Jazz Blues Styles

An easy introduction to styles, effects and techniques not normally found in classical music. Stephanie Wagner's guide to jazz flute is full of practical examples as well as duets in every style. CD recording of all of the pieces also included. / Flûte

Par WEDGWOOD PAM. Pamela Wedgwood's Jazzin' About Styles is a brilliant new introduction to jazz, rock and pop styles for pianists at elementry level. The 16 toe-tappin' pieces range from Dixie and ragtime through swing, blues and rock 'n' roll to pop ballads, disco and even heavy metal. Each piece includes hints to help you get to grips with the style. / Niveau : Facile / Recueil / Piano

Par COROZINE VINCE. Designed to introduce the young intermediate-level pianist to playing the blues, Jazzin' the Blues presents fifteen original blues compositions in various keys, styles and grooves together with downloadable recordings of 40 of the 50 examples in the book. The audio tracks are presented both with and without the lead piano part, so the student can play along with a professional rhythm section which includes piano, vibraphone, alto flute, drums, and bass.Historical and performance notes are provided with each blues composition. The author enlisted the skills of jazz pianist Charlie Freeman in editing the book and providing fingering for both the treble and bass piano parts,making these pieces more accessible to novice players. If your knowledge of blues theory or terminology is lacking, this is the book for you! Author Vince Corozine thoroughly explores and demonstrates: blues and pentatonic scale theory, blue notes, grace notes, pedal-points, tremolos, trills, syncopation, anticipation, delayed beats, slash chords, boogie-woogie left-hand patterns, walking bass, stride piano style, straight eighths, swing eighths, passing tones, rolled chords, riffs, 'filler' chords, substitutions, and comping styles. This book also includes essential blues chord theory as well as tips on tasteful chord voicing presented in the context of accompanying a soloist (comping): in addition, the chord progressions represented by the written notation are carefully annotated in every example in the book. The Appendix includes helpful tips on comping, practice, and jazz soloing, plus a list of noteworthy jazz pianists, a key to chord symbols, and a glossary of jazz terms used in the book.If you are not a competent blues pianist when you first pick up this book, you will be by the time you complete it! Includes access to online audio. Designed to introduce the young intermediate-level pianist to playing the blues, Jazzin' the Blues presents fifteen original blues compositions in various keys, styles and grooves together with downloadable recordings of 40 ofthe 50 examples in the book. The audio tracks are presented both with and without the lead piano part, so the student can play along with a professional rhythm section which includes piano, vibraphone, alto flute, drums, andbass. Historical and performance notes are provided with each blues composition. The author enlisted the skills of jazz pianist Charlie Freeman in editing the book and providing fingering for both the treble and bass pianoparts, making these pieces more accessible to novice players. If your knowledge of blues theory or terminology is lacking, this is the book for you! Author Vince Corozine thoroughly explores and demonstrates: blues andpentatonic scale theory, blue notes, grace notes, pedal-points, tremolos, trills, syncopation, anticipation, delayed beats, slash chords, boogie-woogie left-hand patterns, walking bass, stride piano style, straight eighths, swingeighths, passing tones, rolled chords, riffs, 'filler' chords, substitutions, and comping styles. This book also includes essential blues chord theory as well as tips on tasteful chord voicing presented in the context ofaccompanying a soloist (comping) - in addition, the chord progressions represented by the written notation are carefully annotated in every example in the book. The Appendix includes helpful tips on comping, practice, and jazzsoloing, plus a list of noteworthy jazz pianists, a key to chord symbols, and a glossary of jazz terms used in the book. If you are not a competent blues pianist when you first pick up this book, you will be by the time youcomplete it! Includes access to online audio. / Jazz / Etude / Piano

An Introduction To Blues Guitar Styles, Techniques And Improvisation. Par WHEATCROFT JOHN. Cet ouvrage unique donne un aperçu approfondi de la guitare blues, de début Chicago Blues, par le biais de Memphis et Detroit Blues, le British Blues boom, Jazz Blues et de nombreux autres blues genres, jusqu'à les styles blues des guitaristes les plus chaudes d'aujourd'hui. Focus / Schott Pop-Styles / Recueil / Guitare

For more than a century, violinists have played jazz, swing, blues and similar improvisational styles. With its rich tone, considerable range, and bowed rhythms and phrasing, the violin offers a unique opportunity for a creative and personal statement as a musician. This book presents a broad sampling of the styles of major jazz violinists, from blues to bebop, from jug band to jazzgrass, from big-band swing to Texas swing. Tunes represent the styles of Stéphane Grappelli, Joe Venuti, Stuff Smith, Eddie South, Mark O'Connor, Benny Thomasson, Jean-Luc Ponty, and Darol Anger. Helpful jazz theory sections with exercises alternate with tunes that show how the theory works in practice. This book has two objectives: first, to present a broad, roughly chronological sampling of major jazz violinists and the styles associated with them, and secondly, to introduce the basics of jazz theory as applied to the violin. Whether consciously or intuitively, through critical listening or by practicing jazz patterns and exercises, the more knowledge of jazz you acquire, the better you will be able to think about the content of your playing without being bound by technical and theoretical aspects. This anthology was written to help provide that foundation. Interspersed with pragmatic jazz theory lessons, you'll find 28 original tunes in the style of various jazz violin luminaries. The book ends with an extensive discography of recommended jazz recordings with a violin focus. Mandolinists as well as other instrumentalists will find a wealth of useful information in this outstanding collection. Delightful broadcast-quality recordings of the repertoire are available online. Includes access to online audio. Written for intermediate to advanced violinists.

The Joy Of Boogie and Blues est une merveilleuse sélection de solos de piano faciles à moyennes, à la fois blues et boogie styles, y compris Cotton Mill Blues et Blues Les Whistling. Les morceaux ont été arrangés et édités par Denes Agay et Gerald Martin.'The Joy Of ...' série est une collection sans cesse croissante des éditions musicales qui est maintenant reconnu et aimé dans le monde entier.Sous la direction éditoriale établie par Denes enseignant, arrangeur et musicologue de renom Agay, la série couvre une grande variété de genres musicaux, y compris les classiques, folk, jazz, blues, du ragtime et de la musique pour enfants.Les élèves et les enseignants du monde entier ont salué la 'The Joy Of ...' livres de leur choix imaginative de matériel, les paramètres constants et accessibles, grand format de style. Les nouveaux titres sont constamment ajoutées à une gamme déjà vaste, veiller à ce que la série se poursuit comme un trésor vital croissante de la meilleure musique du monde.Cette édition CD inclut nouvellement enregistrés, spectacles de grande qualité de la musique que l'on trouve dans le livre. Ces pistes de démontrer comment les pièces doit retentir et, dans certains cas, fournir une partie de piano avec lequel l'élève peut jouer en même temps. / Piano

From Hal Leonard's acclaimed Essential Elements series for Jazz Ensemble here is an economical collection of 15 complete arrangements in a variety of styles. As a bonus feature each arrangement includes exercises for melody rhythm and improvisation. A valuable teaching tool in addition to filling your programming needs!Includes: All of Me Ballad for a Blue Horn Basin Street Blues Blues for a New Day Bubbert Goes Retro Bubbert'sGroove Ja-Da Mister Cool On Broadway Perfidia Satin Doll So What Song for San Miguel Sunday Afternoon and Take the ?A? Train.Includes 16 part books conductor score and CD

Les douze solos dans ce volume de favoris métrages populaires tels que Frankie et Johnny- Rag Peacherine- Take Me Out to the Game Ball- The Entertainer, I Love a Piano et I Aint Got Nobody.L'assortiment de styles musicaux fournit les moyens parfaits pour les élèves de piano pour découvrir et profiter de la musique à partir d'une variété de styles. Une seule pièce est dans la tonalité de ré majeur, et le reste dans C, F ou G. accessible et amusant! / Piano

Par CHRISTIANSEN COREY. Wes Montgomery took jazz guitar to a new level when he came to the public's attention in the late 1950's. Known for his fluid lines and his big jazz guitar sound, Wes influenced thousands of guitarists in the styles of jazz, blues, and rock. This book will present some of the soloing techniques that Wes used as well has present many melodic ideas (lines) similar to the way he played over the chord progression in many jazz standards. Because the major and minor ii-V-I progression are the most widely used chord progression in jazz standards, the lines in this text will work over these progressions. The accompanying CD contains many play-along tracks (vamps of one chord and vamps around the circle of fourths) that the student should use to practice the material in one key and then master it in all twelve keys. By learning the techniques used by Wes Montgomery, guitarists will add to their own improvising arsenal. As improvising musicians add to their collection of musical ideas, their ability to express themselves completely increases. Have fun studying these ideas and applying them in improvised solos. Also available in Japanese from ATN, Inc. / Niveau : Intermédiaire / Jazz - Licks and Phrases / Recueil / Guitare

Jazz Suite in Color for solo piano is an arrangement of the original Jazz Suite in Color, a trio for clarinet, trumpet, and piano. Now solo pianists can enjoy this exciting mix of jazz styles painted musically with a splash of color. As in the original, there are three movements, each with a distinctive jazz style. The first movement projects a jazzy feeling of celebration and happiness. The second movement is calm and serene, yet depicts the sadness of the blues. The third movement is a happy and carefree ragtime piece. / Piano

Here is a fresh take on the bebop blues classic by Charlie Parker. The chart starts out in a funk style and then alternates with swing sections. Soloists have a chance to improvise in both styles.