Un supplément de country / bluegrass du livre Hal Leonard Banjo Method 2. 16 chansons, dont: Abilene - I'm So Lonesome I Could Cry - Jambalaya (On The Bayou) - and more. / Banjo / 24 pages / Partition

Flatpicking stellaire Steve Kaufman se décompose un tas des chansons plus axée sur le banjo, montrant étape par étape comment construire un solo puissant flatpick lorsque c'est votre tour sur place ! Rejoint par Gary Davis ' Biscuit ', chaque morceau est effectuée et puis disséqués car c'est la plupart des caractéristiques intéressantes et difficiles. Vous apprendrez des astuces pour développer la rapidité et précision, se déplacer efficacement autour du cou et généralement devenir un meilleur joueur. / Guitare / Dvd

Banjo Play-Along Volume 2-This volume of the Banjo Play-Along series features 8 traditional Country songs all expertly arranged for Banjo in TAB notation. The Banjo Play-Along series will help you play your favorite songs quickly and easily with incredible backing tracks to help you sound like a bona fide pro! Just follow the banjo tab listen to the demo track on the CD to hear how the banjo should sound and then play along with the separate backing tracks. The CD is playable on any CD player and also is enhanced so Mac and PC users can adjust the recording to any tempo without changing the pitch! Each Banjo Play-Along pack featureseight cream of the crop songs.

Harry Reser was one of the greatest tenor banjo virtuosos of all time. This book features over twenty tunes from Harry's career many of them are Reser originals. The tunes are notated in standard notation and tablature. Each songhas a set of notes that offer background on the tune and helpful playing tips.

A massive collection of transcriptions representing the history of three-finger style five-string banjo playing up to the style?s culmination with Earl Scruggs coming on the scene. This is a one-of-a-kind resource containing 49transcriptions beginning with some of the style?s earliest forms up through those that approach the fully developed Scruggs style. These solos written in easy-to-read tablature are also a great source of beginner tointermediate level arrangements that players will want to learn. Players will gain a deeper understanding of the structure as well as the significance of the Scruggs Style of banjo playing. These note-for-note transcriptionsserve as a companion to the CD recording of the same title featuring such players as Snuffy Jenkins Larry Richardson Joe Stuart Smiley Hobbs Junie Scruggs Mike Seeger Eric Weissburg Pete Kuykendall Veronica (Roni) StonemanCox and more. These field recordings were made on location in the hills and hollers of the Appalachian region in the late 1950?s by Mike Seeter. Songs forty-nine in all includes favorites like ?Cripple Creek? ?Home SweetHome? ?John Henry? ?Liza Jane? ?Lonesome Road Blues? ?Sally Goodin? ?Turkey in the Straw ? ?Wildwood Flower? and many more. ?

Learn from the best. Grandpa Jones was a country music legend and a member of the Country Music Hall of Fame. He was very well known and respected for his own style of clawhammer banjo. The instructions are helpful for thebeginner with tips on caring for your banjo to keep it sounding its best. The text covers tunings chord diagrams and the right hand rhythm patterns that made Grandpa Jones famous with the 5-string banjo. For the intermediatemusician there are alternate tunings drop thumb rhythm and exercises for practicing your new skills. Included are several favorite songs along with lyrics and chords for your accompanist. The preface of the book writtenby Grandpa Jones along with the collection of personal photographs makes this an excellent keepsake as well. This is simply a must for your music library.

With this volume the reader is pleasantly surprised with two books in one- Section One by Alec Slater and Section Two by Lisa Schmitz. Alec's portion is intended as a guide for the clawhammer or frailing banjo player with someprevious experience in this style. He stresses the fact that this style of music can be fully learned only from within the oral tradition in which it grew. The instruction included here is meant to provide a review and not totake the place of qualified teacher. Alec recommends that '...anyone wanting to get this playing right should find someone in your area who plays and have him/her teach you. Listen to it watch it and make it your own.' InSection Two Lisa Schmits presents an extensive collection of 163 jigs reels polkas hornpipes strathspeys waltzes and songs from Ireland Scotland the Shetland Islands Cape Breton New England and Southern Appalachia forbanjo solo. The national origin of each tune is indicated. Lisa offers personal authoritative settings of a great variety of tunes at an intermediate level. Written in tablature only.

The distinctive sound of the 5-string Banjo is most usually associated with folk country and bluegrass music...but this instrument can sound at home in lots of popular genres.In this book you’ll find a superb collectionof 20 favourite songs all specially arranged to show off the adaptability of the Banjo.Ho Hey and Wagon Wheel are naturals but you’ll also enjoy just how well hits by Ed Sheeran Adele and The Who soundin 5-string Banjo arrangements.Whatever your favourites you’ll find plenty here to help you play sing and extend your repertoire.

Hal Leonard Banjo Method-Easy Banjo Solos For 5-String Banjo contains arrangements for 16 well-known songs by artists such as The Beatles Hank Williams Flatt & Scruggs Woody Guthrie Merle Travis and more.The songs are presented in order of difficulty beginning with basic rolls and chords and ending with 16th notes and fret-hand techniques.This songbook includes the favourites Ashokan Farewell Black Diamond Hey Good Lookin' I'll Fly Away Nine Pound Hammer Rocky Top This Land Is Your Land Wagon Wheel and more.

Media Type : Book/CD Set Level : Beginning-Intermediate Musical Genre : Old Time Series : Fantasy Number of pages : 96 A complete survey of traditional banjo styles complete with tunings, playing tips, and the author's deft drawings. Progresses from easy tunes for the beginner to more difficult pieces. The styles include up-picking or Pete Seeger's basic strum; two-finger picking; three-finger picking; and what had variously been called frailing, clawhammer, knocking, rapping, overhand, fram-style, flayin' hand, and other Appalachian names, here called down-picking.