Ralph Vaughan Williams: Collected Songs - Volume 2: Medium Voice: Vocal Album

Collected (and set with a Piano accompaniment) by Ralph Vaughan Williams from the collection Folk Songs from the Eastern Counties.  For solo voice with Piano accompaniment.First sung to R. Vaughan Williams by James 'Duggie' Carter a King's Lynn fisherman  the song tells the story of the death of a young boy aboard a ship. According to comments from RVW himself 'The ballad was probably called forth by a particularly brutal case of ill treatment similiar to that narrated in it which occurred some twenty or thirty years ago'.Lyrics:One day a poor boy to me was bound apprentice Because of his beingfatherless;I took him out of St.James’ workhouse His mother being in deep distress.One day this poor boy unto me offended But nothing to him I did say Up to the mainmast shroud I sent him And there I kept him all that long day.All with my gasket I misused him So shamefully I can’t deny And by my barbarous cruel entreatment The very next day this poor boy died.You captains all throughout the nation Hear a voice and a warning take by me;Take special care of your apprenticeWhile you are on the raging sea.

This is a beautiful collection of ten settings of William Blake's poignant poetry by Ralph Vaughan Williams. Arranged for Meduim Voice and Oboe.

The Novello Book Of British Folksongs For Mixed-Voice Choirs is an enjoyable collection of diverse tunes that have descended from the folksongs across the British Isles. A variety of arrangements are included, both old and new, of well-loved tunes as well as some lesser-known pieces. All 34 tunes are arranged for SATB Chorus with Piano accompaniment, making this a brilliant way to enhance your choir's repertoire.This Book Of British Folksongs offers a grand selection of favourite folk tunes arranged by composers such as Ralph Vaughan Williams, Gustav Holst, Paul Mealor and George Dyson. Tunes like A-Hunting We Will Go, Auld Lang Syne, Bonny At Morn, Come Lasses And Lads and Scarborough Fair suggest the sheer diversity on offer here. From sad tunes to happy songs, the arrangements here are at once beautiful and touching, coming truly to life when sung by a Mixed-Voice Choir. These thirty four folk songs will enrich a performance programme, whether as one part or the entirety. Choirs of all types and abilities will be able to discover their favourite arrangements, either the most beautiful, the funniest, or the most enjoyable to sing. With the country experiencing a revival in singing traditional folksongs, this collection is a great way to experience the unabashed joy that performing these British tunes can bring. With a great number of favourite tunes as well as some lesser-known songs, this collection includes songs like There Were Three Ravens, Yarmouth Town, My Love Is Like A Red, Red Rose, Dance To Your Daddy and The Rio Grande, as well as an extensive and fascinating introduction by Jeremy Summerly.The wonderful thing about singing folksongs is they are like a window into our country's history. They are occasionally funny, often dramatic, but always enjoyable to sing, and their diversity reflects the different people, landscapes and cultural history of the British Isles. These folk tunes can be traced back through British history, evolving through the oral tradition, continually changing lyrics and melody, being amended and sculpted according to the people who sung them. These timeless tunes have been recorded in this innovative Novello Book Of British Folksongs For Mixed-Voice Choir, however, the joy of these songs is you can put your own spin on them, adapting them to how you want them sung and continuing their legacy. This wonderful collection is a fantastic addition to any choir's performance repertoire, and is sure to lead to success for the choir and audience for many years to come. / Choeur Mixte (SATB) Et Piano

This is the first in a set of three wonderful volumes which comprise the bulk of solo songs which Vaughan Williams published with Oxford University Press. Arranged for Medium Voice and Piano Accompaniment.

Arranged here for Organ the Centenary Collection celebrates the life and works of the British organist and composer William Lloyd Webber. Born in 1914 by the age of 14 Lloyd Webber had already become awell-known Organ recitalist giving frequent performances at many important churches and cathedrals throughout Great Britain. He won an Organ scholarship to Mercer's School later winning a further scholarship to the Royal Collegeof Music where he studied composition with Ralph Vaughan Williams and gained his FRCO diploma at nineteen. Parallel to his activities as an organist Lloyd Webber began to compose and from 1945 to the mid-1950s he wrotemusic in many different forms: Vocal and instrumental Choral and Organ Chamber and Orchestral. Some of his best known works include the oratorio 'St. Francis of Assisi' the Orchestral tone poem 'Aurora' the Sonatinas for Violaand Piano and Flute and Piano and numerous songs Organ pieces and Choral works. Showcasing Lloyd Webber as a composer who was true to himself and who fully embraced his signature style the music in the CentenaryCollection is romantic melodious and – above all – heartfelt.

Paperback-Vaughan Williams fist encountered the old English folk song Dives and Lazarus when he was 21 and here presents five variants that are in his own words 'not exact replicas of traditional tunes but rather reminiscences of various versions in my own collection and those of others'.The work was premiered in Carnegie Hall as part of the 1939 New York World's Fair and is a wonderful example of the sumptuous string textures and modal tonalities that have become the composer's trademarks.

Paperback-Vaughan Williams fist encountered the old English folk song Dives and Lazarus when he was 21 and here presents five variants that are in his own words 'not exact replicas of traditional tunes but rather reminiscences of various versions in my own collection and those of others'.The work was premiered in Carnegie Hall as part of the 1939 New York World's Fair and is a wonderful example of the sumptuous string textures and modal tonalities that have become the composer's trademarks.

Paperback-Vaughan Williams fist encountered the old English folk song Dives and Lazarus when he was 21 and here presents five variants that are in his own words 'not exact replicas of traditional tunes but rather reminiscences of various versions in my own collection and those of others'.The work was premiered in Carnegie Hall as part of the 1939 New York World's Fair and is a wonderful example of the sumptuous string textures and modal tonalities that have become the composer's trademarks.

Paperback-Vaughan Williams fist encountered the old English folk song Dives and Lazarus when he was 21 and here presents five variants that are in his own words 'not exact replicas of traditional tunes but rather reminiscences of various versions in my own collection and those of others'.The work was premiered in Carnegie Hall as part of the 1939 New York World's Fair and is a wonderful example of the sumptuous string textures and modal tonalities that have become the composer's trademarks.