Levin. For Soli SATB, SATB Choir, 2 Bassethorn, 2 Bassoons, 2 Clarinos/Trumpets, 3 Trombones, Timpani, 2 Violins, Viola, Basso continuo. KV 626. Requiem; Occasions: Mourning, Death. Score. Language: Latin. Composed 1791/1991. 256 pages. Duration 50 min. Published by Carus Verlag (German import).
$113.95 - See more - Buy online
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2 to 3 weeks
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Exaudiat te Dominus Psalm 19 (20)
Soli, Mixted choir and accompaniment
-
Intermediate
Furore Verlag
Composed by Antonia Bembo (1643-1715). Edited by Conrad Misch. Soli, Choir and I...
(+)
Composed by Antonia Bembo (1643-1715). Edited by Conrad Misch. Soli, Choir and Instruments (Piano, Organ, Orchestra). First edition. Choral. Score and parts. Published by Furore Verlag (FV.FUE-6710).
$20.95 - See more - Buy online
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4 to 6 weeks
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Allein zu dir, Herr Jesu Christ
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Carus Verlag
(Cantata for the 13th Sunday after Trinity). By Johann Sebastian Bach (1685-1750...
(+)
(Cantata for the 13th Sunday after Trinity). By Johann Sebastian Bach (1685-1750). Edited by Clemens Harasim. For Soli ATB, SATB Choir, 2 Oboes, 2 Violins, Viola, Basso continuo. Stuttgart Urtext Edition. German title: Allein zu dir, Herr Jesu Christ. Can
$19.95 - See more - Buy online
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2 to 3 weeks
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Te Deum in C
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
Carus Verlag
By Joseph Haydn Johann Michael Haydn. Edited by Hans Ryschawy. For Soli SATB, SA...
(+)
By Joseph Haydn Johann Michael Haydn. Edited by Hans Ryschawy. For Soli SATB, SATB Choir, 2 Clarinos/Trumpets, Timpani, 2 Violins, Basso continuo. Stuttgart Urtext Edition. German title: Te Deum (Esterhazy) (3). Set of instrumental parts (except strings).
$15.95 - See more - Buy online
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2 to 3 weeks
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Te Deum in C
Soli, Mixted choir and accompaniment
[Vocal Score]
Carus Verlag
By Joseph Haydn Johann Michael Haydn. Edited by Hans Ryschawy. For Soli SATB, SA...
(+)
By Joseph Haydn Johann Michael Haydn. Edited by Hans Ryschawy. For Soli SATB, SATB Choir, 2 Clarinos/Trumpets, Timpani, 2 Violins, Basso continuo. Stuttgart Urtext Edition. German title: Te Deum in C. Vocal score. Language: Latin. 16 pages. Duration 7 min
$13.95 - See more - Buy online
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2 to 3 weeks
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Missa Sancti Gabrielis
Soli, Mixted choir and accompaniment
[Score]
Carus Verlag
By Michael Haydn (1737-1806). Edited by Biba, Otto. For SATB Soli, SATB Choir, 2...
(+)
By Michael Haydn (1737-1806). Edited by Biba, Otto. For SATB Soli, SATB Choir, 2 Violin, 2 Trumpet, [Timpani], Basso Continuo. This edition: paperbound. Church music of the Viennese Classical. Score. Language: Latin. Composed 1760/1768. 48 pages
$51.95 - See more - Buy online
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2 to 3 weeks
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Pietro Mascagni: Cavalleria Rusticana
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
[Vocal Score]
-
Advanced
Schirmer
Composed by Pietro Mascagni (1863-1945). Vocal score for SATB chorus, soprano vo...
(+)
Composed by Pietro Mascagni (1863-1945). Vocal score for SATB chorus, soprano voice solo, contra alto voice solo, baritone voice solo, tenor voice solo, mezzo soprano voice solo and piano accompaniment. With vocal score, lyrics, piano reduction and introductory text. Series: G. Schirmer Opera Score Editions. Text language Italian and English. Translated by Machlis. 146 pages. Published by G. Schirmer, Inc.
(1)
$21.99 - See more - Buy online
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24 hours - In Stock
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Requiem
Soli, Mixted choir and accompaniment
[Vocal Score]
Oxford University Press
Composed by John Rutter (1945-). This edition: paperback. Mixed Voices. Contempo...
(+)
Composed by John Rutter (1945-). This edition: paperback. Mixed Voices. Contemporary. Vocal score. 64 pages. Duration 40'. Published by Oxford University Press (OU.9780193380707).
$16.50 - See more - Buy online
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24 hours - In Stock
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Ludwig van Beethoven: Choral Fantasy
Soli, Mixted choir and accompaniment
[Vocal Score]
Peters
Composed by Ludwig van Beethoven (1770-1827). Vocal score for choir, piano and o...
(+)
Composed by Ludwig van Beethoven (1770-1827). Vocal score for choir, piano and orchestra. Op.80. C Minor. Composed 1808. 28 pages. Published by C.F. Peters.
(4)
$9.95 - See more - Buy online
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1 to 2 weeks
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A German Requiem (Vocal Score)
Soli, Mixted choir and accompaniment
Novello & Co Ltd.
By Johannes Brahms; Michael Pilkington (Editor). For Soprano and Baritone Soli, ...
(+)
By Johannes Brahms; Michael Pilkington (Editor). For Soprano and Baritone Soli, SATB Choir, Piano Accompaniment. Romantic, Sacred. Sheet Music. 104 pages. Published by Novello and Co Ltd.
$15.95 - See more - Buy online
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24 hours - In Stock
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Requiem (1893 version)
Soli, Mixted choir and accompaniment
[Vocal Score]
Oxford University Press
By Gabriel Faure (1845-1924). Arranged by John Rutter. For Soprano soloist, SATB...
(+)
By Gabriel Faure (1845-1924). Arranged by John Rutter. For Soprano soloist, SATB choir, orchestra/chamber ensemble (2 bassoon, 4 horn, 2 trumpet, timpani, harp, organ, violin solo, viola 1 and 2, cello 1 and 2, double bass. [Only 2 horn, harp, organ, and stri
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Dixit Dominus HWV 232
Soli, Mixted choir and accompaniment
[Score]
Barenreiter
By George Frideric Handel (1685-1759). Edited by Hans Joachim Marx. For soprano ...
(+)
By George Frideric Handel (1685-1759). Edited by Hans Joachim Marx. For soprano voice solo, alto voice solo, tenor voice solo, bass voice solo, SSATB choir , violin (2), viola (2), cello, basso continuo (cello, double bass, organ) (2 Solo Sopranos/Solo Al
$51.95 - See more - Buy online
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1 to 2 weeks
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A Child of Our Time
Soli, Mixted choir and accompaniment
[Vocal Score]
Schott
Oratorio for Double Choir (SATB/SATB), SATB Soli and Orchestra. By Michael Tippe...
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Oratorio for Double Choir (SATB/SATB), SATB Soli and Orchestra. By Michael Tippett. (Vocal Score). Schott. Size 7.5x10.75 inches. 109 pages. Published by Schott.
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All those who seek God's sov'reign guidance
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
-
Intermediate
Carus Verlag
(Chorale cantata). Composed by Felix Bartholdy Mendelssohn (1809-1847). Edited b...
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(Chorale cantata). Composed by Felix Bartholdy Mendelssohn (1809-1847). Edited by Thomas Christian Schmidt. For soprano voice solo, SATB choir, 2 violins, viola, cello/contrabass. Stuttgart Urtext Edition. German title: Wer nur den lieben Gott lasst walten. Cantatas. Level 3. Choral score. Language: German/English. Composed 1829. A 7. Duration 12 minutes. Published by Carus Verlag
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Oberndorfer Stille-Nacht-Messe
Soli, Mixted choir and accompaniment
[choral score]
Doblinger
(For Soli, Choir, Organ, Orchestra or Choir and Organ). By Hans Klier. For choir...
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(For Soli, Choir, Organ, Orchestra or Choir and Organ). By Hans Klier. For choir and soli. Choral music. Sacred. Choral score. Op. 250. 15 pages. Published by Doblinger Music Publishers . choral score. sacred.
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Trouble in Tahiti
Soli, Mixted choir and accompaniment
[Vocal Score]
Boosey and Hawkes
Trouble in Tahiti. (Opera in Seven Scenes). By Leonard Bernstein (1918-1990). Fo...
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Trouble in Tahiti. (Opera in Seven Scenes). By Leonard Bernstein (1918-1990). For Choral, Chorus, Orchestra, Voice (Vocal Score). BH Stage Works. 116 pages. Boosey and Hawkes #M051964901. Published by Boosey and Hawkes
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Wolfgang Amadeus Mozart: Cosi Fan Tutte, K. 588
Soli, Mixted choir and accompaniment
[Vocal Score]
Barenreiter
(Dramma Giocoso In 2 Acts) Composed by Wolfgang Amadeus Mozart (1756-1791), edit...
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(Dramma Giocoso In 2 Acts) Composed by Wolfgang Amadeus Mozart (1756-1791), edited by Faye Ferguson, Wolfgang Rehm. K. 588. Vocal score (hardcover) for 3 soprano soloists, tenor soloist, 2 bass soloists, mixed chorus and piano accompaniment. Urtext of the New Mozart Edition. With choral notation, piano reduction and introductory text. Text language Italian/German. 456 pages. Published by Baerenreiter-Ausgaben (German import).
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Peter Grimes, Op. 33
Soli, Mixted choir and accompaniment
[Vocal Score]
Boosey and Hawkes
An Opera in Three Acts and a Prologue. By Benjamin Britten. (Vocal Score). Boos...
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An Opera in Three Acts and a Prologue. By Benjamin Britten. (Vocal Score). Boosey and Hawkes Stage Works. Book only. Size 9x12.25 inches. 380 pages. Published by Boosey and Hawkes.
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In Terra Pax, Op. 39
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Vocal Score]
Boosey and Hawkes
In terra pax, Op. 39. (Christmas Scene). By Gerald Finzi (1901-1956). For Choral...
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In terra pax, Op. 39. (Christmas Scene). By Gerald Finzi (1901-1956). For Choral, Chorus, Orchestra, Piano (Vocal Score). BH Large Choral. Book only. 23 pages. Boosey and Hawkes #M060030307. Published by Boosey and Hawkes
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Antonio Vivaldi: Magnificat RV 610: Mixed Choir: Vocal Score
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
[Sheet music]
Carus Verlag
Klavierauszug-Antonio Vivaldi's Magnificat in G minor for SATB and Piano.The off...
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Klavierauszug-Antonio Vivaldi's Magnificat in G minor for SATB and Piano.The office as a priest and the long years as musical director of the Ospedale della Piet (a large orphonage in Venice) both occasioned and inspired him to compose church music in large variety. The Magnificat RV 160 has come down to us in two versions. The first version is dominated by the choral concept in the second version the texts of Et exultavit Quia respexit Quia fecit Esurientes and Sicut locutus est are each given new and extended solo arias that as the manuscripts reveals were tailored to voices of girls from the Ospedale who are mentioned by name in the autograph.
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Antonio Vivaldi: Gloria RV 589 (Vocal Score): Mixed Choir: Vocal Score
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
[Sheet music]
Barenreiter
Today the Gloria RV 589 (BA 7674) is one of Vivaldi?s best-known compositions an...
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Today the Gloria RV 589 (BA 7674) is one of Vivaldi?s best-known compositions and one of the most frequently performed sacred vocal works from the Baroque period.Vivaldi wrote the ?Gloria? as a self-contained work in the style of a concertante mass. However it was probably also performed within church services. The scoring of the solo voices (SSA) suggests that the work was written during his period at the Ospedale della Piet around 1716. In the twelve movements of the ?Gloria? Vivaldi displays the whole range of his mastery from festive sublime outer movements to tender transparently scored solopassages.The same mastery has also been applied to the ? Kyrie? RV 587 (BA 8950) scored for two choirs and two groups of stringed instruments. The date of its composition remains unclear. It is a purely a choral work without solo passages.Both works can be performed independently but can also be combined as a kind of short mass. Although the authenticity of the autograph manuscript score is beyond doubt these new editions contain some re-evaluations in phrasing and performance practice which go beyond what other editions have to offer. The Piano reductions are straightforward clearly presented and preserve the character of the works.- Attractive choral pieces which can be combined to form a short mass.- Vocal score as well as choral score available for the ?Gloria?.- Informative foreword (Ger/Eng).
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Johann Sebastian Bach: Hohe Messe h-Moll BWV232: Voice: Vocal Score
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
[Sheet music]
Barenreiter
Mass in B minor (BWV 232) (Urtext) (L).2 3 0 2 - 1 3 0 0 timp org str ...
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Mass in B minor (BWV 232) (Urtext) (L).2 3 0 2 - 1 3 0 0 timp org str solo SSATB mx chorVocal Score Paperback
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Francesco Durante: Magnificat in B: SATB
Soli, Mixted choir and accompaniment
satb (soli), SATB (chorus), Keyboard
[Sheet music]
Carus Verlag
B-Dur-Francesco Durante's Magnificat in B flat major is one of his most importan...
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B-Dur-Francesco Durante's Magnificat in B flat major is one of his most important works and also one of the most siginifcant settings of the Magnficat text here in cantata form. This work displays a mastery of the polyhonic style and though the use of certain pre-classical 'modern' elements its various forms never sound archaic rather the work presents a synthesis leading to a unique style. For a performance during the Christmas season Christmas hymns can be inserted between each of the individual movements. Six arrangements of such hymns are also available as octavos (Carus 10.270/06): - Johann Crüger: Nun komm der Heiden Heiland - Cornelius Freundt: Wie schön singt unsder Engel Schar - Johann Sebastian Bach: Uns ist ein Kindlein heut geborn - Erhard Bodenschatz: Joseph lieder Joseph mein - Johann Crüger: Fröhlich soll mein Herze springen - Gregor Joseph Werner: Der Tag der ist so freudenreich The string parts for these movements are included in the parts Carus 10.270/11-14.
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Robert Schumann: Das Paradies Und Die Peri Op. 50: Mixed Choir: Vocal Score
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
[Sheet music]
Peters
Robert Schumann's Das Paradies Und Die Peri Op. 50 composed for mixed choir SAT...
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Robert Schumann's Das Paradies Und Die Peri Op. 50 composed for mixed choir SATB and Piano accompaniment.
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Georg Friedrich Händel: Judas Maccabeus: Mixed Choir: Vocal Score
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
[Sheet music]
Peters
George Frideric Handel's Judas Maccabeus composed for SATB choir and Piano acc...
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George Frideric Handel's Judas Maccabeus composed for SATB choir and Piano accompaniment.
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Antonín Dvo?ák: Requiem: Mixed Choir: Vocal Score
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
[Sheet music]
Peters
For two years Dvorák focused on his Requiem before it was premiered in 1891 un...
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For two years Dvorák focused on his Requiem before it was premiered in 1891 under his own direction in Birmingham. This work reflects Dvorák's deeply religious attitude. Despite all the drama and orchestral abundance the characteristics of this work lies between the close relationship between text content and musical expression. Arranged for SATB and Piano accompaniment.
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Edward Elgar: Coronation Ode Op. 44: Mixed Choir: Vocal Score
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Boosey and Hawkes
The vocal score to Elgar's Coronation Ode Op. 44 for Soprano Contralto Tenor a...
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The vocal score to Elgar's Coronation Ode Op. 44 for Soprano Contralto Tenor and Bass soloists chorus and presented here with piano accompaniment.
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Georg Friedrich Händel: O come let us sing HWV 253 - Chandos Anthem No.8: Voice:
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
[Sheet music]
Barenreiter
O come let us sing HWV 253 Chandos Anthem No.8Handel’s three anthems (My s...
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O come let us sing HWV 253 Chandos Anthem No.8Handel’s three anthems (My song shall be alway HWV 252 O come let us sing HWV 253 O praise the Lord HWV 254) were composed in 1717 and 1718 for Cannons a country estate near to London. They take their nickname the “Chandos Anthems” from the owner of the estate the First Duke of Chandos.The three pieces are noteworthy for their festive character and their varied orchestral accompaniment. Handel borrows older material from his Italian period and his earlier works for the Chapel Royal in London – a standard procedure for this composer who reusedparticularly successful pieces as starting points for his later works. The scoring for solo voices chorus oboe strings and continuo was tailored to the musical resources of the small country estate. Two additional recorders are needed for “O come let us sing unto the Lord”.The anthems present the Urtext from the “Halle Handel Edition” and include uncomplicated and easy-to-play Piano reductions. In addition to the original English words the full scores and vocal scores also include a singing translation in German.- Full score & parts (BA4293) and vocal score (BA4293-90) available for sale
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Antonio Vivaldi: Kyrie RV 587 - SSAA: SSAA: Score
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
Barenreiter
The ?Gloria? RV 589 is one of Vivaldi?s most popular compositions today and one ...
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The ?Gloria? RV 589 is one of Vivaldi?s most popular compositions today and one of the most regularly performed sacred vocal works from the Baroque era. The work was in all probability composed around 1716 during Vivaldi?s time at the Ospedale della Piet an orphanage for girls in Venice.Although Vivaldi?s ?Gloria? (BA 8953) was written for solo voices and mixed choir it is likely that it was performed at the girls? orphanage with female voices only. Taking this into account Malcolm Bruno?s careful arrangement for choir SSAA is of some relevance. The work when set for female voices or children?s choir remains a true masterpiece.The?Kyrie? RV 587 (BA 8954)for two choirs and two string ensembles as arranged here for female choir displays its own charm. It can be performed together with the Gloria as a type of short mass.Both arrangements are based on the recently published Urtext editions of these works. The piano reductions by editor Malcolm Bruno are easy to play and preserve the character of the works.- Effective arrangements for female choir- Forewords in English and German- Straightforward idiomatic piano reductions- Kyrie and Gloria can be combined for performanceThe orchestral parts for the original SATB version can be used for the performance of these arrangements.
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Georg Friedrich Händel: I Will Magnify Thee: Mixed Choir: Vocal Score
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
[Sheet music]
Barenreiter
Handel?s four anthems were all composed during his London period in the Chapel R...
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Handel?s four anthems were all composed during his London period in the Chapel Royal. ?As pants the hart? his fifth setting of this Psalm text was written in March 1738 for performance at a benefit concert for the King?s Theatre in the Haymarket. Until just before Handel?s first visit to England the only instrument permitted to accompany the service in the Chapel Royal was the Organ.These four works (O sing unto the Lord HWV 249a I will magnify thee HWV 250b As pants the hart HWV 251e Let God arise HWV 256b) with their orchestral accompaniments thus represent something akin to a new genre in English church music.The four anthems arepresented in clearly laid out Vocal scores with easy-to-play Piano reductions based on the Urtext from the ?Halle Handel Edition?. Their winningly varied and self-sufficient orchestral writing provides a suitable framework for the festive chorus and the equally festive solo numbers. Today they sound as splendid as ever before. The full scores and Vocal scores also contain a German translation along with the original English.Scoring:- HWV 249a: soloists (AB) chorus (SATB) Flute 2 Oboes 2 Trumpets Strings Continuo.- HWV 250b: soloists (SATB) chorus (SATB) Oboe Strings Continuo.- HWV 251e: soloists (SAATBB) chorus (SAATBB) 2 Oboes Strings Continuo.- HWV 256b: soloists (AB) chorus (SATB) Oboe Strings Continuo.- Urtext from the ?Halle Handel Edition? at the forefront of musical scholarship.- First separate editions for performance purposes.- Clear and easy-to-play Piano reductions.- Original English text with underlaid German translation.- Full scores vocal scores and performance material available for sale.
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Richard Wagner: Tristan Und Isolde: Voice: Vocal Score
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
[Sheet music]
Peters
Richard Wagner's Tristan and Isolde for Voice and Piano accompaniment. Tristan...
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Richard Wagner's Tristan and Isolde for Voice and Piano accompaniment. Tristan and Isolde is an opera or music drama in three acts by Richard Wagner to a German libretto by the composer based largely on the 12th-century romance Tristan by Gottfried von Strassburg.
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Wolfgang Amadeus Mozart: Missa in C major KV 317 Coronation Mass : Mixed Choir:
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
Barenreiter
Arranged for female choir (SMA)-The choral scene is in a state of change! On the...
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Arranged for female choir (SMA)-The choral scene is in a state of change! On the one hand more and more choirs are lacking in male voices yet at the same time more and more female choirs are looking for high-quality literature beyond folksong arrangements. Bärenreiter is responding to these general trends with the publication of arrangements for three-part female choir (SMA) of well-known frequently-performed works.The first editions to be published are Wolfgang Amadeus Mozart?s ?Coronation Mass? K. 317 (BA 5691) a much-performed work within the standard repertoire and the ?Missa brevis in D major? K. 194 (BA 5690-90) a charming alternative for use in church services. With great skill andsensitivity to the music Heribert Breuer has carefully retained the substance of the original works at the same time giving them a completely new sound quality.- Arrangements for female choir (SMA) based on the Urtext of the ?New Mozart Edition?- Idiomatic piano reductionsThe arrangerHeribert Breuer was professor of choral conducting and music theory at the Berlin University of the Arts until 2010. He is founder and director of the Berlin Bach Akademie and has made a name for himself with his numerous arrangements of works from Bach to Schubert.
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Georg Friedrich Händel: Let God Arise HWV 256b Chapel Royal Anthem: Mixed Choir:
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
[Sheet music]
Barenreiter
Anthems for the Chapel RoyalO sing unto the Lord a new song HWV 249a for Soloist...
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Anthems for the Chapel RoyalO sing unto the Lord a new song HWV 249a for Soloists (AB) Chorus (SATB) Flute 2 Oboes 2 Trumpets Strings Continuo BA 4263I will magnify thee HWV 250b for Soloists (SATB) Chorus (SATB) Oboe Strings Continuo BA 4264As pants the hart HWV 251e for Soloists (SAATBB) Chorus (SAATB) 2 Oboes Strings Continuo BA 4265Let God Arise HWV 256b for Soloists (AB) Chorus (SATB) Oboe Strings Continuo BA 4266Handel?s four anthems were all composed during his London period in the Chapel Royal. ?As pants the hart? his fifth setting of this Psalm text waswritten in March 1738 for performance at a benefit concert for the King?s Theatre in the Haymarket.Until just before Handel?s first visit to England the only instrument permitted to accompany the service in the Chapel Royal was the organ. These four works with their orchestral accompaniments thus represent something akin to a new genre in English church music.The four anthems are presented in clearly laid out vocal scores with straightforward piano reductions based on the Urtext from the Halle Handel Edition. Their enticingly varied and self-sufficient orchestral writing provides a suitable framework for the festive chorus and equally festive solo numbers. Today they sound as splendid as ever!The full scores and vocal scores also contain a German translation along with the original English text.
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Georg Friedrich Händel: Let God Arise HWV 256b Chapel Royal Anthem: Mixed Choir:
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
Anthems for the Chapel RoyalO sing unto the Lord a new song HWV 249a for Soloist...
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Anthems for the Chapel RoyalO sing unto the Lord a new song HWV 249a for Soloists (AB) Chorus (SATB) Flute 2 Oboes 2 Trumpets Strings Continuo BA 4263I will magnify thee HWV 250b for Soloists (SATB) Chorus (SATB) Oboe Strings Continuo BA 4264As pants the hart HWV 251e for Soloists (SAATBB) Chorus (SAATB) 2 Oboes Strings Continuo BA 4265Let God Arise HWV 256b for Soloists (AB) Chorus (SATB) Oboe Strings Continuo BA 4266Handel?s four anthems were all composed during his London period in the Chapel Royal. ?As pants the hart? his fifth setting of this Psalm text waswritten in March 1738 for performance at a benefit concert for the King?s Theatre in the Haymarket.Until just before Handel?s first visit to England the only instrument permitted to accompany the service in the Chapel Royal was the organ. These four works with their orchestral accompaniments thus represent something akin to a new genre in English church music.The four anthems are presented in clearly laid out vocal scores with straightforward piano reductions based on the Urtext from the Halle Handel Edition. Their enticingly varied and self-sufficient orchestral writing provides a suitable framework for the festive chorus and equally festive solo numbers. Today they sound as splendid as ever!The full scores and vocal scores also contain a German translation along with the original English text.
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Georg Friedrich Händel: Let God Arise HWV 256b Chapel Royal Anthem: Mixed Choir:
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
Anthems for the Chapel RoyalO sing unto the Lord a new song HWV 249a for Soloist...
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Anthems for the Chapel RoyalO sing unto the Lord a new song HWV 249a for Soloists (AB) Chorus (SATB) Flute 2 Oboes 2 Trumpets Strings Continuo BA 4263I will magnify thee HWV 250b for Soloists (SATB) Chorus (SATB) Oboe Strings Continuo BA 4264As pants the hart HWV 251e for Soloists (SAATBB) Chorus (SAATB) 2 Oboes Strings Continuo BA 4265Let God Arise HWV 256b for Soloists (AB) Chorus (SATB) Oboe Strings Continuo BA 4266Handel?s four anthems were all composed during his London period in the Chapel Royal. ?As pants the hart? his fifth setting of this Psalm text waswritten in March 1738 for performance at a benefit concert for the King?s Theatre in the Haymarket.Until just before Handel?s first visit to England the only instrument permitted to accompany the service in the Chapel Royal was the organ. These four works with their orchestral accompaniments thus represent something akin to a new genre in English church music.The four anthems are presented in clearly laid out vocal scores with straightforward piano reductions based on the Urtext from the Halle Handel Edition. Their enticingly varied and self-sufficient orchestral writing provides a suitable framework for the festive chorus and equally festive solo numbers. Today they sound as splendid as ever!The full scores and vocal scores also contain a German translation along with the original English text.
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Georg Friedrich Händel: Let God Arise HWV 256b Chapel Royal Anthem: Mixed Choir:
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
Anthems for the Chapel RoyalO sing unto the Lord a new song HWV 249a for Soloist...
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Anthems for the Chapel RoyalO sing unto the Lord a new song HWV 249a for Soloists (AB) Chorus (SATB) Flute 2 Oboes 2 Trumpets Strings Continuo BA 4263I will magnify thee HWV 250b for Soloists (SATB) Chorus (SATB) Oboe Strings Continuo BA 4264As pants the hart HWV 251e for Soloists (SAATBB) Chorus (SAATB) 2 Oboes Strings Continuo BA 4265Let God Arise HWV 256b for Soloists (AB) Chorus (SATB) Oboe Strings Continuo BA 4266Handel?s four anthems were all composed during his London period in the Chapel Royal. ?As pants the hart? his fifth setting of this Psalm text waswritten in March 1738 for performance at a benefit concert for the King?s Theatre in the Haymarket.Until just before Handel?s first visit to England the only instrument permitted to accompany the service in the Chapel Royal was the organ. These four works with their orchestral accompaniments thus represent something akin to a new genre in English church music.The four anthems are presented in clearly laid out vocal scores with straightforward piano reductions based on the Urtext from the Halle Handel Edition. Their enticingly varied and self-sufficient orchestral writing provides a suitable framework for the festive chorus and equally festive solo numbers. Today they sound as splendid as ever!The full scores and vocal scores also contain a German translation along with the original English text.
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Christopher Norton: Micromusicals - A Christmas Carol: Mixed Choir: Score
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
Boosey and Hawkes
Raising the curtain on Christopher Norton’s Micromusicals – exciting...
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Raising the curtain on Christopher Norton’s Micromusicals – exciting and accessible musicals for schools based on popular classroom teaching topics from the creator of the internationally-acclaimed Microjazz series. Designed for children aged 6-12 each production lasts around 30 minutes and can be learned rehearsed and performed in as little as 2 days.Stage a real class act with this comprehensive and flexible resource:* Succinct casting and direction suggestions * Optional props list with a wealth of additional downloadable resources * Straightforward and catchy songs with complete demonstration and backing tracks on an accompanying CD * Voice and piano scoreswith guitar chords * A wide range of flexible easy band and orchestral parts available to download which can be played in conjunction with the backing tracks or as part of an independent live orchestral or band * Photocopiable lyric sheets (also available as downloads for printing or projection) * Wide-ranging cross-curricular teaching and classroom activity suggestions * A customisable poster to publicise performances A Christmas Carol is an English literary classic written by Charles Dickens and was first published in December 1843. The popular novella is studied at Key Stage 2 and 3 as part of the National Curriculum in England as well as at schools and colleges elsewhere in the UK and around the world. In this new Micromusical adaption the abridged story is told through drama and song.TestimonialsThe micro-musicals have enriched our curriculum and have enabled the topics taught in class to come alive. Through the micro-musicals the children have gained a deeper and broader understanding of the curriculum and have developed a bank of rich language which has supported their writing outcomes. The micro-musicals have provided an excellent opportunity to teach music through all areas of the curriculum and we have been able to use music as a platform to learn history science geography and literature. They have been a good value for money and a valuable resource.-Bronwen Chalmers Head Teacher Davies Lane Primary School
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Richard Wagner: Siegfried: Voice: Vocal Score
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
[Sheet music]
Peters
Vocal score for Richard Wagner's opera Siegfried for Voice and Piano accompanim...
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Vocal score for Richard Wagner's opera Siegfried for Voice and Piano accompaniment.
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Johann Sebastian Bach: Cantata BWV 61 Nun Komm: Voice: Vocal Score
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
[Sheet music]
Barenreiter
Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 61Cantat...
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Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 61Cantata for the First Sunday of AdventBach began two of his cantatas with Martin Luther`s Advent hymn 'Nun komm der Heiden Heiland' a German version of the early church hymn 'Veni redemptor gentium'. One of the most gripping solo parts (following the pattern recitative – aria – recitative – aria) is the bass recitative on the words of the Revelation with its highly expressive declamation of the vocal line and the naive graphicness of the pounding string accompaniment.Equally captivating is the following soprano aria which 'opens its heart' upon the Saviour's 'knocking' in a melody full of thecheerful tidings of Advent. The cantata ends brilliantly with a lovely figurative chorale movement enhanced by the interplay of a lively bustling violin part which ultimately soars upward to breathtaking heights.- Urtext of the New Bach Edition
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Ludwig van Beethoven: Fidelio: Opera: Vocal Score
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
[Sheet music]
Peters
Vocal score for Beethoven's Fidelio for Voice and Piano accompaniment.
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Wolfgang Amadeus Mozart: Missa brevis in D major: Mixed Choir: Vocal Score
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
Barenreiter
The choral scene is in a state of change! On the one hand more and more choirs ...
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The choral scene is in a state of change! On the one hand more and more choirs are lacking in male voices yet at the same time more and more female choirs are looking for high-quality literature beyond folksong arrangements. Bärenreiter is responding to these general trends with the publication of arrangements for three-part female choir (SMA) of well-known frequently-performed works.The first editions to be published are Wolfgang Amadeus Mozart’s “Coronation Mass” K.317 (BA 5691) a much-performed work within the standard repertoire and the “Missa brevis in D major” K. 194 (BA 5690-90) a charmingalternative for use in church services. With great skill and sensitivity to the music Heribert Breuer has carefully retained the substance of the original works at the same time giving them a completely new sound quality.- Arrangements for female choir (SMA) based on the Urtext of the “New Mozart Edition”- Idiomatic Piano reductionsThe arranger Heribert Breuer was professor of choral conducting and music theory at the Berlin University of the Arts until 2010. He is founder and director of the Berlin Bach Akademie and has made a name for himself with his numerous arrangements of works from Bach to Schubert.
9.00 GBP - Sold by Musicroom UK
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Giovanni Battista Pergolesi: Stabat Mater: Upper Voices: Vocal Score
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
Barenreiter
Pergolesi’s famous Stabat mater a work for two soloists strings and cont...
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Pergolesi’s famous Stabat mater a work for two soloists strings and continuo quickly became a success throughout Europe. However there are numerous indications that it was also performed by choirs from very early on. Particular movements were very probably sung by a two-part choir whilst the arias were kept for the soloists. In this edition the outer movements and no. 8 are now scored for three-part choir (Sop MezSop Alto) in contrast to the solo aria movements. Three further movements are set as trios for three solo voices. The added parts are derived from the existing musical material. These lend this well-known work a completely new charmand provide a welcome addition to the repertoire for choral concerts. For performance material use original edition BA7679. Arrangement for female choir (Sop MezSop Alto) based on the Bärenreiter Urtext edition of the original work Clear straightforward piano reduction The arranger Malcolm Bruno is the editor of the Urtext edition of the Stabat Mater (BA 7679) and a renowned expert in 18th century Italian music.
11.50 GBP - Sold by Musicroom UK
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