The Gospel Guitar of Rev. Gary Davis - DVD

Dans ce livre, six des Blues Holy Rev. Davis' sont présentés--Gospels au goût du blues. Les trois CD accompagnantes des leçons enseignent ces arrangements phrase par phrase, ainsi que de présenter les enregistrements originaux. Ces leçons sont pour l'intermédiaire à avancé fingerstyle guitariste. Toute la musique est en notation et tablature. UNE leçon : Le révérend Davis a joué beaucoup de chansons de gospel avec un sentiment de blues. Ces dernières sont appelées ' Blues saints '. Mort Don't Have non Mercy est un excellent exemple d'une Sainte Blues dans la clé de l'Em. Laissez-nous Get ensemble suit et est jouée en clé de g. Il s'agit d'un arrangement difficile illustrant un contrôle du révérend Davis sur sa main droite. LECON deux : Religieuses arrangements de Rev.Gary Davis dans la clé de C: que j'appartiens à la bande et Tryin'à Get Home. Leçon 3: Pour ragtime jouant le révérend Davis aborderais sa guitare comme s'il s'agissait d'un piano. Pour Gospels la guitare joue le rôle d'un plein Baptiste église ! Dans cette leçon, nous étudions deux Evangile... / Guitare (Fingerpick) / 24 pages / niveau : Intermédiaire / Partition/3-Cd Set - Format: 11 X 8,5

Rev Gary Davis a un répertoire très étendu allant du gospel au blues, du rags à la chanson folk. Dans ce double DVD, Ernie Hawkins présente les chansons les plus connues de Rev. Plus de 2h30 d'enregistrement, en anglais. / Guitare / Dvd

Guitarist educator and historian Stefan Grossman was a student of acoustic blues and gospel singer/guitarist Rev. Gary Davis. Beginning when he was 15 Stefan studied with Davis on weekends spending eight to ten hours at his house in Harlem absorbing all he could. While studying with Rev. Davis he met and studied with other country blues guitarists: Mississippi John Hurt Son House Skip James Mance Lipscomb and Fred McDowell.In the early 1960s Stefan formed the Even Dozen Jug Band (which also included such future luminaries as John Sebastian Steve Katz Maria Muldaur and David Grisman). In 1966 he worked with the alternate rock band the Fugs beforemoving to Great Britain in 1967. In 1969 he co-founded Kicking Mule Records with Ed Denson a label that showcased acoustic fingerstyle guitar. Many of these albums that Stefan produced during this period are finally being re-released on CD on his own label.From 1967 to 1987 Stefan Grossman lived in Great Britain and Italy and toured worldwide. He performed and recorded with John Renbourn for 15 years and they produced four albums together.Stefan's solo discography goes all the way back to 1966 when he recorded How to Play Blues Guitar with Rory Block (now released as Country Blues Guitar SGGW103). Since that time he has recorded over 30 solo albums and has written numerous books highlighting the playing of legendary bluesmen from the 1920s and 1930s.Nowadays Stefan divides his time between the USA and England. He continues to do concerts and workshops worldwide and remains one of the world's foremost authorities on acoustic blues guitar. The Guitar Artistry of Stefan Grossman brings together performances from 1965 to today. He performs solo with the Even Dozen Jog Band with John Renbourn as well as Duck Baker. In between the music Stefan weaves together the story behind his playing.An 87 page PDF booklet is included on the DVD. This details

Rev. Gary Davis was a musical giant. His ideas spanned a wide range of techniques and styles and his repertoire featured blues rags show instrumentals and gospel songs.Davis playedwith his thumb and index finger to pick out complex melodies rhythmic licks and lightning fast single-string runs. In this book seven of Rev. Davis's blues are presented. These arrangements have beenperformed and recorded by a host of great artists including Bob Dylan Taj Mahal Hot Tuna David Bromberg John Renbourn Bert Jansch and many others.These lessons are for the intermediate to advanced fingerstyleguitarist. The accompanying three CD lessons teach these arrangements phrase by phrase as well as presenting the original recordings.Lesson one highlights two of Rev. Davis's most popular bluesarrangements. Hesitation Blues is played in the key of C. Baby Let Me Follow You Down is played in the key of G.Lesson two explores the party tune Sally Where'd You Get Your Liquor From (madepopular by Hot Tuna). Rev. Davis used to joke that he could play Candyman in so many different ways that he would be able to play it nonstop for at least 8 hours without repeating himself. We look at twoversions of this very popular folk blues with the regular Candyman followed by the Two-Step Candyman.In lesson three all 14 verses from Raggin' the blues are transcribed and studied on how thisarrangement develops.

Description In this book, six of Rev. Davis' Holy Blues are presented-- gospel songs with a taste of the blues. The accompanying three CDs of lessons teach these arrangements phrase by phrase as well as presenting the original recordings. These lessons are for the intermediate to advanced fingerstyle guitarist. All of the music is in notation and tablature. LESSON ONE: Rev. Davis played many gospel songs with a blues feel. These are referred to as Holy Blues. Death Don't Have No Mercy is an excellent example of a Holy Blues in the key of Em. Let Us Get Together follows, and is played in the key of G. This is a difficult arrangement illustrating Rev. Davis's control over his right hand. LESSON TWO: Rev.Gary Davis's religious arrangements in the key of C: I Belong to the Band and Tryin' to Get Home. LESSON THREE: For ragtime playing Rev. Davis would approach his guitar as if it were a piano. For gospel songs the guitar takes on the role of a full Baptist church! In this lesson we study two gospel arrangements, Pure Religion and I Am the Light of the World. Both are played in the key of C and have become popular in today's pop world.

Rev. Gary Davis is the real thing. The authentic blind-seer. He is a genius with a brightly burning spirit enormous musical intelligence technical brilliance an encyclopedic memory driving passion deep faith araunchy and gracious sense of humor. A mystic. He is an icon of the style of Guitar he was born into known today as the Piedmont blues. Through players of the first half of the twentieth century like Alfred Shultz MoseRanger Merle Travis and Chet Atkins this is the signature American fingerpicking style that would so deeply inform the country folk blues and even rock and roll of our day.Rev. Davis (1896-1972) was bornblack in deep poverty in South Carolina blind from an early age. He overcame these longest of odds to become world famous a giant of American music. He brought together black and white styles country gospel folk themes blues jazz ragtime minstrel songs dance tunes and popular song. He developed his own brilliant fingerpicking style that was deep economical and adaptable enough to easily cover all these genres. Supporting all hiscreativity was an unshakable faith that pulled him through the obscurity the bitter hard times and crushing poverty he would endure until the folk music awakening of the fifties and sixties caught up to him.In this bookand accompanying audio Ernie Hawkins has transcribed 18 of Rev. Davis' best known gospel arrangements. The playing of Rev. Davis has influenced generations of Guitar players from Blind Boy Fuller to Dave VanRonk David Bromberg Ry Cooder Jorma Kaukonen Bob Weir Stefan Grossman and Woody Mann. His tunes have been recorded by a host of today's finest rock musicians: The Grateful Dead Hot Tuna Bob Dylan Jackson Browne and others.

The Art of Acoustic Blues Guitar - The Basics. Whether your favourite blues guitarist is Robert Johnson, Muddy Waters, Blind Blake, John Lee Hooker, Big Bill Broonzy, or Mississippi John Hurt, studying the basic techniques presented in this program is the first step toward being able to capture the essence of their traditional styles. In this book, Woody Mann shows you practical ways to develop fundamental technique and offers you insights into the musical logic of blues guitar. Woody walks you through each song, explaining the chord positions and picking techniques. He teaches blues in the keys of D, G, C, E, and A, presenting a wide selection of classic blues songs and instrumentals from the masters of blues guitar. Included in this program are the basics of the Delta blues of Robert Johnson, the ragtime style of Blind Blake (the man with the piano-playing guitar), and the music of Big Bill Broonzy, Memphis Minnie, Willie Walker, and Willie Moore. Each song illustrates how solo players approach the guitar like a piano, playing melodies and bass lines simultaneously. Developing this independent two-line picking technique enables you to get the feel, syncopation, and subtleties of the music. The songs in themselves are studies in acoustic blues technique and present the authentic elements of the acoustic blues sound and style including blues technique and ways to play off of the chords and improvise within a song. This program is recommended for beginning acoustic blues guitarists as well as electric guitarists and acoustic fingerstyle guitarists of all levels who would like to go beyond pattern picking and develop a more dynamic and syncopated sound. Woody Mann had his first schooling as a teenager in the living room of Rev. Gary Davis, the now legendary gospel and ragtime guitarist. Mann soon went on to perform and record with blues masters Son House and Bukka White as well as contemporary innovators including John Fahey. He has recorded extensively, performed throughout the world, and is widely recognized as one of the world's leading teachers and transcribers of acoustic blues music, having taught countless guitarists through his popular books and videos.

Interpreting The Gospel Songs And Style Of Reverend Gary Davis-Larry Campbell who has played with Bob Dylan Levon Helm Elvis Costello and numerous others grew up listening to the inspirational songs and dazzling Guitar technique of Rev. Gary Davis. He performs five songs of this legendary master with vocalist Teresa Williams and then breaks down the complex fingerpicking arrangements for learning players.

DVD Three-Jorma demonstrates the chord shapes right hand rolls and runs inspired by Rev. Gary Davies on the traditional gospel song 'I'll Be Alright Someday'. Moving into a deries of songs in E minor he teaches inter-linked runs and soloing ideas that build upon one another allowing you play arrangements of his original compositions 'Been So Long Ice Age' and 'Mann's Fate' as well as another traditional gospel song 'Keep Your Lamps Trimmed And Buring'. On 'Third Week In The Chelsea' Jorma mixes traditional folk-picking patterns with rhythmic strums back0brushing double time playing dynamics and other concepts that distinguish Jorma's unique guitar style.