SKU: AP.48158S
UPC: 038081558806. English. Traditional Early American Tune.
This familiar patriotic tune is historically related to Revolutionary times. Fluidly traveling between instrument families, everyone has opportunity with the melody and harmony. A full scoring for your beginners that reinforces phrasing and musical style. And called it macaroni! (1:45) This title available in MakeMusic Cloud.
SKU: AP.48158
UPC: 038081558790. English. Traditional Early American Tune.
This familiar patriotic tune is historically related to Revolutionary times. Fluidly traveling between instrument families, everyone has opportunity with the melody and harmony. A full scoring for your beginners that reinforces phrasing and musical style. And called it macaroni! (1:45) This title is available in MakeMusic Cloud.
SKU: PR.416413660
ISBN 9781598063578. UPC: 680160601899. 9x12 inches.
Trained as a violinist in his native Tehran, composer Behzad Ranjbaran eagerly drew inspiration from the traditional Persian kamancheh and its delicate, lyrical sound when creating his profoundly luscious and brilliant Concerto for Violin and Orchestra. This work was completed in 1994 and premiered in England by Joshua Bell, who also gave the first American and Canadian performances. The Concerto for Violin and Orchestra is the recipient of the Rudolf Nissim Award from ASCAP, and it was supported in part by a grant from The National Endowment for the Arts. The solo part with a piano reduction as well as a large score are available on custom print. For advanced players. Duration: 31'.From my early years studying violin at the Tehran Music Conservatory, I was captivated by the sound of the kamancheh, an ancient Persian bowed instrument considered one of the ancestors to the modern violin. I was pleased when the National Endowment for the Arts awarded me a grant to write a violin concerto as it provided me with an occasion to rekindle my fascination with the kamancheh. The notionof writing a violin concerto that would incorporate the power and brilliance of a modern instrument with the delicate and lyrical character of an ancient one was simply irresistible. Moreover, the inspiration from the kamancheh also informed my use of Persian modes, melodic, and rhythmic figures.The notes of the violin’s open strings (G, D, A, E) also influenced many of the melodic and harmonic elements of my violin concerto. The opening tutti is mostly based on intervals of a perfect 4th and 5th. The primary material for each movement incorporates notes of two of the open strings of the violin, creating a three-note melodic motif as the basis of themes:1 st movement: A-D-A2nd movement: D-G-D3rd movement: E-A-EThe overall structure of the concerto is organic and cyclical, as themes are shared between the three movements. For example, the main musical idea of the third movement is a transformation of the first movement’s primary theme. While the movements share similar musical materials, each one is definedby distinguishing characters. The first movement is conflicted; alternating between sections of unabashed lyricism and unforgivingferocity. The second movement is haunting, mysterious, and expressive with long melodic lines that vary continuously. It moves through different moods and characters including a reimagining of a traditional Persian wedding tune played by the orchestra (m. 98). The third movement is festive in character and features much brilliant passagework for the solo violin. At the climax of this movement, themes fromthe previous movements re-emerge simultaneously with greater intensity, propelling the concerto to an energetic finale. The Concerto was composed in 1994 and is dedicated to Joshua Bell.
SKU: AP.47435S
UPC: 038081542119. English.
This arrangement of lovely ballads, vigorous fiddle songs, and simple shaped-note tunes is deeply rooted in early-American folk traditions. The three Christmas tunes The Babe of Bethlehem, Jesus, Jesus, Rest Your Head, and Star in the East will carry you to the wind-swept, snow-covered Appalachian Mountains. Beautiful orchestral scoring will provide a full sound for any ensemble.
SKU: AP.47435
UPC: 038081542102. English.
SKU: AP.46608
UPC: 038081532332. English.
This piece is an ideal gateway for transitioning from method books to performance music. It is inspired by the shaped-note tradition of the early 19th century, which served as a major influence in the development of truly American music. Perfect for the first contest and every concert!
SKU: AP.46608S
UPC: 038081532349. English.
SKU: AP.40455
UPC: 038081460147. English.
Beautiful, original melodies abound in all sections, but the violas and cellos really get a chance to shine in this suite comprised of three movements: River Hymn, Waltz of the Hills, and Barn Dance. In C Major, this piece is ideal to teach F and C natural. The movements are brief and can be performed individually or as a suite. Remaining true to the early Americana feel of the piece, the last movement is an upbeat, old-timey tune! Correlates to Sound Innovations Book 2, Level 2. This title is available in MakeMusic Cloud.
SKU: AP.50830S
ISBN 9781470668617. UPC: 038081587493. English. Traditional Fiddle Tune.
This easy tune features all sections with clever rhythmic variations. Readily accessible and as easy to put together as any Bob Phillips fiddle tune arrangement, the traditional melody appears in all sections and may be taught aurally. Though its origin is unknown, Spotted Pony appears to have roots in the Ozarks in Missouri, Arkansas, or Texas. Fiddlers in the early 20th century claim to have learned it from their grandparents' generation, so it most likely has been played since the late 19th century or earlier. (2:20) Correlates to Sound Innovations, Book 1, Level 4.
SKU: AP.50830
ISBN 9781470668600. UPC: 038081587486. English. Traditional Fiddle Tune.
SKU: CF.YPS110F
ISBN 9780825887895. UPC: 798408087890. 9x12 inches.
The yearly release of a Larry Clark arrangement of a classic Harold Bennett (aka Henry Fillmore) young band march has become a tradition at Carl Fischer. These wonderfully tuneful marches are great choices for contest/festival and for teaching the standard American march form and style to your students. Larry has been a champion for getting young bands to play in this important style and has successfully brought us another lost gem by Henry Fillmore.