Par SINGLETON ALVIN. / Date parution : 2023-10-31/ Répertoire / Ensemble de Chambre

Par RANDS BERNARD. Habituellement prêt pour l'expédition après 7-11 semaines. Once my String Quartet Music was completed, a copy of the score was sent to each consortium member. The premiere performances of this project were given on March 14, 2022, at Constellation in Chicago. My own String Quartet Music is now in the process of becoming one of several movements of String Quartet No. 4. / Date parution : 2023-10-31/ Répertoire / Quatuor à Cordes

Ryan Paul Bañagale. Par GERSHWIN GEORGE. / Date parution : 2023-10-31/ Répertoire / Ensemble Jazz

Par HEUCKE STEFAN. / Date parution : 2023-06-01/ Répertoire / Violon, Alto, Violoncelle, Contrebasse et Piano

Par SCHREIER ANNO. / Date parution : 2022-07-30/ Répertoire / Flûte, Clarinette, Violoncelle et Piano

Par HINDEMITH PAUL. The work of Paul Hindemith is encyclopedic in nature. From the outset, he worked in all musical genres and devised several of his musical ideas and projects not as individual, self-contained works but as work cycles with different functional relationships. These contrasting pieces complement each other if experienced as part of the overall structure. Hindemith himself not only wanted a complete edition of his collected works but had begun planning it; at his death he left a detailed list of ?Unpublished pieces for an eventual complete edition?. The Complete Works contain all finished works in all extant versions, newly engraved for the edition. Sketches and fragments are published in appendices of the relevant volume, and are evaluated in the Introduction and Critical Commentary by the respective volume editor. Each volume contains a preface by the editorial directors and an introduction by the volume editor, delineating the genesis and performance history of the work, with authentic performance instructions, an evaluation of extant recordings by Paul Hindemith himself and a Critical Commentary. The Complete Works of Paul Hindemith are thus presented in a critical, scholarly edition which is equally appropriate for study and performance. Hindemith researchers will welcome the numerous first publications of works by the composer, and practical musicians will appreciate the newly prepared, philologically ordered performance material. / Date parution : 2022-07-30/ Recueil / Concert Band

Par HINDEMITH PAUL. The opera is set in a variety of locations between the years 1608 and 1630 and throws a spotlight on individual scenes, sometimes presented simultaneously, from the life of the astronomer Johannes Kepler (1571-1630); the opera takes its name from Kepler’s theoretical work ‘Harmonices mundi’. Hindemith utilises substantial historical studies as the basis for his sketches of individuals within Kepler’s circle who each accompany the astronomer’s scientific endeavours with a variety of personal ambitions. The military commander Wallenstein attempts to utilise Kepler’s astrological abilities to realise his own pretensions to power while Kepler’s assistant Ulrich aspires to scientific fame and recognition. Kepler’s mother urges her son to apply his scientific abilities to the services of her black magic and the Lutheran minister Hizler forbids the astronomer to receive communion because Kepler questions the doctrine of Holy Communion in the Lutheran church and expresses sympathy for Calvinist doctrine. The few figures shed in a positive light include Kepler’s wife Susanna who supports her husband’s pursuit of truth and knowledge and the child Susanna who listens to the voices of nature and the moon in her childish naivety, thereby gaining revelatory knowledge. At the end of his life, Kepler takes stock of his situation, succumbs to a state of resignation and considers death as the greatest harmony of all. In his state of agony, music of the spheres can be heard; the constellations appear as allegorical figures in the opera and contradict Kepler’s negative concepts: lying beyond all that can be researched by mankind is a final majestic realm with the powers to ‘permit us to be amalgamated into a gigantic harmony of the spheres.’ / Date parution : 2022-07-20/ Répertoire / Opéra

Par NONO LUIGI. / Niveau : Difficile / Date parution : 2022-07-20/ Recueil / Ensemble de Percussions

Par CZERNOWIN CHAYA. / Date parution : 2022-02-03/ Répertoire / Cor Baryton, Clarinette Basse, Trompette et Trombo

Edition Schott reflects a wide variety of music and offers a comprehensive music library suitable for students, amateur and professional musicians.Edition Schott ranges from Renaissance to Contemporary solo instruments to orchestra, well-known pieces to interesting rarities and includes about twenty of Schott's acknowledged and well-established instrumental series such as Guitar-Archive, Violin Library, Il Flauto Traverso and Original Music for Recorder.Edition Schott publications share the highest production values and a distinct house style with clear notations, practical page-turns and high-quality paper.Edition Schott maintains and extends the internationally recognized tradition of excellence and reliability established in 1770 by Schott Music. / Alto Et Orchestre

of the concerto for flute, harp and orchestra KV 299. Par MOZART WOLFGANG AMADEUS. In the unparalleled series ‚Cadenza‘, Schott Musik International presents cadences of well-known instrumental concertos of classical and Romantic music, composed by major composers and soloists of our time. The cadences of Mozart‘s Concerto for flute, harp and orchestra in C major KV 299 were created by Nino Rota. It is not known when and for which occasion Rota wrote these cadences. But the two soloists, on the other hand, to whom he dedicated the cadences are quite well-known: the harpist, Clelia Gatti Aldronandi and the famous flutist Severino Gazzelloni. Rota‘s brilliant neoclassicism is perfect for the virtuoso dialogue between the two solo instruments on the themes of the concerto./ Répertoire / Flûte Traversière et Harpe

Par SEARLE LESLIE. Two swinging waltzes from the pen of the Englishman Leslie Searle, born in 1937. Easy to play, popular in style, a welcome addition to the repertoire for strings in the well-known Schott series MODERN STRINGS. These compositions may be played by various combinations of instruments, from a string quintet to a string orchestra. Other pieces by Leslie Searle: Ragtimes for String Ensemble (ED 8454). An ideal addition to the repertoire for everyone who would like to try playing string pieces in the popular style, as well as the classical repertoire./ Répertoire / Ensemble à Cordes

'Patchwork', le 3e quatuor à cordes de Barbara Heller (Schott ED 20775), existe maintenant aussi dans une version pour orchestre à cordes. De caractère enjoué, badin et léger, 'Patchwork' est une pièce jubilatoire. Des figures fluides s'exprimant libremen / Orchestre A Cordes / 144 pages / Partition

text from Christmas Poem by George Mackay Brown. Par DAVIES PETER MAXWELL. As Master of the Queens Music, Sir Peter Maxwell Davies has written a new carol for Her Majesty the Queen each Christmas since his appointment began in 2004. Kings and Shepherds is the fourth and like An Heavenly Song, Wonder Tidings and The Yule-tide Bell, will be published as part of the Schott Royal Collection. Written for the 2008 Christmas service and performed in the Ballroom of Buckingham Palace, Kings and Shepherds is a short traditional setting of Christmas Poem by George Mackey Brown, a poet who lived near to Maxwell Davies on the Orkney Islands. A wonderful addition to the carol repertoire and ideal for amateur choirs looking to programme new pieces./ Recueil / Choeur Mixte SATB