Dvd Grossman How To Play Blues Guitar Vol.3

Par . The musical appeal of the Blues, as they began to be heard in the early twentieth century, was so infectious that musicians with open minds and ears were drawn to it as soon as they heard it. And that appeal crossed the racial and ethnic divides that characterized American society. So it was, that even before African American guitarists were recorded playing fingerstyle blues guitar, their white neighbors had already begun learning the music?listening to, watching, and imitating the musicians whose music they so admired. And what these white musicians ended up expressing in their own playing and singing was not simply imitation, but their own reconfiguration of what their models did, played in accordance with their own senses of rhythm, phrasing and how to sing the music.In Hillbilly Fingerstyle Blues Guitar, author John Miller offers transcriptions, in tablature and standard notation, of twenty-eight pieces by these white fingerstyle blues players, taken from recordings made in the period 1926?1970. Some of the featured musicians in the book, like Sam McGee, Frank Hutchison, Maybelle Carter, Hobart Smith, and Roscoe Holcomb are pretty well known, but the tunes by more obscure players like Debs Mays, Lake Howard, or Lester McFarland certainly don?t suffer by comparison, and in many instances are spectacular. The pieces have been chosen for variety, too?you?ll encounter pieces played in C, E, and A in standard tuning, as well as songs in Open G, Open D tunings and an exotic offshoot of Open G tuning. Downloadable links to all of the original performances from which the transcriptions were made come with the book, so you can get the sound of the tunes in your head. The musicians in Hillbilly Fingerstyle Blues Guitar gravitated towards the Blues because the music spoke to them so strongly that they felt compelled to make it part of their own musical language. And they did just that. These performances are strong and worthwhile in their own right, but they?ll also show you how you can honor those who have inspired you by singing and playing in your own voice. And that?s an important lesson to learn. Includes access to online audio. / Date parution : 2021-11-03/ Recueil / Guitare

Grâce à cette série de DVD, vous allez explorer divers style de fingerstyle blues guitare. Cette première leçon se focalise sur la clé de Do. Vous apprendrez les techniques de Mississippi John Hurt, Rev. Gary Davis et Blind Blake. Mais le but de cette leçon est surtout de vous permettre d'improviser en jouant du blues. Vous étudirez les morceaux ci-dessous, phrase à phrase, chaque morceau sera jouer normalement puis plus lentement. Le livret contient toutes les partitions, 85 minutes, en anglais. / Guitare

Pour cette seconde leçon, Stefan Grossman se focalise sur les clés de Sol et Ré, sur les techniques guitaristiques de Blind Lemon Jefferson, Rev., Gary Davis, Tommy Johnson et Lonnie Johnson ainsi que bien d'autre facettes du fingerpicking. Stefan Grossman vous fera voyager de la Caroline au Texas en passant par le delta du Mississipi. Les techniques de la main droite et main gauche seront largement étudiées. Il vous enseignera également à jouer les morceaux ci-dessous. Chaque morceaux est éudié phrase à phrase, joué normalement puis plus doucement. Le livret contient toutes les partitions. 76 minutes, en anglais. / Guitare

This series of lessons explores various fingerstyle blues guitar styles and techniques. It delves in to the alternating and monotonic bass techniques; blues slides hammer-ons and pull-offs and blues slurred notes. The aim of thislesson is to give you a freedom to improvise playing a blues and the playing techniques of Mississippi John Hurt Rev. Gary Davis and Blind Blake are discussed with each tune being taught phrase by phrase and played slowly on asplit-screen.Bonus audio tracks are included featuring rare recordings of the songs and styles presented on the DVD. A detailed tab/music booklet is included as a PDF file on the DVD which includes lyrics to the songs aswell as tab/music transcriptions of the guitar playing.

Country Blues Guitar styles span a wide horizon. In these three lessons the ideas and techniques of Rev. Gary Davis, Charley Jordan, Tommy Johnson and Mississippi John Hurt are presented. The arrangements vary from alternating bass to a Delta strum to a monotonic bass. In notation and tablature with three compact discs featuring 3 full hours of note-by-note, phrase-by-phrase instruction. LESSON ONE: Rev. Davis's Cocaine Blues and You Got The Pocket Book, I Got The Key both played in the key of C and in what Rev. Davis called 'old fashion' pickin'. The popular blues Crow Jane played in the key of E. LESSON TWO: Charley Jordan's Keep It Clean and Hunkie Tunkie Blues both played in the key of E and presenting Jordan's unusual blues approach. Tommy Johnson's Canned Heat played in dropped D tuning. LESSON THREE: We begin with Come Back Baby, a slow blues in A using a monotonic bass. We follow this with Mississippi John Hurt's Monday Morning Blues also played in the key of A but using an alternating bass. / Guitare (Fingerpick) / 24 pages / niveau : Intermédiaire / Partition/3-Cd Set - Format: 11 X 8,5

New Orleans Fingerstyle Blues Guitar features a mix of New Orleans-flavored fingerstyle guitar tunes. Cory Seznec takes you through songs such as Lookin' For A Woman and High Society inspired by the virtuosic playing of SnooksEaglin a laid back Latin rumba style version of Corrina Corrina a punchy brass band tinged harmonically interesting rendition of the gospel tune Give Me Dat Ol' Time Religion and an arrangement of the piano prodigy JamesBooker's scorching tune Classified.  The goal of the lesson is to help develop different right hand rhythmic techniques - rumba style thumb dragging bass movement flamenco-esque strumming; and help the playerdevelop passing chords and inversions incorporate classic bluesy New Orleanian ornamentation and generally spice up left hand techniques. Within each song Cory breaks everything down and slowly walks the player through thearrangement. For any guitarist looking to branch out and try a new 'feel'! A detailed tab/music booklet is included as a PDF file on the DVD. Each tune is taught phrase by phrase and played slowly on a split-screen.Songs include: Lookin' For A Woman High Society Corrina Corrina Give Me Dat Ol' Time Religion and Classified.

Fingerpicking Blues Guitar is a never ending study full of surprises and discoveries. Each key of the Guitar offers new sounds and textures. A blues played in the key of C sounds world's apart from a blues played in the keys of A G D or E. This series focuses on a single key for each lesson. The key of G offers specific advantages. It is ideal for the alternating bass technique i.e. Mississippi John Hurt's style of playing. In this lesson we start by learning an arrangement of Marshall Owens' 1930s recording of Try Me One More Time. This was originally played in an Open G tuning but is here arranged in standard tuning using a JohnHurt approach. Not all blues from the 1920s and 1930s were fingerpicked. Jim Jackson was a popular Memphis songster who basically strummed his Guitar. But his repertoire was full of wonderful songs. Stefan Grossman has taken his Wild About My Loving and has tried to keep the original feel by combining a strum approach intermingled with fingerpicking the melody. Little Hat Jones was an amazing fingerstyle bluesman. His Bye Bye Baby Blues was played in the key of G. Here his version is fully transcribed note for note. Blind Boy Fuller recorded many blues in the key of G. In this lesson we'll tackle three of his arrangements: Baby Let Me Lay It On You Baby Quit Your Low Down Ways and I Crave My Pigmeat. We study his playing note for note but also explore variations. By the end of this lesson you will know six great tunes and have an insight in to fingerpicking blues in the key of G. A detailed tab/music booklet is included as a PDF file on the DVD. Each tune is taught phrase by phrase and played slowly on a split-screen. As well the original old recordings are included in the Bonus Audio section. Titles include: Try Me One More Time Wild About My Loving Bye Bye Baby Blues Baby Let Me Lay It On You Baby Quit Your Low Down Ways and I Crave My Pigmeat. 100 minutes