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| Concerto Grosso, Opus 6, No. 3 (Polonaise) String Orchestra [Score and Parts] - Intermediate Belwin
By George Frideric Handel (1685-1759). Arranged by Tim McCarrick. Orchestra. Mas...(+)
By George Frideric Handel (1685-1759). Arranged by Tim McCarrick. Orchestra. Masterworks; SmartMusic; String Orchestra. Belwin Intermediate String Orchestra. Baroque; Masterwork Arrangement. Grade 3.5. Conductor Score and Parts. 114 pages. Published by Belwin Publishing
$45.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Visions and Miracles - String Orchestra (score) String Orchestra [Score] Opus 125 Publishing
Composed by Christopher Theofanidis (1967-). Score. Duration 17 minutes. Publish...(+)
Composed by Christopher Theofanidis (1967-). Score. Duration 17 minutes. Published by Opus 125 Publishing (B9.556).
$30.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Six concertos pour violon et orchestre. Opus VII String Orchestra Fuzeau
By Jean-Marie Leclair (1697-1764). Edited by Jean Saint-Arroman. Instrument(s) a...(+)
By Jean-Marie Leclair (1697-1764). Edited by Jean Saint-Arroman. Instrument(s) and string orchestra - (Violin and string orchestra - Flute and string orchestra - Hautbois and string orchestra). For Violin, Flute (concerto III), Oboe (concerto III). Facsimiles. La Musique Francaise Classique de 1650 a 1800. Grade 0. 124 pages. Published by Anne Fuzeau Productions - France
$58.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Allegro Moderato from Quintet, Opus 5 String Orchestra - Intermediate/advanced FJH
Orchestra String Orchestra - Grade 4 SKU: FJ.ST6172S Score Only. C...(+)
Orchestra String Orchestra - Grade 4 SKU: FJ.ST6172S Score Only. Composed by Victor Ewald. Arranged by Bob Lipton. Series; String Orchestra. FJH String Orchestra. Quintet, Opus 5, from which the Allegro Moderato is the third and final movement, reflects Russian romanticism at its finest. Originally written for brass, it has become a favorite of brass musicians the world over. Music written for brass is technicall. Masterwork Arrangement. Score. Duration 4:15. The FJH Music Company Inc #98-ST6172S. Published by The FJH Music Company Inc (FJ.ST6172S). English. Originally written for brass, this exceptional work by Victor Ewald translates beautifully for strings. What is more, this gives your students a great opportunity to play an extended and fully realized piece of Russian Romantic music without anything being watered down. An excellent addition to the repertoire! About FJH String Orchestra More emphasis on bow technique and independence of lines. For the accomplished middle, high school, college, or professional group. Grade 3 and up $5.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Vivaldi : Concerto for Four Cellos String Orchestra [Score and Parts] - Intermediate Grand Mesa Music
Composed by Antonio Vivaldi (1678-1741). Arranged by J. Cameron Law. For 4 s...(+)
Composed by Antonio Vivaldi
(1678-1741). Arranged by J.
Cameron Law. For 4 solo cellos
and string orchestra. Grade 4
(section), Grade 5 (solo).
Score and set of parts.
Duration 3 minutes, 30
seconds. Published by Grand
Mesa Music
$60.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Concerto Grosso, Opus 6, No. 8 String Orchestra [Score] Highland/Etling
Fatto per la notte di Natale. Composed by Arcangelo Corelli (1653-1713). ...(+)
Fatto per la notte di Natale. Composed by Arcangelo Corelli (1653-1713). Arranged by Todd Parrish. Masterworks; Score; SmartMusic; String Orchestra. Highland/Etling String Orchestra. Form: Concerto. Baroque; Christmas; Masterwork Arrangement; Sacred; Winter. 20 pages. Published by Highland/Etling (AP.44844S).
$9.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Concerto Grosso, Opus 6, No. 3 (Polonaise) (score only) String Orchestra [Score] Shawnee Press
By George Frideric Handel (1685-1759). Arranged by Tim McCarrick. Orchestra. For...(+)
By George Frideric Handel (1685-1759). Arranged by Tim McCarrick. Orchestra. For String Orchestra. String Orchestra. Belwin Intermediate String Orchestra. Baroque. 3.5 (grade 3.5). Score. 12 pages
$7.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Antonio Vivaldi : Autumn (from The Four Seasons) String Orchestra [Score and Parts] - Easy Alfred Publishing
By Antonio Vivaldi (1678-1741). Arranged by Douglas E. Wagner. Orchestra. String...(+)
By Antonio Vivaldi (1678-1741). Arranged by Douglas E. Wagner. Orchestra. String Orchestra. Belwin Beginning String Orchestra. Baroque. Grade 1.5. Conductor Score and Parts. 76 pages
$46.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Beethoven : Andante con Moto from Symphony #5 - Score String Orchestra [Score] - Intermediate Wingert-Jones Publications
Composed by Ludwig van Beethoven (1770-1827). Arranged by Bud Caputo. For ...(+)
Composed by Ludwig van
Beethoven (1770-1827).
Arranged by Bud Caputo. For
string orchestra. Concert
Work. Grade 3. Conductor
score. Duration 4:54.
Published by Wingert-Jones
Publications
$7.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Overture 1812, Opus 49 String Orchestra [Score and Parts] - Beginner Alfred Publishing
Arranged by Michael Story. Arr. Michael Story. For String Orchestra. String Orch...(+)
Arranged by Michael Story. Arr. Michael Story. For String Orchestra. String Orchestra. Belwin Beginning String Orchestra. Level: 1 (grade 1). Conductor Score & Parts. 72 pages. Duration 1:37. Published by Alfred Publishing.
$49.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Concerto Grosso String Orchestra [Score] Carl Fischer
Full Score. By George Frideric Handel. Arranged by Amy Rosen. String orchestra. ...(+)
Full Score. By George Frideric Handel. Arranged by Amy Rosen. String orchestra. For Violin I, Violin II, Violin III, Viola (Treble Clef), Viola, Cello, Double Bass, Piano. Carl Fischer Young String Orchestra Performance Series: Easy to Medium Easy. Full Score - Large. Opus 6, Number 1. 8 pages. Published by Carl Fischer.
$8.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Allegro Moderato from Quintet, Opus 5 String Orchestra [Score and Parts] - Intermediate FJH
By Victor Ewald (1860-1935). Arranged by Bob Lipton. For orchestra. FJH String O...(+)
By Victor Ewald (1860-1935). Arranged by Bob Lipton. For orchestra. FJH String Orchestra. Full set (score and parts). Score only also available: ST6172S. Grade 4. Score and set of parts. Composed 2009. Published by The FJH Music Company Inc
$55.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Sonatina String Orchestra Carl Fischer
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS13F Composed by Muzio...(+)
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS13F Composed by Muzio Clementi. Arranged by Douglas Townsend. Carl Fischer Young String Orchestra Series. Classical. Full score. With Standard notation. 12 pages. Carl Fischer Music #YAS13F. Published by Carl Fischer Music (CF.YAS13F). ISBN 9780825848339. UPC: 798408048334. 8.5 X 11 inches. Key: G major. IApart from some of his Sonatinas, Opus 36, Clementi's life and music are hardly known to the piano teachers and students of today. For example, in addition to the above mentioned Sonatinas, Clementi wrote sixty sonatas for the piano, many of them unjustly neglected, although his friend Beethoven regarded some of them very highly. Clementi also wrote symphonies (some of which he arranged as piano sonatas), a substantial number of waltzes and other dances for the piano as well as sonatas and sonatinas for piano four-hands.In addition to composing, Clementi was a much sought after piano teacher, and included among his students John Field (Father of the 'Nocturne'), and Meyerbeer.In his later years, Clementi became a very successful music publisher, publishing among other works the first English edition of Beethoven's Violin Concerto, in the great composer's own arrangement for the piano, as well as some of his string quartets. Clementi was also one of the first English piano manufacturers to make pianos with a metal frame and string them with wire.The Sonatina in C, Opus 36, No. 1 was one of six such works Clementi wrote in 1797. He must have been partial to these little pieces (for which he also provided the fingerings), since they were reissued (without the fingering) by the composer shortly after 1801. About 1820, he issued ''the sixth edition, with considerable improvements by the author;· with fingerings added and several minor changes, among which were that many of them were written an octave higher.IIIt has often been said, generally by those unhampered by the facts, that composers of the past (and, dare we add, the present?), usually handled their financial affairs with their public and publishers with a poor sense of business acumen or common sense. As a result they frequently found themselves in financial straits.Contrary to popular opinion, this was the exception rather than the rule. With the exception of Mozart and perhaps a few other composers, the majority of composers then, as now, were quite successful in their dealings with the public and their publishers, as the following examples will show.It was not unusual for 18th- and 19th-century composers to arrange some of their more popular compositions for different combinations of instruments in order to increase their availability to a larger music-playing public. Telemann, in the introduction to his seventy-two cantatas for solo voice and one melody instrument (flute, oboe or violin, with the usual continua) Der Harmonische Gottesdienst, tor example, suggests that if a singer is not available to perform a cantata the voice part could be played by another instrument. And in the introduction to his Six Concertos and Six Suites for flute, violin and continua, he named four different instrumental combinations that could perform these pieces, and actually wrote out the notes for the different possibilities. Bach arranged his violin concertos for keyboard, and Beethoven not only arranged his Piano Sonata in E Major, Opus 14, No. 1 for string quartet, he also transposed it to the key of F. Brahm's well-known Quintet in F Minor for piano and strings was his own arrangement of his earlier sonata for two pianos, also in F Minor.IIIWe come now to Clementi. It is well known that some of his sixty piano sonatas were his own arrangements of some of his lost symphonies, and that some of his rondos for piano four-hands were originally the last movements of his solo sonatas or piano trios.In order to make the first movement of his delightful Sonatina in C, Opus 36, No. 1 accessible to young string players, I have followed the example established by the composer himself by arranging and transposing one of his piano compositions from one medium (the piano) to another. (string instruments). In order to simplify the work for young string players, in the process of adapting it to the new medium it was necessary to transpose it from the original key of C to G, thereby doing away with some of the difficulties they would have encountered in the original key. The first violin and cello parts are similar to the right- and left-hand parts of the original piano version. The few changes I have made in these parts have been for the convenience of the string players, but in no way do they change the nature of the music.Since the original implied a harmonic framework in many places, I have added a second violin and viola part in such a way that they not only have interesting music to play, but also fill in some of the implied harmony without in any way detracting from the composition's musical value. Occasionally, it has been necessary to raise or lower a few passages an octave or to modify others slightly to make them more accessible for young players.It is hoped that the musical value of the composition has not been too compromised, and that students and teachers will come to enjoy this little piece in its new setting as much as pianists have in the original one. This arrangement may also be performed by a solo string quartet. When performed by a string orchestra, the double bass part may be omitted.- Douglas TownsendString editing by Amy Rosen. About Carl Fischer Young String Orchestra Series This series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by: --Occasionally extending to third position --Keys carefully considered for appropriate difficulty --Addition of separate 2nd violin and viola parts --Viola T.C. part included --Increase in independence of parts over beginning levels $8.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Arcangelo Corelli: Concerto Grosso - Score String Orchestra [Score and Parts] Peters
(Christmas Concerto) Composed by Arcangelo Corelli (1653-1713), edited by Waldem...(+)
(Christmas Concerto) Composed by Arcangelo Corelli (1653-1713), edited by Waldemar Woehl. Opus 6, #8. For violin concertato I, II, cello solo, violin di ripieno I, II, viola, contra bass and keyboard. Urtext. Format: full score (parts not included). With introductory text. Baroque. G Minor. 19 pages. 9x12 inches. Published by C.F. Peters.
(2)$31.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
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| Edmund Rubbra: Piano
Orchestra Opus 85: String
Orchestra: Score String Orchestra Alfred Lengnick 13.99 GBP - Sold by Musicroom UK | |
| Edvard Grieg: Three
Norwegian Pieces: String
Orchestra: Score String Orchestra [Sheet music] Novello & Co Ltd.
Three Norwegian Pieces by Edvard Grieg from '25 Norske Folkeviser og Dandser' ('...(+)
Three Norwegian Pieces by Edvard Grieg from '25 Norske Folkeviser og Dandser' ('25 Norwegian Folk Songs and Dances') Opus 17. Arranged for String Orchestra by Geoffrey Tomlinson. Full score.
10.99 GBP - Sold by Musicroom UK | |
| Grazyna Bacewicz:
Concerto For String
Orchestra: String
Orchestra: Score String Orchestra PWM (Polskie Wydawnictwo Muzyczne)
Concerto for String Orchestra - the magnum opus of Grayna Bacewicz (1909-1969) ...(+)
Concerto for String Orchestra - the magnum opus of Grayna Bacewicz (1909-1969) the outstanding composer and violinist - was composed in 1948 and at once became one of the most frequently performed works of this Polish artist. This masterpieceof neoclassicism fascinates as much by its invention and virtuosic briliance as its harmonious combination of formal elements of a traditional nature with new tonal ideas. The form of the three-movement Concerto oscillates between that of the baroqueconcerto grosso and the early classical sonata cycle. The neoclassical tendency is evident above all in the articulation of the musical structure in keeping with the rigours of periodicity and the manner of developing thematic threads derived fromthem while the concertato character of particular movements and the generally linear texture indicate baroque connections. The first movement (Allegro) - in the form of an early classical sonata allegro - begins with a subject with energeticfigurations emblematic for the whole piece and based on a constant pendulum-like semiquaver movement anchored securely on D. It is precisely because of the nature of this subject that Bacewiczs work has been compared to the Brandenburg Concertosby Jan Sebastian Bach The second movement (Andante) while retaining its concertato charakter is at the same time an example of the composers ability to create emotionally serene lyrical moods and her sense of cantilena derived from the spiritof romantic song (a motto-subject presented at the beginning by cello solo). In this movement it is both the process of evolution and the instrumental colouring which constitute the constructional agents forming here a self-containedvalue. In thethird movement (Vivo) the composer returns to her favourite type of music understood as an expression of pure motion in the form of figural motives with infinite transformational possibilities. The spontaneity of the music the constant mutabilityof the tonal situations and the sophisticated acerbic harmonies - as Witold Lutosawski described them - form a colourful mosaic built in the structural skeleton of a sonata rondo. Concerto for String Orchestra is not only proof of thestylizing tendency of the composer but also of an unerring intuition concerning the technical and expressive possibilities inherent in a string instruments ensemble. [Magorzata Gsiorowska translated by Ewa Cholewka]
21.95 GBP - Sold by Musicroom UK | |
| Ed Hughes: Chroma: String
Ensemble: Score String Orchestra [Sheet music] University Of York Music Press
For 11 Solo Strings.Commissioned by Opus 20 with funds from London Arts Board.Fi...(+)
For 11 Solo Strings.Commissioned by Opus 20 with funds from London Arts Board.First performance: St Giles Cripplegate Barbican 3rd April 1997.
10.95 GBP - Sold by Musicroom UK | |
| Alexander Zemlinsky:
Streichquartett Nr. 2
Opus 15: String Ensemble:
Parts String Orchestra G. Henle
String Quartet no. 2 op. 15-Alexander Zemlinsky?s music was long unjustly oversh...(+)
String Quartet no. 2 op. 15-Alexander Zemlinsky?s music was long unjustly overshadowed by what was regarded as the more progressive? Second Viennese School. Although Zemlinsky was close friends with its protagonist Arnold Schönberg he never did take the latter?s radical step into dodecaphony. At the same time he composed works that were no less original or fully fledged. Composed between 1913 and 1915 his Second String Quartet in particular pushed the contemporaneous understanding of form and tonality to its limits. With just one movement but spanning over 1 200 measures this multi-faceted work numbers among the most significant contributions to the genre of the time and has long merited acritical new edition. The Urtext edition by G. Henle Publishers corrects many errors and inaccuracies in the first edition that came to light after careful comparison with the autograph sources in Vienna and Washington. For the first time too the metronome markings that survive only in one of Zemlinsky?s letters have been incorporated. Editorial work was kindly supported by the Alexander Zemlinsky Endowment Fund in Vienna.
44.25 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Alexander Zemlinsky:
Streichquartett Nr. 2
Opus 15: String Ensemble:
Study Score String Orchestra [Study Score / Miniature] G. Henle
String Quartet no. 2 op. 15-Alexander Zemlinsky?s music was long unjustly oversh...(+)
String Quartet no. 2 op. 15-Alexander Zemlinsky?s music was long unjustly overshadowed by what was regarded as the more progressive? Second Viennese School. Although Zemlinsky was close friends with its protagonist Arnold Schönberg he never did take the latter?s radical step into dodecaphony. At the same time he composed works that were no less original or fully fledged. Composed between 1913 and 1915 his Second String Quartet in particular pushed the contemporaneous understanding of form and tonality to its limits. With just one movement but spanning over 1 200 measures this multi-faceted work numbers among the most significant contributions to the genre of the time and has long merited acritical new edition. The Urtext edition by G. Henle Publishers corrects many errors and inaccuracies in the first edition that came to light after careful comparison with the autograph sources in Vienna and Washington. For the first time too the metronome markings that survive only in one of Zemlinsky?s letters have been incorporated. Editorial work was kindly supported by the Alexander Zemlinsky Endowment Fund in Vienna.
17.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Arcangelo Corelli:
Concerto Grosso 8 G Opus
6 Partitu: String
Ensemble: Vocal String Orchestra Schott
A popular piece for Christmas concerts in schools or churches.
14.99 GBP - Sold by Musicroom UK | |
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