Matériel : Partition
A London Symphony
SKU: TM.07789SC
Rev 1920; Can reduce instrumentation if necessary and have the absent instrument cues played by the orchestra: Omit FL III part and FL II will play from alternate FL II & Picc part instead. OB II and ENG HN can be performed by 1 player and follow notes when to omit one of the parts. BASS CL and CONTRA BN can be omitted. If using 2 COR(/TPT): use the 2 parts titled FOR REDUCED ORCHESTRA. If using 3 COR(/TPT): use regular parts and omit TPT II part.
SKU: ST.B628
ISBN 9790220217265.
Full Score: Centenary Edition 1972. Hardback. . Orchestral material available for rental (Ref.
SKU: TM.07789SET
SKU: HL.48024623
ISBN 9781784543907. UPC: 888680940775. 9.0x12.0x0.096 inches.
A major addition to the repertoire of transcriptions for organ, the whole suite or any one of the movements will delight performers and audiences alike. Vaughan Williams's original score for military band of 1923 (orchestrated by Gordon Jacob the following year) was a milestone in the introduction of English folk song to the classical repertory which both he and his friend Holst championed. Over its three contrasting movements (two marches separated by an intermezzo) no fewer than nine folk songs are presented, in both lively and emotive style. Greg Morris, organist at London's Temple Church, has deftly arranged the suite, providing generic registration suggestions for a romantic instrument, but in the hands of imaginative players the score will readily transfer to organs of most styles and eras.
SKU: ST.MB92
ISBN 9790220223259.
In his brief career George Butterworth (1885-1916) composed only a small quantity of orchestral works, but what he wrote has never subsequently been absent from the repertoire. The two English Idylls, the Rhapsody 'A Shropshire Lad' and the idyll The Banks of Green Willow are, with the music of his friend Ralph Vaughan Williams and of Gustav Holst, among the most exquisite statements of the English folk-song idiom. This complete and authoritative collection includes an earlier version of The Banks of Green Willow, and a fragment of an Orchestral Fantasia. Work in progress in 1914 when Butterworth enlisted to serve in the Great War, it suggests the composer setting out in a bolder direction, perhaps inspired by the example of Vaughan Williams's A London Symphony. Orchestral parts are available for rental.
SKU: HL.48024900
ISBN 9781784545475. UPC: 840126930696. 7.25x10.5x0.108 inches.
These jazz arrangements of well-known hymns were written for Andrew Earis and choirs of St Martin-in-the-Fields, London for various services and BBC broadcasts from that church. The setting of “Come down, O Love divine” supplies some new harmonic moves to Vaughan Williams' lovely tune “Down Ampney”, gradually adding vocal harmony through the verses, with a short descant section in the final verse. The compound-time arrangement of “God Is Love,” which can also be sung to the supplied words of Charles Wesley's hymn “Love Divine,” again adds more of Todd's iconic jazz harmonies and textures in the vocal parts with each successive verse. The setting of “Let all mortal flesh keep silence” is structured to gradually build layers over the moody piano chords and the pedal harmony. At the end the music builds to a large climax for the text “Lord most high”. The hymns can be performed using the supplied piano part or using the chord symbols above. Double bass may also be used in addition to piano, again following the supplied chord symbols, and parts for optional jazz ensemble are available. Performers of these hymns should feel free to include the congregation or audience in imaginative ways.
