Sicilienne for Violoncello and Piano op. 78-This composition for violoncello and piano in the style of a Sicilian dance is from Gabriel Fauré?s middle creative period and was first published simultaneously in France and England in 1898 reflecting Fauré?s increasinginternational popularity. The character piece with its memorable expressive melody became increasingly popular after Fauré had included it in the Suite from his incidental music of Pelléas et Mélisande (in a version fororchestra) that was also premiered in 1898.

La référence R17179 G de l'éditeur Billaudot dont l'auteur célèbre est Gabriel-Marie Jean, qui a pour titre LA CINQUANTAINE, a été écrite et composée pour Violoncelle et plus particulièrement pour Violoncelle Et Piano. Cette partition musicale appartient à la catégorie Classique. / Violoncelle Et Piano / Partition

Les petites formes musicales devaient devenir la marque du compositeur français Gabriel Fauré (1845-1924). En 1874, après des années passées 'en province?, le professeur de Camille Saint-Saëns prit un poste d'organiste à Paris - il ajouta plus tard à ses / Violoncelle Et Piano / 12 pages / niveau : Facile à Intermédiaire / Partition

Nouvelles formes, modulations bien choisises, timbres étranges, l'utilisation de rythmes totalement inattendues ', c'est comment Camille Saint-Saëns loué le premier travail d'un jeune collègue, la première sonate de violon de Gabriel Fauré (1845-1924), dans le Journal de Musique de Paris / Violoncelle Et Piano

Tonalité : C-Dur - Op.: 92 -. Par RHEINBERGER JOSEF GABRIEL. Langue : o Spr/ Répertoire / Violoncelle et Piano

Arrangement for Violoncello and Piano by Carl Hüllweck The gourmet's delight In 1876, ten years before César Franck's violin sonata in the same key, Gabriel Fauré made a major contribution to the first flowering of French chamber music with his A-major Sonata op. 13. He even found a publisher for it right away, namely Breitkopf & Härtel in Leipzig. Both the work and the composer were warmly acclaimed immediately after the publication: This sonata contains everything that appeals to the gourmet: new forms, wonderful modulations, unusual tone colors, unexpected rhythms. With this work of such modest appearance, Mr. Fauré has leapt to the top ranks of the masters in one bound. Thus wrote Camille Saint-Saëns with pride about his pupil's work. The publisher seems to have picked out a true gem from Fauré's œuvre, for the sonata soon became very popular, and in 1889, Breitkopf & Härtel heightened this popularity by releasing an arrangement for violoncello by Carl Hüllweck. It is likely that Fauré not only approved the arrangement, but also proofread it. Long out of print, this edition will once again allow cellists to enjoy Fauré's violin sonata in a competent period arrangement.

For Violoncello And Piano-This brief utterly charming and tuneful piece was probably committed to paper in 1894 though Fauré based it on an older version for cello and organ. The subsequent tempo change to ?Andante quasi Allegretto? made the work?soriginal title of ?Andante? obsolete. The change of name to ?Romance? was also better suited to its songlike nature. After its first performance in November 1894 the piece rapidly became popular and is a well-loved encore piece atconcerts today. This ?Romance? continues the Henle Urtext series of short pieces for cello by Fauré for which we have been able to engage David Geringas to add the performance markings.

?l?gie for Violoncello and Piano op. 24-Following the enthusiastic reception of his first Violin Sonata (HN980) it was clear to Faur? that he would continue to write chamber music. In 1880 he wrote a little piece for cello and piano that was intended as theslow movement for a sonata. However Faur? gave up the sonata project instead publishing the piece under the title ??l?gie. It was so successful that Faur? was urged by the publisher to write further pieces. Theconductor ??douard Colonne commissioned a version of the ??l?gie for orchestra in 1895 which was premi?red two years later. As usual our Urtext edition contains both a marked and an unmarked solo part.

Une collection de 13 pièces de 12 compositeurs, avec des enregistrements de spectacles plein, et accompagnements de piano uniquement à être utilisés comme pistes d'accompagnement. / Violoncelle

Made in England is a collection of pieces chosen from the recordings Julian Lloyd Webber has made over the last 20 years. This complilation mixes old favourites such as Saint-Saens 'The Swan' with more recent compositions such as Elton John's 'Your Song'. / Violoncelle Et Piano