Par DEBUSSY CLAUDE / LOUVIER ALAIN (Arr.). Pour l'adorateur de Debussy que je suis depuis la plus rendre enfance, toucher à ces merveilles que sont les Préludes de Claude Debussy fut un cas de conscience. Le séduisant quatuor avec flûte, avec son trio à cordes, permet à un orchestrateur de métier d'infin ies nuances et dégradés : quatre instruments virtuoses, souvent polyphoniques, aux nombreuses irisations de timbre... Cependant, nous n'avons aucun modèle chez Debussy lui-même d'un tel travail, sinon son Quatuor à cordes (très antérieur) et sa Sonate pour flûte, alto et... harpe ! Sans ajouter une harpe (qui possède l'étendue du piano), impossible d'imaginer La Cathédrale Engloutie ou La Terrasse des audiences du clair de lune ... les résonances graves du piano, si poétiques, quasi magiques, ne pourraient être traduites par quatre instruments non résonants. J'ai donc dû choisir peu de Préludes, ne voulant pas trahir Debussy. Après une écoute intérieure très exigeante, et en me permettant, à la rigueur, quelques brèves octaviations de l'extrême-grave du piano, je me suis limité à six, trois dans chaque livre: 1er livre : - Des Pas sur la neige (n° 6) - La Sérénade interrompue (n° 9) - Minstrels (n° 12) 2e livre: - Bruyères (n°5) - Hommage à Sir Pickwick PPMPC (n° 9) - Canope (n° 10) Très vite, j'ai compris que partir du son-piano était une erreur; il valait mieux imaginer le Debussy des années 1910 orchestrant ces pièces pour une grande formation (du type Ibéria ou Jeux), puis réduire pour un petit orchestre de quatre instruments. D'où l'emploi de batteries (même à la flûte), de trémolos, de doublures étranges pour simuler les timbres absents, créer des illusions de polyphonie, si prisées des orchestrateurs français. J'espère n'en avoir pas abusé; j'ai essayé de mettre dans ces transcriptions toute l'imagination - tous les sons improbables - que Debussy aurait lui-même recherchés. Alain WlMER/ Répertoire / Flûte et Trio à Cordes

Arr. Girard Anthony. Par DEBUSSY CLAUDE. Instrumentation de trois Préludes de Claude Debussy, pour flûte, harpe et trio à cordes./ Répertoire / Flûte Traversière Violon, Alto, Violoncelle et Har

Composés entre 1909 et 1912 les deux livres de Préludes pour Piano comptent parmi les œuvres tardives de Claude Debussy (1862-1918). Elles révèlent une grande diversité de styles de textures de climats et d?émotions et constituent un condensé de toutes les particularités du langage de Debussy. La Fille aux Cheveux de Lin est le huitième prélude du premier livre. Il est célèbre pour sa profondeur émotionnelle malgré sa simplicité technique et harmonique. Nul ne sait qui fut la fille aux cheveux de lin mais cette miniature merveilleusement subtile réveille notre imaginaire.

Claude Debussy's Premier Quatuor Op. 10 for 2 Violins Viola and Cello. Score and parts.

extrait du - excerpt from Série III Vol. 1 - Score-Claude Debussy's Quatuor for two Violins Viola and Cello.

Claude Debussy's Clair De Lune has been arranged for Viola with Piano accompaniment by Alan Arnold.

Original Manuscript Edition-Almost 100 years after the first publication of Debussy's Sonate Pour Flute Alto Et Harpe by Durand et Cie this seminal work in the chamber music literature has been meticulously compared contrasted and corrected against Debussy's handwritten and autographed 1915 manuscript. Using photographs provided by the National Library of France harpist Carl Swanson has documented and corrected nearly 300 discrepancies between the composer's intent and the Durand 1916 edition.The corrections made in this edition consist of musical indications being omitted misplaced or inverted; dynamic markings that are in the manuscriptbut not the printed version have been added wrong and misaligned notes have been corrected musical indications previously omitted in individual parts have been added and intended durations of dynamic and tempo changes have been corrected.Debussy was one of the first composers to make extensive use of musical indications and was extremely meticulous in his scores. To read a score of his with missing misplaced or wrong directions is a significant as reading a score with missing or incorrect notes. Now for the first time in history Debussy's Sonate Pour Flute Alto Et Harpe has been printed exactly as the composer intended.

Maurice Ravel : Quartet in G Minor Op. 10 Claude Debussy : Quartet in F Major Superb one-volume edition of two influential compositions noted for individuality, unique interpretations of the medium, delicate and subtle beauties. Based on authoritative French editions, this clearly printed volume is sturdily bound for long life on the music stand.

Debussy's only string quartet composed in 1893 was his first masterwork. Together with two further works from this creative period Prélude l?après-midi d?un faune and Pelléas et Mélisande the quartet established the composer's position as the rising star of the French music scene.Discrepancies existed from the initial publication in 1894 between the score corrected and seen into print by the composer and the parts not corrected by him. At a later point Debussy made a large number of corrections and alterations in a copy of the first edition; these alterations have been incorporated in this Bärenreiter Urtext edition.Thisscholarly-critical edition utilises all sources including the composer's letters which offer a valuable insight into the genesis of the composition.

String Quartet-Debussy?s new string quartet received a very cool reception at its première in Paris in December 1893 performed by the famous Quatuor Ysaÿe. The critics were upset by its unusual harmonies and orchestral sounds and the musicianswho were later presented with it considered it ?unplayable?. Nevertheless the work was able to establish itself in the years that followed and today belongs to the core chamber music repertoire. The work was published in 1894 as?1er Quatuor?; showing that the composer was at least toying with the idea of writing another such work at this time yet he never did fulfil this promise.

String Quartet-Debussy?s new string quartet received a very cool reception at its première in Paris in December 1893 performed by the famous Quatuor Ysaÿe. The critics were upset by its unusual harmonies and orchestral sounds and the musicianswho were later presented with it considered it ?unplayable?. Nevertheless the work was able to establish itself in the years that followed and today belongs to the core chamber music repertoire. The work was published in 1894 as?1er Quatuor?; showing that the composer was at least toying with the idea of writing another such work at this time yet he never did fulfil this promise.

Par DEBUSSY CLAUDE / DAMASE JEAN-MICHEL. / classique / Répertoire / Flûte Traversière Alto et Harpe

Arr. Christophe Ladrette. Par DEBUSSY CLAUDE. / Date parution : 1905-07-10/ Répertoire / Flûte Traversière Violon, Harpe, Alto et Violoncel