SKU: M7.DOHR-12639
ISBN 9790202026397.
Bei La Tyrolienne handelt es sich um die Tyrolienne des 19. Jahrhunderts aus Gioachino Rossinis vieraktiger, letzter Oper Guillaume Tell (Wilhelm Tell, 1829). Im Tyrolienne-Chor (Toi que l'oiseau ne suivrait pas, im dritten Akt, Szene 2, Nr. 15), der im Übrigen ohne Orchesterbegleitung auskommt, geben die Männerstimmen den Rhythmus vor, begleiten also die melodieführenden Frauenstimmen. Marie komponiert neben dem Thema drei Variationen, die er jeweils durch ein Tutti voneinander trennt.
SKU: BT.ALHE33308
French.
Miss Didi''s studies, Op.85 is the first volume of a series of two by Théodore Lack. Containing 20 studies for beginner or upper-beginner pianists, the rhythms used are easy and the tempo quiteslow. Keys are maximum of 1 flat or 1 sharp. These 20 first studies of one page each are named: 1. Prélude, 2. Chanson du voyageur, 3. Berceuse, 4. N/A, 5. Valse, 6. N/A, 7. Alsacienne, 8. LeRouet, 9. Tyrolienne, 10. Musette, 11. N/A, 12. Lied, 13. N/A, 14. Improvisation, 15. N/A, 16. Tarentelle, 17. Rondino, 18. N/A, 19. Romance and 20. Guigue. This first volume is followed by a secondoneand can be studied alongside the two volumes of exercises called Miss Didi''s Exercises, Op.85 for a more complete method. Théodore Lack (1846-1921) was a Frenchpianist and composer who also composed a ''Piano Method for Four-hand Piano, Op. 269''.
SKU: M7.DOHR-12637
ISBN 9790202026373.
SKU: HF.FH-2769
ISBN 9790203427698. 9 x 12 inches.
1.Melodie chinoise; 2. Air allemend; 3. Danse espagnole; 4. Air russe; 5. Tyrolienne.
SKU: RM.BRUN01573-BA
ISBN 9790231015737.
SKU: HL.48180024
For piano solo.
SKU: HL.50400230
UPC: 73999195088. 9.5x12.5x0.006 inches.
SKU: HL.48183554
UPC: 888680870263. 9x12 inches.
“Famous pieces for Eb Alto Saxophone and Piano ' Vol. 2 is the second volume of an anthology of famous pieces, transcribed and adapted by Marcel Mule. Part of the collection 'Classics for Saxophone', this volume features nine classical pieces: - Chanson de printemps, by Mendelssohn - Orphée ' Champs-Élysées scene, by Gluck - La reine de Golconde - Gavotte, by Monsigny - Grave, by Tartini - Ballet des petits riens, by Mozart - Petite valse, by Beethoven - Petite valse et tyrolienne, by Weber - Sérénade, by Schubert - Scènes d'enfants - Rêverie, by Schumann Marcel Mule (1901-2001) is one of the greatest French saxophonists, renowned worldwide for his work on the classical Saxophone repertoire. He was teaching his students how to obtain a good quality of sound and believed it was dependent on the embouchure, the emission, the mastery of vibrato and thus, of breathing. He wrote different methods that focus on technique, articulation and tone productions such as 'Eighteen exercises or etudes', 'Daily exercises after Terschack' or '30 Great exercises and studies after Soussmann' (in two books), among others.&rdquo.
SKU: HF.FH-1053
ISBN 9790203410539. 9 x 12 inches.
14 Studien; 15. Kavatine aus Beatrice di tenda (V. Bellini); 16. Fantasie uber Actaon (Auber); 17. Brillante Fantasie; 18. Variationen uber Norma (Bellini); 19. Variationen uber die Tyrolienne; 20. Variationen uber Le petit Suisse; 20. Kaprice und Variationen ; 21. Fantasie und Variationen uber ein deutsches Thema; 22. Thema und Variationen uber Siehst du den glanzenden Schein; 23. Kavatine und Variationen; 24. Variationen uber ein beliebtes Thema (Weber); 25. Variationen uber den Karneval von Venedig; 26. Konzertstuck uber die Oper Il crociato in egitto (Meyerbeer); 27. Erstes Solo; 28. Wiedersehensfreude; 29. Bolero; 30. Polka; 31. Erinnerung an Kroll; 32. Cornet-Polka.
SKU: VD.ED12639
ISBN 9790202026397. 12 x 9 inches.
SKU: BT.SLB-00514900
SKU: HL.48188746
Miss Didi''s studies, Op.85 is the first volume of a series of two by Theodore Lack. Containing 20 studies for beginner or upper-beginner pianists, the rhythms used are easy and the tempo quite slow. Keys are maximum of 1 flat or 1 sharp. These 20 first studies of one page each are named: 1. Prelude, 2. Chanson du voyageur, 3. Berceuse, 4. N/A, 5. Valse, 6. N/A, 7. Alsacienne, 8. Le Rouet, 9. Tyrolienne, 10. Musette, 11. N/A, 12. Lied, 13. N/A, 14. Improvisation, 15. N/A, 16. Tarentelle, 17. Rondino, 18. N/A, 19. Romance and 20. Guigue. This first volume is followed by a second one and can be studied alongside the two volumes of exercises called Miss Didi''s Exercises, Op.85 for a more complete method. Theodore Lack (1846-1921) was a French pianist and composer who also composed a ''Piano Method for Four-hand Piano, Op. 269''..
SKU: LM.P02889
SKU: HL.50579481
SKU: LM.23411
ISBN 9790230934114.
SKU: BT.DHP-1094734-010
9x12 inches. English-German-French-Dutch.
The Stadtmusikkapelle Wilten-Innsbruck (Austria) invited Belgian composer Jan Van der Roost to write a work to mark the bicentenary of the Tyrolean fight for freedom, which was settled in 1809. Various musical elements reflect this historical event. First, a hymn-like section rings out, based on melodic fragments from the ‘Tiroler Landeshymne’ (by Leopold Knebelsberger), which intertwine in a counterpoint-like arrangement. The second passage is more bellicose in character, and mirrors the fight of the Tyroleans - under the inspiring leadership of freedom fighter Andreas Hofer (1767-1810) - against Bavarian, French and Italian troops. Next, a broad, chorale-style melodyappears again: here, the imposing beauty of nature in Tyrol, and the amiable, lively temperament of the people who live in this mountainous region, are glorified.This is neither a programmatic work around an historical reconstruction, nor a politically inspired work: it is a combination of factual and cultural components, with an artistic and sonorous character. The use of the flugelhorn in particular gives Tirol Terra Fortis its ‘couleur locale’: for this beautiful instrument can invariably be found in the Austrian wind band. The commissioning music society had therefore specifically asked the composer to incorporate the instrument in this work. It certainly enhances the already extensive colour palette of the modern concert band! Een hymne bestaand uit fragmenten van het Tiroolse volkslied. Strijdlustige klanken in het tweede deel. Tot slot een melodie in koraalstijl die de bewoners van Tirol en de indrukwekkende schoonheid van de natuur beschrijft. Hebt ual een idee? Tirol Terra Fortis is een programmatisch werk rondom de geschiedenis van Andreas Hofer en de vrijheidsstrijd van Tirol 200 jaar geleden. De bugel geeft dit kunstzinnige en klankvolle werk zijn bijzondere ‘couleurlocale’.Eine Hymne aus Fragmenten der Tiroler Landeshymne, kämpferische Klänge im zweiten Teil und schließlich eine Melodie im Choralstil, welche die eindrucksvolle Schönheit der Natur und die Menschen in Tirol beschreibt. Sie haben es erraten? Tirol Terra Fortis ist ein programmatisches Werk rund um die Geschichte Andreas Hofers und den Freiheitskampf Tirols vor 200 Jahren. Der Einsatz des Flügelhorns verleiht diesem künstlerischen und klangvollen Werk ein besonderes Lokalkolorit.Le compositeur belge Jan Van der Roost a composé cette œuvre la demande de l’Orchestre d’Harmonie Municipal de Wilten-Innsbruck en Autriche pour les cérémonies commémoratives du bicentenaire de l’insurrection tyrolienne de 1809. Plusieurs éléments musicaux reflètent cet événement historique travers un climat joliment évolutif. L’orchestre énonce un thème hymnique basé sur des fragments mélodiques de l’hymne officiel du Land du Tyrol (ou Hymne d’Andreas Hofer composé par Leopold Knebelsberger) qui se mélangent et se confondent dans un arrangement en forme de contrepoint. Le dessin belliqueux du second mouvement rappelle la lutte des Tyroliens contre les troupesbavaroises, françaises et italiennes, l’instigation du combattant de la liberté Andreas Hofer (1767-1810). Enfin, on retrouve une mélodie de style choral qui évoque avec ferveur l’imposante beauté des paysages du Tyrol, et transmet la chaleur et le caractère jovial des habitants de cette région montagneuse. Tirol Terra Fortis n’est ni une reconstruction historique en musique (autrement dit, une œuvre programme), ni une œuvre politique. Son contenu repose sur une combinaison d’éléments factuels et culturels qui s’expriment travers une trame artistique très expressive. Le bugle a su conserver la fidélité des Orchestres d’Harmonie autrichiens. Intégré dans la texture orchestrale de cette œuvre de commande la demande expresse de la formation dédicataire, le bugle donne une couleur locale la composition et enrichit la large gamme des couleurs sonores de l’Orchestre d’Harmonie. La Stadtmusikkapelle Wilten-Innsbruck (Austria) ha invitato il compositore belga Jan Van der Roost a scrivere un'opera per celebrare il bicentenario dell’Insorgenza tirolese, che ebbe luogo nel 1809. L'uso del flicorno, in particolare, conferisce al Tirol Terra Fortis il suo colore locale: questo bellissimo strumento si può sempre trovare nelle bande austriache.
