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Sonatas in F minor and E-flat major for Viola and Piano op. 12


$32.95 - Voir plus - Acheter en ligne

Composed by Johannes Brahms (1833-1897). Edited by Clive Brown / Neal Peres Da Costa. For viola and piano. This edition: urtext edition. Paperback. Level 3. Score with parts. Opus 120. Published by Baerenreiter Verlag

Instrumentation :

Alto, Piano



Editeur :

Barenreiter


ISBN 9790006544455. 31 x 24.3 cm inches. Key: E-flat major, f minor. Text Language: English/German. Preface: Clive Brown. Johannes Brahms: The Works for one Instrument and Piano Johannes Brahms' compositions for one instrument and piano have been standards in chamber music literature ever since their inception. These works were written with specific performers in mind and Brahms worked closely with them when refining the final texts. Nevertheless, we rarely approach the music taking into consideration the possibilities of the instruments for which Brahms wrote or the performing practices of the individual players who first performed these compositions, including Brahms himself. The New Urtext Editions Barenreiter's pioneering new scholarly-critical editions of Brahms' works for one instrument and piano are edited by a team of musicologists who are also performers. They offer today's musicians not just a reliable musical text based on all known sources, but also a comprehensive approach to the works, which aims to place them in their historical context and to elucidate the complex of meanings that the composer wished his notation to convey to performers. In addition to the musical text these editions offer an informative Introduction laying out the genesis, publication history and reception of the works. At the same time there is a complete list of the sources, an explanation of the editorial procedures and a Critical Commentary. Also, each volume contains a detailed discussion of specific performing practice issues raised by individual works. An integral part of Barenreiter's Brahms publication complex is a text booklet which approaches general performance practice issues of the 19th century with regard to e.g. tempo, rubato, rhythmic flexibility and articulation. Furthermore musicians will find valuable information concerning vibrato, portamento and bowing. Last but not least characteristics of Brahms' own piano playing as well as that of his circle and contemporaries are discussed. The violin and viola sonata editions come not only with an Urtext part freed from all editorial emendations, but also with an additional part including fingering and bowing based on the practices of Joseph Joachim and his colleagues. These markings especially draw on publications of the sonatas edited by Joachim's pupils Leopold Auer and Ossip Schnirlin as well as those by Brahms' associate Franz Kneisel. A similar approach has been used for the violoncello sonatas, drawing on performance markings by Robert Hausmann (for whom Brahms wrote the Sonata in F major), Hugo Becker, with whom Brahms performed it, and Julius Klengel who was also close to his circle. Barenreiter's new Brahms complex also importantly brings two neglected works back into the player's hands, namely the splendid versions of the op. 120 sonatas, originally written for viola or clarinet and piano. Brahms' arrangements for violin and piano unaccountably disappeared from the standard repertoire early in the 20th century. In these versions Brahms did not simply adjust the solo part for the violin, he made many alterations to the piano part, casting thought-provoking light on the clarinet and viola versions. * A pioneering set of Urtext editions * String editions include an Urtext solo part and a second part with fingering as well as performance markings * Each edition offers a preface on performance practice aspects pertaining to the respective works * A separate text booklet includes pioneering texts on general issues of performance practice in the 19th century as well as on specific issues with regard to Johannes Brahms' chamber music

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Piano seul [Partition]
Kalmus
Composed by Ludwig van Beethoven (1770-1827). Masterworks; Piano Collection. Kalmus Edition. Form: Sonata. Classical; Masterwork; Romantic. Book. 320 pages. Kalmus Classic Edition #00-K03157. Published by Kalmus Classic Edition
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Sonatas (Urtext), Volume I
 
Sonatas (Urtext), Volume I
Piano seul [Partition]
Kalmus
Nos. 1-15. Composed by Ludwig van Beethoven (1770-1827). Masterworks; Piano Collection. Kalmus Edition. Form: Sonata. Classical; Masterwork; Romantic. Book. 252 pages. Kalmus Classic Edition #00-K03154. Published by Kalmus Classic…
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Haydn, Joseph: Selected Piano sonatas, volume II
 
Haydn, Joseph: Selected Piano sonatas, volume II
Piano seul
G. Henle
(Piano Solo). By Franz Joseph Haydn (1732-1809). Edited by Georg Feder. For piano solo. This edition: HN153. Piano (Harpsichord), 2-hands. Henle Music Folios. Pages: VII and 99. SMP Level 10 (Advanced). Urtext edition-paper bound.…

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Franz Joseph Haydn: Complete Piano Sonatas, Volume II
 
 
Franz Joseph Haydn: Complete Piano Sonatas, Volume II

Piano seul [Partition]
G. Henle
Composed by Franz Joseph Haydn (1732-1809), edited by Georg Feder. Collection for Piano (Harpsichord), 2-hands. With introductory text. Urtext edition-paper bound. 202 pages. Published by G. Henle.
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Joseph Haydn: Complete Piano sonatas, volume II
 
 
Joseph Haydn: Complete Piano sonatas, volume II
Piano seul [Conducteur d'étude / Miniature]
G. Henle
By Franz Joseph Haydn. Edited by G. Feder. STUDY EDITION. Pages: VI and 186. Study score-no details. Published by G. Henle.
$29.95 - Voir plus => Acheter
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Piano Sonatas, Vol 3, Urtext
 
 
Piano Sonatas, Vol 3, Urtext
Piano seul [Critical Reports]
Vienna Urtext
Critical notes in preparation. Composed by Ludwig van Beethoven (1770-1827). Edited by Peter Hauschild. Arranged by Peter Hauschild. Critical notes in preparation. Classic. Full score. With Standard notation. 208 pages. Wiener Urt…

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