First Festival Solos for Violin

SKU: BR.OB-5102-15

ISBN 9790004332436. 10 x 12.5 inches.

Felix Mendelssohn Bartholdy was commissioned by the city of Leipzig to write the Symphony Cantata Lobgesang for the 400th anniversary of the invention of the printing press by Johannes Gutenberg. The work was given its first performance in Leipzigs Thomaskirche on 25 June 1840. Another performance took place at the Birmingham Music Festival on 23 September 1840. The composer created a hybrid genre here, a formal designation that he took quite literally and which he used here for the first and only time: after the three symphonic movements have flowed one into the other attacca, comes the Lobgesang Cantata in several sections Alles, was Odem hat. The present Urtext edition is the first to take into account the parts which were written for the first performances in Leipzig and which help clear up a number of discrepant readings.,,Der Herausgeber hat sich die Muhe gemacht, die 1841 im selben Verlag erstveroffentlichte Partitur mit dem Erstdruck der Stimmen zu vergleichen und konnte mit im Stimmensatz gefundenen Angaben zur Artikulation, Dynamik etc. die neue Partitur enorm bereichern. (Hans Gebhard, Chor und Konzert )

The Urtext edition of the Lobgesang Symphony is the first to take into account the parts which were written for the first performances in Leipzig and which help clear up a number of discrepant readings.

SKU: BR.OB-5102-16

ISBN 9790004332443. 10 x 12.5 inches.

Felix Mendelssohn Bartholdy was commissioned by the city of Leipzig to write the Symphony Cantata Lobgesang for the 400th anniversary of the invention of the printing press by Johannes Gutenberg. The work was given its first performance in Leipzigs Thomaskirche on 25 June 1840. Another performance took place at the Birmingham Music Festival on 23 September 1840. The composer created a hybrid genre here, a formal designation that he took quite literally and which he used here for the first and only time: after the three symphonic movements have flowed one into the other attacca, comes the Lobgesang Cantata in several sections Alles, was Odem hat. The present Urtext edition is the first to take into account the parts which were written for the first performances in Leipzig and which help clear up a number of discrepant readings.,,Der Herausgeber hat sich die Muhe gemacht, die 1841 im selben Verlag erstveroffentlichte Partitur mit dem Erstdruck der Stimmen zu vergleichen und konnte mit im Stimmensatz gefundenen Angaben zur Artikulation, Dynamik etc. die neue Partitur enorm bereichern. (Hans Gebhard, Chor und Konzert )

The Urtext edition of the Lobgesang Symphony is the first to take into account the parts which were written for the first performances in Leipzig and which help clear up a number of discrepant readings.

SKU: BR.OB-5380-16

Dvorak's Requiem is one of the Czech composer's great sacred works and one of the greatest Requiem settings in music history.

ISBN 9790004341834. 10 x 12.5 inches.

The profound impression it makes on us is due in part to the sequence of variations on a death motif that seems to have been borrowed from the beginning of the second Kyrie from Bach's Mass in B minor. Written in 1890, it was commissioned by the publisher Novello for the Birmingham Music Festival and premiered there under the direction of the composer on 9 October 1891. For this performance, Dvorak used a copy of the score which he had personally examined and which later served as the engraver's copy. The Dvorak scholar Klaus Doge succeeded in tracking down its location and evaluating this important source for the first time. It contains the Fassung letzter Hand and, moreover, offers valuable insights into Dvorak's conducting workshop. It served as the principal source for the Breitkopf Urtext edition.

Dvorak's Requiem is one of the Czech composer's great sacred works and one of the greatest Requiem settings in music history.

SKU: BR.OB-5380-15

Dvorak's Requiem is one of the Czech composer's great sacred works and one of the greatest Requiem settings in music history.

ISBN 9790004341827. 10 x 12.5 inches.

The profound impression it makes on us is due in part to the sequence of variations on a death motif that seems to have been borrowed from the beginning of the second Kyrie from Bach's Mass in B minor. Written in 1890, it was commissioned by the publisher Novello for the Birmingham Music Festival and premiered there under the direction of the composer on 9 October 1891. For this performance, Dvorak used a copy of the score which he had personally examined and which later served as the engraver's copy. The Dvorak scholar Klaus Doge succeeded in tracking down its location and evaluating this important source for the first time. It contains the Fassung letzter Hand and, moreover, offers valuable insights into Dvorak's conducting workshop. It served as the principal source for the Breitkopf Urtext edition.

Dvorak's Requiem is one of the Czech composer's great sacred works and one of the greatest Requiem settings in music history.