SKU: AP.41915S
UPC: 038081481708. English.
A tuneful way to introduce students to the lyrical style and rollicking feel of traditional Scottish/Irish music. The Air is the melody from Gilderoy and is set with a contemporary harmonic palette that concludes with an exciting climax before transitioning to the jig. The Jig of Slurs is a traditional Irish dance with a melody and feel that is infectious! (2:30) Air and Jig correlates to Book 2, Level 2 of Sound Innovations for Concert Band.
SKU: BT.DHP-1074289-010
9x12 inches. English-German-French-Dutch.
In Dublin Dances Jan Van der Roost has combined three well-known traditional Irish melodies to form an attractive medley. The medley contains Brian Boru’s March, a melody made popular by worldfamous flautist James Galway, followed bythe atmospheric tune The Minstrel Man and, as a cheerful finale, The Irish Washerwoman. Add a little magic from the Emerald Isle to your concert with this rousing medley. In deze ‘Ierse rapsodie’ put de componist uit de rijke schat aan Ierse volksmuziek en rijgt hij drie bekende melodieën aaneen tot een fraai geheel. De eerste melodie, Brian Boru’s March, krijgt een verfrissende opknapbeurt,trommels en fluiten spelen daarbij een belangrijke rol. Dan volgt de melodie van The Minstrel Man, sfeervol gebracht door diverse instrumenten en met een sobere maar treffende harmonisatie omkaderd. Als ‘uitsmijter’ is erhet opgewekte The Irish Washerwoman - deze vrolijke finale besluit dit muzikale bezoek aan het oneindig groene eiland.In Dublin Dances verknüpfte Jan Van der Roost drei bekannte Melodien zu einem ansprechenden Ganzen: Brian Borus’s March, bekannt vor allem durch den Flötisten James Galway, ist geprägt von Flöten und Trommeln; dann folgt The Minstrel Man, ein stimmungsvolles Lied, das in mehreren Instrumentierungen erscheint und schließlich - als Clou - The Irish Washerwoman im typisch irischen 6/8-Takt als fröhliches Finale dieses musikalischen Besuchs auf der ewig grünen Insel.Pour créer cette rhapsodie irlandaise, Jan Van der Roost a puisé dans la richesse de la musique traditionnelle irlandaise. Dublin Dances (“Danses de Dublin”) rassemble trois célèbres mélodies qui forment le canevas de l’œuvre.La première mélodie, Brian Boru’s March, a fait le tour du monde dans les années 1980, gr ce l’interprétation du brillant fl tiste James Galway. Dublin Dances en offre une version nouvelle, pleine de fraîcheur. Ancrée dans la tradition de la musique irlandaise, la place accordée aux fl tes et la percussion apparaît comme une évidence.La seconde mélodie, The Minstrel Man, s’appuie sur une superbe courbe qui chemineavec fluidité entre divers instruments. L’harmonisation qui la sous-tend est d’une étonnante, mais somptueuse sobriété.Point culminant de la structure, le pétillant rythme de danse de l’air The Irish Washerwoman écrit en 6/8, un chiffrage de mesure souvent utilisé dans la musique irlandaise. Ce brillant et virevoltant finale clôt ce voyage musical dans l’éternelle île verte où musique et sociabilité sont unies par un lien indéfectible.
SKU: BT.DHP-1074289-140
In Dublin Dances Jan Van der Roost has combined three well-known traditional Irish melodies to form an attractive medley. The medley contains Brian Boru’s March, a melody made popular by worldfamous flautist James Galway, followed bythe atmospheric tune The Minstrel Man/I> and, as a cheerful finale, The Irish Washerwoman. Add a little magic from the Emerald Isle to your concert with this rousing medley.In deze ‘Ierse rapsodie’ put de componist uit de rijke schat aan Ierse volksmuziek en rijgt hij drie bekende melodieën aaneen tot een fraai geheel. De eerste melodie, Brian Boru’s March, krijgt een verfrissende opknapbeurt,trommels en fluiten spelen daarbij een belangrijke rol. Dan volgt de melodie van The Minstrel Man, sfeervol gebracht door diverse instrumenten en met een sobere maar treffende harmonisatie omkaderd. Als ‘uitsmijter’ is erhet opgewekte The Irish Washerwoman - deze vrolijke finale besluit dit muzikale bezoek aan het oneindig groene eiland.In Dublin Dances verknüpfte Jan Van der Roost drei bekannte Melodien zu einem ansprechenden Ganzen: Brian Borus’s March, bekannt vor allem durch den Flötisten James Galway, ist geprägt von Flöten und Trommeln; dann folgt The Minstrel Man, ein stimmungsvolles Lied, das in mehreren Instrumentierungen erscheint und schließlich - als Clou - The Irish Washerwoman im typisch irischen 6/8-Takt als fröhliches Finale dieses musikalischen Besuchs auf der ewig grünen Insel.our créer cette rhapsodie irlandaise, Jan Van der Roost a puisé dans la richesse de la musique traditionnelle irlandaise. Dublin Dances (“Danses de Dublin”) rassemble trois célèbres mélodies qui forment le canevas de l’œuvre.La première mélodie, Brian Boru’s March, a fait le tour du monde dans les années 1980, gr ce l’interprétation du brillant fl tiste James Galway. Dublin Dances en offre une version nouvelle, pleine de fraîcheur. Ancrée dans la tradition de la musique irlandaise, la place accordée aux fl tes et la percussion apparaît comme une évidence.La seconde mélodie, The Minstrel Man, s’appuie sur une superbe courbe qui chemineavec fluidité entre divers instruments. L’harmonisation qui la sous-tend est d’une étonnante, mais somptueuse sobriété.Point culminant de la structure, le pétillant rythme de danse de l’air The Irish Washerwoman écrit en 6/8, un chiffrage de mesure souvent utilisé dans la musique irlandaise. Ce brillant et virevoltant finale clôt ce voyage musical dans l’éternelle île verte où musique et sociabilité sont unies par un lien indéfectible.
SKU: LO.30-3733L
UPC: 000308154610.
CD with Printable Parts for 65/2106L Joel Raney calls on Celtic musical traditions and instrumentation to deliver a refreshing sound for Christmas! The orchestration by Ed Hogan incorporates Irish flutes, drums, acoustic guitar, and fiddle to paint vivid imagery of a beautifully lush and green Irish countryside. Familiar Christmas carols appear, as do some familiar Christmas texts set to beloved Irish and Welsh folk songs. An ethereal opening sets the stage before breaking into an exuberant rendition of I Saw Three Ships. Come, Thou Long-Expected Jesus; Away in a Manger; Gentle Mary Laid Her Child; and the beloved Angels We Have Heard on High all make appearances as the work progresses, culminating with a rhythmic re-imagining of O Come, All Ye Faithful set to the traditional Scottish melody Loch Lomond. One of the highlights of this musical is O Holy Night, written for soloist and choir and set to the timeless tune, LONDONDERRY AIR. Present the Christmas story in a uniquely captivating way with this imaginative work!
SKU: LO.30-3734L
UPC: 000308154627.
Score and Parts plus CD with Printable Parts for 65/2106L Joel Raney calls on Celtic musical traditions and instrumentation to deliver a refreshing sound for Christmas! The orchestration by Ed Hogan incorporates Irish flutes, drums, acoustic guitar, and fiddle to paint vivid imagery of a beautifully lush and green Irish countryside. Familiar Christmas carols appear, as do some familiar Christmas texts set to beloved Irish and Welsh folk songs. An ethereal opening sets the stage before breaking into an exuberant rendition of I Saw Three Ships. Come, Thou Long-Expected Jesus; Away in a Manger; Gentle Mary Laid Her Child; and the beloved Angels We Have Heard on High all make appearances as the work progresses, culminating with a rhythmic re-imagining of O Come, All Ye Faithful set to the traditional Scottish melody Loch Lomond. One of the highlights of this musical is O Holy Night, written for soloist and choir and set to the timeless tune, LONDONDERRY AIR. Present the Christmas story in a uniquely captivating way with this imaginative work!
SKU: LO.30-3732L
UPC: 000308154603.
Set of Parts for 65/2106L Joel Raney calls on Celtic musical traditions and instrumentation to deliver a refreshing sound for Christmas! The orchestration by Ed Hogan incorporates Irish flutes, drums, acoustic guitar, and fiddle to paint vivid imagery of a beautifully lush and green Irish countryside. Familiar Christmas carols appear, as do some familiar Christmas texts set to beloved Irish and Welsh folk songs. An ethereal opening sets the stage before breaking into an exuberant rendition of I Saw Three Ships. Come, Thou Long-Expected Jesus; Away in a Manger; Gentle Mary Laid Her Child; and the beloved Angels We Have Heard on High all make appearances as the work progresses, culminating with a rhythmic re-imagining of O Come, All Ye Faithful set to the traditional Scottish melody Loch Lomond. One of the highlights of this musical is O Holy Night, written for soloist and choir and set to the timeless tune, LONDONDERRY AIR. Present the Christmas story in a uniquely captivating way with this imaginative work!
SKU: LO.30-3731L
UPC: 000308154597.
Full Score for 65/2106L Joel Raney calls on Celtic musical traditions and instrumentation to deliver a refreshing sound for Christmas! The orchestration by Ed Hogan incorporates Irish flutes, drums, acoustic guitar, and fiddle to paint vivid imagery of a beautifully lush and green Irish countryside. Familiar Christmas carols appear, as do some familiar Christmas texts set to beloved Irish and Welsh folk songs. An ethereal opening sets the stage before breaking into an exuberant rendition of I Saw Three Ships. Come, Thou Long-Expected Jesus; Away in a Manger; Gentle Mary Laid Her Child; and the beloved Angels We Have Heard on High all make appearances as the work progresses, culminating with a rhythmic re-imagining of O Come, All Ye Faithful set to the traditional Scottish melody Loch Lomond. One of the highlights of this musical is O Holy Night, written for soloist and choir and set to the timeless tune, LONDONDERRY AIR. Present the Christmas story in a uniquely captivating way with this imaginative work!
SKU: HL.4005188
UPC: 888680698119. 9.0x12.0x0.027 inches.
Featuring the heartfelt melody of this traditional Irish folk song, Michael uses lush harmonies, varieties in texture, and carefully paced emotional peaks in this marvelous setting for young players. This version has been carefully adapted for flexible instrumentation.
SKU: BT.DHP-1094740-140
9x12 inches.
Henk Hogestein has created a calm, yet uplifting arrangement of the famous Irish song Believe Me, if all these Endearing Young Charms. The melody displays the very best of Irish tradition with the words coming from a poem by Thomas Moore about love that goes above and beyond physical beauty. Irish Charms will make a wonderful inspirational interlude at any concert. In Irish Charms verarbeitete Henk Hogestein das ruhige, stimmungsvolle irische Lied Believe Me, if All those Endearing Young Charms. Die liebliche Melodie ist traditionell irisch; der Text ist ein Gedicht über Liebe, die über die vergängliche Schönheit hinausgeht, das der berühmte Dichter Thomas Moore einst für seine durch Krankheit entstellte Frau Bessie schrieb. Ein ergreifendes, ruhiges Stück für Blasorchester! Straordinario musicista, poeta e cantante, Thomas Moore (1779-1852) trovò la sua vera ispirazione quando si mise a lavorare su Irish Melodies (1808-1834) che ottenne un importante successo. Poetizzò l’Irlanda con una straordinaria intensit e un’emozione vibrante che hanno ben presto reso popolari questi brevi canti. Moore divenne così un eroe nazionale. Believe Me, if All those Endearing Young Charms è una delle più belle pagine dedicata alla moglie malata. Henk Hogenstein ne ha realizzato un arrangiamento fluido e coinvolgente.
SKU: BT.DHP-1094740-120
Henk Hogestein has created a calm, yet uplifting arrangement of the famous Irish song Believe Me, if all these Endearing Young Charms. The melody displays the very best of Irish tradition with the words coming from a poem by Thomas Moore about love that goes above and beyond physical beauty. Irish Charms will make a wonderful inspirational interlude at any concert. In Irish Charms verarbeitete Henk Hogestein das ruhige, stimmungsvolle irische Lied Believe Me, if All those Endearing Young Charms. Die liebliche Melodie ist traditionell irisch; der Text ist ein Gedicht über Liebe, die über die vergängliche Schönheit hinausgeht, das der berühmte Dichter Thomas Moore einst für seine durch Krankheit entstellte Frau Bessie schrieb. Ein ergreifendes, ruhiges Stück für Fanfareorchester! Straordinario musicista, poeta e cantante, Thomas Moore (1779-1852) trovò la sua vera ispirazione quando si mise a lavorare su Irish Melodies (1808-1834) che ottenne un importante successo. Poetizzò l’Irlanda con una straordinaria intensit e un’emozione vibrante che hanno ben presto reso popolari questi brevi canti. Moore divenne così un eroe nazionale. Believe Me, if All those Endearing Young Charms è una delle più belle pagine dedicata alla moglie malata. Henk Hogenstein ne ha realizzato un arrangiamento fluido e coinvolgente.
SKU: BT.DHP-1094740-020
SKU: BT.DHP-1094740-010
SKU: AP.42063
UPC: 038081484037. English. Traditional Irish Carol.
In this sensitive arrangement of one of the world's oldest Christmas carols, the haunting melody is passed throughout the orchestra. Changing textures combine with shifting modes to create a lyric and peaceful atmosphere that surely will be remembered long after the concert is over. (3:30) This title is available in MakeMusic Cloud.
SKU: FJ.HX9020S
English.
The traditional Irish carol fits nicely over a Partido Alto Latin feel. The two-measure ostinato dances under a legato melody played by five saxes and a flugelhorn. Solo transcriptions for flugel and alto sax are drawn from the demo recording. Carefully-notated rhythm section parts spool down to a winsome last chord for piano and guitar. This is not just a charming and playable holiday chart. It's also a great entry point to an important South American style! Top trumpet note: F5.
SKU: AP.42063S
UPC: 038081484044. English. Traditional Irish Carol.
SKU: HL.4004215
UPC: 888680063108. 9.0x12.0x0.033 inches.
Composed in the 1700s, this traditional Irish ballad was a lament of homesickness for its author, and now a tender and beloved melody appearing on countless recordings. Also known as “The Wind from the South” or “An Gaoth Aneas,” this setting for second year players provides melody for all sections of the band along with subtle and tasteful harmonic variants. Dur: 2:35.
SKU: AP.49463
ISBN 9781470650247. UPC: 038081571027. English.
The Last Rose of Summer is a traditional Irish tune arranged by Jim Palmer. The beautiful melody, rich harmonies, and interesting accompaniment will help your young orchestra sound mature. The long phrases are highlighted with beautiful slurs and a variety of dynamics. Pizzicato, slurs and ties create the interesting accompaniments. Well-developed phrases and unexpected chords provide opportunities for artistic expression. A perfect choice to teach a broad range of musical ideas. Correlated to Sound Innovations, Book 2, Level 2. (2:25) This title is available in MakeMusic Cloud.
SKU: AP.49463S
ISBN 9781470650254. UPC: 038081571034. English.
The Last Rose of Summer is a traditional Irish tune arranged by Jim Palmer. The beautiful melody, rich harmonies, and interesting accompaniment will help your young orchestra sound mature. The long phrases are highlighted with beautiful slurs and a variety of dynamics. Pizzicato, slurs and ties create the interesting accompaniments. Well-developed phrases and unexpected chords provide opportunities for artistic expression. A perfect choice to teach a broad range of musical ideas. Correlated to Sound Innovations, Book 2, Level 2. (2:25).
SKU: FJ.HX9020
SKU: CL.023-4619-01
Here’s a very approachable work to introduce lyrical style to your beginning band. Based on the traditional Irish tune Molly Malone, the lovely, flowing melody begins in flutes, and is eventually carried around the entire band, allowing all your students to become familiar with lyrical melodic style. With limited technical and range demands, Celtic Air will enable your band to achieve a sensitive and musical performance. Beautiful!