Grossman Stefan - Delta Blues Guitar - Guitar

Cette troisiéme leçon de Stefan Grossman comporte une grande variété de blues en La et Mi. Depuis les blues de Lightnin' Hopkins aux morceaux jouer avec une guitare accordée en DADGBE. Les techniques utilisées dans le style Delta Blues sont expliquées grâce qux chansons et idées de Son House, Willie Brown, Charlie Patton, Tommy Johnson et Skip James. Stefan Grossman vous donnera des conseils pour gagner en liberté lors de vos improvisation blues.Il vous enseignera également à jouer les morceaux ci-dessous. Chaque morceaux est éudié phrase à phrase, joué normalement puis plus doucement. Le livret contient toutes les partitions. 85 minutes, en anglais. / Guitare

Par GROSSMAN STEFAN. Over 50 fingerpicking guitar solos in notation and tablature in country blues, Delta blues, ragtime blues, Texas blues and bottleneck styles. An extremely comprehensive blues solo collection. 2 CD's included. / Niveau : Débutant à Intermédiaire / Blues - Solos / Tablatures / Guitare Tablatures

Pour cette seconde leçon, Stefan Grossman se focalise sur les clés de Sol et Ré, sur les techniques guitaristiques de Blind Lemon Jefferson, Rev., Gary Davis, Tommy Johnson et Lonnie Johnson ainsi que bien d'autre facettes du fingerpicking. Stefan Grossman vous fera voyager de la Caroline au Texas en passant par le delta du Mississipi. Les techniques de la main droite et main gauche seront largement étudiées. Il vous enseignera également à jouer les morceaux ci-dessous. Chaque morceaux est éudié phrase à phrase, joué normalement puis plus doucement. Le livret contient toutes les partitions. 76 minutes, en anglais. / Guitare

This extremely comprehensive blues solo collection features 260 pages and over 50 fingerpicking Guitar solos in notation and tablature in country blues Delta blues ragtime blues Texas blues and bottleneck styles.Online audio tracks are included to download.

'It is difficult to describe the transformation that took place as this smiling friendly man hunched over his guitar and launched himself bodily it seemed into his music. The blues possessed him like a 'lowdown shaking chill' and the spellbound audience saw the very incarnation of the blues as head thrown back he hollered and groaned the disturbing lyrics and flailed the guitar snapping the strings back against the fingerboard to accentuate the agonized rhythm. Son's music is the centre of the blues experience and when he performs it is a corporeal thing audience and singer become as one.' Bob Groom/Blues World'In the years before World War II Son House created some of the purest most powerful Mississippi Delta blues on record. Playing with partners Charley Patton and Willie Brown he exerted a profound influence on Robert Johnson and Muddy Waters both of whom copied his music and carried it to new generations. House's influence still echoes through the Rolling Stones Eric Clapton and many other musicians and in many respects he is the true father of what's known today as deep blues.' Jas ObrechtIn this lesson Tom Feldmann takes you step by step through 15 classic Son House tunes that span every phase of Son's recorded career. This 4 hour lesson is undoubtedly the most extensive look into the music of Son House and the techniques he developed. DISC ONE highlights 8 songs in Spanish tuning. While DISC TWO focuses on 7 songs using the Vestapol tuning (Open D) Standard and most surprising to students of House's playing Cross-Note tuning with Clarksdale Moan. Also included on DISC TWO is a bonus interview with Stefan Grossman where he talks extensively about meeting Son House and recording with him. Rare performances of Son House following his rediscovery are used throughout the lesson. The

The Blues has been called The Devil's Music. It can be played in many different ways. Each brings a different dimension to this timeless musical form. In this lesson we travel the roads and byways of the South in search ofvarious approaches to translate this musical form to the strings and frets of your guitar. From Atlanta to the Mississippi Delta from New Orleans to Texas this lesson presents diverse and exciting fingerstyle blues techniquesand styles. We explore the steady alternating bass of Mississippi John Hurt's Ain't Nobody But You Babe to the rough and tumble playing of Son House's Banty Rooster in an Open G tuning. Barbecue Bob's melodicMississippi Heavy Water Blues with it's repeating bass line motif is rearranged to a partial Open G tuning (D G D G B E) and combines the Atlanta blues sound with that from North Carolina. We get a taste of New Orleans and a moresophisticated approach for the playing of the Ray Charles hit Let's Go Get Stoned. We end our journey with Goin' Down Slow. A steady bass played blues in A with melodic lead lines but played in dropped D tuning a technique taughtto me by Mance Lipscomb.