Konzert für Klavier d-moll (BWV 974) von Johann Sebastian Bach nach dem Oboenkonzert von Alessandro Marcello.

Features 16 of Bach's transcriptions for solo keyboard instruments (piano and harpsichord) of concertos for violin and other non-keyboard instruments by Vivaldi, Telemann, and others. Reprinted from the definitive Bach-Gesellschaft edition prepared by Ernst Naumann. Content : Concerto No. 1 in D major, BWV 972 (based on a violin concerto by Antonio Vivaldi, op. 3, no. 9) [ALLEGRO]. LARGHETTO. ALLEGRO. Concerto No. 2 in G major, BWV 973 (based on a violin concerto by Antonio Vivaldi, op. 7, book 2, no. 2) [ALLEGRO]. LARGO. ALLEGRO. Concerto No. 3 in D minor, BWV 974 (based on an oboe concerto by Allessandro Marcello) [ALLEGRO]. ADAGIO. PRESTO. Concerto No. 4 in G minor, BWV 975 (based on a violin concerto by Antonio Vivaldi, op. 4, no. 6) [ALLEGRO]. LARGO. GIGA: PRESTO. Concerto No. 5 in C major, BWV 976 (based on a violin concerto by Antonio Vivaldi, op. 3, no. 12) [ALLEGRO]. LARGO. ALLEGRO. Concerto No. 6 in C major, BWV 977 (source unknown) [ALLEGRO]. ADAGIO. GIGA. Concerto No. 7 in F major, BWV 978 (based on a violin concerto by Antonio Vivaldi, op. 3, no. 3) ALLEGRO. LARGO. ALLEGRO. Concerto No. 8 in B minor, BWV 979 (source unknown) [ADAGIO]-ALLEGRO. ADAGIO. ALLEGRO. Concerto No. 9 in G major, BWV 980 (based on a violin concerto by Antonio Vivaldi, op. 4, no. 1) [ALLEGRO]. LARGO. ALLEGRO. Concerto No. 10 in C minor, BWV 981 (based on a concerto by Benedetto Marcello, op. 1, no. 2) [ADAGIO. VIVACE. [LARGO]. PRESTISSIMO. Concerto No. 11 in B-flat major, BWV 982 (based on a violin concerto by Duke Johann Ernst of Saxe-Weimar, op. 1, no. 1) [ALLEGRO]. ADAGIO. ALLEGRO. Concerto No. 12 in G minor, BWV 983 (source unknown) [ALLEGRO]. ADAGIO. ALLEGRO. Concerto No. 13 in C major, BWV 984 (based on a concerto by Duke Johann Ernst of Saxe-Weimar) [ALLEGRO]. ADAGIO E AFFETTUOSO. ALLEGRO ASSAI. Concerto No. 14 in G minor, BWV 985 (based on a violin concerto by Georg Philipp Telemann) [ALLEGRO]. ADAGIO. ALLEGRO. Concerto No. 15 in G major, BWV 986 (source unknown) [ALLEGRO]. ADAGIO. ALLEGRO. Concerto No. 16 in D minor, BWV 987 (based on a violin concerto by Duke Johann Erns of Saxe-Weimar, op. 1, no. 4) [GRAVE]-PRESTO. ALLEGRO.

Par MARCELLO ALESSANDRO. / Niveau : Débutant / classique / Répertoire / Flûte Traversière ou Hautbois) et 5 Guitares

La partition L'ANDROMACA - CANTATE de Marcello Alessandro a été composée pour Chant/Vocal/Choeur et plus particulièrement pour Voix Solistes Et Ensemble (Ou Orchestre). Cette partition musicale est éditée par une des nombreuses maisons d'édition française à savoir Billaudot. Cette oeuvre musicale fait partie intégrante des oeuvres de style Classique. / Voix Solistes Et Ensemble (Ou Orchestre) / Partition

La plupart des enseignants de la voix et des chanteurs préfèrent toujours la pianistique, merveilleusement gratifiante arrangements de ce matériau italien début faite par Alessandro Parisotti dans les années 1880. Cette nouvelle édition, nouvellement fait des recherches et gravé, comprend l'original Schirmer 24 'plus quatre chansons supplémentaires : Sento nel core (a. Scarlatti), O leggiadri occhi belli (anonyme), Intorno all'idol mio (Cesti), Delizie contente, che l'Alma beate (Cavalli). Avec IPA, mot pour mot traductions et des informations historiques sur chaque chanson et compositeur. Le CD comprend des accompagnements piano et enregistré des leçons de prononciation / Chant Et Piano / Partition + Cd

Description Anthology Of Italian Song Of The 17th And 18th Centuries Book I Selected and edited with biographical notes by Alessandro Parisotti. Songlist Affanni Del Pensier [Handel, George Frideric] Ah! Mio Cor [Handel, George Frideric] Che Fiero Costume [Legrenzi, Giovanni] Chi Vuol Comprar [Jommelli,Niccola] Chi Vuol La Zingarella [Paisiello, Giovanni] Comme Raggio Di Sol [Caldara, Antonio] Consolati E Spera [Scarlatti, Domenico] Deh Piu A Me Non V'ascondete [Bononcini, Giovanni] Il Mio Ben Quando Verr[Paisiello, Giovanni] Intorno All'idol Mio [Cesti, Marco Antonio] Nel Cor Piu Non Mi Sento (L'Amor Contrastato) [Paisiello, Giovanni] O Cessate Di Piagarmi [Scarlatti, Alessandro] O Del Mio Dolce Ardor (Paride Ed Elena) [Gluck, Christoph Willibald] O Notte, O Dea [Piccinni, Niccolo] Ogni Pena Piu Spietat [Pergolesi, Giovanni]) Ombra Cara, Amorosa [Traetta, Tommaso] Piacer D'amor [Martini, Giovanni] Pur Dicesti, O Bocca Bella [Lotti, Antonio] Quella Fiamma Che M'accende [Marcello, Benedetto] Se Florindo E Fedele [Scarlatti, Alessandro] Se Tu Della Mia Mort [Scarlatti, Alessandro] Se Tu M'ami, Se Sospiri [Pergolesi, Giovanni] Sebben, Crudele [Caldara, Antonio] Selve Amiche [Caldara, Antonio] Son Tutta Duolo [Scarlatti, Alessandro] Spesso Vibra Per Suo [Scarlatti, Alessandro] Stizzoso, Mio Stizzoso [Pergolesi, Giovanni] Un Certo Non So Che [Vivaldi, Antonio] Vittoria, Mio Core! [Carissimi, Giacomo]

Puccini's 'La Boheme' is based on Henri Murger's novel Scènes de la vie de bohème which draws it's inspiration from the Bohemian lifestyle which was somewhat in vogue in Paris at the time. This Libretto by Giuseppe Giacosa and Luigi Illica runs as follows: Rodolfo?s neighbour in his garret Mimi knocks at the door saying her candle has gone out on the stairs. Rodolfo and Mimi sit in the dark talking and fall for each other. They go to meet Rodolfo?s friends. While there Marcello's former lover Musetta arrives with her new husband Alcindoro but distracting him falls into Marcello's arms. Some time later Mimì pours out her distress to Marcello over Rodolfo'sincessant jealousy Rodolfo is actually concerned about Mimi?s poor health and wants to part with her. On realising this the two decide to stay together until spring Marcello and Musetta meanwhile part when she is unfaithful.Some months later Rodolfo Marcello and friends are amusnig themselves in the garret when Musetta bursts in saying Mimi is downstairs and has begged to be taken to her lover to die. She dies almost happily recalling their early love.This is the Schirmer edition of the Vocal Score in Italian and and English translation by Ruth and Thomas Martin.

26 Italian Songs And Arias contains arias sung and loved by the greatest singers in the world, and this version is for Medium/Low Voice with Piano Accompaniment. This edition draws on original manuscripts and historical first editions, along with recent research of prominent musicologists, to meet a high standard of accuracy and authenticity. It also enhances your enjoyment of the arias with a fascinating background about their original appearance in cantatas and operas, and about their composers. It will be easier than ever to learn the arias because the use of the International Phonetic Alphabet removes doubts about correctpronunciation. / Répertoire d'Examen / Recueil / Voix

/ Hautbois (Ou Violon), Cordes Et Basse Continue (Ou Clavecin Ou Orgue) Violoncelle (Ou Viole De Gambe) Ad Libitum