Rev. Gary Davis: The Gospel Guitar Of Rev. Gary Davis: Guitar: Instrumental

Dans ce livre, six des Blues Holy Rev. Davis' sont présentés--Gospels au goût du blues. Les trois CD accompagnantes des leçons enseignent ces arrangements phrase par phrase, ainsi que de présenter les enregistrements originaux. Ces leçons sont pour l'intermédiaire à avancé fingerstyle guitariste. Toute la musique est en notation et tablature. UNE leçon : Le révérend Davis a joué beaucoup de chansons de gospel avec un sentiment de blues. Ces dernières sont appelées ' Blues saints '. Mort Don't Have non Mercy est un excellent exemple d'une Sainte Blues dans la clé de l'Em. Laissez-nous Get ensemble suit et est jouée en clé de g. Il s'agit d'un arrangement difficile illustrant un contrôle du révérend Davis sur sa main droite. LECON deux : Religieuses arrangements de Rev.Gary Davis dans la clé de C: que j'appartiens à la bande et Tryin'à Get Home. Leçon 3: Pour ragtime jouant le révérend Davis aborderais sa guitare comme s'il s'agissait d'un piano. Pour Gospels la guitare joue le rôle d'un plein Baptiste église ! Dans cette leçon, nous étudions deux Evangile... / Guitare (Fingerpick) / 24 pages / niveau : Intermédiaire / Partition/3-Cd Set - Format: 11 X 8,5

Rev Gary Davis a un répertoire très étendu allant du gospel au blues, du rags à la chanson folk. Dans ce double DVD, Ernie Hawkins présente les chansons les plus connues de Rev. Plus de 2h30 d'enregistrement, en anglais. / Guitare / Dvd

Description In this book, six of Rev. Davis' Holy Blues are presented-- gospel songs with a taste of the blues. The accompanying three CDs of lessons teach these arrangements phrase by phrase as well as presenting the original recordings. These lessons are for the intermediate to advanced fingerstyle guitarist. All of the music is in notation and tablature. LESSON ONE: Rev. Davis played many gospel songs with a blues feel. These are referred to as Holy Blues. Death Don't Have No Mercy is an excellent example of a Holy Blues in the key of Em. Let Us Get Together follows, and is played in the key of G. This is a difficult arrangement illustrating Rev. Davis's control over his right hand. LESSON TWO: Rev.Gary Davis's religious arrangements in the key of C: I Belong to the Band and Tryin' to Get Home. LESSON THREE: For ragtime playing Rev. Davis would approach his guitar as if it were a piano. For gospel songs the guitar takes on the role of a full Baptist church! In this lesson we study two gospel arrangements, Pure Religion and I Am the Light of the World. Both are played in the key of C and have become popular in today's pop world.

Taught By Ernie Hawkins-Rev. Gary Davis was a musical genius bridging the gaps between blues ragtime folk gospel marching songs and tin pan alley hits. In this series of four lessons Ernie Hawkins teaches fourteen of Rev. Davis's most requested and famous gospel guitar arrangements. Ernie gives a detailed rundown of each arrangement analyzing the structure and timing of each phrase verse and chorus with slow motion replays. A comprehensive 80 page tab/music PDF booklet is included. All in all almost six hours of instruction are featured.

Rev. Gary Davis is the real thing. The authentic blind-seer. He is a genius with a brightly burning spirit enormous musical intelligence technical brilliance an encyclopedic memory driving passion deep faith araunchy and gracious sense of humor. A mystic. He is an icon of the style of Guitar he was born into known today as the Piedmont blues. Through players of the first half of the twentieth century like Alfred Shultz Mose Ranger Merle Travis and Chet Atkins this is the signature American fingerpicking style that would so deeply inform the country folk blues and even rock and roll of our day.Rev. Davis (1896-1972) was born black indeep poverty in South Carolina blind from an early age. He overcame these longest of odds to become world famous a giant of American music. He brought together black and white styles country gospel folk themes blues jazz ragtime minstrel songs dance tunes and popular song. He developed his own brilliant fingerpicking style that was deep economical and adaptable enough to easily cover all these genres. Supporting all his creativity was anunshakable faith that pulled him through the obscurity the bitter hard times and crushing poverty he would endure until the folk music awakening of the fifties and sixties caught up to him.Ernie Hawkins has transcribed 13of Rev. Davis' best known blues and ragtime arrangements. Tunes such as Candyman Cocaine Blues Hesitation Blues Baby Let Me Lay It on You Spoonful and Delia are included alongside the ragtimeinstrumental tour de forces of Slow Drag (Cincinnati Flow Rag) and Make Believe Stunt (Maple Leaf Rag).The playing of Rev. Davis has influenced generations of Guitar players from Blind Boy Fullerto Dave Van Ronk Bob Dylan David Bromberg Ry Cooder Jorma Kaukonen Bob Weir Stefan Grossman and Woody Mann. His tunes have been recorded by a host of today's finest rock musicians: The Grateful Dead Hot Tuna Bob Dylan

And Novelty Instrumentals Of Rev. Gary Davis-Rev. Gary Davis is the real thing. The authentic blind-seer. He is a genius with a brightly burning spirit enormous musical intelligence technical brilliance an encyclopaedic memory driving passion deep faith araunchy and gracious sense of humour. A mystic. He is an icon of the style of Guitar he was born into known today as the Piedmont blues. Through players of the first half of the twentieth century like Alfred Shultz Mose Ranger Merle Travis and Chet Atkins this is the signature American fingerpicking style that would so deeply inform the country folk blues and even rock and roll of our day.Rev. Davis (1896-1972) was born black indeep poverty in South Carolina blind from an early age. He overcame these longest of odds to become world famous a giant of American music. He brought together black and white styles country gospel folk themes blues jazz ragtime minstrel songs dance tunes and popular song. He developed his own brilliant fingerpicking style that was deep economical and adaptable enough to easily cover all these genres. Supporting all his creativity was anunshakable faith that pulled him through the obscurity the bitter hard times and crushing poverty he would endure until the folk music awakening of the fifties and sixties caught up to him.In this book and accompanyingaudio Ernie Hawkins has transcribed 9 of Rev. Davis' best known rags minstrel shows tunes and novelty instrumentals. These are challenging and very rewarding to master. Included are: Buck Dance Devil's Dream Sally Where'd You Get Your Liquor From Fast Foxtrot St. Louis Tickle Darktown Strutter's Ball and his tour de forces Twelve Sticks and SoldiersMarch. The unique bottleneck/slide tune Whistlin' Blues is also presented played in an open D6 tuning.The playing of Rev. Davis has influenced generations of guitar players from Blind Boy Fuller to