Mozart has written a total of six quintets for 2 Violins 2 Violas and Cello and here are 3 of them in authoritative Urtext format: String Quintet in C K.515 String Quintet in G minor K.516 and String Quintet in C minor K.406(516b). Score available on HN9778.

Instrumentation: 2Vln.2Vla.Vc Format: Sheet Music Details: Two Violins, Two Violas, Violoncello Contents: K46, 174, 407 (Horn, 2 Violins, Viola, and Violoncello; or 2 Violins, Viola, and 2 Violoncelli), 581 (Clarinet, 2 Violins, Viola, and Violoncello; or 2 Violins, 2 Violas, and Violoncello), K.Anh.179

?Because I only need four parts to express everything? Haydn is said to have replied thus when asked why he had not composed a string quintet. Mozart saw things differently. He applied himself to this genre sixtimes even giving important parts to the two Violas. Following Volume II which contains the three most often played quintets we warmly recommend Mozart?s first Quintet K. 174 to ensembles (the 3rd andfinal volume was published in 2008). The editors were able to refer to the autograph which is once again accessible. It shows Mozart?s intensive compositional work resulting in the fact that he composed the minuet andfinale of the work a second time. The first version of both movements is included in the appendix of our edition enabling insightful comparisons.

Mozart's String Quintets No. 4-8 contains a set of parts for the following Quintets composed by Wolfgang Amadeus Mozart; String Quintet No. 2 in C minor K406 String Quintet No. 3 in C major K515 String Quintet No. 4 in G minor K516 String Quintet No. 5 in D major K593 String Quintet No. 6 in E flat major K614.

With the publication of the masterpieces K. 593 and 614 all of Mozart’s string quintets are now available in Henle Urtext. Our edition corrects several widespread misreadings of the musical text and also draws on the firstprintings as important sources. The first printing of the Finale from the Quintet in D major K. 593 diverges greatly from the autograph. The editors consider it probable that the print version was authorized which is the reasonwhy we have published both versions of the movement (to enable a better comparison it is given as an ossia version above the musical text). In the Preface and Comments the editors shed light on the source situation to these twoimmortal works written in the last two years of Mozart’s life.