A violin method for children age four and older-Early Start On The Violin: A Violin method for children aged four and older.Note reading is introduced from the beginning and accidentals are explained in the easiest way in the first volume. By the end of the first book many English children’s songs using all fingers have been played and note values from whole to eighth notes have been introduced. Even the easiest exercises are underlaid with text so that melodies can be perceived as a whole.The authors:The original German Violin method was first published in 1976. The author Egon Sassmannshaus is one of the most experienced and renowned Violin pedagogues in Germany.Forthe new English edition his son Kurt Sassmannshaus worked as co-author and adapted his father’s successful method for English-speaking children.The combined knowledge and experience of father and son make the four volumes of the Sassmannshaus Tradition the most thoroughly researched and thought-through beginner Violin method in the world.

Ravel, Maurice
Sonata / Berceuse sur le nom de Fauré for Violin and Piano
- New scholarly-critical edition of Ravel?s famous sonata
- First scholarly-critical edition of the ?Berceuse sur le nom de Fauré?
- Foreword on the historical context and performance practice issues (Eng/Ger) as well as a Critical Commentary (Eng)
Ravel worked on his Sonata for Violin and Piano for four years (1923?1927) which was longer than he took for any other composition. According to the composer, the reason for his difficulties was the ?fundamental incompatibility? of these two instruments. However, the interplay between two quite different partners is precisely what makes this sonata so charming. The violin and piano are independent, sometimes playing alongside each other and at other times with each other: here in a lyrical Allegretto, there in a jazz-inspired second movement, finally in a ?perpetuum mobile? finale.
This new edition edited by Douglas Woodfull-Harris corrects numerous inconsistencies of earlier editions. It also includes the ?Berceuse sur le nom de Fauré? which is available for the first time in a scholarly-critical Urtext edition. This lullaby for violin and piano consists of variations on a theme derived from the letters of Fauré?s name. / Partitions classique / Cordes / Violon / BARENREITER

Without any doubt J.S. Bach?s cycle of the three Sonatas and Partitas BWV 1001-1006 represents one of the pinnacles of classical European music. According to C.P.E. Bach a contemporary voice stated that there was ?nothing more accomplished in order to become a good violinist? than his father?s works. The cycle reflects the entire harmonic and polyphonic musical universe of Bach?s time, so masterfully composed that it can be rendered within the limited framework of but a single instrument the violin.
The new publication of the Sonatas and Partitas BWV 1001-1006 (BA 5256) constitutes a complete revision of our older edition (BA 5116). The musical text has been edited by Peter Wollny and represents the most up-to-date state of research as published in the New Bach Edition Revised (NBArev), volume BA 5937-01. The edition is mainly based on Bach?s unusually clear autograph which is considered among the most beautiful manuscripts by the composer. All relevant secondary sources have been taken into consideration in order to clarify ambiguities. These include five contemporary copies, including one by Anna Magdalena Bach, and four manuscripts from the late 18th and early 19th centuries.
The musical text has been newly engraved with a clear and generous layout, whereby page turns and pagination have been retained from the previous edition. This allows the straightforward navigation between a copy of the previous and this new edition. The detailed Preface (Ger/Eng) provides information on the genesis of the Sonatas and Partitas, their context and the sources.
Sonata 1 g-Moll, BWV 1001
Partita 1 h-Moll, BWV 1002
Sonata 2 a-Moll, BWV 1003
Partita 2 d-Moll, BWV 1004
Sonata 3 C-Dur, BWV 1005
Partita 3 E-dur, BWV 1006 / Partitions classique / Cordes / Violon / BARENREITER

Authoritative Barenreiter Urtext edition of J.S. Bach's Six Sonatas BWV 1014-1019 for Violin and obbligato Harpsichord. Edited by Peter Wollny and Andrew Manze.

for piano and violin-Pioneering new Urtext edition.Informative text on the genesis and reception history of the sonata and its versions (Ger/Fr/Eng).Two small individual movements for Violin and Piano published for the first time.Detailed Critical Commentary (Eng).Cesar Franck’s Sonata For Piano And Violin is one of the most treasured works in the Violin repertoire a masterpiece of cyclic form with a gracefulness and expressive force almost paradigmatic for the age of musical Romanticism. This work was composed in 1886 and was dedicated to the Belgian violinist and composer Eugène Ysaÿe.Franck’s correspondenceproves that he was directly involved in the printing of the sonata. Consequently Barenreiter's scholarly performing edition draws mainly on the first edition of the separate Violin part. For the Piano part the first edition of the version for Violoncello and Piano which appeared during Franck

Barenreiter Urtext edition of Smetana's patriotic Aus Der Heimat (From The Homeland) a collection of two duets for Violin and Piano.

Barenreiter Urtext Edition of Bach's Six Sonatas for Violin and obbliagato Harpsichord Vol.II BWV 1017 - 1019. Contains full score and parts for Violin Harpsichord or Piano and Viola da gamba or Cello.

for Violin and Orchestra-Beethoven?s 'Romances' are performed all over the world yet how many conductors performers and listeners are aware that op. 50 which was incidentally composed before op. 40 comes down to us in an unfinished form? The autograph score contains little to no articulation or dynamics and to the present day the work has existed only in highly over-edited publications. The performer has no way of knowing what was originally intended by the composer.Bärenreiter?s new Urtext edition of opp. 50 and 40 offers the score to op. 50 twice; the first score reflects the state of Beethoven?s autograph with editorial markings clearly indicated the second score has beenedited based on other works by Beethoven from that period. This manner of publishing remains true to the sources and at the same time offers musicians a reliable transparent score for performances.Barenreiter No. BA9026

for Violin and Obbligato Harpsichord-Authoritative and accurate Barenreiter Urtext Edition of Six Sonatas for Violin and Harpsichord by J.S. Bach.

Trio-The musical term 'Dumka' originates from the Ukrainian language and means 'an epic ballad ? generally thoughtful or melancholic in character'.Dvorák?s magnum opus in the Piano trio genre takes its name from its ?Dumka? movements which he composed whilst in Prague in 1890-91. After long hesitation he finally prepared a Piano reduction while he was in the United States in the summer of 1893. The previous year Dvorák had played the work on a forty-concert farewell tour of Bohemia with Ferdinand Lachner and Hans Wihan.The editor of this Barenreiter edition Christoph Flamm took the Simrock print as his starting point. However he alsocarefully distinguished between the various reissues and consulted Dvorák?s sketches as well as his Piano reduction. A Critical Commentary provides detailed information on the work?s sources tempo markings and formal divisions of the movements.Urtext edition reflecting the latest musicological researchDetailed preface (Ger/Cz/Eng) and Critical Commentary (Eng) by the editorContains previously unknown music (draft version of Dumka no. 3)Replaces earlier edition H1551

for String Sextett-For String Sextet (2 Violins 2 Violas 2 Cellos Bass) set of parts.Mozart?s Sinfonia Concertante for Violin and Viola K. 364 (320d) is his only complete surviving work in this genre. He wrote it in 1779 after returning from Paris and Mannheim.For two decades it was known only in a few copyists? manuscripts. The first edition did not appear until 1802. The work achieved great popularity that same year particularly the arrangements for Piano four-hands and Piano trio.This arrangement for String Sextet dating from 1808 is interesting not only for its unusual scoring but also for the way the two concertante instrumentsinteract with the other strings.This edition revives this arrangement after almost two centuries drawing primarily on the sole surviving source: the first edition in parts published by the Vienna Stamperia Chimica in 1808.The editor Christopher Hogwood recounts the history of the work and the particulars of the arrangement in a trilingual preface (Eng ./ Ger./ Cz .) and a critical report. Barenreiter's new edition takes into account both the original print and the text from the ?New Mozart Edition?.New edition of a historical transcription for String Sextet (1808)Available in print again after almost two centuriesAlso suitable for Chamber OrchestraDetailed preface and critical report (Eng./Ger./ Cz .)Includes facsimiles

für Violine und Klavier-Jaroslav Kocian (1883-1950).The present edition is the first complete printed edition of Three Compositions For Violin And Piano Op.19 of which only the Spring Song and Lullaby have appeared in print before (New York 1911). The majority of compositions by Jaroslav Kocian (1883-1950) - an internationally known Violin virtuoso and a distinguished teacher who trained a whole generation of Czech Violin players - were written for Violin. Due to their brilliant character the pieces can serve as suitable encores to round out the concert recitals.This edition was published jointly betweenEditio Barenreiter Praha and the Jaroslav Kocian International Violin Competition in Usti nad Orlici.Contents:MelodySpring SongLullaby

with Rhymes for the Youngest Violinst. Par MICKOVA MAGDALENA. This little violin method was written by the well-known Czech violin teacher Magdaléna Micková for children of around five years old and incorporates her longstanding teaching experience with this age group. The child first learns to hold the violin correctly, to place the fingers on the fingerboard, to pluck the strings and use the bow. The pieces that follow consist of simple melodies that are printed with large child-friendly notes and allow fingering in the major key to be practised in first position. Rhymes are underlaid making it easier for the children to grasp the rhythms quickly. The pieces are arranged progressively until legato playing is achieved in the last piece. A valuable help are online teaching videos that Magdeléna Micková recorded with one of her students. / Date parution : 2024-01-06/ Méthode / Violon