Maurice Ravels einzige Komposition für Streichquartett sie datiert aus dem Jahr 1903 gilt heute als eines der wichtigsten meistaufgeführten und -eingespielten Kammermusikwerke überhaupt.Die Herausgeberin Juliette Appold spürt die Anfänge des Werks a

Violin Sonata in G major-Inspired by Béla Bartók’s Violin sonatas Ravel planned his own sonata for Violin and Piano in 1922 but at first did not get beyond sketches. Many interruptions ensued and the work was onlyfinished in 1927. He dedicated it to his violinist friend Hélène Jourdan-Morhange. Regarding the sonata’s sparse thinned out compositional structure and instrumentation Ravel later emphasized thatthe sonata proved the tonal incompatibility of the Violin and Piano. Yet it still succeeded in winning a permanent place in Violin repertoire – not least because of its middle movement inspired by jazz elements and the“blues”. The fingerings in this Henle Urtext edition have been provided by two masters of their instruments: Christian Tetzlaff and Pascal Rogé.

Initially composed in 1907 for Bass Voice and Piano Habanera by Maurice Ravel was transcribed for Violin and Piano for this edition which can be used for both recitals and exams.  Based on a Cuban Contradanza it features a special Habanera rhythm and is generally performed with sung lyrics. In this edition the Violin is a substitute for the voice. While composing this piece Maurice Ravel was also working on two works with Spanish influence: 'The Spanish Rhapsody' and 'The Spanish Hour'. Maurice Ravel (1875-1937) was a French composer who was famous for his contributions to the'Impressionist' genre of classical music. He wrote numerous pieces including 'Daphnis and Chloé' and the famous 'Bolero'.

Sonata for Violin and Violoncello-Following the intoxicating sounds of La Valse the smaller scoring and modern musical language of Sonata For Violin And Violoncello were a shock. Yet this pioneering work has now become a permanent fixture onthe concert stage.To help the players two performance scores are provided in which the other instrument’s part is also given. Both parts are included in a marked and an unmarked version.Sonata For Violin AndVioloncello was composed by Maurice Ravel between between 1920 and 1922.

The set of parts for Maurice Ravel's Introduction And Allegro For Harp Flute Clarinet And String Quartet a lesser-known work by the French composer completed in 1905.

Klaviertrio-As with all of his mature chamber music works Ravel also emerges as an innovator of traditional forms and techniques in his piano trio composed in 1914. Thus the ?Passacaglia? movement corresponds to the underlying form of theBaroque Period. The music on the other hand was according to Ravel ?like that of Saint-Saëns? which was surely meant ironically. For the historicizing template only served as a framework for experiments with musical idiom: froma constant oscillation between major and minor to combinations and overlaying of the most diverse metres. The fingering for our edition of this technically extremely demanding work was provided by the renowned French pianistPascal Rogé.

Concert rhapsody for violin and piano-In 1922 Maurice Ravel heard the young Hungarian violin virtuoso and niece of Joseph Joachim Jelly D?Aranyi in concert in London. Following the performance Ravel spent the remainder of the evening requesting D?Aranyi to play numerous gypsy tunes on her violin probing her on the technical limits of the instrument. The result of this encounter is Ravel?s virtuoso classic ?Tzigane?. Written originally for violin and piano or luthéal (a mechanism invented in 1919 that attaches to a piano producing a sound similar to the rich overtones of the Cimbalon) the premiere took place in London in April 1924. The composer had finished the work only days beforehand. Ravel laterorchestrated ?Tzigane? and both versions remain a ?must? for music-lovers and aspiring violinists today. Jelly D?Aranyi performed both versions regularly throughout her long career. This Urtext edition presents the first scholarly-critical edition of Ravel?s masterpiece. It is published both in the orchestral version complete with full score and performance material as well as in the composer?s earlier version for violin and piano. All known sources including letters have been drawn on for the new edition; one of the available sources consulted for the first time was a copy of ?Tzigane? from the estate of Jelly D?Aranyi which is today part of a private collection. The version for piano and violin contains besides the Urtext part a second violin part as a facsimile with performance instructions by Jelly D?Aranyi. D?Aranyi?s alterations and fingering reflect how Ravel must have heard the work in rehearsals and performance and as such are a document of early 20th century performance practice. The cooperation between Ravel and D?Aranyi is comparable to that of Brahms and Joachim working on the Brahms violin concerto.First scholarly-critical Urtext edition of the work Presented are both versions: for violin and orchestra and for violin and pianoIncludes Jelly D?Aranyi?s fingering