Naji Hakim

Symphonic Fresco On Genesis 1:1-31. Par HAKIM NAJI. Cosmogonie was written after an improvisation of the composer at the Haarlem International Organ Improvisation Competition, Rotterdam 1981. The given theme was an abstract graphic by Enrique Raxach. The result is an evocation of the opening verses of the Genesis. / Niveau : Intermédiaire / Répertoire / Orgue

Après Nunc dimittis (ED 20242) et le Magnificat (ED 20150), Naji Hakim présente maintenant Verbum caro factum est (et le mot est devenu chair), son troisième travail sacré pour trois voix haute et orgue. La mélodieuse et titube ' Verbum caro ' est suivi par un puissant et optimiste ' Gloriam quasi-unigeniti ' avant que le texte d'introduction mène à la fin de hymnal. Le paramètre efficace du texte de l'Evangile de Saint John s utilisé comme l'Evangile dans la messe catholique de clôture peut être effectué avec le choeur de femmes ou avec trois voix solo (2 sopranos, alto). / Choeur De Femmes Ou 3 Parties Solo (SSA) Et Orgue

Une composition homophone sur la mélodie mozarabe. Après 'panem nostrum quotidianum da nobis hodie' le texte traditionnel mozarbe ajoute, au milieu de la prière, une phrase supplémentaire : 'quia Deus es' (car Tu es Dieu). Pour le concert ou la liturgie. / Choeur Mixte (SATB)

Par HAKIM NAJI. / Niveau : Intermédiaire / Répertoire / 3 Trompettes, Timbales et Orgue

The Cantilène is based on a melody of the 18th century, probably by Giovanni Battista Pergolesi (1710-1736), popular in several countries with different texts: 'Que ne suis-je la fougère', 'Bonne nuit les petits', 'Adieu, pauvre carnaval', 'San Pantzar', 'Wa habibi', among others.The Humoresque is a varied rondo using the characteristic tonalities of the txistu (a basque flute with three holes) : F major, D minor, C major, A minor, B flat major, G minor, Eb major, C minor, Ab major and F minor. / Flûte Et Piano

Par HAKIM NAJI. Written in harmonic style of the twentieth century, these Expressions are contrasted liturgical pieces: prelude, postlude, offertory & communion. The fifteen movements can be linked in a free order, allowing the organist to adapt the duration of his performance to the liturgical service. / Niveau : Facile à Intermédiaire / Répertoire / Orgue

Ewha Korean Prelude. Par HAKIM NAJI. This harmonisation was written in 2016 for the 130th anniversary of EWHA University Seoul and is based on a melody by professor Kiyoung Ahn (1900–1980)./ Répertoire / Piano ou Orgue

Sonata Vasca - Euskal Sonata. Par HAKIM NAJI. This sonata is articulated in three movements built on Basque themes. The Obertura, presents in a powerful and solemn setting the melody of Agur Jaunak. The Nocturno, is a slow and expressive variation on the melody of Haurtxo ttipia. The conclusive movement, Feria, is a set of variations on the melody of Kinkiri-Kunkuru. / Niveau : 3 / Répertoire / Piano

Version for piano and string quintet. Par HAKIM NAJI. This concerto follows the structure of the Italian overture – fast, slow, fast. The first movement is a sonata form without development, based on three themes, rhythmical, oriental, waltz respectively. The second movement is characterized by an initial theme with Chopinesque-contours, followed by a more agitated theme and a choral-theme accompanied by a carillon in the treble register of the piano. The recapitulation includes a cadenza, Variation on the choral-theme. The finale is a rondo with a cheerful refrain twirling as a tarentella. Ist festive and dance-like episodes are combined with the perpetuum mobile of the refrain and its variations and the work is rounded off with a brillant, luminous coda. Naji Hakim/ Répertoire / Piano, 2 Violons, Alto, Violoncelle et Contrebasse