Cadenzas Mozart Piano Concertos KV 482/537

by Beethoven (Opus 37, Opus 58) and Mozart (K466). Par SCHUMANN CLARA. Clara Schumann?s cadenzas to piano concertos by Beethoven (Opp. 37 and 58) and Mozart (K466) not only give a unique insight into her performing and composing style; they also throw light on her relationship with Johannes Brahms, whose cadenzas have considerable similarities to those of Schumann. This Urtext edition of the cadenzas includes a preface in which the renowned Canadian pianist Ludwig Sémerjian explores the interaction between Schumann and Brahms. The edition also marks the first publication of Clara Schumann?s early cadenzas for Mozart?s D minor Piano Concerto, previously only available in the manuscript in the Library of Congress in Washington DC. / Date parution : 2023-06-01/ Recueil / Piano

Mozart?s concertos for Violin and Orchestra belong to that elite group of works determining a Violin players abilities; they are elegant and transparent with demanding passage-work. The Concerto In D Major K.2 271a the ?6th? Mozart Violin concerto has come down to us in two separate sources a French set of parts and score copy as well as a Berlin score. The editorial board of the New Mozart Edition considers this concerto to be of doubtful authenticity. There are however many musicologists who feel that the work has numerous Mozart attributes.This new publication takes both the above mentioned sources into account andincludes the cadenzas from the respective New Mozart Edition volume appendix although these are certainly not from Mozart's pen.- The ?6th? Mozart Violin concerto!- Cadenzas from the sources.- With an alternative ending.- Additional solo part with fingerings and bowings.- Straight-forward Piano reduction.- Full score and performance material (BA5769) and Violin and Piano reduction (BA5769-90) available for sale.

Edition complète, commentaire critique, Abteilung VII, Band 7, reliure paperbackEditeur du commentaire critique: Friedhelm Loesti / Piano / 30 pages / Edition Complète

in Full Score. With Mozart's Cadenzas for Nos 12-16.-With Mozart's Cadenzas for Nos 12-16. Breitkopf & Hortel edition.

According to Mozart's own catalogue, K. 491 was completed on 24 March 1786 - it was Mozart's only piano concerto aside from K. 466 that was in a minor key. It was probably first performed two weeks later as part of an 'academy? at the Burgtheater in Vienna. Mozart was extremely pressed for time while composing this work, a fact that is shown both by the cursory way in which the autograph was written and by the repeated corrections. Unlike earlier publications, our edition contains the definitive version as in Mozart's manuscript. The piano reduction of our edition was undertaken by the celebrated pianist András Schiff, to whom we also already owe our reductions of the concertos K. 453, 467, 488 and 503 (HN 765, 766, 767 and 825). He also supplied the fingerings for the solo part, the cadenzas and the lead-ins. / Piano

Après sa cadence spectaculaire de Beethoven Concerto en ut mineur (contenue dans ED 20140), le célèbre pianiste turque et compositeur présente maintenant cadences de deux des plus populaires concertos de Mozart. Imiter timbales et les cornes de façon virtuose, t / Piano

Instrumentation : Pf Content : Mozart K466; Beethoven Nos.3 & 4 Editor :Schumann