SKU: HL.48024900
ISBN 9781784545475. UPC: 840126930696. 7.25x10.5x0.108 inches.
These jazz arrangements of well-known hymns were written for Andrew Earis and choirs of St Martin-in-the-Fields, London for various services and BBC broadcasts from that church. The setting of ??Come down, O Love divine? supplies some new harmonic moves to Vaughan Williams' lovely tune ??Down Ampney?, gradually adding vocal harmony through the verses, with a short descant section in the final verse. The compound-time arrangement of ??God Is Love,? which can also be sung to the supplied words of Charles Wesley's hymn ??Love Divine,? again adds more of Todd's iconic jazz harmonies and textures in the vocal parts with each successive verse. The setting of ??Let all mortal flesh keep silence? is structured to gradually build layers over the moody piano chords and the pedal harmony. At the end the music builds to a large climax for the text ??Lord most high?. The hymns can be performed using the supplied piano part or using the chord symbols above. Double bass may also be used in addition to piano, again following the supplied chord symbols, and parts for optional jazz ensemble are available. Performers of these hymns should feel free to include the congregation or audience in imaginative ways.
These jazz arrangements of well-known hymns were written for Andrew Earis and choirs of St Martin-in-the-Fields, London for various services and BBC broadcasts from that church. The setting of “Come down, O Love divine” supplies some new harmonic moves to Vaughan Williams' lovely tune “Down Ampney”, gradually adding vocal harmony through the verses, with a short descant section in the final verse. The compound-time arrangement of “God Is Love,” which can also be sung to the supplied words of Charles Wesley's hymn “Love Divine,” again adds more of Todd's iconic jazz harmonies and textures in the vocal parts with each successive verse. The setting of “Let all mortal flesh keep silence” is structured to gradually build layers over the moody piano chords and the pedal harmony. At the end the music builds to a large climax for the text “Lord most high”. The hymns can be performed using the supplied piano part or using the chord symbols above. Double bass may also be used in addition to piano, again following the supplied chord symbols, and parts for optional jazz ensemble are available. Performers of these hymns should feel free to include the congregation or audience in imaginative ways.
SKU: M7.DOHR-13989
ISBN 9790202029893.
Zum dieser AusgabeDas Heft enthält Variationen über drei amerikanische Kirchenlieder, unter dezenter Anwendung von jazz- und popmusikalischen Elementen.Die drei Stücke sind auch in Einzelausgaben erschienen.
SKU: HP.8524
UPC: 763628185244. Daniel Charles Damon.
Dan Damon is known as one of a few persons who are gifted both in crafting texts and composing tunes, and he constantly strives to build on these gifts. In this collection of 35 new hymns and songs, Dan's texts continue to break new ground, exploring new themes. The tunes, also, have a modern tonality, with echoes of the jazz music Dan performs publicly.
SKU: CL.CTS-8017-00
Arranged for clarinet quintet (4 Bb clarinets and bass clarinet), Gospel Time includes three familiar hymns, Amazing Grace, I've Got Peace Like A River and A Closer Walk. An audience pleaser! A little Jazzy!
SKU: CF.SPS71
ISBN 9781491143544. UPC: 680160901043. Key: G minor.
Nordanvind is a tour de force symphonic rhapsody that is built on three Scandinavian folk songs. Composer Carl Strommen has composed these Viking-influenced melodies into a concert setting that brings out all of the history of the Scandinavian people. The piece is at times bold and aggressive, at other times beautiful. Carl employs all of the instrumental colors of the concert band to create a new work for more advanced ensembles.Modern Scandinavians are descendants of the Vikings, an adventuresome people who were known for their love of the sea, their naval prowess, and as fierce fighters . The Scandinavian Vikings were warriors from Denmark, Norway, and Sweden who traded, raided and settled in various parts of Europe, Russia, the North Atlantic islands, and the northeastern coast of North America .Starting around 1850, over one million Swedes left their homeland for the United States in search of religious freedom and open farm land . Augustana College was founded in 1860 by graduates of Swedish universities and is located on the Mississippi River in Rock Island, Illinois . Home of the “Vikings,” Augustana College is the oldest Swedish- American institution of higher learning in the United States . This powerful and lively piece takes inspiration from Swedish history and from Swedish folk songs and hymns .Havsdrake (Dragon of the Sea)The Nordanvind or “North Wind” blows a cold wind during a journey of a group of courageous Viking rowers . The “Dragon-ship” or long ships designed for raiding and war was a sophisticated, fast ship able to navigate in very shallow water . To musically portray these magnificent seafaring vessels, the director is encouraged to use an Ocean Drum (or a rain stick) during the introduction . Wind players may consider blowing air through their instruments to suggest the North wind . Adding men’s voices to accompany the haunting low brass and percussive “rower” sounds can be helpful in creating the dark and ominous portrayal of Viking adventurers .Slangpolska efter Byss - KalleIn Sweden, a “polska” is a partner dance where the dancers spin each other (släng in Swedish “to sling or toss”) . Slangpolska efter Byss - Kalle is attributed to Byss-Kalle, who was a notable Swedish folk musician, specifically a nyckelharpa player . Slangpolska efter Byss - Kalle is a traditional “polska” dance song most often played on the Nyckelharpa or keyed fiddle and is commonly heard in pubs and at festive events throughout Sweden . Approximately 10,000 nyckelharpa players live in Sweden today, and the Swedish and the American Nyckelharpa Associations are dedicated to this Swedish National instrument . The director is encouraged to share video and audio examples of the nyckelharpa playing the original Slangpolska efter Byss - Kalle .Tryggare Kan Ingen Vara (Children of the Heavenly Father)Tryggare Kan Ingen Vara Is a traditional Swedish melody, possibly of German roots, and was believed to be arranged as a hymn by the Swedish hymn writer, Karolina Wilhelmina Sandell-Berg (1832–1903) . As a daughter of a Swedish Lutheran minister, she began writing poems as a teenager and is said to have written over 1,700 different texts . There are two different accounts as to the inspiration for this hymn . The first story is that Lina (as she was called) wrote the hymn to honor her father and to say thank you to him for raising her and protecting her . A second belief is of her witnessing the tragic death of her father . She and her father were on a boat, when a wave threw her father overboard . It was said that the profound effect of watching her father drown is what caused Lina to write the text to this hymn . Although this is a treasured song to people of Swedish descent everywhere, it speaks to all people about a father tending and nourishing his children, and protecting them from evil .SPS71FThe Augustana College Concert BandFounded in 1874, the Augustana Band program is one of the oldest continuously active collegiate band programs in the country . The Concert Band is one of two bands on campus and was formed more than thirty years ago . The Concert Band attracts students of every skill level and from a wide variety of majors . Students in the ensemble play a large part in choosing their music for performance, which include works from the standard repertoire, orchestral transcriptions, and the latest compositions from leading composers .Rick Jaeschke began his musical career as a clarinet player in the 1st US Army Band . He received a Bachelor of Music degree from Susquehanna University, a Masters of Music from James Madison University, and a doctorate from Columbia University in New York . He was also fortunate to study conducting with Donald Hunsburger and with Frederick Fennell .Dr . Jaeschke taught band and choir at Great Mills High School in Southern Maryland, and for fifteen years, he was the district Music Supervisor in Armonk, New York, where he taught high school concert and jazz bands, beginning band, and music technology . During that time, the music program flourished, and the high school band consistently received Gold Medals in the New York State Festivals, as well as in national, and international festivals . As a clarinet and saxophone player, Dr . Jaeschke performed in the New York metropolitan area with the Rockland Symphony Orchestra, the Putnam Symphony Orchestra, Fine Arts Symphony Orchestra, and served as the concert master for the Hudson Valley Wind Symphony .For several years, Dr . Jaeschke served as the Fine Arts Coordinator for the District 204 schools in Naperville, IL, a district selected as One of the Best 100 Schools in America for Music . Currently, Dr . Jaeschke is an Associate Professor at Augustana College where he teaches music and music education courses, and directs the Concert Band . He has served on various educational boards, is a National edTPA scorer, and has presented at state, national and international music conferences . He lives with his family in Bettendorf Iowa, and enjoys any opportunity to explore the open water in his sea kayak .
SKU: M7.DOHR-13975
ISBN 9790202029756.
Zum dieser AusgabeDas Heft enthält Variationen über das amerikanische Kirchenlied What a friend we have in Jesus, geschrieben unter dezenter Anwendung von jazz- und popmusikalischen Elementen.Die Melodie des Liedes stammt von Charles Crozat Converse (1868). Der in der Ausgabe ebenfalls abgedruckte Text wurde von Joseph Medlicott Scriven verfasst (1855); eine deutsche Übersetzung unter dem Titel Welch ein Freund ist unser Jesus fertigte Ernst Heinrich Gebhardt an (1875).Das Stück ist auch in dem Band Three American Chuch Hymns (E.D. 13989) enthalten.
SKU: M7.DOHR-13974
ISBN 9790202029749.
Zum dieser AusgabeDas Heft enthält Variationen über das amerikanische Kirchenlied Amazin Grace!, geschrieben unter dezenter Anwendung von jazz- und popmusikalischen Elementen.Der Schöpfer der Melodie des Liedes ist unbekannt. Der in der Ausgabe ebenfalls abgedruckte Text stammt von John Newman (1779). Das Stück ist auch in dem Band Three American Chuch Hymns (E.D. 13989) enthalten.
SKU: M7.DOHR-13976
ISBN 9790202029763.
Zum dieser AusgabeDas Heft enthält Variationen über das amerikanische Kirchenlied When peace like a river, geschrieben unter dezenter Anwendung von jazz- und popmusikalischen Elementen.Die Melodie des Liedes stammt von Philip Paul Bliss (1876). Der in der Ausgabe ebenfalls abgedruckte Text wurde von Horatio Gates Spafford verfasst (1873); eine deutsche Übersetzung unter dem Titel Wenn Friede mit Gott fertigte Theodor Kübler an (1880).Das Stück ist auch in dem Band Three American Chuch Hymns (E.D. 13989) enthalten.