/ Piano
SKU: HL.50481983
UPC: 073999934250. 9.25x12.5x0.052 inches.
SKU: BR.PB-4429
You will find the original cadenzas under Mo zart, 36 Cadenzas for his own Piano Concertos. The edition EB 8577 Bu soni, Cadenzas for W. A. Mozart's Piano Concertos also contains cadenzas fo. Solo concerto; Classical. Full score. 64 pages. Duration 24'. Breitkopf and Haertel #PB 4429. Published by Breitkopf and Haertel (BR.PB-4429).
ISBN 9790004203408. 9 x 12 inches.
SKU: BR.PB-4432
The edition EB 8579 Bu soni, Cadenzas for W. A. Mozart's Piano Concertos also contains cadenzas for the Piano Concerto in Eb major K. 482.
ISBN 9790004203439. 9 x 12 inches.
SKU: BT.PMC4115
Kadenzen - KV467 - KV482 - KV491 - KV503 - Mozart.
SKU: HL.132939
UPC: 884088977733.
SKU: BT.SCHBB101718
SKU: BT.SCHBB101774
SKU: BR.OB-5300-26
You will find the original cadenzas under Mo zart, 36 Cadenzas for his own Piano Concertos. The edition EB 8577 Bu soni, Cadenzas for W. A. Mozart's Piano Concertos also contains cadenzas for t. Solo concerto; Classical. Part. 8 pages. Duration 35'. Breitkopf and Haertel #OB 5300-26. Published by Breitkopf and Haertel (BR.OB-5300-26).
ISBN 9790004335130. 10 x 12.5 inches.
Robert Levin's brilliant and inspired recording (with Christopher Hogwood and the Academy of Ancient Music) and Breitkopf's new edition have two things in common: their historically well-founded approach and the editorial team consisting of Robert Levin and Cliff Eisen. Here, Urtext signifies an eschewal of a final version that never existed and that Mozart himself had never even envisaged. On the contrary, Levin and Eisen pursue an editorial philosophy tailored to Mozart and his music: Standardization is the greatest aesthetic threat in the performance of Mozarts concertos. To prepare the score of the new edition, the editors were able to consult the autograph, located in Krakow, for the very first time. The new edition clearly incorporates a much broader base of findings than any previous edition, including the NMA. At the same time, the score and piano reduction offer a wealth of additional information on performance practice gleaned from further authentic sources, including observations on continuo practice, instruments, size and disposition of the orchestra, ornaments, tempo and character, cadenzas and flourishes.
