Debussy Gold

Retrouvez un collection des ?uvres essentielles de Claude Debussy arrangées pour piano facile. / Classique / Partition /

Une collection des meilleures oeuvres classiques tirées des collections d'anthologies. Comme à chaque fois, chaque morceau est présenté avec soin pour piano solo, avec au choix des chefs d'oeuvres reconnus, dont ceux de Bach et son Air pour instrument à cordes en sol, l'Entertainer de Joplin et le Clair de Lune de Debussy à apprendre, à maîtriser et à apprécier. / Classique / Partition /

Un célèbre collection des meilleurs ouvrages classiques de cette série très réussie d'anthologies, y compris un CD avec des performances de tous les morceaux. Comme d'habitude, chaque pièce a été soigneusement présenté pour piano solo, avec un choix de chefs-d'oeuvre reconnus, y compris Air de Bach On AG String, Entertainer Joplin et Debussy Clair De Lune pour vous d'apprendre, maître, et en profiter. / Piano

Par DEBUSSY CLAUDE. / Date parution : 2022-05-31/ Répertoire / Quintette de Cuivres

Third edition of the world's biggest songbook. This is a vast bumper collection, perfect for buskers, of 1001 all-time hit songs.Whatever your taste, there's guaranteed to be tonnes of songs you'll want to play, this book will last you years!Inside the spiral bound cover you will find a generous selection of hit songs, golden standards, jazz and blues numbers, classical pieces, hymns, gospel songs, stage, film and musical music! Arranged here in Melody line arrangements for Piano, Organ, Electronic Keyboards, Guitar and all C instruments, complete with lyrics and chord symbols. / Ligne Mélodique, Paroles Et Accords (Avec Grilles D'Accords)

Exam boards: Edexcel AQA OCR WJECModernism in Focus brings together challenging but rewarding works by Picasso Matisse Joyce Eliot Stravinsky Debussy and Schoenberg examines what they have in common and how they define Modernism. Suitable for both students and teachers this guide provides some much needed insight into Modernists??? apparent obsession with strange chords characters and colours discord sex madness and violence. It also takes a look at tonality atonality expressionism and serialism from a new perspective.

Composed between 1973 and 1976  Ainsi La Nuit for String Quartet is one of the most important works of its genre by Henri Dutilleux (1916-2013) a French composer following the paths of Maurice Ravel and Claude Debussy. Commissioned by the Koussevitzky Foundation for the Juilliard Quartet  Ainsi La Nuitis based on a series of studies lasting 18 minutes and divided into 7 sections: 1. Nocturne 2. Miroir d'espace 3. Litanies 4. Litanies II 5. Constellations 6. Nocturne II 7. Temps suspendu Built on single hexachords it also uses theoctatonic mode and focuses on harmonies contrasts and oppositions of register. Henri Dutilleux was internationally acclaimed for his work winning prizes such as the Gold Medal of the Royal Philharmonic Society and the UNESCO's International Rostrum of Composers among many others. His work also includes a Piano sonata two symphonies the Violin concerto 'L'arbre des songes' (The tree of dreams) and the Cello concerto 'Tout un monde lointain' (A whole distant world).

Instrumentation: piano Edition: score Publisher: Eberhard Mayer OEuvres pour piano/Klaviermusik/Piano Music Edition en 10 recueils/Edition in 10 Bänden/Edition in 10 volumes Volume 1: Femmes de Légende Editor: Eberhard Mayer Item no.: fue 4180 Difficulty: medium ISMN: 979-0-50012-918-9 Contents: Mélisande, Desdémona, Ophelie, Viviane, Ph?bé, Omphale und Salomé The pieces for piano represent a great stylistic variety. One gets the impression that Mel Bonis may have intended to give a summary of musical development, not quoting historic styles but adapting the past through her personal tone and to translate it into contemporary musical language. The first volume includes an original series of musical portraits dedicated to legendary women, where Mel Bonis explores the enigmatic feminine universe. ?Femmes de légende? A collection we have called ?Femmes de légende? contains seven piano pieces by Mel Bonis named after women whose fates have become legendary. They have not always been arranged in this way. The first piece, ?Mélisande?, was published separately by Alphonse Leduc in 1898. In 1909, a collection called ?Trois pièces pour piano? (Three pieces for the piano), dedicated to the composer Paul Locard and which included ?Ph?bé?, ?Viviane? and ?Salomé?, was published by Leduc. In 1913, ?Mélisande? was added to the four last pieces for a final collection called ?Cinq pièces?. ?Omphale? appeared in a Berlin edition ?Signale für die musikalische Welt? in 1910. As to ?Ophélie?, it was never published in Mel Bonis? lifetime and we discovered a manu-script in 1997 without any indication at all of when it was writ-ten. ?Ophélie? was first published by the publishing house Ar-miane in Versailles in 1998. Mélisande (1898) Written before Debussy?s famous opera, Mel Bonis? piano piece ?Mélisande? was also inspired by the poet Maeterlinck (Mélisande, 1893). These short pages of magical harmonies, of radi-ant impressionist colours use music to describe Mélisande?s hair as described by Pelleas: ?your hair and its beautiful light... It escapes everywhere, it shivers, it shakes, it trembles in my hand like a golden bird.? This piece enjoyed quite a success in Mel Bonis? lifetime. She noted of it ?my favourite? in the margin of her hand-written catalogue. Desdémona (1913) The female heroine in Shakespeare?s ?Othello? inspired Mel Bonis to write a nostalgic piece with a fairly easy, rather classical beginning, a kind of romance without words, of great elegance and of a deep and melancholic beauty. Ophélie Ophelia, the lover of Shakespeare?s Hamlet, is a deeply melan-cholic character who goes mad and drowns in mysterious cir-cumstances. Ophelia inspired the poet Rimbaud and the painter Millais ? each of them created a masterpiece. Mel Bonis too evokes images of water, sadness and death in music for a third work of art. With its delicate and chilling beauty and also with its moments of passion, this impressionist piece - the work which owes most to Debussy - calls for great intelligence when performed. Viviane (1909) The figure of the fairy of the lake is musically described here in a well-structured, many-facetted piece; first of all, the initial dancing theme has an air of the ?salon? about it, typical of its time, evoking the fairy?s charm, her smile. Then follow succes-sions of majestic chords and fluent harmonies which represent the underwater castle and the fairy?s power. This piece is easily approachable. Ph?bé (1909) The sister of Phoebus, the sun, symbolises the moon, the night, chastity. The piece creates an impression of night. Steeped in twilight, languor and a sense of immense space, the atmosphere is one of unreality. This feeling of alienation is reinforced by the incoherence of rhythm between the two hands. Salomé (1909) Inspired by the Orient, Mel Bonis creates a very original musical illustration of the biblical character of Salome. She is characterised by shifting moods in which slow syncopes follow light glissandos, and urgent, mysterious psalmodies accompany sensual melopeias, where surprising tempo varia-tions lead to outbreaks of violence. With its relatively difficult beginning, this piece is especially interesting from the viewpoint of research into interpretation. Omphale (1910) The queen of Lydia is a female character from the violent depths of Greek mythology. This powerful female is described here with glittering sensuality and Oriental subtlety. The impressive work shows a complex structure both in harmony and rhythm, it is a lively and rich work which calls for much thought and great virtuosity on the performer?s part. ?Omphale? was awarded a prize for composition by the Berlin magazine ?Signale für die musikalische Welt? in 1910.

A spectacular collection of blockbusting themes from all your favourite silver-screen classics! From the show-stopping pieces of the compelling Shine, through the seedy Jazz of LA Confidential to the suave Ocean's Eleven and the dramatic Apocalypse Now, who can forget these marvellous music moments that have provided depth and character to such celluloid masterpieces - and this is but a handful of the melodies and themes on offer in this unique anthology. All twenty-five fabulous pieces have been carefully arranged as breathtaking Piano solos for you to enjoy again and again. / Classique / Partition /

Accompaniment CD for the folio featuring 17 pieces appropriate for recital or contest use. Contents: Allegro Maestoso (Handel) ? Allegro Spiritoso (Senaille) ? Andante (Beethoven) ? Andante (Gluck) ? Aria(Lotti) ? Bourrée I (Bach)? Country Dance ? La Cinquantine (The Golden Wedding) ? Larghetto (Handel) ? Lento (Schumann) ? Lullaby ? Menuet (Mozart) ? Nina (Pergolesi) ? Romance? Sicilienne (Debussy) ? The Swan (Saint-Saëns) ? Village Song (Popper).