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Violoncello Sonata in E minor, Op. 38
$21.95
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(Cello and Piano). Composed by Johannes Brahms (1833-1897). Edited by Claus Kanngiesser, Egon Voss, Johannes Behr, and Klaus Schilde. For Cello, Piano Accompaniment. Henle Music Folios. G. Henle #HN1134. Published by G. Henle
Instrumentation :
Violoncelle, Piano
Editeur :
G. Henle
Item Number: HL.51481134
9.25x12 inches.
The E minor Cello Sonata is the first work for one solo instrument and piano which the meticulous composer also had published. In summer 1865 Brahms offered it to the publisher Simrock as a sonata ?whose two instruments are both absolutely easy to play? - and rightly so: contrary to the later F Major Sonata Op. 99 (51481135), this early sonata is technically less demanding, yet musically more striking at the same time, so that it is a hit with amateurs and professionals alike. Henle's new edition is based on the new Brahms Complete Edition and thus boasts, besides in-depth commentary, a musical text revised according to the latest scholarly findings. Includes a marked and unmarked cello part.
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Bach, Jean-Sébastien : Suites, Partitas, Sonatas
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?I think Bach would have forgiven me for embarking on these transcriptions. Whet...
(+)
?I think Bach would have forgiven me for embarking on these transcriptions. Whether he would have forgiven the way I did it is, of course, another matter.? (Gustav Leonhardt)
The harpsichordist, conductor and organist Gustav Leonhardt was considered a pioneer of historical performance practice. Between 1968 and 1978 he made harpsichord transcriptions of several of Bach?s compositions for unaccompanied violin or violoncello. Now these transcriptions are being made available to us by his pupil, the famed harpsichordist Siebe Henstra, based on the handwritten notes that Leonhardt used for his own performances.
- Informative Foreword by early music specialist Skip Sempé (Ger/Eng)
- Editorial notes by the editor Siebe Henstra / Classique / Partition /
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Johannes Brahms:The Works for one Instrument and PianoJohannes Brahms' compositi...
(+)
Johannes Brahms:The Works for one Instrument and PianoJohannes Brahms' compositions for one instrument and piano have been standards in chamber music literature ever since their inception. These works were written with specific performers in mind and Brahms worked closely with them when refining the final texts. Nevertheless, we rarely approach the music taking into consideration the possibilities of the instruments for which Brahms wrote or the performing practices of the individual players who first performed these compositions, including Brahms himself.The New Urtext EditionsBärenreiter's pioneering new scholarly-critical editions of Brahms' works for one instrument and piano are edited by a team of musicologists who are also performers. They offer today's musicians not just a reliable musical text based on all known sources, but also a comprehensive approach to the works, which aims to place them in their historical context and to elucidate the complex of meanings that the composer wished his notation to convey to performers.In addition to the musical text these editions offer an informative Introduction laying out the genesis, publication history and reception of the works. At the same time there is a complete list of the sources, an explanation of the editorial procedures and a Critical Commentary. Also, each volume contains a detailed discussion of specific performing practice issues raised by individual works.An integral part of Bärenreiter's Brahms publication complex is a text booklet which approaches general performance practice issues of the 19th century with regard to e.g. tempo, rubato, rhythmic flexibility and articulation. Furthermore musicians will find valuable information concerning vibrato, portamento and bowing. Last but not least characteristics of Brahms' own piano playing as well as that of his circle and contemporaries are discussed.The violin and viola sonata editions come not only with an Urtext part freed from all editorial emendations, but also with an additional part including fingering and bowing based on the practices of Joseph Joachim and his colleagues. These markings especially draw on publications of the sonatas edited by Joachim's pupils Leopold Auer and Ossip Schnirlin as well as those by Brahms' associate Franz Kneisel. A similar approach has been used for the violoncello sonatas, drawing on performance markings by Robert Hausmann (for whom Brahms wrote the Sonata in F major), Hugo Becker, with whom Brahms performed it, and Julius Klengel who was also close to his circle.Bärenreiter's new Brahms complex also importantly brings two neglected works back into the player's hands, namely the splendid versions of the op. 120 sonatas, originally written for viola or clarinet and piano. Brahms' arrangements for violin and piano unaccountably disappeared from the standard repertoire early in the 20th century. In these versions Brahms did not simply adjust the solo part for the violin, he made many alterations to the piano part, casting thought-provoking light on the clarinet and viola versions.- A pioneering set of Urtext editions- String editions include an Urtext solo part and a second part with fingering as well as performance markings- Each edition offers a preface on performance practice aspects pertaining to the respective works- A separate text booklet includes pioneering texts on general issues of performance practice in the 19th century as well as on specific issues with regard to Johannes Brahms' chamber music / Violon Et Piano
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(+)
The Works for one Instrument and PianoJohannes Brahms' compositions for one instrument and piano have been standards in chamber music literature ever since their inception. These works were written with specific performers in mind and Brahms worked closely with them when refining the final texts. Nevertheless, we rarely approach the music taking into consideration the possibilities of the instruments for which Brahms wrote or the performing practices of the individual players who first performed these compositions, including Brahms himself.The New Urtext EditionsBärenreiter's pioneering new scholarly-critical editions of Brahms' works for one instrument and piano are edited by a team of musicologists who are also performers. They offer today's musicians not just a reliable musical text based on all known sources, but also a comprehensive approach to the works, which aims to place them in their historical context and to elucidate the complex of meanings that the composer wished his notation to convey to performers.In addition to the musical text these editions offer an informative Introduction laying out the genesis, publication history and reception of the works. At the same time there is a complete list of the sources, an explanation of the editorial procedures and a Critical Commentary. Also, each volume contains a detailed discussion of specific performing practice issues raised by individual works.An integral part of Bärenreiter's Brahms publication complex is a text booklet which approaches general performance practice issues of the 19th century with regard to e.g. tempo, rubato, rhythmic flexibility and articulation. Furthermore musicians will find valuable information concerning vibrato, portamento and bowing. Last but not least characteristics of Brahms' own piano playing as well as that of his circle and contemporaries are discussed.The violin and viola sonata editions come not only with an Urtext part freed from all editorial emendations, but also with an additional part including fingering and bowing based on the practices of Joseph Joachim and his colleagues. These markings especially draw on publications of the sonatas edited by Joachim's pupils Leopold Auer and Ossip Schnirlin as well as those by Brahms' associate Franz Kneisel. A similar approach has been used for the violoncello sonatas, drawing on performance markings by Robert Hausmann (for whom Brahms wrote the Sonata in F major), Hugo Becker, with whom Brahms performed it, and Julius Klengel who was also close to his circle.Bärenreiter's new Brahms complex also importantly brings two neglected works back into the player's hands, namely the splendid versions of the op. 120 sonatas, originally written for viola or clarinet and piano. Brahms' arrangements for violin and piano unaccountably disappeared from the standard repertoire early in the 20th century. In these versions Brahms did not simply adjust the solo part for the violin, he made many alterations to the piano part, casting thought-provoking light on the clarinet and viola versions.- A pioneering set of Urtext editions- String editions include an Urtext solo part and a second part with fingering as well as performance markings- Each edition offers a preface on performance practice aspects pertaining to the respective works- A separate text booklet includes pioneering texts on general issues of performance practice in the 19th century as well as on specific issues with regard to Johannes Brahms' chamber music / Violon Et Piano
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Bernhard Romberg (1767-1841) probably was the greatest cello virtuoso of his tim...
(+)
Bernhard Romberg (1767-1841) probably was the greatest cello virtuoso of his time and compared to Paganini in his lifetime. He gave cello lessons at the famous Conservatoire de Paris among others.Romberg's popular Trio in E minor originally was the first part of the Trois Trios d'une Difficulté Progressive pour le Violoncelle Viola et Violoncelle Op. 38. The solo violoncello was accompanied by a viola and a second violoncello. The two other trios are much more difficult, with a lot of passage work, thumb position, tenor and violin clef.The Trio in E minor Op. 38/1 was arranged many times and scored for various combinations of instruments. This edition refers to the popular arrangement for violoncello and piano by Friedrich Gustav Jansen (1837-1910) which is ideal for music lessons and concerts.Also available is another arrangement of the Trio Op. 38/1 for three violoncellos (SE 1008). The easy bass part can be played by another student.This edition is part of the new Schott Student Edition series which offers varied literature at five different levels of difficulty, from 1 (easy) to 5 (difficult), for instrumental lessons:In print or electronic formatAvailable as printed editions or PDF downloadPractising - efficiently and with pleasureAccompanying tracks of the pieces available as downloads / Violoncelle Et Piano
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Sonata E Minor, Op. 38/1
29.10
Sonata E Minor, Op. 38/1
Violoncelle, Piano
Schott
Bernhard Romberg (1767-1841) probably was the greatest cello virtuoso of his tim...
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Bernhard Romberg (1767-1841) probably was the greatest cello virtuoso of his time and compared to Paganini in his lifetime. He gave cello lessons at the famous Conservatoire de Paris among others.Romberg's popular Trio in E minor originally was the first part of the Trois Trios d'une Difficulté Progressive pour le Violoncelle Viola et Violoncelle Op. 38. The solo violoncello was accompanied by a viola and a second violoncello. The two other trios are much more difficult, with a lot of passage work, thumb position, tenor and violin clef.The Trio in E minor Op. 38/1 was arranged many times and scored for various combinations of instruments. This edition refers to the popular arrangement for violoncello and piano by Friedrich Gustav Jansen (1837-1910) which is ideal for music lessons and concerts.Also available is another arrangement of the Trio Op. 38/1 for three violoncellos (SE 1008). The easy bass part can be played by another student.This edition is part of the new Schott Student Edition series which offers varied literature at five different levels of difficulty, from 1 (easy) to 5 (difficult), for instrumental lessons:In print or electronic formatAvailable as printed editions or PDF downloadPractising - efficiently and with pleasureAccompanying tracks of the pieces available as downloads / Violoncelle Et Piano
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Sonata For Violoncello And Piano E Minor Op. 38
20.80
Sonata For Violoncello And Piano E Minor Op. 38
Violoncelle, Piano
Barenreiter
The first three movements of Johannes Brahms' E minor Cello Sonata were composed...
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The first three movements of Johannes Brahms' E minor Cello Sonata were composed in 1862, the last movement was written in 1865. During the first years of its performance the work was received with mixed enthusiasm. By the end of Brahms' life, however, it was widely performed and by the first decades of the 20th century it was firmly embedded in the repertoire of many distinguished cellists. It was notably Robert Hausmann's advocacy of the work which seems to have contributed greatly to its promotion.Of particular value to the editors were the three early performance editions of the Cello Sonata op. 38 by Cornelius van Vliet and Edwin Hughes, Hugo Becker and Carl Friedberg, as well as Julius Klengel. The cellists' van Vliet, Becker and Klengel's fingering and bowing allows for a better understanding of their performance practice. As such, the Bärenreiter edition comes with a cello part marked with fingering and bowing by the editors which are based on the practices of Brahms' contemporaries. We also provide an unmarked urtext part.An important part of this edition is the extensive preface. Firstly it informs about the works' origins, early performances, its publication as well as early reception. Truly remarkable is the unique Performance Practice Commentary. Here the editors take the premise that already a few decades after Brahms' death a widening gulf developed between the composer's expectations and the performance practices of the early 20th century. In a very concrete and practical way, the editors summarize some of the key issues in understanding Brahms' notation with regard to rhythm and timing, dynamics and accentuation, dots and strokes, slurring and non legato, piano pedalling and overholding, piano arpeggiation and dislocation, string instrument fingering, string instrument harmonics and vibrato. In this way, the edition offers an exciting and often surprising insight in Romantic musical interpretation.- A pioneering Urtext edition- With an unmarked Urtext part- With a second part including fingering and bowing based on the practices of contemporaries of Brahms- With an extensive Performance Practice Commentary- For further information on Romantic performance practice we recommend: ?Performance Practices in Johannes Brahms' Chamber Music', text booklet BA 9600 / Violoncelle Et Piano
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Sonata No. 1 In D Minor Op. 109 For Violoncello And Piano (FAURE GABRIEL)
26.10
Sonata No. 1 In D Minor Op. 109 For Violoncello And Piano (FAURE GABRIEL)
Violoncelle, Piano
G. Henle
Par FAURE GABRIEL. Immediately after finishing his second Violin Sonata op. 108,...
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Par FAURE GABRIEL. Immediately after finishing his second Violin Sonata op. 108, Fauré started work on a sonata for Cello and Piano in early 1917, thus realising a long-conceived plan. In their predisposition and attitude, both works are very closely related. In the Cello sonata, a sombre, dramatic opening movement is also followed by a calm, relaxed slow middle movement and a graceful finale. The critical response to the first performances was subdued, but on account of increasing interest in Fauré ’s complete late chamber music, this sonata has recently been rediscovered as a substantial part of his oeuvre. The Henle Urtext edition constitutes the first criticaledition of this work. David Geringas, a master of his craft, supplied the markings in the Cello part. / Kolb, Fabian / Répertoire / Violoncelle et Piano
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Sonata For Piano And Arpeggione A Minor D 821 (Op. Post.) (Version For Violoncello)
21.80
Sonata For Piano And Arpeggione A Minor D 821 (Op. Post.) (Version For Violoncello)
Violoncelle, Piano
G. Henle
Ausgabe für Violoncello. Par SCHUBERT FRANZ. Une bonne intention n’est jamais...
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Ausgabe für Violoncello. Par SCHUBERT FRANZ. Une bonne intention n’est jamais assez bonne (d’après Kurt Tucholsky): l’Arpeggione, cette sorte d’hybride – une grande guitare frottée par un archet – n’a jamais réussi à s’imposer auprès des musiciens. Cette curiosité organologique serait certainement déjà tombée depuis longtemps dans l’oubli le plus total si précisément Franz Schubert n’avait pas composé sa sonate en La mineur pour cet instrument. Et cette oeuvre en trois mouvements est vraiment immortelle. Mais elle pose aussi un problème pour l’Urtext, car sans certaines interventions dans le texte, la partie d’arpeggione originale ne pourrait être exécutée sur l’instrument le plus proche au niveau du timbre, àsavoir l’alto ou le violoncelle. La maison d’édition G. Henle résout ainsi le dilemme: d’une part, la partie d’arpeggione originale est superposée à la partie de piano originale (partition), de l’autre, dans la partie séparée jointe à la partition les rares changements d’octaves indispensables sont clairement indiqués. Il était hors de question pour nous d’envisager une autre partie – le violon par exemple (comme dans l’édition Diabelli parue après la mort du compositeur), la flûte ou tout autre instrument mélodique à tessiture aiguë – car toutes ces alternatives s’écartent trop des représentations de timbre que pouvait avoir Schubert. Dans le meilleur des cas, on pourrait envisager – pourquoi pas? – une partie de contrebasse. / Partition brochée / Répertoire / Violoncelle et Piano
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Works For Violoncello And Piano
156.10
Works For Violoncello And Piano
Violoncelle, Piano
G. Henle
Facilement identifiable par son ISBN 9790201841618 cette pièce Works for Violon...
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Facilement identifiable par son ISBN 9790201841618 cette pièce Works for Violoncello and Piano appartient à la collection désormais incontournable Linde, Bernhard Van Der.Composée pour Violoncelle par le célèbre compositeur Beethoven Ludwig Van ce sont les éditions Henle qui on eu l'honneur d'imprimer cette partition. / Violoncelle Et Piano / Edition Complète
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Works For Violoncello And Piano
175.50
Works For Violoncello And Piano
Violoncelle, Piano
G. Henle
Facilement identifiable par son ISBN 9790201841625 cette pièce Works for Violon...
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Facilement identifiable par son ISBN 9790201841625 cette pièce Works for Violoncello and Piano appartient à la collection désormais incontournable Linde, Bernhard Van Der.Composée pour Violoncelle par le célèbre compositeur Beethoven Ludwig Van ce sont les éditions Henle qui on eu l'honneur d'imprimer cette partition. / Violoncelle Et Piano / Edition Complète
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Sonata In G Minor
17.40
Sonata In G Minor
Violoncelle, Piano
Bosworth
The entire four movements of Henry Eccles' Sonata in G Minor for ViolonCello and...
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The entire four movements of Henry Eccles' Sonata in G Minor for ViolonCello and Piano remain in the key of G minor, with many long, expressive phrases and some moments of fleet-fingered delight.Henry Eccles was a Violinist and composer of the Baroque era who was a musician to King William and Queen Mary and a member of the Royal Band of Queen Anne. The Duke d'Aumont brought him to Paris, where he entered the service of King Louis XIV. In 1720, Eccles published a book of sonatas for Violin and figured bass, from which renowned English composer Malcolm Lipkin has created this arrangement for 'Cello and Piano. / Violoncelle Et Piano
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Marcello Benedetto - Sonata No. 3 A Minor - Cello And Basso Continuo ; Cello Ad Lib.
17.40
Marcello Benedetto - Sonata No. 3 A Minor - Cello And Basso Continuo ; Cello Ad Lib.
Violoncelle
Schott
A minor - VC/BC - cello and basso continuo (harpsichord/piano); cello (viola da ...
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A minor - VC/BC - cello and basso continuo (harpsichord/piano); cello (viola da gamba) ad lib.editor: Ruf, Hugocomposer: Marcello, BenedettoÉditeur: Schott MusicSérie: Cello LibraryDifficulté: Intermediatepages: 20Die sechs Sonaten von Benedetto Marcello (1686-1739) gehören neben denjenigen von Antonio Vivaldi zu den bekanntesten Barockkompositionen für Violoncello und Basso continuo. Schon zu Lebzeiten des zu seiner Zeit durchaus berühmten Komponisten wurde die Sammlung in den wichtigen europäischen Musikmetropolen London, Paris und Amsterdam in Drucken angeboten. Auch wenn es einige unbequeme Griffverbindungen in diesen Sonaten gibt, die daher rühren dürften, dass Marcello mit einem fünfsaitigen, um eine e?-Saite ergänzten Cello rechnete, so sind sie doch von moderater Schwierigkeit und gehören zu den Standardwerken des Violoncellounterrichts.
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Sonata For Violin And Basso Continuo In G Minor 'Devil's Trill'
17.60
Sonata For Violin And Basso Continuo In G Minor 'Devil's Trill'
Violon, Basse continue
Barenreiter
(replaces HM 278) The 'Devil's Trill' Sonata is the most famous of the violin so...
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(replaces HM 278) The 'Devil's Trill' Sonata is the most famous of the violin sonatas of Giuseppe Tartini (1692-1770). In this scholarly-critical edition, it holds many a surprise in store. For the first time, all available contemporary sources have been consulted to produce an edition closely approximating Tartini's lost autograph. The solo part offers several ossia passages and alternative articulation marks, and the score has been given an eminently playable realization of the continuo part offering ample scope for improvisation. Also for the first time, this edition includes a separate part for violoncello or violone.A detailed Foreword sheds light on the genesis and subsequent reception of this sonata. There is also a Critical Report discussing and evaluating all sources used and providing explanations of a number of important passages, including the famous trill itself. / Violon Et Basse Continue
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Sonata (PAGANINI NICCOLO)
24.90
Sonata (PAGANINI NICCOLO)
Saxophone Alto et Piano
Schott
after the quartet no. 15 in A minor for violin, viola, violoncello and guitar. P...
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after the quartet no. 15 in A minor for violin, viola, violoncello and guitar. Par PAGANINI NICCOLO. This beautiful Sonata for alto saxophone and piano by the ECHO Klassik Award winner Raaf Hekkema is a valuable addition to the saxophone repertoire. The piece is an arrangement of Niccolò Paganini's Quartet No. 15 in A minor (originally scored for violin, viola, violoncello and guitar)./ Répertoire / Saxophone Alto et Piano
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Sonata No. 2 In G Minor Op. 117 (FAURE GABRIEL)
23.60
Sonata No. 2 In G Minor Op. 117 (FAURE GABRIEL)
Violoncelle, Piano
G. Henle
Sonata no. 2 in g minor op. 117 for Violoncello and Piano. Par FAURE GABRIEL. In...
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Sonata no. 2 in g minor op. 117 for Violoncello and Piano. Par FAURE GABRIEL. In contrast to the first cello sonata (HN 1357) composed four years earlier, this substantially more catchy and playful second sonata enjoyed great success with audiences and critics right from the start. Friend and associate Vincent d'Indy wrote to Fauré the day after the premiere in May 1922: I would like to tell you how much I am still charmed by your so beautiful sonata. In it I found what is seemingly forgotten these days: music.” It therefore comes as no surprise that the sonata rapidly found its way into the concert repertoire, where it maintains an uncontested position to this today. The duo David Geringas and Markus Bellheim provided fingerings. / Classique / Répertoire / Violoncelle et Piano
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Johannes Brahms: Sonata Op. 38 E Minor: Cello: Instrumental Work
14.99
Johannes Brahms: Sonata Op. 38 E Minor: Cello: Instrumental Work
Violoncelle
Wiener Urtext
Violoncello and Piano-Johannes Brahms' Sonata Op. 38 in E minor for Cello with P...
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Violoncello and Piano-Johannes Brahms' Sonata Op. 38 in E minor for Cello with Piano accompaniment.
14.99 GBP - vendu par Musicroom GB
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Sonate Für Klavier Und Violoncello
20.00
Sonate Für Klavier Und Violoncello
En Français
Violoncelle, Piano
G. Henle
The e minor Cello Sonata is the first work for one solo instrument and piano whi...
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The e minor Cello Sonata is the first work for one solo instrument and piano which the meticulous composer also had printed. In summer 1865 Brahms offered it to the publisher Simrock as a sonata 'whose two instruments are both absolutely easy to play? - and rightly so: contrary to the later F-major Sonata op. 99 (HN 1135), this early sonata is technically less demanding, yet musically more striking at the same time, so that it is a hit with amateurs and professionals alike. Our new edition is based on the new Brahms Complete Edition and thus boasts, besides in-depth comments, a musical text revised according to the latest scholarly findings- as always, the cello part is enhanced with additional markings. / Violoncelle Et Piano
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Sonata For Piano And Violoncello E Minor Op. 38
16.41
Sonata For Piano And Violoncello E Minor Op. 38
Violoncelle, Piano
[Partition]
G. Henle
Professionnel ou amateur de Classique vous apprécierez cette partition de musiq...
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Professionnel ou amateur de Classique vous apprécierez cette partition de musique. Composée par Brahms Johannes et éditée par Henle cette partition est idéale pour les joueurs de Violoncelle. Si l'instrumentation Violoncelle Et Piano correspond à ce que vous cherchez, vous en ferez alors un très bon usage. / Violoncelle Et Piano / Partition
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Lennox Berkeley: Oboe Quartet Op.70 (Miniature Score): Oboe: Score
7.99
Lennox Berkeley: Oboe Quartet Op.70 (Miniature Score): Oboe: Score
Hautbois, Violin, Alto et Violoncelle (Quatuor)
[Partition]
Chester
Work for Oboe Violin Viola and Cello. Parts available: CH56341.This quartet wa...
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Work for Oboe Violin Viola and Cello. Parts available: CH56341.This quartet was commissioned by the Institute of Contemporary Arts and written in the autumn of 1967. It is dedicated to Lady Norton and is the second of LennoxBerkeley’s three works written with the oboist the late Janet Craxton in mind the other two being his Sonatina OP 61 and Sinfonia Concertante OP 84.The work begins with a fairly extended introduction leading without a breakinto an Allegro. The whole composition is based on the internal of a third (sometime major sometimes minor) which is heard in the opening phrase of the introduction and again in the main theme of the Allegro though here in atotally different context. The allegro is in more or less traditional sonata form. The middle movement is a kind of Scherzo growing out of a rhythmical figure for the strings and a rapid arpeggio (major and minor chords) forthe oboe. This is a Presto; a more relaxed middle section corresponding to the Trio in a classical work is followed by a much shortened version of the Scherzo. The last movement is brief but very slow all four instrumentstaking up in turn a gently rocking figure that moves to and fro between two notes always a major or minor third apart. The music becomes more animated but returns to the opening figure and dies away each instrument droppingout one after the other leaving the cello alone in the last bar.
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Antonio Vivaldi : Complete Sonatas for Cello and Basso Continuo
Violoncelle, Basse continue
Wiener Urtext
(Samtliche Sonaten fur Violoncello und Basso continuo). By Antonio Vivaldi (1678...
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(Samtliche Sonaten fur Violoncello und Basso continuo). By Antonio Vivaldi (1678-1741). Edited by Bernhard Moosbauer. Standard notation
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1 to 2 weeks
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Franz Schubert: Sonata for Piano and Arpeggione A minor D 821 (op. post.)
Violoncelle, Piano
[Partition]
G. Henle
In a Minor, Op. Posth. D 821 - Version for Violoncello and Piano. By Franz Schub...
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In a Minor, Op. Posth. D 821 - Version for Violoncello and Piano. By Franz Schubert. Edited by W.-D. Seiffert. Violoncello. Pages: Score = XI and 29 * Vc Part = 13. Edition for Violoncello-paper bound. Published by G. Henle.
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Edvard Grieg : Violoncello sonata in a Minor Op. 36
Violoncelle, Piano
[Partition]
G. Henle
And other Works - for Violoncello and Piano - with Comments in English. By Edvar...
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And other Works - for Violoncello and Piano - with Comments in English. By Edvard Grieg. Edited by E.-G. Heinemann/E. Steen-Noekleberg. Violoncello. Pages: Score =VII and 65 * Vc Part = 19. Urtext edition (Paper-bound). Published by G. Henle.
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Two (2) Sonatas For Violoncello And Basso Continuo, No.1 F Major, No.4 G Minor
Violoncelle, Basse continue
Schott
No. 1 F Major and No. 4 G Minor. Composed by Benedetto Marcello (1686-1739). Edi...
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No. 1 F Major and No. 4 G Minor. Composed by Benedetto Marcello (1686-1739). Edited by Gerhart Darmstadt. This edition: Saddle stitching. Sheet music. Cello Library. Classical. 24 pages. Schott Music #CB 64. Published by Schott Music
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Sonatas for Piano and Violoncello/Sonatas for Clarinet and Piano
Clarinette et Piano
[Conducteur]
G. Henle
(New Brahms Complete Edition: Series II, Vol. 9 Clothbound Score). By Johannes B...
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(New Brahms Complete Edition: Series II, Vol. 9 Clothbound Score). By Johannes Brahms (1833-1897). Edited by Egon Voss and Johannes Behr. Henle Complete Edition. Hardcover. 210 pages. G. Henle #HN6013. Published by G. Henle
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Johann Sebastian Bach: Flute sonatas, volume I (The four authentic sonatas with Violoncello part)
Flûte, Violoncelle, Piano (trio)
[Partition]
G. Henle
Four Authentic Sonatas - with a Violoncello Part. By Johann Sebastian Bach. Edit...
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Four Authentic Sonatas - with a Violoncello Part. By Johann Sebastian Bach. Edited by H. Eppstein. Flute. Pages: Score = VII and 60 * Fl Part = 22 * Vc Part = 7. Urtext edition without fingering-paper bound. Published by G. Henle.
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Bach - Sonatas Vol 1 Authentic Sonatas Flute/Piano
Flûte traversière et Piano
G. Henle
This item will ship directly from our Australia warehouse! Flute, Cello, Piano S...
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This item will ship directly from our Australia warehouse! Flute, Cello, Piano SKU: HU.HN269 Composed by Johann Sebastian Bach. Edited by Hans Eppstein. Woodwind, Repertoire, Collections. Flute Sonatas Vol. 1 Authentic Sonatas. Baroque, Classical. Softcover Book. 98 pages. G. Henle #HN269. Published by G. Henle (HU.HN269).
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4 to 6 weeks
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Beethoven : Sonaten fur violoncello und klavier
Violoncelle, Piano
Wiener Urtext
(Sonatas for violoncello and piano). By Ludwig van Beethoven (1770-1827). Edited...
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(Sonatas for violoncello and piano). By Ludwig van Beethoven (1770-1827). Edited by Christiane Wiesenfeldt. For cello and piano. Standard notation
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12 Sonatas, Op. 2 - Book 2
Violon, Basse continue
Schott
For Violin and Basso Continuo (Violoncello ad lib.). By Antonio Vivaldi. Arrange...
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For Violin and Basso Continuo (Violoncello ad lib.). By Antonio Vivaldi. Arranged by Willi Hillemann. Schott. Size 9x12 inches. 64 pages. Published by Schott.
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Bach, Johann Sebastian: Flute sonatas volume II (3 Sonatas ascribed to J. S. Bach with Violoncello part)
Flûte traversière et Piano
[Partition]
G. Henle
Three Sonatas attributed to J.S. Bach - with a Violoncello Part - for Flute and ...
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Three Sonatas attributed to J.S. Bach - with a Violoncello Part - for Flute and Piano. By Johann Sebastian Bach. Edited by Hans Eppstein. Flute. Pages: Score = VII and 34 * Fl Part = 15 * Vc Part = 3. Urtext edition without fingering-paper bound. Published by G. Henle.
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12 Sonatas, Op. 2 - Book 1
Violon, Basse continue
Schott
For Violin and Basso Continuo (Violoncello ad lib.). By Antonio Vivaldi. Arrange...
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For Violin and Basso Continuo (Violoncello ad lib.). By Antonio Vivaldi. Arranged by Willi Hillemann. Schott. Size 9x12 inches. 76 pages. Published by Schott.
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Flute Sonatas (10) Complete in 3 volumes Volu
Peters
By George Frideric Handel. Edited by Woehl(Urtext). For flute (A recorder/violin...
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By George Frideric Handel. Edited by Woehl(Urtext). For flute (A recorder/violin), piano (cembalo) (violoncello ad lib). 3 Early Sonatas(a,e,b)(Halle 1710). Published by C.F. Peters.
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1 to 2 weeks
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Flute Sonatas (10) Complete in 3 volumes Volume 3
Peters
By George Frideric Handel. Edited by Woehl(Urtext). For flute (A recorder/violin...
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By George Frideric Handel. Edited by Woehl(Urtext). For flute (A recorder/violin), piano (cembalo) (violoncello ad lib). 4 Sonatas(g,a,C,F). Published by C.F. Peters.
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Flute Sonatas (10) Complete in 3 volumes Volu
Peters
By George Frideric Handel. Edited by Woehl(Urtext). For flute (A recorder/violin...
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By George Frideric Handel. Edited by Woehl(Urtext). For flute (A recorder/violin), piano (cembalo) (violoncello ad lib). 3 Sonatas(e,G,b). Published by C.F. Peters.
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Sonatas in F minor and E-flat major, Edition for Clarinet and Piano op. 120
Clarinette et Piano
Barenreiter
Composed by Johannes Brahms (1833-1897). Edited by Clive Brown; Neal Peres Da Co...
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Composed by Johannes Brahms (1833-1897). Edited by Clive Brown; Neal Peres Da Costa. For clarinet and piano. Score with parts. Opus 120. Published by Baerenreiter Verlag
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Sonatas in F minor and E-flat major for Viola and Piano op. 12
Alto, Piano
Barenreiter
Composed by Johannes Brahms (1833-1897). Edited by Clive Brown / Neal Peres Da C...
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Composed by Johannes Brahms (1833-1897). Edited by Clive Brown / Neal Peres Da Costa. For viola and piano. This edition: urtext edition. Paperback. Level 3. Score with parts. Opus 120. Published by Baerenreiter Verlag
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Johann Sebastian Bach: Four Flute Sonatas - BWV 1030, 1032, 1034, 1035
Flûte, Violoncelle
[Set de Parties séparées]
Barenreiter
Composed by Johann Sebastian Bach (1685-1750), edited by Hans-Peter Schmitz. Set...
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Composed by Johann Sebastian Bach (1685-1750), edited by Hans-Peter Schmitz. Set of performance parts (includes separate pull-out flute and cello parts) for flute and basso continuo (harpsichord, cello). Urtext of the New Bach Edition. With solo part, basso continuo part, keyboard realization and introductory text. 118 pages. Published by Baerenreiter-Ausgaben (German import). ISBN M006447992.
(4)
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Chopin, Frederic: Sonata for Violoncello and Piano G minor op. 65
Violoncelle, Piano
[Partition]
G. Henle
For Violoncello and Piano. By Frederic Chopin. Edited by Ewald Zimmermann. Violo...
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For Violoncello and Piano. By Frederic Chopin. Edited by Ewald Zimmermann. Violoncello. Pages: Score = IV and 47 * Vc Part = 12. Urtext edition-paper bound. Published by G. Henle.
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Franz Xaver Richter : Sonatas
Flûte, Violoncelle, Piano (trio)
[Conducteur et Parties séparées]
Wiener Urtext
Selection. By Franz Xaver Richter. For flute (violin), harpsichord and violoncel...
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Selection. By Franz Xaver Richter. For flute (violin), harpsichord and violoncello (ad. Baroque. Level: 5. Full score and 2 parts. 88 pages. Published by Wiener Urtext Edition.
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Violin Sonatas Complete in 2 volumes Volume 1
Violon et Piano
Peters
By George Frideric Handel. Edited by Davisson, Ramin(Urtext). For violin (record...
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By George Frideric Handel. Edited by Davisson, Ramin(Urtext). For violin (recorder), piano (violoncello ad lib). Nos.1-3(A,g,F). Published by C.F. Peters.
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Johann Sebastian Bach: 3 Flute Sonatas
Flûte, Violoncelle
[Set de Parties séparées]
Barenreiter
Composed by Johann Sebastian Bach (1685-1750), edited by Alfred Durr. For flute ...
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Composed by Johann Sebastian Bach (1685-1750), edited by Alfred Durr. For flute and cello (basso continuo). Includes set of performance parts (includes separate pull-out flute and cello parts). With solo part, basso continuo part, keyboard realization, performance notes and introductory text. Baroque. 64 pages. 9x12 inches. Published by Baerenreiter-Ausgaben.
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Sonata E Minor For Violoncello And Basso Continuo
Violoncelle, Basse continue
Schott
Sonata in E Minor RV 40 (Cello and Basso Continuo). By Antonio Vivaldi (1678-174...
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Sonata in E Minor RV 40 (Cello and Basso Continuo). By Antonio Vivaldi (1678-1741). Edited by Walter Kolneder. For Cello, Piano. Cello-Bibliothek (Cello Library). Book only. 16 pages. Schott Music #CB204. Published by Schott Music
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Violoncello Sonata in E minor, Op. 38
Violoncelle, Piano
G. Henle
(Cello and Piano). Composed by Johannes Brahms (1833-1897). Edited by Claus Kann...
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(Cello and Piano). Composed by Johannes Brahms (1833-1897). Edited by Claus Kanngiesser, Egon Voss, Johannes Behr, and Klaus Schilde. For Cello, Piano Accompaniment. Henle Music Folios. G. Henle #HN1134. Published by G. Henle
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Sonata in E Minor, Op. 38, No. 1
Violoncelle, Piano
-
Intermédiaire
Schott
Cello and Piano or 3 Cellos, Level 3 Schott Student Edition Repertoire
. C...
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Cello and Piano or 3 Cellos, Level 3 Schott Student Edition Repertoire
. Composed by Bernhard Romberg. Edited by Beverley Ellis. Arranged by Friedrich Janssen. This edition: Saddle stitching. Sheet music. Schott Student Edition. Repertoire. Softcover. Op. 38/1. 32 pages. Schott Music #SE1007. Published by Schott Music (HL.49045501).
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Sonata For Piano And Violoncello E-minor
EMB (Editio Musica Budapest)
(VIOLONCELLO) SKU: HL.50489505 EMB. Editio Musica Budapest #Z8475. Publis...
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(VIOLONCELLO)
SKU: HL.50489505
EMB. Editio Musica Budapest #Z8475. Published by Editio Musica Budapest (HL.50489505).
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Cello Sonata, Op. 38, E Min, U
Violoncelle
Vienna Urtext
Composed by Johannes Brahms (1833-1897). Edited by Hans-Christian Mueller. Arran...
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Composed by Johannes Brahms (1833-1897). Edited by Hans-Christian Mueller. Arranged by Hans-Christian Mueller. With Standard notation. Wiener Urtext/Vienna Urtext #UT50039. Published by Wiener Urtext/Vienna Urtext
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Camille Saint-Saens - Sonata No. 1 in C minor, Op. 32
Violoncelle, Piano
G. Henle
(Violoncello and Piano With Marked and Unmarked String Parts). By Camille Saint-...
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(Violoncello and Piano With Marked and Unmarked String Parts). By Camille Saint-Saëns. Edited by Peter Jost. For Cello, Piano Accompaniment. Henle Music Folios. Softcover. 70 pages. G. Henle #HN1057. Published by G. Henle
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