Fantasia transcribed for violoncello and piano by Christoph Sassmannshaus-Born in Erfurt the composer Edward Mollenhauer (1827 1914) achieved success in America as a soloist and teacher. His best-known pieces for young violinists are The Infant Paganini and The Boy Paganini. Both appear here in their original version for Violin and Piano and for the first time in a transcription for Cello and Piano by Christoph Sassmannshaus.The Mollenhauer fantasia The Infant Paganini is a charming introduction to early virtuoso techniques. It calls for bowing techniques such as detaché legato spiccato and arpeggios over three strings. Players are also expected to play harmonics andpizzicato.It (BA 10693) can be mastered by young Cello students who are working with volume 4 of the Sassmannshaus Early Start on the Cello and can manage first to fourth position.The Boy Paganini is an impressive concert piece which is more demanding. Its two movements call for changes of metre harmonics and pizzicato. Other challenges include chords on all four strings and simple passages in octaves. On the Cello (BA 10694) the student must be able to play in first to fourth position.Both violinists and cellists should have completed volume 4 of Early Start on the Violin and Early Start on the Cello respectively in order to master this work.- Popular recital pieces for young violinists and cellists.- Both works form an ideal continuation of the Sassmannshaus Early Start methods.- Pieces originally scored for Violin now also available for the first time for Cello.Violin editions:The Infant Paganini BA10691The Boy Paganini BA10692

Par PAGANINI NICCOLO. Les duos concertante, inédits, ont tout à fait d'un statut spécial en musique de chambre de Paganini travaille pour la plupart du temps, il a choisi une guitare d'accompagnement alors que les compositions pour instruments à cordes exclusivement sont rares. Les compositions sont de répondre aux attentes de leurs titres évoquent à la fois comme instruments de concert les uns avec les autres et sont également impliqués dans le processus musical./ Répertoire / Violon et Violoncelle

Par PAGANINI NICCOLO. Editeur(s) d'origine: Newhill, Jo cor P./ Répertoire / Basson, Cor et Piano

per viola, violoncello e chitarra. Par PAGANINI NICCOLO. / Date parution : 2023-03-11/ Répertoire / Alto, Violoncelle et Guitare

Par PAGANINI NICCOLO. Format: New Edition portrait/ Répertoire / Violoncelle et Contrebasse

Concertino fur Orgel, 2 Trompeten & 3 Posaunen. Par SCHROEDER HERMANN. / Répertoire / Orgue, 2 Trompettes et 3 Trombones

a cura di | edited by Italo Vescovo. Par PAGANINI NICCOLO. Nicolò Paganini?s Trio in G major for viola and cello ? the autograph manuscript of which is preserved in the Biblioteca Casanatense in Rome ? represents the only work of the Genoese composer expressly scored for these instruments. In addition to expanding Paganini?s treasured catalogue, its rediscovery could provide scholars with new insights into the famed virtuoso?s chamber music output. / Date parution : 2023-07-31/ Répertoire / Alto et Violoncelle

Italie for String Quartet Score and Parts. Par BAKER CLAUDE. Annees de pelerinage: Italie (Years of Pilgrimage: Italy) derives its title from the set of three suites for piano by Franz Liszt in which he musically portrays the strongest sensations and most lively impressions created by his travels to Italy and Switzerland during the period 1835-39. In this composition, each of the four movements explores a particular Italian city or region through, in part, the eyes of other composers who (like Liszt) were inspired to write works based on their own sojourns in the country. There are references, both literal and oblique, to music by Berlioz, Tchaikovsky and Liszt (with a sly wink from Paganini). Serious and playful elements combine in thepiece, with the two inner movements (II. Venezia e Napoli and III. Firenze) providing light-hearted foils to the more somber outer movements (I. Roma and IV. Abruzzo). Annees de pelerinage: Italie (Years of Pilgrimage: Italy) derives its title from the set of three suites for piano by Franz Liszt in which he musically portrays the strongest sensations and most lively impressions created by his travels to Italy and Switzerland during the period 1835-39. In this composition, each of the four movements explores a particular Italian city or region through, in part, the eyes of other composers who (like Liszt) were inspired to write works based on their own sojourns in the country. There are references, both literal and oblique, to music by Berlioz, Tchaikovsky and Liszt (with a sly wink from Paganini). Serious and playful elements combine in thepiece, with the two inner movements (II. Venezia e Napoli and III. Firenze) providing light-hearted foils to the more somber outer movements (I. Roma and IV. Abruzzo). / Date parution : 2019-05-27/ Répertoire / Quatuor à Cordes